A Place To Be EP by Linda Scanlon

Linda Scanlon

Artist: Linda Scanlon

EP: A Place To Be

Musicians:

Jorge Carrilho – Drums (Portuguese)

Rui Marques – Keyboards (Portuguese)

Anja Brands – Violin (Dutch)

Syd Harris – Bass (half American, half English)

Joe de Bie – Guitar (half Dutch, half English)

Linda Scanlon – Guitar, Tin Whistle (Irish)

Irish singer/songwriter/multi instrumentalist Linda Scanlon has grouped together amazing musicians to highlight her beautiful voice. The first time I heard tracks off her EP “A Place To Be” , it was a jaw dropping experience. Think of the late Sandy Denny and Mary Hopkins all rolled into one. The musicians who backed her up in this 5-track recording are ‘international.’

The mood of A Place To Be is a combination of uplifting, sweet and light. The EP starts with Sailing By, a track that celebrates the optimistic view of life’s challenges. The song highlights the violin playing of Anja Brands from Holland. “Because dreams are a kite on a windy day, free as a boat by the pier.” She sings with such abandon the listener becomes the song! You really forget you are a listener because the track wraps itself into your heart and soul.

The guitar in the Scholar reminds me of 70s folk music when simplicity was the key to making beautiful songs. This is courtesy of Joe de Bie. I love how everything builds up into a strong track backed by superb arrangement. Her voice takes an airy nature as she sings the chorus. I love how she enunciates the word ‘school books’ in this track.

Clothes of Sand is probably my favorite track. Her voice shines like golden silver. Please check out the keyboard part. Whatever sound engineering magic was used here, it definitely works. The song simply takes me to places that can only exist in books, movies and the mind. This track also establishes Linda Scanlon as an excellent tin whistle player.

A Place To Be which is the EPs title track is a work of elegant approach in songwriting. It is hard not to notice the fantastic drumming of Jorge Carrilho who channels his subtlety and energy to the drums like no other. The EP closes with the joyful Summerfly. I love how the bass creates the bouncy feel of the track. I think I already memorized the melody of Summerfly after one listen.

I believe that Linda Scanlon will enchant listeners of all genres. A Place To Be fits in any mood, any time of the day and any place you want to take this recording to. Its universal appeal is something that will keep listeners want for more.

Biography – Linda Scanlon

Born in County Wicklow, Linda began her singing career at the age of 11, achieving early success in a number of traditional Irish singing contests during the 1980s, After relocating to England in 1997, Linda briefly headed up traditional Irish band The Rogues, before seizing an opportunity to perform in the USA, playing venues in New York and Minneapolis.

In 2000, Linda teamed up with a guitarist to form the traditional Irish duo Klonakilty. This led to seven years of successful touring in Spain, Portugal, Germany, France, Austria and Switzerland, culminating in a 4-week sell-out tour of Germany during December 2008, along with two London gigs, which marked the duo’s farewell.

Now branched out on her own to pursue a solo career, in July 2009 Linda completed a UK tour. The highlight of which was appearing at the International Musical Eisteddfod in Llangollen Wales.

Currently based in Portugal, Linda is hailed as the most “in demand” Irish singer on the Algarve. Her unforgettable performances include a tantalising mix of haunting vocals and virtuoso bodhran solos. Now with the backing of a full band Linda has been rehearsing new songs to reflect the change in direction for Linda’s musical career.

Linda’s new EP “A Place To Be” is the first step of many on the road to taking her music to an international audience.

The EP was recorded in Linda’s own studio with the help of studio engineer, guitarist and husband Joe. Together they have selected the songs, worked on the arrangements and rehearsed the other musicians.

This is very much a ‘hands-on’ release with Linda having input at every stage of the process from the mixing, to the EP artwork and photo’s. Linda enjoys the working process in the studio and knows her way around Cubase 7, she admits that editing a mix is a ‘joy’ and opens up endless possibilities, but is happy to leave the dark art of using outboard equipment to Joe.

Released on: Foxscan Records

Initial Release Format: Digital

Available from: iTunes, Amazon and others.

CDs from: www.lindascanlon.com

Initial Release Territories: UK/ROI/EU

Pricing For Full EP:

Digital Download: €4.95 CD: €5.95

Genre: Folk (ishh) / Irish Influence

For Fans Of:

Mary Black, Maura O’Connel, Nick Drake, Sinead

Lohan, Cara Dillon,

For Lovers Of:

Folk Music, Celtic Music, Irish Singing Voice

Iona Celebrates 25 Years of Celtic Music with Silver!

 

iona silver

IONA is THE pan-Celtic band iof the Washington, DC metro area: Barbara Tresidder Ryan (lead vocals, bouzouki, bodhran, pieds and guitar) Bernard Argent (flute, whistles, vocals and percussion), Chuck Lawhorn (bass guitar, vocals low whistle), Jim Queen (fiddle, banjo, vocals) and Kathleen Larrick (dance, vocals), formed in 1986.

