Happy New Year!

  I can’t believe it’s only been several months since I last greeted you all a happy New Year! Now it’s going to be 2011. I am excited about what the year will bring. And yes we will have Celtic artists featured here. I will publish the interview I did for Sue Aston. That’s going to be next week. Now please enjoy the music and the good vibes.

Mary Fahl is not really Celtic-just Celticky but I feel I want to share this wonderful cover of a Pink Floyd song-Live!

And yes…Celtic Blues.

Girsa:Bringing the Emerald Isle to American Music

Sweet, sad, energetic and calming…

Maeve Flanagan
fiddle/whistle

Deirdre Brennan
fiddle/mandolin/vocals

Kristen McShane
fiddle

Margaret Dudasik
fiddle/vocals/low whistle/dancing feet

Blaithin Loughran
accordion

Bernadette Flanagan
piano/bodhran/dancing feet

Pamela Geraghty
accordion/vocals/guitar

Emily McShane
piano/vocals/bodhran/guitar

Girsa-A combination of beautiful instruments and voices in the veins of Alysson Krauss and Solas. These young women have what it takes to charm even the jaded listeners with their energetic but  at times calming music.  I’d like to thank Christi Broersma for bringing this band to my attention. Girsa—pronounced geer-sha and meaning “young girls ” in Gaelic—is a group of eight Irish American teenagers wholive in and around Pearl River in Rockland County(the same place where Mary Fahl came from). . Instrumentation includes fiddle, accordion, whistle, mandolin, piano, and guitar. Two band members are also dancers. Immigrant Eyes is a track recorded and rendered with clarity and control. It is Irish but at the same time American. It is also one song that Guy Clarke recorded in 1993 for his Old Friends album. The lyrics:

Oh Ellis Island was swarming
Like a scene from a costume ball
Decked out in the colors in Europe
And on fire with the hope of it all
There stood my father’s own father stood huddled
With the tired and hungry and scared
Turn of the century pilgrims
Bound by the dream that they shared
They were standing in lines just like cattle
Poked and prodded and shoved
Some were one desk away from sweet freedom
Som were were torn from someone they love
Through this sprawling tower of babel
Came a young man confused and alone
Determined and bound for America
And carryin’ everything that he owned

Chorus
Sometimes when I look in my grandfather’s Immigrant Eyes
I see that day reflected and I can’t hold my feelings inside
I see starting with nothing and working hard all of his life
So don’t take it for granted say grandfather’s Immigrant Eyes

Now he rocks and stares out the window
But his eyes are still just as clear
As the day he sailed through the harbor
And come ashore on the island of tears
My grandfather’s days are numbered
But I won’ t let his memory die
‘Cause he gave me the gift of this country
And the look in his Immigrant Eyes

I swear this song made it hard for me to see the computer screen because I was trying hard to fight back the tears. Such sweet and sad song. I don’t know about you lads but if there is one song that’s really worth listening to as we think about the blessings we have in our lives and how those before us have given their blood, sweat and tears to bring us to where we are now then this is that perfect soundtrack. As the year draws to an end this is an eye-opener. And we should give love to one another as intensely as we can while we are still alive and while we are still capable of giving that love. because through all the pain let us find comfort in everyone in this cold mad world.

Know more about this wonderful group:

http://www.girsamusic.com

A Peek Into Phil Holland and Dave Palmley’s The Visit

Phil Holland sent me a Christmas gift. It’s a track off the new album The Visit. Yes I heard it first before it’s been released and I felt so privileged to be part of this very interesting project between her and Dave Palmley. I’ve known Phil for a time now when I got to interview her.

“Brave warrior and I Into Battle Jig” is a beautiful track. Somehow it reminds me of the instrumental pieces that Loreena McKennitt makes. It evokes the history of the continental Celts as they go into battle with the Romans during the time of Julius Caesar. It’s a piece of haunting , sad but also uplifting melodies. There are moments of pure contemplative power especially in the  first part and then it gathers tempo around 1:39. I found myself swaying and tapping my foot.  I literally got goosebumps. The duo has cast a spell with this song.  I know you guys will not only single out this song but will love the whole album. As for the vocals, Phil has created a refreshing take on traditional materials with her distinctive style. Very different .

