Cillian Doheny: My Life as a Member of a Traditional Irish Band(Interview)

Also in this edition: The Picts and Flutatious

Cillian Doheny; All Ireland Champion.

Riding the thunder: Apart from jamming with U2’s Bono and The Edge, Cillian Doheny gives us an insider’s look at the life of a musician in a traditional Irish band.

Cillian Doheny is based in Limerick Ireland. He plays the Tenor Banjo, Nylon & Steel String Guitar and  Mandola for Moxie. The band will release their first music video in January of 2013. They will also release their debut album next year. We will see the future of this amazing trad Irish band taking off and wowing listeners in both sides of the Atlantic.

What is it like to be a young musician playing in a trad band? Especially for someone who has bagged an All Ireland Winner title on Tenor Banjo under 18 years at the All Ireland Fleadh Ceoil held in  August 2009? Ha! You shall find out. His recordings can be found in his Myspace music page.

Music is created through friendships with other musicians. This how the trad scene  continues to flourish. I notice more and more young ones getting into the music, performing and creating them. I see a bright future in the traditional Celtic music scene. It is a world that continues to blossom with such vigor that will make even those who don’t normally listen to such music stop in their steps and listen.

I appreciate this interview with Cillian. He is down to earth, enthusiastic and he also loves promoting other musicians. These qualities make him such a great asset to those whom he collaborates with. So other than the terrific banjo playing, with fingers that move like lightning, this young man is in the right and exciting path.

Your bio says you started playing music since you were 11. Now you have mastered theTenor Banjo, the Guitar (nylon and steel), Bouzouki, Bodhrán and Mandolin. What is your main instrument now and why?

My main instrument would have to be the tenor banjo. The reason for this is my love for the sound of the instrument. I’ve also found that it’s very adaptable in most genres of music as well as traditional Irish music, which is great news to my ears.

In one unique occasion you jammed with U2’s Bono and The Edge. How did this happen and how was the experience?

This experience was one of a kind and a great opportunity to catch up with the U2 members and see what they were like. Although they had a hectic day of travelling with their flight having to be rerouted to Shannon from Dublin due the bad weather at the time, they were very friendly, good fun and loved the music.

You have a new band called Moxie. Can you give us a brief timeline of the band’s activities up to the release of the debut album next year?

We formed the band at the annual Sligo Live festival in 2011 and since then we’ve been getting on great. At the moment we are looking at releasing our new EP, recorded and mastered in Big Banna Studios,Co. Antrim by Seán Óg Graham which will hopefully be available before Christmas. We have played at festivals such as Celtic Fringe Festival ( Jun 2012), North Atlantic Fiddle Convention ( Jun 2012), All Ireland Fleadh ( Aug 2012 ), Tuam Traditional Festival ( Sep 2012 ) and of course we just made our second appearance at Sligo Live this year which turned out to be a huge success for us a year on. We have plans to bring out our debut album in late 2013 but we’re not rushing with anything yet as there is plenty of time to perfect the sound and we are also waiting on a band member to finish out his exams.

What is so great being in a trad band composed of young people your age?

Tenor banjo master

I suppose the best thing about it without a doubt is the craic that we have. We grew up with each other playing music while having great fun all down through the years, to all of us that means a lot and without that it wouldn’t be what it is.

Do you have a kind of routine when you start recording with the band? And also, what do you do to make sure you give optimum performance both in recording and playing live?

Well I am going to use the overused and sometimes overlooked statement, “practice makes perfect”. Once the music is tight and everyone is comfortable with the arrangements, that’s when we can relax and work on the sound as a whole.

If given a power to change the music scene, what are the things you want to happen?

If I was given the power to change the music scene I would make undiscovered artist’s / band’s music widely available to the worldwide public. There are so many amazing musicians out there that don’t get the recognition that they deserve due to lack of funding or funding authorities making it difficult for up and coming artists to get recognized.

Please complete this sentence: When I am not playing music I………..

When not playing music I am usually writing music, listening to music, practicing or going to see gigs with friends. I also enjoy photography and I am a bit of a technology freak too.

What is something you can’t live without when you go on a tour?

Well I’ve had a long think about this and the answer would probably have to be my hair straightener… Kidding! My iPod would definitely be one of my prized possessions on tour, as I would most likely go insane without it.

Moxie on stage

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The Picts

Members:

Grant McConnell- Accordions, Guitars, Bass, Vocals and anything else he can get his hands on..Douglas McQueen Hunter – Vocals, Guitars, Mandolins, 5 String Banjo and things that need plucked….Jeremy Stirling- Keyboards, Pianos and things that need plonked….

David Murray- Pipes, Whistles, Mouth-organ and things you blow.

Neil McDonald- Drums, Percussion and thing that need hit

Tracy Carmichael – Technical advisor, lighting and sound, driver and stage manager and anything that requires sorting.


Hometown Glasgow & East Lothian

Hypnotic,energetic and stunning! The Picts are a part of a New Wave of Celtic bands hailing from Scotland.   According to the band’s bio:

Formed in February 1997, The Picts have become one of the most popular live acts on the folk rock and concert scene. They have reached out with their unique brand of celtic rock and captivated hundreds of audiences both at home and abroad. There is a considerable influence of original material combined with the traditional. The songs and instrumentals are upbeat, powerful and irresistible for dancing, yet retain their original sentiment, feeling and intimacy.

A lengthy bio can be found here: https://www.facebook.com/thepicts/info

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A new album out by Flutatious!

