scotland

Conversations with Douglas McQueen Hunter of The Picts (Interview)

/ mrbaxteria2008 / 2 Comments

Also in this epidsode:The Picts Of Scotland and Karen Matheson

Douglas McQueen Hunter

Douglas McQueen Hunter

Douglas McQueen Hunter talks about The Picts and the new band,The  Court of Equity inspired by the music of Robert Burns.

If you are a Scottish music insider then The Picts is not new to you. They proved to be very influential among Celtic fusion bands in Scotland. My curiosity was fueled after seeing the video of the song The peak. The haunting accordion intro and the dark blue lighting are captivating. Then, the music explodes into a traditional inspired fusion of drums, acoustic guitar and other instruments. The camera revolves and the music becomes hypnotic until it reaches the ending with a crunch..

Douglas McQueen Hunter joins us today. He is our featured artist and he talks to us about interesting points relating to his musical career and other things. I found interesting bits about his bio:

 ” He  is the front man and founder member of ‘The Picts’ and ‘The Court of Equity’. Douglas is also a composer, song-writer and the co-author (Along with his father- artist Colin Hunter McQueen) of the world-wide acclaimed book on Robert Burns “Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns” which was released in 2009 for the year of homecoming. He has produced albums with ‘Badenoch’, ‘The Picts’ and his first solo album ‘Ghosts’.
Instruments: Vocals, Six and Twelve String Guitars, Mandolin, Mandola, Bodhran and percussion.”

As you can tell this is a very relaxed conversation. We go back and forth in various topics but as any good conversations, everything has to flow naturally. He also helped me choose the pictures to go along with this interview.

I enjoyed this chat with Douglas McQueen Hunter and I am looking forward to the new album!

What do you do apart from music that very few know about?

Apart from music, I’m a jujitsu coach and run my own martial arts clubs…. also author of book on Robert Burns www.facebook.com/drumbow

What made you become a big Robert Burns enthusiast? What is it about the man that speaks to you?

I’ve been surrounded by the works of Burns since I was a child and was brought up singing his songs… Burns knew how to express every emotion in beautiful word… which as a song writer is something I strive for. If I could do it even a fraction as well as him then I’d be happy. Interestingly, my own Great great Grandfather James Gibb was a neighbor of Burns when Burns lived in Mauchline, Ayrshire and according to A.B Todd, a 19th century Ayrshire author, James Gibb used to debate religion with Burns and sell him lime for his horses.

The drumbow projects is fascinating because it goes back to the time or Robert Burns. I see that your bloodline is linked with his. How do you see the future of this illustrated book? What do you want to happen?

When I was researching the book (Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns) I had to research lots of the history and genealogy of Burns, his family and friends. This led to me discovering over three hundred old parish records and documents, which allowed me to correct long standing errors and mistakes that had been compounded for decades by authors and biographers of the poet.

Doing this also threw me in at the deep end and created a real passion for genealogy which led me on to doing two years at Strathclyde University; studying a Post Grad Diploma in Genealogy. Not that I was particularly interested in gaining any academic qualification, but because I really wanted to get as great an understanding in the subject as I possibly could. I have lots of new projects and Ideas at the moment for new books, but I’m not quite ready to reveal them yet ha ha!! But music and song-writing still comes first in my heart.

Let us talk about your music especially The Picts which you founded . You have one single with an accompanying video called The Peak.It’s been gaining lots of viewers in youtube. Tell me the influences that shaped the sound of the Picts and also the Island itself.

I guess each of the guys who started the Picts and those with us who have played with us over the years all brought their own influences with them and help to develop the sound of the band. The Island like Moving sands our second album was a compromise between the band members to shape the sound. There are successes and failures on both albums. I’ve not listened to them for a long time. I think the Live EP we recorded a few years ago is the best representation of the band…

I still can’t get over the fact that you teach martial arts! That’s totally interesting.

Ha ha .. I’ve done Judo from the age of 7-17 then left martial arts for many years and finally took up Jujitsu 12 years ago … I enjoy seeing people happy and learning.. Great fun and keeps everyone fit (including me).

  Is this Martial Arts family thing?

   
No … My folks just took me along to classes when I was a little     and I loved it.

Do you think the jujitsu spirit carries itself into your musical performance? Especially when you  play with passion ?  

I suppose it depends on what I’m playing… It’s tricky because The Picts are a working band therefore have different setlists for different types of gigs… One gig may be a festival playing original material, the next gig may be a function doing more mainstream covers … All to keep the wolves from the door… So as a professional band we always need to look as if we are enjoying it, even though we are singing the same song for the 1000th time (laughs).