This is what I enjoy about collaborative work. The mixing of ideas from different styles always create something special. It’s like a witches’ brew that puts a spell on you. Now if you want to hear other tracks off this album, I am providing links to YouTube. I tell ya fellas they made my eyeballs roll!

If you want to buy a copy, please contact: lmcrecords2011@gmail.com

For the other songs please visit their youtube channel:

http://www.youtube.com/user/PhilandDavePalmley

Album TRACK LIST:

1: BRAVE WARRIOR, I and INTO BATTLE JIG (Holland and Palmley)
2:BAIDIN FHEILIMI (trad arr by Holland and Palmley)
3:WHISKEY IN THE JAR (trad arr by Holland and Palmley)
4:THE DOYLES’ BIG DAY OUT IN DUBLIN (Holland and Palmley)
5:THE VISIT (Holland and Palmley)
6:THE CLARE JIG and FROM THE NEW COUNTRY (trad arr by Holland and Palmley)
7:SHIP WITHOUT ANCHOR (Holland and Palmley)
8:THE BUTTERFLY JIG (trad arr by Holland and Palmley)
9:BONNIE DOON (trad arr by Holland and Palmley)
10:THE HILLS OF CONNEMARA (trad arr by Holland and Palmley)
11:THE 24 CARROTS JIG (Holland and Palmley)
12:MY HOUSE (Holland and Palmley)


Poitin’s Evocative Spirit:An Interview

The Celtic band from the Czech republic is keeping the world under a spell…




Jeremy Poitin

Jeremy Poitin

Irresistible spirit, frisky optimism and Gypsy charm-all these elements meshed into patterns that make Poitin really worth you ears.  I’d say, without my curiosity then this band would be something on an album cover or a magazine-interesting to hear or look at but never definable. Talking to the band’s lead man Jeremy, gave me a glimpse not only of the band but the personality of  the one who help shape it, the little things that make up the albums interesting and yes-that dear little goblin!

Personally I subscribe to their newsletter a year ago. So that gives me up to date news as to what they will be doing next. The country Czech Republic has always been a source of curiosity to me–from Franz Kafka, Dvorak and other colorful personalities, I also have a friend who lives there but we lost contact through the years. I wish he comes across someday -like a message in a bottle. Here’s the wonderful Interview I did with  the band’s frontman Jeremy. Enjoy!

Recording....

Recording....

1. I love your approach in traditional music. It is energetic,brave and it has a lot of mix on it. how did you develop this sound?

Glad you like the energy, Baxter. The energy comes from the musicians as much as the music, I suppose. Irish dance music naturally has a lot of energy in it, but it’s important to not let the energy and enthusiasm take over from the rhythm and melody. That energy needs to be focused, and when it is, and everything comes together there’s nothing like it. Each of us brings his or her own influences to what we play-Kuba (guitar) and Honza (bouzouki, banjo, whistles) actually have a background in traditional Czech folk music and dance, and Honza really likes Eastern European melodies and rhythms, so most of our albums have at least something ‘Slavonic’ or ‘Balkan’ tucked away in there. The title track from Bofiguifluki is a good example of that-it’s actually made of two tunes written by Kuba and Honza respectively, finished off with a traditional Eastern European tune. It’s got everything apart from the kitchen sink in there-sax, darbuka, bouzouki plus the more traditional Celtic instruments. We had a great time putting that set together and it always surprises me how all these different instruments complement each other so well.

2.Czech republic  is a country bursting with literary, artistic and musical talents. What is it about your country that brings out the best in her people?