I am in the process of writing a review of this album by UK based Celtic fusion band Flutatious. Watch out for that one. You can purchase the album here: http://www.flutatious.co.uk/store/

Interesting Players and Unique Instruments

V68 harp

V68 harp

Still…reeling from being drained. The weekend moved on. The only thing to confess about having a social life was Saturday night’s dinner party where I got so tipsy I was telling people stories about my life reserved for the very few. But it’s been ages since I’ve blundered. Yet the term only applies when a mistake is serious right? But thinking about it couldn’t be that serious. I realize I will face these people later. Still I am glad I was out. Sort of dulls the intensity of thoughts and feelings.

Now moving on to our music news…

Guitar Bliss.

What a nice thing to find four-minute of guitar bliss from this music video. Believe me my attention was captivated. I can just close my eyes and hum along the tune. So beautiful. You need to bookmark this guy and follow his career. Luca is the name…

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Amazing fiddle!

Fans of Comhaltas live surely know this amazing chap. His amazing guitar playing has been wowing audiences around the Celtic world when he won the All-Ireland in senior fiddle as well as other instruments like the concertina.

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Another take on a U2 classic.

With or Without You is one of U2s biggest hits in the late 80s. Everybody knows this song. Even if you aren’t a rock fanatic I am sure you’ve heard of Bono and the gang. Now this song has been given a Celtic twist and I think it is amazing. The strength of the song lies with the fact that whatever suit you put it in, it would still sound good. This is the proof guys. I am liking Celtic Crossroads more and more due to this.

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Japanese percussionist wows Celtic fans.

It is amazing to see another Asian make an impressive performance. Bodhran virtuoso Takeaki Nagahama gives it all. What I like about improvised sessions is that everyone can do what they want on stage. And everyone is involved: the musicians, audience and dancers. This guy is amazing. I will keep an eye on him.

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Calming Instrument.

For those seeking solitude and healing, here’s one great tune. Here’s the info: ‘Gearr Aonach’, this piece is the first movement of a three-movement work for flute and piano, written by Scottish-American composer Jennifer Margaret Barker. The flautist is Laurie Baefsky. The footage was filmed in Scotland by British cameraman John Anthony Palmer. The music was recorded by Grammy-winning recording engineer, Andreas Meyer. The music and the footage is copyrighted by the composer and all rights are reserved . My thoughts: I love the look of the video. As for the music, when Classical meets tradition, it’s always a good fusion. I love the sound of the flute because it is such a calming instrument. What about you? What’s your favorite calming instrument?

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Classical Celtic music…

I just love the simplicity of two instruments. Here is a Classical presentation featuring an Irish tune.

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Twinkling harp Tune.. 

The Celtic Harp or Clarsach is a Scottish harp of small size. It’s a beautiful instrument. The sound is superb which is likened twinkling little stars in the night sky. Here it is played by an artist by the name of Josephine.

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They Call it the V68 Harp

Wow take a look at this harp. I love discovering not just new music but also odd instruments. I think music nowadays does not only sound good but also look good. Enjoy! More info about this piece:

Acacia Lyra performing Chanter Meets the Fairy King on the V68 Harp.

Acacia Lyra – Susan Sweeney Herman & Janine Dudding, http://www.acacialyra.com. “Chanter Meets the Fairy King”…Trad Arr by Acacia Lyra;

V68 – built by Don Peddle, http://www.randomsoundmusic.com;

Video produced and directed by Lois Siegel, http://www.siegelproductions.ca

A Splash of Orinoco Flow on Live Ireland Radio2

mylogo

Been listening to Barry Dunne of liveireland.com when the first few chords of Orinoco Flow by Enya started playing just after Westlife’s Swear it Again.It’s actually radio 2 which focuses more on contemporary Irish music. For those who are into traditional stuff, just click on radio 1.

I have been a subscriber for a year now and I always enjoy the playlist. I do frequent radio 2 for the traditional music featuring The Cheiftains and Altan etc but once in a while when one feels funky U2 or Van Morrison can be the answer.

Irish without being too remotely Celtic

cranberries Hello there peeps. So what keeps me up these days? Listening to Irish rock such as the likes of Sinead O’Connor (whom I have given spot light on my previous post) and The CranberriesU2 would have to be my first introduction to Irish rock and then followed by The Cranberries. It was an accident that a throw away Joshua Tree came to me in a box along with Duran Duran‘s The Big Thing. At first the guitars thew me off (blame it on my Frank Sinatra upbringing) but when I got through the noise I became a witness to sheer aural beauty and Bono‘s deep haunting voice. It seems the term haunting has always been synonymous with Irish vocal qualities. Except when I listen to The Corrs, I don’t really sense a trace of that Irish haunting quality in Andrea Corr‘s vocals.

It was around 1993 or 1994 when I picked up Everybody Else is Doing It So Why Can’t We.Dreams at that time was big on Modern Rock radio and I was attracted to that atmospheric quality of the music and Dolores O’Riordan‘s beautiful voice. I played it to my pals and I got along with people who were into modern rock at that time. It stayed with me for a long time as well as No Need to Argue, the band’s sophomore effort. But succeeding albums didn’t really warm up my taste. I found the band too engrossed with testosterone and that Dolores was missing the point why people came to like her in the first place. It seemed that she wanted to be ‘one of the boys’ which was a total disappointment because it’s the girlie girlie stuff about her that I came to like in the first place. But yeah, I will always list these two albums as my favorites.

Of course there are others such as  Waterboys, The Pogues as well as Luka Bloom and they added to the collage of this ideas why I love Irish music in the first place.