Northern Ireland

Enda Seery: the “Síocháin na Tuaithe” Interview

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Recording for Síocháin na Tuaithe

Recording for Síocháin na Tuaithe: Black Rose Studio

Enda Seery(Éanna Ó Saoraí) is releasing his sophomore album Síocháin na Tuaithe which means Peace of the Countryside in English. The album is traditional but with added ingredients that incorporate a bigger “Celtic” sound. We can take this interview as a sort of a closer look into the process of creating an album. And there are many challenges when one is doing it independently. So it is quite interesting to learn something from someone who spent a great deal of time polishing the album and working with the best musicians in the field.

Your new album is going to be released this April. Are you nervous, happy…excited?

I suppose I’m nervous, happy, excited all of those. In all honesty, I’m very satisfied with how the album turned out. It’s a much more varied and detailed album than the first album “The Winding Clock”. I’m a little bit nervous of how people will react to my vocals and flute playing but I think if one wasn’t nervous there would be something wrong! I’m really excited about the launches that will take place around Ireland with three planned and maybe one more.

You laboured with the tracks for months. You even sang vocals. What are other new things that listeners can expect on Peace of the Countryside?

Yes I did labor with the tracks for months. I like to get things right and the way I want it. As I stated “Síocháin na Tuaithe” is a little different than “The Winding Clock” whistle album. As well as the vocal tracks, listeners can expect flute tracks too. Also there are some duet tracks on the album. One track is a flute/fiddle duet with myself and James Hughes from Co. Offaly and another is a whistle duet with myself and Eoghan MacAogáin from Limerick accompanied by Tom Delany on guitar with a French/Irish family background.

What were the challenges in conceiving the second album that was not present in the first?

Well the challenges were taking the feedback on board from the first album and trying to put them in place for the second. I took the constructive criticism on board with the duet tracks, flute tracks and vocal tracks. Not to sound big-headed, but my repertoire of tunes has greatly increased in the last few years, so it was a major challenge trying to pick out suitable tunes for certain tracks. I got some brilliant tunes on the Masters course in Traditional Irish Music Performance at the Irish World Academy of Music and Dance, University of Limerick.

 Any expectation upon the release?

My expectations would be higher this time round. I’m now a full-time traditional Irish musician, composer and teacher so as I said in the sleeve notes introduction, “music is now my life”. That’s why I’m a having a mini-tour of launches this summer. I want to promote the album to as wide an audience as possible. I also have the expectation and hope that my compositions will gain further recognition. I love composing and I especially love mixing my own tunes with older tunes and other recent compositions of others.

What are the memorable moments in the studio working with other artists in this one?

Yeh a few funny and happy memories alright. As well as recording most of the album again with Rob Laird at Black Rose Studios, Kilcock, Co. Kildare, I also recorded two tracks at the Irish World Academy of Music and Dance, University of Limerick. I had great fun recording with James Hughes, Eoghan MacAogáin and Tom Delany. James and I were surprised how well the flute/fiddle track came out considering we had been out late the night before! We also had a quite unusual set-up for the microphones in the studio which I won’t go into too much detail about!I enjoyed working with John Byrne on guitar again. He was calling me “one take Seery” after getting a recording take in one go! Some really accomplished and intricate guitar playing from John on the album.

What instruments and brands did you use in recording Peace of the Countryside?

Well I rarely record and perform without my trusted John Sindt whistles these days. I absolutely love them. I have four: D, Eb, C, Bb. They are really hard to get with the long waiting list so I consider myself lucky to have them. I play a Martin Doyle D flute on the album along with a Yamaha keyboard.

Why the title?

The title “Síocháin na Tuaithe” (Peace of the Countryside) is a reference and celebration of the beautiful countryside of Ireland, particularly that of Co. Westmeath where I live. It is also the title of a slow waltz I composed last year which is on the album. I was delighted to play the tune at my brother Ciarán’s wedding to Margaret last July. I am a fluent Irish speaker so Ireland’s language, culture and heritage, is very important to me. I like to name some of compositions in the Irish (Gaeilge) language.

What’s the list of things you will be doing this year in promoting the album?