  You mentioned you just finished the CD and your mind needs a little relaxation.   Do you listen to music, meditate etc?    
   
After a gig I generally go for a wander round the 24 hour shops to clear my head …. It can be hard to sleep after a gig. Especially after a far away gig when we maybe get back at 5 or 6 in the morning.

   Wandering.. that sounds very zen 

Yeah generally the second day after the gig is when the cloudy head and tiredness hits me and I can’t string two coherent thoughts together(laughs).

  That explains why musicians need a ‘downer’ after a great gig. The adrenaline after the playing is there ..it doesn’t go away..and you need to do something about it.   

Yeah although I suppose it depends on the gig… We’ve done that many that its sometimes hard to get a buzz from a gig… But yeah after really good gigs there can be lows.

After quiet a while being onstage..Do you still get moments of being surprised or overwhelmed when it comes to your audience?    

Very rarely…

No stage freight…Nervousness..Cold hands?    

I was trying to think of an example…No never.. Very rarely get nervous… maybe a wee bit anxious if I’m going to sing a new song   but I do get very sleepy before I go on stage….  Maybe that is anxiety coming out in different ways.

How about strange acting audience…Did you experience  awkward situations and how did you deal with them?

We’ve kinda had everything at some point… Girls fighting in front of us pulling hair, fights breaking out, you name it… But we just kinda get on with the music…
     Like any rock concert!   

We used to play in pubs and bars in the early days …They can be rough. We don’t do that now.      

Why The Picts?

Well its apart of our bloodline here and heritage …. It’s who we are
I’ve always been fascinated with the mysterious Pictish stone symbols etc and wanted to know more.
Would you be exploring more of this in the future through your band?

I’d love to.. At the moment there has been talk about another Picts album, but I’ve no idea if it will happen… I’m sure it will at some point, the priority at moment is to focus on The Court of Equity with the new albums coming out.
    How do you describe your new project band The Court of Equity in terms of the sound. Will you be doing vocals there?
All the Picts are in The Court of Equity.. It’s really the acoustic version of the band which focuses mainly on the works of Robert Burns ..    yeah I sing most of the songs.

So this is till your band only with a different moniker !

Yeah it was a long project but long over due… the first album (volume one) will be released this month and the second in the summer 2013.

   Who did the album artwork,mixing,lyrics etc? 

The album was produced by myself and Greg Friel, Tracy who does all of our artwork and covers done in this album too…. All the lyrics are traditional by Robert Burns. The music is traditional except for the modern arrangements and compositions by ourselves.

If you were to choose between singing and playing instruments which would you favour the most?

Honestly… I don’t mind.. But the passion even greater than performing live for me is song writing… So looking forward to finishing my new solo album next year.

The Court of Equity band members:

Douglas McQueen Hunter
Singer, guitarist, front man and founder member of ‘The Picts’ and ‘The Court of Equity’. Douglas is also a composer, song-writer and the co-author (Along with his father- artist Colin Hunter McQueen) of the world-wide acclaimed book on Robert Burns “Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns” which was released in 2009 for the year of homecoming. He has produced albums with ‘Badenoch’, ‘The Picts’ and his first solo album ‘Ghosts’.
Instruments: Vocals, Six and Twelve String Guitars, Mandolin, Mandola, Bodhran and percussion.

Jeremy Stirling
Founder member of ‘The Picts’ and ‘Court of Equity’, Jeremy is a composer and arranger of Scottish music. He has played on all the band’s recordings and written compositions for each album. He has played with the band at all the major events like T-in-the-Park, The Interceltique Festival of Lorient and the Glasgow George Square Hogmanay Bash in front of 40,000 people. He has previously played and recorded with bands such as King Joseph’s Drum and The Laughing Phrogs.
Instruments: keyboards and Pianos.

Grant McConnell
An award winning multi-instrumentalist with ‘The Picts’, Grant is a champion accordionist and founder member of ‘The Court of Equity’. He has toured extensively with both bands at home and abroad since 2004 and contributes many of his own fine compositions and arrangements. Grant’s great passion and love for music is an inspiration to all who work with him. He is the primary lead player in both bands.
Instruments: Piano Accordion, Six and Twelve String Guitars, Bass Guitar, Vocals and Backing Vocals.

Dave Murray
Dave is well known for his enthusiasm for the life and works of Robert Burns and his family, performing recently in the new Andrew Dallmeyer productions ‘The Mother of All Burns’ and ‘The Cauldron’. He has appeared at the Edinburgh Fringe Festival on a number of occasions. Dave is the former Pipe Major with Haddington Pipe Band and as a leading member of the Grant’s Braes Burns Club he was responsible for the renovation and restoration of the grave in Bolton Kirkyard of Robert Burns’s mother, sister and brother who lived nearby at Grant’s Braes.
Instruments: Highland Bagpipes, Techno-pipes, Harmonica, and Whistles.