It’s true. And the Czech Republic is also a country bursting with artistic talent, too! It’s a small country with a complex history, so some people aren’t sure exactly where it is or what it’s called (some think it’s still Czechoslovakia). I mean, when I first headed out this way from England, I wasn’t sure exactly where it was either! Maybe because the Czech Republic is in the centre of Europe it is a mixing pot of cultural influences. It has Germany and Austria on one side and Slovakia and Poland on the other and it’s not far north of Italy. All of these countries have rich cultures and I guess it’s inevitable that some of this should be seen in Czech culture too. The Czech Republic also gave birth to the term ‘bohemian’ which has all kinds of connotations, mostly good!

3.You play a number of instruments. What’s your favorite?

I only play the bodhran and sing, but it’s true the band uses and has used loads of different instruments-harp, accordion, banjo, bouzouki, whistles and flutes, sax (alto and soprano), guitar, fiddle, didgeridoo…I’m sure there’s more. I don’t have a particular favourite, although I do have a soft spot for the bouzouki-I love the bell-like tones that Honza gets out of it.

4. Tell us about your current albums and anything we can expect after this year?

The two albums we have out now are Jiggery Pokery and Bofiguifluki. Jiggery Pokery was released last year as an introduction to the band and looks at what Poitin has achieved since it got together back in 1996. It takes tunes from all our previous album releases, ‘Poitin’, ‘De la Basse Bretagne’ and ‘Hot Days’ plus some new experimental remixes by DSPI. I think it shows how the band has changed and developed and evolved really well over the years; the raw energy of the first album with accordion and harp, the melancholic and haunting second album with Neige our French vocalist and her Breton influences and the third album where Helena’s saxophones have a strong role in the whole feel of the album. I think that the new album Bofiguifluki combines all of these feelings and emotions and is a great expression of where we are now as a band. We’re already talking about recording a new album for the end of next year, which is great. We’re always getting new ideas, and as you’ve heard, we’re also experimenting with DSPI and celtic electronica. This week we’re debut-ing a live set incorporating acoustic instruments and DSPI remixing live on stage. I’ll let you know how it goes!

5.I noticed this little dwarf?elf/ in your band pic. What’s the significance?

Oh yes, that little goblin! Our first bodhran player, Tonda Mužík, is a sculptor and painter(yes, the country really is bursting with artistic talent) and we took the photo in the old vicarage where lives. As he wasn’t in the band any more, we wanted to have something that reminded us of him and this little guy happened to be lurking in the corner so we asked him to join us. I also just realised that in Czech, ‘mužík’ means ‘little man’, so it’s quite appropriate,really! He could also be a stand-in for Dick(the didge) Savage who couldn’t make the photo shoot-but Dick is a little more active on stage than the wooden goblin!

6. There are elements of fusion in your music. I hear a little bit of Gypsy,Jazz and other styles. So far this is working because a lot people nowadays are open about music. Do you see your band incorporating this in your future recordings?

I think we’ve always been influenced by other styles of music. Otik previously played jazz guitar before founding Poitin, and now he plays fiddle, so he’s bound to have brought some jazz with him, and there’s bound to be a gypsy/klezmer influence in there somewhere what with our central European location, especially when we’re incorporating instruments such as Helena’s alto and soprano saxes. And our latest experimentations have been with electronic sounds courtesy of DSPI. Thank goodness there are a lot of open-minded listeners out there! However, we had a Bob Dylan ‘Judas!’ moment the other day when we premiered some of our electrocelt material. Remember that famous live recording of Dylan when he played on an electric guitar and someone in the audience cried out ‘Judas’? Well, a similar thing happened to us, and Dick (DSPI) was booed by someone as he started his live mix with us. The majority though were really ecstatic at this development in the music and were really getting into vibe and dancing fit to burst! We’d kind of expected some sort of criticism, but I think music should not be static, otherwise it can stagnate, and if you don’t experiment, then you don’t evolve. Sure, you’re going to maybe make mistakes along the way, and upset a few people, but all of the greatest musicians upset people by taking their genres (and their listeners) to places they’ve never been before. I mean, it’s hard to believe that the Bothy Band, the Chieftains and Planxty were all considered revolutionary in their day, but now look at them, they’re thought of as being the ‘establishment’ nowadays. So, to answer your question, yes, we’ll continue to incorporate elements from other genres into our music and see where it takes us!