As I already stated I will be having three launches, one in my home county of Westmeath on April 26th in Áras an Mhuilinn, Mullingar. Another launch will take place at the Fleadh Nua festival in Ennis, Co. Clare on May 25th or May 26th. In August, I will be having a launch at the All-Ireland Fleadh Cheoil in Derry, Northern Ireland. The venues and times of the launches in Ennis and Derry will be confirmed soon. In July, the new album will feature as part of the Joe Mooney Summer School in Drumshambo, Co. Leitrim where I will be teaching an advanced whistle class for the week. Irish Music Magazine will have a feature article and interview with me during the summer too. Finally, tracks from the album will hopefully get some air play on radio stations in Ireland and abroad too.

After the completion of “Síocháin na Tuaithe” , what have you learned so far in the whole experience. What thought would you impart to readers who are trying to gather materials for their own solo albums?

I have learned that variety is important. You have to try broaden the horizon a bit. My experience in Limerick has certainly broadened my mind and outlook on music a bit. I am still very much into pure trad music but I now am open to variety. There is a wide range of material on this new album, ranging from the regular jigs, reels, hornpipes to polkas, slip jigs, slow pieces and of course the songs! My advice is those trying to gather material for new albums is to take time and do it right. No point rushing it just for the sake of releasing an album.

Where can we buy “Síocháin na Tuaithe” ?

At the moment “Síocháin na Tuaithe” is only available directly from my website at www.endaseery.com. Go to the buy albums link. After the release on April 1st, the album will be available from the regular distribution outlets for traditional Irish music which I’m working on at the moment. Of course people in Ireland can buy the album also by going to the launches too!

Video:

Síocháin na Tuaithe

Síocháin na Tuaithe ..fresh ready for delivery.

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Huzzah!

Yes we are up to date with our artist of the week. Yes that’s Enda Seery above. A review of  Síocháin na Tuaithe will be out soon but I feel that doing an interview is a great intro to his album.  So what do we have on the menu? I will tell you:

Welsh musician Derek Smith recommended Ta Fechu from Chile. According to him: ” I had the privilege of meeting Ta Fechu from Chile at Lorient in 2011. They’re great people and they deserve to be heard.” Here is the video of the song called Añoranza. You got to admire the sound of pipes in this track. I also love the use of Latin flavour: http://www.youtube.com/watch?v=Tz9c5aSvQ3s&feature=share

Deep Is The Well

Deep Is The Well

Here is the second part of our teaser for the Kevin O’Donnell upcoming release

More Than an Album

As the acclaimed author of Fadó: A Memoir of Life, Liberty and the Pursuit of Happiness,Kevin is known as more than a singer-songwriter but also an author and historian. DEEP IS THE WELL is a work of historical fiction drawing extensively from real-life events. Kevin has penned a novel-worthy history of the Fagan family, from 1837 through today, steeped in a real American past.

Upon purchase of the album, we invite you unlock interactive multimedia content at www.deepisthewell.com. From there, as you listen to the album you can become acquainted with each of the songs’ characters as you read their complex backstories , view their family photographs, and explore their family tree. Watch videos, listen to the author read a chapter from his book, Fadó, download a bootleg bonus track, and gain access to the lyrics, chords, and the author’s personal notes from the album. Those curious about the evolution of writing and recording a song, from the first lilt of the melody to the last day in the studio, will be especially interested in a short documentary on the making of one of Kevin’s most intriguing songs.

Calum Stewart

Calum Stewart

Here is something from Calum Stewart:

North by East – Featuring Gareth Davies-Jones . Short video recorded during album launch in Newcastle. Short cameo by the beau gosse Heikki Bourgault. More information here:www.garethdavies-jones.com

Here is the video of Calum and Gareth: http://www.youtube.com/watch?v=M2N6HwXmY2c

Dave Rooney

Dave Rooney

Check out this Dave Rooney promo video: http://www.youtube.com/watch?v=t5ncEE2Pxog&feature=share

It is concerning the Dave Rooney and Dave Browne, The Dream tour 2013. More info at : http://www.daverooneymusic.com
http://www.cobblestonesam.com

Siobhán Armstrong

Siobhán Armstrong

If you love harp music check out this upcoming special Galway performance hosted by Galway Early Music, the Historical Harp Society of Ireland and others.