Links:

The Picts

https://www.facebook.com/thepicts?ref=ts&fref=ts

The Court of Equity

http://www.facebook.com/TheCourtOfEquity

The Gallery

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The Picts Of Scotland – Last Of The Free(1/6)

Since we are into the music of The Picts, I think it is important to include this video. If you picked up the book by Anne Rice called Lasher then you will learn that she was writing about the myth of the Picts in Scotland. Look for the other parts of this video in youtube.

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My Love Is Like a Red Red Rose – Karen Matheson

A Red, Red Rose

A Red, Red Rose

by Robert Burns

My love is like a red, red rose
That’s newly sprung in June :
My love is like the melody
That’s sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in love am I :
And I will love thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun :
And I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only love,
And fare thee weel a while !
And I will come again, my love,
Thou’ it were ten thousand mile.

http://www.poetsgraves.co.uk/Classic%20Poems/Burns/a_red,_red_rose.htm

Review over Cappuccino

/ mrbaxteria2008 / 5 Comments

 In this edition: Nua,
Jonathan Kershaw and Eclipse

NUA

Making waves: Irish/Scottish Traditional Music, Experimental, Fusion trio from Toronto Canada.

NUA came up with an auspicious debut in a form of an EP. It gives us the taste of what this trio can offer not just today but also in future releases. These are clean, crisp tunes  that sparkle with precision and showmanship. The audio quality is something get excited about. The surface sound of every instrument is captured giving us a degree of nuance and atmosphere.

The EP starts with Fizzbuzz which showcases the thunderous bodhran playing of Jacob McCauley and the invigorating strums of Graeme McGillivray on guitar. These sounds are sliced up with James M Law’s luminous playing on fiddle. That fiddle simply sparkles in all of the tracks.

The Draw is perhaps what one would call a ‘carrier single’ due to its upfront rhythm and fast paced characteristic that draws influences from Jazz, Folk and even World. Here, Jacob McCauley’s bodhran becomes emotive, giving us an impression that this percussion has finally reached its tonal height and is capable of being a lead instrument. We have to remember, Jacob plays different types of bodhrans including those custom made by Christian Hedwitschak. This is a tune that’s guaranteed to get you dancing.

Martin’s Yellow Tea Pot has that folk pop quality that waltzes on you like a sunny  afternoon. We hear exquisite chord structures as well as interesting changes of rhythms. The guitar has a crunchy sound that really keeps everything together.

The Hijack is a perfect track to close the EP. It has all the elements of how ripe talents should sound like. Confidence, experimentation and cohesiveness are traits of what a good album should possess-and they are all here. If they are able to come up with a full  sound  in this 4 track EP, just imagine what a complete album would be like. You would be missing a huge part of your musical life if you don’t get this EP!

About NUA:

NUA is an innovative new trad trio, bringing a fresh and unique sound to traditional music, creating their own distinctive flavour with both original and traditional compositions from Ireland and Scotland. Based in Toronto, Canada, NUA consists of three award-winning members: fiddle player James M Law, guitarist Graeme McGillivray and bodhrán player Jacob McCauley. The interaction between the three
e is what really makes the music shine, whether it be their soaring melodies or tasteful grooves. The trio is also well known for their exciting incorporation of odd time signatures and polyrhythms, which give the music an electrifying lift and spontaneity.

Each member adds their own distinctive sound and influence to the music. Although they are a trio with a sole melody player, the brilliant multi-tasking of each member is demonstrated countless times with perhaps a guitar-driven flat-picked melody, rhythmic fiddle playing, or melodic bodhrán playing to add to the mix. The ability for each member to take on multiple roles is one of the staples of NUA. This adds to a thrilling live experience, and a “you just don’t know what’s coming next” approach!

NUA released their first EP on November 12th 2012 and they are currently beginning work on their full-length debut album to be released in 2013.