7. Do you think social networking sites such as facebook and twitter helped in spreading the music out there-the mediums which weren’t available 10 years ago?

Goodness, yes! When we started, back in 1996, nobody knew what the Internet was. We were still listening to music on vinyl in the Czech Republic! Oh, and cassettes, too. Nowadays it’s much easier to let people know what you’re doing by posting a YouTube video or uploading an MP3 to MySpace or any one of the myriad other music websites. And of course, unlike 10-15 years ago, it’s not just people in your own home town who get to hear the music; it’s people like your good self on the other side of the planet who we can have a dialogue with. I just had a look at recent CD sales on CDBaby-something else which wasn’t around 10 years ago- and people from the Philippines to Italy to LA have all downloaded our music-it’s crazy and wonderful! Having social networking allows us to have a relationship with our fans and vice versa wherever they are in the world. That must be a good thing!

8.It’s winter and I read about upcoming shows. How do you guys prepare yourselves for gigs?
Winter-right! It’s been a snowy and cold one so far in the Czech Republic. We’ve all been pretty healthy (apart from me-I’m suffering from a cold at the moment!), and we have a regular Tuesday night session in a very accommodating pub in Pilsen which serves as a rehearsal and a fun night out for everybody, including guests. No special preparation needed, just a love of the music, a warm coat, and maybe a drop of the rare old mountain dew to warm the cockles 🙂

Thanks for the great answers.

You’re very welcome, Baxter-I hope they make some kind of sense! It was a pleasure. Thanks so much for being interested. All the best to you and thanks for everything you’re doing for Celtic music. Jeremy and Poitin.

Links

http://www.myspace.com/poitinkapela

http://www.cdbaby.com/Artist/Poitin

www.soundclick.com/poitin

www.reverbnation.com/poitin

www.poitin.cz (in Czech)

www.facebook.com/pages/Poitin-Celtic-World-Music

www.facebook.com/jeremy.poitin (Jeremy on FaceBook)

www.twitter.com/poitincz

http://www.youtube.com/PoitinCZ

Jaroslav „Oto“ Macháček - housle Jakub Siegl - kytary Jan Brabec - bouzouki, tin whistle Jeremy Marc King - zpěv, bodhrán Saša Šantorová - příčná flétna Dick Savage j.h. - didgeridoo, spoons

Jaroslav „Oto“ Macháček - housle Jakub Siegl - kytary Jan Brabec - bouzouki, tin whistle Jeremy Marc King - zpěv, bodhrán Saša Šantorová - příčná flétna Dick Savage j.h. - didgeridoo, spoons

Shishonnah’s First Single “Dance With The River” Coming This New Year

(L) Jenne Lennon (R) Liz Madden Photo by Roland Labana

New updates from Jenne Lennon !

I chatted with Jenne Lennon over Skype and it’s been confirmed. The new single by Shishonnah will be out this early New Year which will introduce the album next year. According to Jenne:

Liz(Madden) and I are hard at work in the studio. Our first single “Dance With The River” is going to be released in the early new year as an album teaser. We were just notified yesterday as a matter of fact, that the full length album will be released April 20. The first three tracks are up on Shishonnah’s myspace,with the rest of our sites to follow soon. So all is well on the album front. Hope you have a very blessed holiday season!

Looks like there is no stopping this lovely duo and their lovely music. Sweet anticipation. And just look at these gorgeous pictures!

http://www.myspace.com/lizmadden

http://www.myspace.com/jennelennon

And they have a facebook page as well: http://ja-jp.facebook.com/pages/Shishonnah/140230299335002

by Roland Labana