Trad Music in Space played by Cady Coleman.

So what’s this heat about Astronomy in a Celtic music blog? Find out more as I write about Astronaut  Cady Coleman with my special guest, Irish musician Martin Tourish.

I worked hard on my Robert Burns zeen that I just realize I have prepared nothing today. So I am just meandering through words and phrases and even creeping at the status posts all over facebook and Google + to find a spark of inspiration. Hey, I just realized something. I was having an interesting conversation with young genius Martin Tourish a few weeks ago about Astronomy. I was planning to write and article about it. I even asked him if he is interested in contributing an essay. But Martin is wrapped up in the mastering of his new album that I guess this is much of a bother although he always responds to shout outs. So I will take it from here. So glad that I still have the photos he showed me about an Irish American astronaut who played music in space. Yes yes you got it. She played a wooden flute and all sorts of flute up there in space!

First of all, I love Astronomy. From space explorations, black holes, galaxies and even quasars-you  name them all, I will devour anything about space like a greedy black hole, that no humor can even escape haha. I found out I am not the only one who is crazy about the subject. Most of the traditional Irish musicians I interviewed are also fascinated with the same thing.

History tells us that the Celts were fascinated with astronomy and they used the stars as guides on their journeys. Heavenly bodies like the Pleiades and the red giant Aldebaran or the eye of the bull held special meaning to them. So it is not surprising that modern Celts became astronauts. Cady Coleman is one fine example!

Traditional Irish music has now boldly gone where no trad musician has gone before-even in space. So we were talking and then the topic about Cady Coleman popped up. I also read that she is also called by the name Katy,  Cady and Catherine.

Martin said,  ” I was very lucky to meet astronaut Katy Coleman a good few times. She was on the international space station – we’d some great conversations. I’m a huge fan of Stephen Hawkings!” (Down below is a picture taken from the page of Tim Edey. He actually gave me his blessing to use this one picture).

Cady Coleman and Martin Tourish

Leaving London and saying goodbye to legendary Nasa astronaut and fine flautist Cady Coleman and young genius Martin Tourish. Photo by Tim Edey.

He further added: ” I got to wear the jacket she wore in space – you missed that photo on my Facebook pictures!” I saw it indeed. “What an amazing meeting. She’s lovely – have you seen the clip of her playing Irish music in space?”

I told him no. So he sent me the the link to the clip and here it is:

“We played a tune at the royal Albert hall in June!Such a privilege! She’s so lovely. It’s with the Chieftains playing on the background. It was such a thrill. We rehearsed together back stage before playing – she’s a great player!Perfect! Anytime I see the space station go past Ireland I think of us playing An Dro back stage!”

He sent me another youtube link. “And here we are at the Royal Albert Hall” –

My conversation with Martin Tourish proved to be very fruitful. And Cady Coleman’s story gave with that warm feeling that will linger.

Celtic Nations, And Beyond: Introduction to Celtic Americana

Today we have a special guest. We get a fresh perspective about Celtic music through the mind of Christi Broersma. A native of Michigan, her  life has been shaped by the music we all come to love. She just arrived from her trip to Ireland and this beautiful article says everything !

Celtic Nations, And Beyond: Introduction to Celtic Americana

by Christi Broersma

When it comes to Celtic music, I got hooked very early.  I learned to love the fiddle, tin whistle and pounding beat of the bodhran first because the love of that type of music that existed in my father’s Irish family.  But the music actually became a part of my life with the first Irish groups that graced the shores of America.

The very first taste I had of the Celtic music came with the Irish Rovers who graced us here in the States with their first album The First of the Irish Rovers.  I played this LP so much that I wore the record out!  With songs so easy to sing along with it was hard not to, and I memorized many of them.  With songs from “The Irish Rover,” to “Many Young Men of Twenty,” to the rollickingly “Donald Where’s Your Trousers” they offered a real taste of Celtic songs.