Helpful links:

http://trionua.bandcamp.com/album/ep

https://www.facebook.com/TRIONUA?fref=ts

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“Bizarre Tales”

 

Now for something dark and Celticky…

If you are ready for something seductive, atmospheric and emotionally charged Celtic fusion music, then you better give  Jonathan Kershaw a listen. Everything he does points to Renaissance music in the vein of Dead can Dance. There are also Celtic folk  and Viking influences embellished with subtle atmospherics. The guitars are gentle and the female vocals are mysterious. There are other instruments like the cello.This album kept me up all night while I did my usual blogging and it has that quality of being un intrusive but at the same time with the right volume, creates a full-house of soundtracky experience.
Band personals:

Jonathan Kershaw – guitars, percussion
Laura Fauvel – vocals, some flute
Karina McGrath – vocals
Chris Jones – other instrumentation

In the words of Jonathan Kershaw:
The sound of this album was (in it’s inception) clearly supposed to be sat firmly in the traditions of Celtic folk music. Evident in the rich, flowing guitar lines intertwined with flute and violin, ringing pedal sounds and the sometimes rather ominous bodhrans.

However, somewhere along the line, the link was clearly stretched beyond its traditional boundaries. Jonathan’s love of music from outside this area becomes apparent with strange colourings from elements of classical, baroque music and dare I even say it, hard rock!

As a result, the album maintains a curious, ethereal feel of mysticism throughout as it moves through pieces in a variety of emotions:
Album Details
Artist:     Jonathan Kershaw     From the dark, pounding introduction of “The Demeter” and “Crossing the Third Sea” to the sensual stories and thoughts of “Never Love an Angel”, “Sandwalkers” and “Clocks & Mirrors” (with vocals courtesy of guest vocalists Laura Fauvel and Karina McGrath); the light, joyful melodies of “Lotus Corset” and the jig-like “The Green Man” to the comedy of “Rat Run” or “The Alchemist’s Penny” and the ever- increasing power of the centre piece “Andrasta”.

New album “Bizarre Tales” available now!
Celtic folk – Traditional – Acoustic rock

Here is the link to the music store where you can listen to samples: http://www.jonkershawmusic.co.uk/region_select.htm

Web: http://www.jonkershawmusic.co.uk
Email: mailto:jon@jonkershawmusic.co.uk

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Eclipse

It’s Christmas Now!

They  are singer/songwriters originally from Edinburgh, Scotland but currently live in CT, USA .  They call themselves Eclipse:twin sisters Nell and Trish and their brother Matt Wilkie.

The strong vocal harmonies and percussive arrangements make this holiday album a joy to have. It has an almost African, Mid-Eastern and Reggae vibe to it. There are modern and traditional tracks. Oh Christmas Now is traditional but this is the first time I’ve heard of this one.It seems the artists behind Eclipse have this thing for the obscure. They also have this characteristic of delivering strong and crisp vocal mixes.

There are four official members but a total of eleven people contributed their talents in creating this album. The mixing is amazing because you can even hear the surface sound of every instrument. That is how crystal clear It’s Christmas Now ! is. I am really choosy when it comes to holiday albums because I like my music loud. And I like to bring it anywhere too. And I am a total show off!

I like a holiday album that doesn’t sound ‘like Christmas’. You know what I mean? It has to be something that you can play for all seasons and doesn’t sound out of place. It’s Christmas Now! is one example of an album that can be at home in any part of the year. And yes, listening to this one makes you feel warm and cozy.

Trivia: According to the band, they were particularly proud of “ Christmas in our Hearts “, (track 6), which they wrote for their family back in Edinburgh and their arrangement of “Auld Land Syne” (track 12)

Here is the link to the store where you can buy the CD: http://www.celticmusicradio.net/eclipse-its-christmas-now/

You can also listen to the samples here: http://www.eclipse-bandllc.com/

Helpful links:

The CD is available at:

A little bit of this and that…

/ mrbaxteria2008 / 9 Comments

In this edition: Damien McCarron of Mile High Celtic Radio, Karen Victoria Smith, Dan Coleman, Celtic Twist and Moxie!

Mile High Celtic Hour : You ultimate guide to Irish and Celtic music.

Got the feeling that you need to update you Celtic music collection? Work schedules and classes can sometimes take you away from what’s going on with the ‘scene’. Well worry no more.

Mile High Celtic Hour is guaranteed to put you ahead of things Celtic. This is a show based in North America, featuring a playlist  that is diverse. You get to hear bands from all over the world and get to sample their best songs plus video via livestream.

Damien McCarron grew up in Howth outside Dublin and was immersed with  Irish music and tradition. As a musician, he shared stage with amazing musicians  in the  field including members of Solas. This is a very exciting time for Irish music and the rest of  the Celtic world. Damien is definitely in the right track and the right time, with the right crowd

Damien talking between music. .

Here is the page where you can watch and listen to his show:

http://www.livestream.com/tradiovdenver

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Celtic Twist Autumn Renovations in Scotland.