Here’s what it says:

Thursday, 21 March 2013, 5.00pm
NUI, Galway, Galway
March 21 is the first European Day of Early Music, and under the aegis of the European Early Music Network (REMA), events happening all over Europe are being live-streamed via U-Sophia.com. Galway Early Music takes this opportunity to introduce all of Europe to Ireland’s medieval harp and its music in a live-streamed talk and concert by historical harpist Siobhán Armstrong. So, even if you can’t make it to the Moore Institute, NUI Galway, you can watch this event live via U-Sophia.com. Siobhan will start with a short talk on the construction of the instrument and the sources for its music. This will be followed by a concert, with an opportunity for questions and answers at the end. The event is organised by Galway Early Music in co-operation with the M.A. Medieval Studies, NUI Galway, and the Historical Harp Society of Ireland.
​​​​ ​Strathclyde-based Celtic duo Celtic Twist

​​​​ ​Strathclyde-based Celtic duo Celtic Twist

The duo of Phil Holland: Clarsach (Irish Harp,Celtic Harp), Fiddle, Vocals and Dave Palmley: Guitar, Vocals have their website redesigned to give you more access to graphics and music. Have a listen and also check the goodies in their music store. Support your independent Celtic musicians.http://hollandandpalmley.wix.com/html_celtictwist

Gladstone Theatre

Gladstone Theatre

Want to know how’s the Irish music scene doing in Ottawa Canada? Please join Irish Music Ottawa: http://www.facebook.com/groups/172682729446933/

Ok that’s it folks. If I miss anything the next edition is this Friday. Take care 🙂

Siobhán Armstrong

Throw your music map and dive!

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In this edition: Eve Williams, Clan Suibhne, Dom Duff, Colin Nea, Connie Dover , Mark Harmer and Planxty.

It is 2013. Four years after I officially launched this site. In the past four years, I met a lot of talented musicians and listened to their amazing music. In the past four years I met interesting readers who turned out to be bloggers too. In the past four years I poured my heart out, experienced joy and at some point almost lost my sanity. But I never gave up blogging and maintaining this site. Despite the personal earthquakes I experienced in this life, this one seems to be left unscathed. This is my baby. This is my love. It’s been four years. And here’s The Celtic Music Fan looking forward to more discoveries, more mistakes, more success and more joy! Let the fun begin again.

Eve Williams-Twenty Miles from Home

New CD from UK based singer/songwriter Eve Williams

Think of the soft approach of Cara Dillon and  the vocal power of Evanescence.

It is always a great experience when I discover new music. This is only possible without a map. Personal maps obscure our chances of finding something new out there. Especially when we are so used to the formula we created and the comfort zone we find hard to let go. I wondered if this is the same thing that ran inside the mind of Eve Williams when she created Twenty Miles from Home.

It is an eclectic album full of  surprises wrapped in a blanket of atmosphere. There are things that are consistently noticeable in the midst of variety. All the twelve tracks are melodic. Her voice is superb and full bodied. She is also a writer which explains her interesting lyrics references to classical literature.

In my other blog friend who is a guest blogger wrote about Music Theory. I think we have to admit that people who make artfully crafted music are those who at least in some part of their musical development, had undergone music studies. The maintaining discipline  in creating and also in the performing part is probably hard because music is such an emotional medium. It is easy to get lost and let everything rip through.

Twenty Miles from Home strikes me as a balance of  emotion and control. It is also a recording done with minimalist approach to instruments. This gives us a chance to hear how Eve can showcase her vocal talents. I sometimes find it hard to listen to something overly produced because you have a lot of sounds coming from every direction. Which in turn makes it hard to concentrate to the few aspects. But this album proves to be something that even listeners with short attention span can feast in.

I realized that listening to different systems also yield different results. When I listened to this through a computer, it didn’t give me too much probably due to the speakers. Then I put it in a CD player with good speakers. And the experience was something else. The whole album shimmers. The headphones also give you that intimate feel which focuses more on the nuances . I suggest you listen to all types of

Singer Eve Williams

Eve Williams

players and see which works for you.