There were other groups to follow who had albums on the American folk scene at the time that caught my ear.  One such group was the Clancy Brothers.  Their second album, Come Fill Your Glass With Us is what gave me a first taste of the tunes that became the rage in my high school along with Peter Paul and Mary and others of the folk genre that was exploding on the scene in my little part of the Midwest.

From there I played anything I could find, which sadly wasn’t much until the Chieftains graced our local record stores with their very Irish instrumental sound.  Their first album in 1963 was titled The Chieftains, and what made their music really popular here were of course the traditional pieces they wrote for the movie, “Barry Lyndon,” with Ryan O’Neil.  Though the movie tanked the music really caught on in much of the folk loving music circles of the time.

From then on I haunted the stores for any albums of Irish music I could find.  I was of course still a folk music lover at heart, but found I had such a yearning for those ballads and especially the jigs and reels that became synonymous with the typical Celtic fare of the time.  You see, it wasn’t really considered Celtic music back in the 60s.  What we might know as Celtic music today actually came out of the early songs and music that we actually know as country music in the U.S.  Many of the Irish and Scotch immigrants settled in the South and especially in Kentucky and the Appalachians Mountains.  With their wagons, horses and household goods they brought their music to the world which became the bedrock for truly American form of music that grew and changed as these people integrated into American society.

A real history of my favorite music truly began with the early sounds of country and especially bluegrass music.  When the music re-hit our shores in the 60s there was a receptive Irish America community ready to welcome that old, and new music.  The East Coast and Chicago of course welcomed the music and the cultural traditions that were attached to the music such as step dancing and Irish instrument playing.  They did not want Irish-American youth to lose the feel and love for a home they never got to know.  What grew up to encourage the children and youth in the Irish communities opened the whole city to the music and the fun that has always been associated with the Celtic sound.

Often within the Irish American communities who taught and valued the music and those traditions of the old country there was a growing need to have a place to meet, celebrate and teach so as the communities grew many large American cities developed centers.  Irish Arts Center (begun in New York in 1972) or the Heritage Center (begun in Chicago in 1976) along with many small groups that grew and flourished in smaller cities all over the country.

Did the music flourish and grow here on American soil?  Oh, yes it did!  It grew and expanded through the songs and efforts of groups like The Dubliners, the Corrs, Clannad and so many more.  It took root and their music fostered the beginnings of an Irish/American sound that stepped out of the of the old tunes and into a pop/rock genre that has helped that Irish music sound develop into a world-wide music explosion.  From the Irish group U2 to Enya and back to the traditional roots there has been a reawakening of the Celtic sound in groups like the Elders out of Kansas City, and Cherish the Ladies (a New York Irish band) as well as an off shoot of that group called Girsa that honors the traditional music and gives it their own American flavor at the same time.

The great result here has been a true explosion of Celtic music that has grown to include the music of the Celtic nations, and beyond.  From Canada to Japan, Poland and Russia there are fans and groups that cherish the Celtic sound and are helping grow the music beyond the borders of the traditional jigs, reels, and ballads.  And yet, the music always seems to find it’s way back to the soil and the sound from where it came with a resurgence of those old familiar tunes.   The sound that is so Celtic has become a sensation I still love to follow.  From the pub songs, jigs, reels, to those songs of rebellion the music has grown to stand as great music all over the world, now.  After my visit to the auld sod I am more excited about the music than ever.  The pub where ever I went had the music both old and new that expressed the pains and joys of life so well.

The Irish and all the Celts know how it is to sorrow together, but also they’re the best by far at simply celebrating life in song!

The harp, which serves as the Guinness emblem, is based on a famous 14th century Irish harp known as the “O’Neill” or “Brian Boru” harp, which is now found in the Library of Trinity College in Dublin. The harp  itself has been synonymous with Guinness since 1862.

Information about the author:

http://journalingmylifeaway.blogspot.com/

http://writingandbeyond.blogspot.com/

The High Kings, The Chieftains And Hints of Gypsy

Welcome back Celtophiles. I have fresh news for you today. Just finished my jug of black tea and all geared up to rock the keyboards…..