Celtic Twist

The website of the duo Celtic Twist is updated! I met Phil Holland and Dave Palmley over a year ago and I have enjoyed their albums. They are doing  interesting things with their diverse musical backgrounds by mixing them up with Celtic style.

They moved to Scotland  from Italy around two months ago and Phil is taking her time drinking the sight of the beautiful Scottish landscape. This is where she grew up and Scottish music makes a huge part of her musical influences.

Dave Palmley’s pop rock influence creates a radio friendly balance for Celtic Twist. He likes experimenting with various instrument including the synths. Have you heard of a harp tune using the effects pedal?

If you are looking for something interesting on the web, do drop by their website: http://hollandandpalmley.wix.com/celtictwist and say hi.

Notes:

This piece was originally inspired by the native north American people and their loss of land and cultural identity, but it is really in homage to all people of all races and creeds wherever they may be in the world, past, present and future, who suffer the indignities of invasion and oppression.
Phil: Celtic harps, Violins, Voices and Piano.
Dave: Guitars, Voices and percussion.
This will be on our forthcoming album, to be released later this year.
More news to follow.
http://hollandandpalmley.blogspot.com/

Notes:

Dedicated to a dream come true,moving back home to the west coast of Scotland.This meditative and hypnotic piece of music is entirely written, arranged and performed by Celtic Twist (Phil Holland and Dave Palmley).We wanted to share with all our followers this beautiful place and its magical atmosphere.

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Dark Dealings Book Interview via Rock On Radio

Having a great time at the Draft House

Yes our musical culture has a literary friend in the form of Karen Victoria Smith. She wrote the book Dark Dealings which talks pretty much about Irish mythology, Wall Street  vampires, shape- shifters and what they like to listen to in their ipod. You might think I am kidding about that last bit but I am serious. There are a lot of r references to Irish music in the novel and I think she is doing an amazing job pushing the culture and mixing it with the hip, the supernatural and how the money world works. I had to reread the book after it is done because I can’t part easily with the characters. They stay with you like long lost friends.

My friend Christi and I had a blast listening to her interview via Rock on Radio hosted by Dan Coleman and the gang. It was a wacky show and Danny asked a lot of interesting questions about the book. There’s a chat room where listeners can interact with the hosts.  We also met Karen’s best pal Deedee who also happens to be part of an indie rock band Strumberry Pie. The internet made this world a better and smaller place. Christi’s in Michigan and I am in the Philippines. And we all had a blast!

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Introducing Moxie

Moxie

Genre:  Irish Contemporary Music / Jazz / New Age Bluegrass / Folk

Members : Cillian Doheny Tenor Banjo / Nylon & Steel String Guitar / Mandola

Jos Kelly Button Accordian / Keyboard

Darren Roche Button Accordian / Nylon String Guitar

Ted Kelly Tenor Banjo / Tenor Guitar / Mandolin

Paddy Hazelton Percussion

Hometown:   Limerick / Sligo

What Lies Behind the Wall has notes tapping with suspense at the beginning of the track. It is like watching a flower bloom in hyper speed. Like all remarkable Irish bands playing traditional music, Moxie offers fresh approach to a tradition that has been around and is determined to stay.

Their sound is vibrant and the arrangements are intricate. This is traditional music with a cool twist. Sophisticated style blends with rustic simplicity making them one of a kind Irish band. In Elixir’s Walts, they took advantage to pauses and trance like melodies to create a dramatic effect that blends organic percussion with luminous instrumental delivery. This is the music of a butterfly’s wings flapping in a near flight.

Bug and Bear’s further showcase the hypnotic capacity of the banjo and guitar especially when it is given to the right hands. There are three tracks available for sampling in the band’s site http://breakingtunes.com/moxie. I am sure what’s on the site is just the tip of the iceberg.

Band bio: Formed in late 2011 as part of the annual folk festival, Sligo Live, Moxie are a Sligo and Limerick based band that formed through years of musical friendships from playing together at certain festivals around Ireland. The band incorporates Irish music with other genres such as folk, rock and new age bluegrass. A vibrant new band playing an exciting mix of traditional based compositions with richly developed layers of fantastic harmony. The band includes JPTrio members, Ted Kelly (banjo, tenor guitar, vocals), Jos Kelly (button accordion, keyboard, vocals), Paddy Hazleton (percussion, vocals) and Limerick based musicians, accordion and melodeon powerhouse Darren Roche and virtuoso banjo & guitar player Cillian Doheny.