Tracks:

1.Les Mardi Gras/Reuben’s Train/Le Reel Béatrice 04:23
2.  Willie’s Auld Trews/Fionnghuala/Tam Lin 06:22
3.Morwnad yr Ehedydd/Titrwm Tatrwm/Abergenni 04:28
4.Volviendo al Valle/Chouteira/Get You a Copper Kettle 08:37
5. Tail Toddle/The Morning Dew/The Ale is Dear 02:59
6. Seán Bháin/Chloë’s Passion 03:54
7. Les Poules Huppées/Ton Bal Eured/Tumbledown 05:58
8. Pachipi/Dans les Prisons de Nantes/Johnny’s Gone to France 04:53
9. The Trooper and the Fair Maid/Toddy MacPherson’s 04:43
10. Moirney ny Cainle/Arrane y Guilley Hesheree/St. Ives Fer Moh 04:08
11. Shetland Reels: Spootiskerry/Sleep Soond i’ da Moarnin’/Faroe Rum/Willafjord 03:58

Silver is the symbol of wisdom. It is also a term used in a certain type of voice to signify something pure and sparkling. For example, Judy Collins described the voice of Sandy Denny as ” Like Golden Silver’ because it is something you’ve never heard from anyone. Iona’s music reflects this maturity and the wealth of experience being in Celtic music for years. They have influenced other bands. And while their works are seminal, they never stopped breaking new grounds by creating fresh tunes which  celebrate global diversity yet still rooted in Celtic tradition.

Silver has eleven tracks of rich musicality that will continue to echo in your soul long after the CD has been removed from the player. The pieces are woven in such a way that the album sounds seamless . The tracks play in relation to each other while maintaining that diversity of arrangements all throughout the album. It celebrates the spirit of the Celtic nations as band members perform tracks varying between vocal and instrumental.

Silver is not just the joy of tunes but also of tongues. The multilingual approach of this project is  impressive. It is like being treated into a dinner of different flavours and aroma that your sense can’t help but be delighted. Throw in a dance number by Kathleen Larrick and you have a stunning live show. The DVD called Live! At the 333 has been released. note: The video was recorded live with no retakes or overdubs.

The tracks :

Les Mardi Gras/Reuben’s Train/Le Reel Béatrice which is the first track makes use of the percussive power of the French language based in Quebec.

Willie’s Auld Trews/Fionnghuala/Tam Lin is a Scottish medley of lively instrumentals and a puirt-a-beul vocal track based on the Hebridean tradition.

Morwnad yr Ehedydd/Titrwm Tatrwm/Abergenni takes us into the mystery of the  Welsh tradition.

Volviendo al Valle/Chouteira/Get You a Copper Kettle is a medley of Bolivian/Galician and Bluegrass music.

Tail Toddle/The Morning Dew/The Ale is Dear takes us into the marriage of Trad Scottish/Irish and of course Robert Burns.

Seán Bháin/Chloë’s Passion is a Scot tune along with a suggestive Irish tune. All translations can be found in the band’s website.

Les Poules Huppées/Ton Bal Eured/Tumbledown takes us into a buffet of French, Breton and Irish instrumental music.

Pachipi/Dans les Prisons de Nantes/Johnny’s Gone to France takes an adventurous dip into Breton and Irish tunes. This track tells of a prisoner of Nantes(which you might have originally heard from Tri Yann).

The Trooper and the Fair Maid/Toddy MacPherson’s  all Trad Scot divided between the first which is a vocal track and then segued into the second half which is instrumental.

Moirney ny Cainle/Arrane y Guilley Hesheree/St. Ives Fer Moh all frolicking into the Manx side of the Celtic musical culture. Impressive vocal harmonies there!

Shetland Reels: Spootiskerry/Sleep Soond i’ da Moarnin’/Faroe Rum/Willafjord celebrates the music of Shetland and Cape Breton fiddling styles.

It is hard to pick a favorite track because everything is impressive. I know trad music lovers must have heard some of these tracks performed by other artists but Iona gives them something refreshing and unique.

Links:

http://ionamusic.com/

http://iona.us.com/

https://www.facebook.com/IONAmusic

 

 

 

 

 

Echoes: Whispering Grass by Sandy Denny

 

Whispering Grass is taken from the album Like an Old-Fashioned  Waltz which I don’t ever get tired listening.  

She was the voice  describe by  Judy Collins as ‘like golden silver’. I ‘discovered’ her music late. I think it was Mary Fahl  the former singer of October Project who cite her as a primary vocal influence. Beautiful voices are hard to find these days unless you are into Celtic music. Most  of the time, those who get mainstream recognition are singers that have either ugly voices but with good looks or just those that can’t carry a tune but have to rely on auto tune. Bring the beautiful voices back!

http://sandydenny.org.uk/

 

The Greatness that’s Judy Collins(August 20, 2006 )

This is from my old MySpace blog in August 20,2006.I am putting it here because I found my thoughts at that time so funny.

I remember as a child when my mom would put the radio by my side because she said I can’t take a nap without the music on. Yes I grew up in a family that likes music .I joined both the church and high school choir which enhanced my love for harmony. If only I had been motivated more I would have been the next Leonard Cohen mwahahahaha!

Anyway, I remember hearing a pure soprano voice singing “Send In The Clowns’ which turned out to be Judy Collins. There were strains of the 60’s when I listened to the radio as a child and I get to hear songs like ‘Both Sides Now’ and other folkie stuff from the late 60’s to the mid-70’s and I was not even in grade school yet.

I never knew the full caliber of Judy’s artistry until I got to watch her Christmas special on TV a few years back and then her 2000 concert at the wolf trap caught on film. It’s amazing. She can really play the guitar and the piano and has been a very influential person on the human rights movement as well as the folk scene. If I grew up in the 70’s I imagine I would still find my interest…

Judy Collins’s repertoire is wide…apart from original compositions; she also rendered traditional Irish music like Danny Boy and He Moved Through The Fair.

Well Enya would not have been there yet but Clannad was already making records, and I guess I would have ended collecting not only Judy Collins albums but bands like the Chieftains,Planxty and Renaissance; a band led by Anne Haslam.There were good bands then like the Fairport Convention led by Sandy Denny and other female singers.

Celtic Spirit was already alive and well in the 70’s. I would not mind being left there.