If you are looking for irresistible vocals with great instrumentals then Memory Lane by The High Kings will bring you those. From the lively Star of the County Down backed by a nice banjo to a capella Red is the Rose will surely grow on your Irish music garden.

The High Kings just returned from their successful January 29 The Children Need You Concert. As what these guys say:

“We are honoured to have performed with 12,000 champion children, who are the Hallelujah choir over the course of 3 days. Thank you for being the best backing choir ever!”

Memory Lane will be  released on  March 8, 2011!

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American fans in Indiana, be  sure to catch The Chieftains , who will be appearing at 8 p.m. Tuesday at the IU Auditorium. These guys brought us decades of magical Irish music that are love by both old and new.

Originally founded in 1962 by Paddy Moloney, the band’s style  is grounded in traditional Irish instrumental music. From playing only  the fiddle, flute, tin whistle and bodhran, which gave the music a rustic and traditional sound, they incorporate world materials byt collaborating with artists like Loreena McKennitt, Sinead O’ Connor and MOya Brennan. More news in this link: http://www.idsnews.com/news/story.aspx?id=80100

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Florida Welcomes Scythian

Gypsy grooves meets Celtic spirit, Cythian(sith-ee-yin) will set you on your feet with their brand of fusion mixing blue grass, and world styles. Yes the core is Celtic and these guys have their own punk humors to keep you amused. I love them and you should check them out as they perform live at Skipper’s Smoke House courtesy of WMNF88.5 FM.

Source :http://www.wmnf.org/events/scythian-plus-holy-ghost-tent-revival?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+WmnfEvents+%28Upcoming+WMNF+Events%29

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With a voice darker than Sarah Brightman’s but with music more organic than Enigma or Era, Hayley Griffiths unleashes Silver Screen. The title will probably give an impression of covers but the press release has confirmed she adds her own trademark to the songs. Check her out with that sample video. What do you think?

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Hearing the Legend.

I stumbled upon Cape Breton’s fiddle legend Dan R MacDonald. Gives me shivers. More here: http://danrory.com/home.html


Album Highlight:Tears of Stone

I remember the days way before the Internet. I do my research of what’s new and cool in music magazines and newspapers.Sometimes through movies(end credits) and TV shows.That’s how I discover artists. Publications like Time Magazine,Newsweek and locally published musicmags(with guitar chords) were really helpful. There are music reviewers who are so good that they give you an accurate detail of what the music sounds like way before you get hold of the album.

I got hold of my very first Chieftains album The Long Black Veil in the mid-90s . My collection was growing then . I had
friends come over and I bragged about my collections that no one in the town or country has heard of. But then again , my
taste even in literature was already defined at that time-way before I hit my 20s. The first track will tell you at times
all about the whole album. Sometimes you’d be surprise.That’s why I will never buy a single. I am an album guy and I love
how the songs work together to create an album. I love the high and low moments. I love the suspense of what the new track
will bring. It’s like wading through sonic geography where songs are landscapes. I love the liner notes, the album
artwork, the lyrics ,musician credits, where it was recorded..even how the new paper smells. My hands shake and my heart
beats so fast every time I open a CD or cassette tape out of the plastic wrapper. And there I just described what I felt
like when I got my first Chieftains album-or any album that I love.

In short time I became a huge fan of this Irish band(though rock bands U2 and The Cranberies were so popular here  that students from every University even know how to sing a lot of songs from their albums). My favorite hangout was either the library or record stores. I kept an eclectic gang around(metalheads,Goths,nerds,ethnic musicians,poets etc). I listened to all kinds of music but made sure this type of music has a special place in my shelf. For years The Chieftains never ever disappointed the public with their releases. Several Grammy Awards and TV specials can attest to that. And Tears of Stone is one of the greats that came out before the end of the decade. Too sad it was  never  made available locally at that time. So I had to wait more than 10 years to get hold of this beautiful album(and having the money to get music too,instead of saving my allowance for clothes,shoes and even food just to buy a CD). But the wait or time is never an issue. Music like this never gets dated after all. So I a giving the spotlight to this album today.