More here:

http://www.myspace.com/moxiemuso

https://twitter.com/#!/Moxiemuso

https://www.facebook.com/Moxiemuso?ref=tn_tnmn

Kinfolk: The Story Behind the Album (Interview)

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 Also in this edition: Janet M. Christel and Maeve Mackinnon

 Brian McDaid explains how Irish music shaped both their styles and also the new album they are working on.

I was interacting with Gerry Power before this interview started. Brian McDaid arrived a week ago for a few gigs. Gerry decided to hand the questions to Brian and he took the honor to answer in behalf of them. I think this is a nice turn since I am curious as to what Brian thinks about their musical career.

This whole thing started because I love the work they put out in the Kinfolk album This Land. I think that as a music lover, the satisfaction doesn’t end in hearing the entire album. One needs to KNOW the process behind and the inspiration plus perspiration that gave way to a beautiful album.

So to quench your curiosity if you are one of those who bought This Land, then this is it! Enjoy.

It’s been years since the release of Kinfolk which is in impressive album wrapped in both traditional and modern beauty. When will we hear another album from you and Brian?

We are currently working on a new album and hope to have it completed by early next year.

I noticed that a lot of Irish artists who are based in the UK getting more visibility in the scene these days. How is the state of Irish music in Britain?

Irish music has been pretty strong in the UK for a number of years. However with the resurgence in popularity of the general folk scene in the UK, with bands such as Mumford and Sons, Irish Music has also benefitted and is attracting more and more young people to listen to and appreciate this genre of music.

Can you name the 5 albums that changed your life and made you love being in the music industry?

Pretty difficult. I have been influenced by numerous types of music, but as a youngster, if I was to name any album which really made a difference it would be ‘Harvest’ by Neil Young. Other influences include James Taylor, America, The Eagles, [which readily explains our use of harmonies!], Steely Dan and Led Zeppelin. Pretty wide and diverse really.  However as a young boy and having Irish parents our house was always resounding to the sounds of Irish and folk music and I particularly remember the songs of the Clancy Brothers and the sounds of Planxty. Also being a Glasgow Celtic football fan and with their Irish traditions, many Irish folk songs are sung on a regular basis by the fans. And when you hear 60,000 people singing together it can certainly raise the spirit and influence you!

I love your song Donegal and it is a love letter you wrote for a place. How huge is the influence of County Donegal to your style of making music?

Gerry in studio

Quite simple. This is a song about my Dad who likes many young people from Ireland, left Donegal when he was a young man and came to find work in the UK. As a child I often went on holiday to Buncrana in Donegal visiting relatives. On their retirement my parents were lucky enough to be able to build a house there overlooking Lough Swilly which all the family still visit on a regular basis and the view from the house is what influenced ‘Wonderful Day’ on the Kinfolk Album. So in answer to your question County Donegal has obviously influenced my song writing!

 I know that Bound for New York City strikes a universal chord to the Irish diaspora. What sparked the idea of writing this track?

This is a song which came about while we were recording ‘This Land’. We had been working in the studio all day and were trying to find a middle eight for one of the tracks [I can’t remember now which one]. It was about 11 o’clock at night and we were obviously in the ‘zone’ and between us we came up with the idea and had most of it recorded within 2 or 3 hours. Sometimes it just seems to happen like that and sometimes it can take forever!

From the time you both worked on this project, what do you think has changed?

We feel our songwriting has developed and we have grown as musicians as a consequence of playing with various bands and playing a variety of styles. We hope to show this on the new album while still maintaining our strong Celtic influence.

 If given a chance to collaborate with other artists what are the names that you both would like to work with?

Brian in studio

There are a lot of great song writers that the both of us admire. As far as Gerry is concerned he would like to to work with Steely Dan for their gorgeous harmonies and groove, Mark Knopfler for his tasteful country folk playing and Paul Brady, a long standing hero of Gerry’s, who has written some of the best songs he has heard. As far as I am concerned I must agree with what he says about Steely Dan and  someone who I particularly admire as a songwriter is Christy Moore. His songs tend to have a great ‘mood’ and I could learn a lot from his use of lyrics. However what I would like to do is spend more time with a good instrumentalist, fiddle player or accordionist, and explore and mix some of my more contemporary ideas together with the traditional. The idea would be to create something a bit more individual.

How do you two work on a song? What’s the collaborative process?

We have no set process. Sometimes one of us will present a complete song. The both of us will then work on it and ‘tweak’ it to give it the distinct ‘Kinfolk’ sound. Sometimes one of us has the initial idea lyrically or it may be a sequence of chords or a riff that starts the ball rolling. Other times one of us comes up with a chorus and we take it from there. We have actually written the ideas for a song over a pint in the pub – amazing how creative you can be after a couple of drinks!