Released February 22,1999
Label: BMG
Genre:Folk
Producer: Paddy Moloney

1. “Never Give All the Heart” – 2:50 (Anúna and Brenda Fricker) Irish Choir Anúna dazzles here vocally. I ‘ve always been a fan of their airy choir approach. Brenda Fricker’s narration adds a poetic touch to this haunting track.
2. “A Stór Mo Chroí” – 3:46 (Bonnie Raitt) Boys on the Side movie made Bonnie Raitt’s very familiar with “You Got It”. Her sad whiskey meets  Ealr Grey tea flavoured contralto is perfect for this mournful track.
3. “The Lowlands of Holland” – 3:46 (Natalie Merchant) Former 10,000 Maniacs vocalist contributed beautiful and strong distinctive vocals here. ..and these stormy seas came between my love and I”It’s hard not to feel like dying as she sings this last line.
4. “The Magdalene Laundries” – 4:59 (Joni Mitchell) A very touching subject involving nuns and ‘ cast the first stone those who have not sinned’ kind of narrative. You can almost see Joni Mitchell’s indignant expression as she sings each line .
5. “Jimmy Mó Mhíle Stór” – 4:37 (The Rankin Family)Like rubies on stony ground, the vocals provided by this musical family shifts between the angelic and the earthly.
6. “I Know My Love” – 3:54 (The Corrs) Andrea’s lead vocal adds a pop touch in this fast gypsy flavored track.
7. “Factory Girl” – 4:23 (Sinéad O’Connor) It is hard to hear Sinead’s beautiful haunting voice and not be moved by it.
8. “Deserted Soldier” – 4:39 (Mary Chapin Carpenter) This is sung in Gaelic flawlessly by an American Country singer.Each word flow effortlessly like golden chocolate. The second part of the song is a jig with her bright tinkling piano.
9. “Ye Rambling Boys of Pleasure” – 4:33 (Loreena McKennitt) A Celtic album is not complete without the rich vocals of this amazing Canadian singer. Expect the sae dramatic appeal found in her albums.
10. “Sake in the Jar” – 4:28 (Akiko Yano)So what happens when Japanese vocals meets Irish music? The combination is as exquisite as Sake in the Jar.Akiko Yano (Akiko Suzuki) has already established herself as pop and jazz musician in Japan since the release of her 1976 album Japanese Girl.
11. “Raglan Road” – 6:19 (Joan Osborne) “One of Us” became a grunge anthem in the 90’s. Very few knows what happened after. Well this one happened after, and this is an excellent performance by Joan Osborne who I remember fondly with that nose piercing.
12. “Siúil A Rún” – 4:35 (Sissel Kyrkjebø) After Titanic, Sissel joined the Chieftains not only through recordings but also touring with the band. This Viking fairy has never failed to enchant us with her own album releases. Her flawless airy soprano just glides in this track like an ethereal blanket, while singing in Gaelic.
13. “The Fidding Ladies” – 10:23 (Natalie MacMaster, Eileen Ivers, Maire Breathnach, and Annbjørg Lien) Expect a party of virtuosity as instrumentalists of epic proportion gather here. The toe-tapping track makes you want to have another round of that Guinness.
14. “Danny Boy” – 5:28 (Diana Krall) Jazz meets folk.Canadian Diana Krall who is married to Irish rocker Elvis Costello, adds her own sultry contralto vocals to this sad traditional track. She gives an ai of those 50s black and white films. And this song also ends this wonderful album that will surely be rediscovered for decades with its beautiful vocals, instrumental arrangement and choice of material.

San Patricio-Behind the Scenes with The Chieftains

One of the most exciting albums this year has come to light. Paddy Maloney talks with Ry Cooder on this video, discussing the album’s background, inspiration and artists who collaborated. Watch ,listen and learn history with the Chieftains and the connection between Ireland and Mexico. This video is done by the Concord Music Group.

You can also download San Patricio from itunes:http://itunes.apple.com/us/album/san-patricio/id355774957