There you have it. Another interesting moment with a musician and getting to know the process behind the song. Watch out for their upcoming album that will be out, hopefully early next year. Now that it’s done I will give This Land another spin and get lost among the beautiful tracks.

Buy the album here: http://www.cdbaby.com/cd/kinfolksongs

You can also listen to their tracks here: http://www.myspace.com/kinfolksongs

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Exquisite vocal siren Janet M. Christel

Photo: MK-Fotografie — at 37. Bardentreffen.

I miss vocal music! This is really refreshing. The voice and accent of Janet M. Christel are things that make her singing really distinctive. The arrangements are striking. Her music is a delectable bar of dark chocolate wrapped in soft caramel hazel nut core. Listen listen listen!

http://www.janetmchristel.com

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Maeve Mackinnon Her Music is like a Force of Nature.

Ok I got goosebumps listening to the style of Maeve Mackinnon. The music haunts you. Like the swaying tree amidst the howling wind, her voice is a spiritual force that can rattle the walls of your soul and open the sky of rain. This is the kind of music that draws me and it is hard to say no…to such music as Maeve Mackinnon’s. Her music page says: 1st October 2012 sees the release of “Once Upon an Olive Branch”, the second album from acclaimed contemporary Gaelic singer Maeve Mackinnon.

http://www.maevemackinnon.com
http://twitter.com/maevemackinnon

Wood Soul: Interview with Scottish Wooden Flutist Calum Stewart

/ mrbaxteria2008 / 3 Comments

Also in this edition: Lori Watson and Rule Of Three and Kernowpods

Calum Stewart and the cover art of the new album.

Between working with the London Philharmonic orchestra, recording for the next “Lord of the Rings” film, “Hobbit Movie” and completing being part of Jamie Smith’s Mabon’s Windblown, Calum Stewart took the time to talk to us about his career and how it all started.

Greetings! It is a lovely the month of October Celtic music followers. Our guest for this week is flutist Calum Stewart. He made a lot of collaboration with other bands. The new album Wooden Flute and Fiddle is out in the market! It is a collaboration with fiddler Lauren McColl and other musicians. If you don’t have a copy of the album yet, I want to tell you it is an amazing thing to have as part of your traditional music collection. Like what I mentioned in my last article about the album: This is an album that every traditional music listeners will want in his or her collection. This is due to the huge effort that the two and the rest of the session musicians placed on this album. There are slow and fast tunes. Expect variety in instruments and grand artistry that only musicians of their caliber can provide. And even if you are not really into Scottish or Irish trad music, you will still warm up to this one for its melodic and relaxing merit. Love it love it!

This interview was done in a relaxed manner. He has a tour this autumn and  you can nominate Calum as traditional Scottish instrumentalist of the year here http://www.scottishcultureonline.com/blogs/nominate-your-favourite-act-for-mg-alba-scots-trad-music-awards-2012/

All musicians started with something that they consider memorable. I helped him trace back on how it all started-with the release of his debut album Earlywood.

Can you tell us a little background as to why is  the debut album Early Wood?

“Earlywood” is my first solo album, and reflects my home tradition of the north of Scotland, with many tunes from Morayshire. There are also several compositions, which sit side by side the older repertoire, all arranged for Wooden Flute, Fiddle and Piano: my main interest has always been finding strong repertoire, interesting arrangements and powerful sounds, in acoustic settings. The title “Earlywood” refers to the inner growth circles inside trees. The “Earlywood” stage is the time when the tree grows the most… “Latewood” is the other time, and perhaps when the tree takes stock, during winter. Earlywood seemed a good title, because it was my first solo recording.

Since recording “Earlywood” and touring with my trio, I’ve had the opportunity to continue work with Lauren MacColl (Fiddle), with whom I’m releasing a new album with now (featuring Eamon Doorley of Danu, and Andy May). ( Go to www.laurenmaccoll.co.uk/shop )

I’ve also been working closely and touring with Breton guitarist Heikki Bourgault; we released our first duo album last year, with plans for a second one in 2013 (visit www.calumheikki.com for details).

Jamie Smith’s MABON has released Windblown. What can we expect from your musical contribution in this album?

I am featured as a guest on several of the tracks of their new album “Windblown”. Although I can’t play as a core member of JSM and Mánran now, because of my own project commitments, I really enjoy working with them when the occasion arises, guesting on recordings or sometimes at concerts / festivals. We are all very good friends and keep in touch about our own separate projects, and enjoy meeting when our projects cross paths, playing at the same festival!

Early promo pic of Jamie Smith’s Mabon

You are known to play hide and seek between time zones with multiple natures: you are in demand as a musician! How’s the experience of working with different artists and how this shaped your artistry?

Working and collaborating with different artists from different genres is really important, enabling one to have a more open perspective. I’ve had the opportunity to work with some really inspiring people and they’ve really shaped my approach. However I also think it’s good to concentrate and develop one’s own musicality, ones own musical journey. Whilst you may encounter many influences along the way, fundamentally you must find your own voice.

Your musical development was traditional since you are originally from the North of Scotland and brought up with the traditional music of your native Morayshire. How do people in your hometown respond to your international success?

I always really look forward to playing on home turf, and it’s great to catch up with those musicians whom I played with when I was growing up. I try and “re-charge my batteries” when I’m back in Moray, usually remembering old tunes, learning some new ones or writing some, and most importantly remembering why I enjoy playing music in the first place! I still have family in my home village, although I don’t live there anymore – so I really enjoy going back there.

I realized that although your name is synonymous with the wooden flute, you are also and expert in playing the uilleann pipes and whistle. What are the other instruments that you play?

I concentrate on the Wooden Flute although I do play Uilleann pipes too, and really enjoy the different voice this instrument has. However the Wooden Flute takes up almost all of my concentration. Although there are different qualities in the pipes and the whistle, and sometimes they are useful – the Wooden Flute is really my musical voice, so I prefer to concentrate on this. I have a very special old flute, which I use for all my musical projects – its a Rudall Carte & co, made in the 1930’s. Its made from cocus wood, and has been with me in every musical situation since I found her! I use wooden headjoints by Tobias Mancke with her. In addition I own a brilliant Wooden Flute by Peter Worrell which is based closely on my original. As I don’t like owning many flutes and changing flutes, I take my Rudall Carte & co. with me, wherever I go!

Ewen Henderson at Clickimin Centre.

What is the recording process in making an album?

Every recording I’ve been involved with has been different. Although usually after the initial concept or inspiration, there follows a period of collecting / writing / arranging, before either rehearsals or concerts and then recording. Sometimes it’s possible to play music for a long time in concerts, developing ideas before the studio, but sometimes the music takes shape in the studio – there are no rules!

 

   After a big performance, how do you chill?

Usually, there is a lot of work to be done after a performance. I always try and meet the audience personally, making contact after the concert. Often there are interviews to do, CD signings and meetings – so it can be quite busy! After all this is over, and my flute is put away… I usually hang out with my band and quench my thirst.

What are other projects that you are working on?

This summer I’ve been working with the London Philharmonic orchestra, recording for the next “Lord of the Rings” film, “Hobbit Movie”. As well as that, I’ve recorded with fiddler Lauren MacColl, joined by Eamon Doorley (Danu / Julie Fowlis), and Andy May – this is available via: http://www.laurenmaccoll.co.uk/shop .

Otherwise, I’ve been guesting on recordings such as the new JSM album, and preparing new repertoire for a 2013 release with my duo.

What can fans expect to hear from the new album now that it is out?

Quite a traditional repertoire, coupled with some new offerings: based strongly on the interplay between the wooden flute and the fiddle

You are a huge influence to young people who are trying to learn traditional instruments. What can you advice them in how to make it like you

Play music that you believe in and always be yourself.

There you have it readers. Another exciting moment with Scottish musician Calum Stewart. I am looking forward to the “ Hobbits” soundtrack knowing he is part of the music. Also get your copies of the new album and drop by his website to say Hi. He is really down to earth and has an amazing sense of humor. I enjoyed this interview with Calum and it is really fun talking to artists and getting to know how they create their music. Have a great week ahead!

Check out his website:

http://www.calum-stewart.com

Video samples:

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Featured band:Lori Watson and Rule Of Three

Genre: Acoustic / Folk

Location Scotland, UK

http://www.myspace.com/loriwatsonandruleofthree

Sweetness! Lori Watson has a voice than can melt your heart like butter. But don’t let this sweetness fool you. This amazing musician plays music with such intensity and break neck speed. Her band is gaining a wide following all over with their fusion of traditional and contemporary style.

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Kernowpods: War an gwyns – remix

Cornwall has her own thriving community of painters, photographers, musicians and people doing their own art. One of those who help define the Cornish cultural identity is Matthew(Matthi) Clarke. He is part of Sue and Phil Aston’s circle and they are doing a LOT of diverse things with music and visuals. This is one of the songs Matt uploaded in his podcast.

Phil Aston,Dan Aston, Sue Aston, Matthi Clarke and James Perkins-An Derow.

Thanks for reading folks. More album reviews coming up very soon.