Twenty Miles from Home is a beautiful album. Oblivion is one track with full arrangements and soaring vocals along with Tall Dark Stranger. These are orchestrated tracks. But I love the contrast of the spare arrangement on others like Broken Dolls (feat Scarlett Burnside), The Rock (feat. Dominik Boncza-Skrzynecki) and many more. Eve Williams is based in County Down, Northern Ireland. It is probably the beautiful landscapes that shaped her sound and sentiments. It it an album that can appeal to lovers of Sinead O’Connor, Cara Dillon and Evanescence. The combination of folk simplicity and operatic flourishes in her songs makes her one of the rising voices in the Irish music scene.

Older recordings

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Clan Suibhne Yank~Irish~Celtic Music Group‏

Clan Suibhne. Clan Suibhne They're Not Just a Band, They're a Clan clansuibhnegreengrassmusic.blogspot.com

Clan Suibhne. Clan Suibhne They’re Not Just a Band, They’re a Clan
clansuibhnegreengrassmusic.blogspot.com

Their unique “Roots” music, dubbed “Greengrass,” is a blend of traditional Irish/Celtic meets American Folk/Bluegrass tunes.  “This genre existed long before the music we know as bluegrass. We were very surprised, but so honored to win an award for our music,” says Charles (C.W.) Farrell. The three Farrell brothers and cousin John Curran have become well known around the “Irish Riviera” for their signature style. They incorporate traditional instruments, including  the mandolin and banjo, into traditional Irish music.

Celtic music is a family affair. You can see this in bands like Clannad, The Corrs, The Rankins among others. It is no surprise when a lot of American Irish bands are consist of family members. Irish and Scottish music have grown into stellar proportions in the United States in the past few years. This is an exciting age to start your own Celtic band because even though you can’t find listeners in your hometown, you know that there is this whole wild world which is the Internet. There will always be  listeners for you out there!

Clan Suibhne (pronounced Sweeney)are a band based in New Jersey. They play acoustic music combining their Yank-Irish-Celtic Roots which they fondly mention in their website.  Like I mentioned, they are a family group, acoustic and fun. They do solo, duo, trio & quartet arrangements throughout the New Jersey, Pennsylvania, New York Tristate area.

This St Patrick’s Day 2013, they are scheduled to play at the Historical National Hotel in Frenchtown, NJ…and will be appearing at many other venues throughout the months of February, March and April 2013. Sounds like fun! Do check them out if you are in the area.

http://www.reverbnation.com/clansuibhne
http://www.facebook.com/pages/Clan-Suibhne/240984553900
http://clansuibhnegreengrassmusic.blogspot.com/
https://twitter.com/ClanSuibhne

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Connie Dover and what makes her amazing.

If you’ve been a listener since 1993(her debut album came out in 1991) and now it is 2013..surely there is something about Connie Dover. She is considered as one of the stalwarts in the Celtic genre. I think she is underrated considering the achievements she has. I don’t think I am totally biased when I say that being an American singer, she took such challenging steps in making sure she breaths authenticity in her every recording. Even to the point when she has to sing in Latin of Scots/Irish Gaelic.

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Before going solo, Connie Dover fronted this Missouri based bluegrass group. She is one American singer I really respect because her music is based in hard research and she yes she sings in Gaelic.

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Si Beag, Si Mhor

This composition by the famous Irish composer O’Carolan landed into facebook discussion with my friend Ralph who plays the tin whistle. I am so glad he raised this discussion up so I was able to do further research about the song. I discovered the other versions. There are many out there but I will just post two of them here. These are fine interpretations. I am crazy for uilleann pipes and that is why the one from Planxty appears in this edition. I am also a big fan of harp music specifically the Celtic harp. So let us get to know a wee bit more of this music.

Picture. Mark Harmer gauntssummergathering.com

Picture. Mark Harmer gauntssummergathering.com

In English it means: Little hill, big hill. It’s a reference to the fairy kingdoms.
It’s also translated as “it’s little, it’s big.”It’s sometimes titled “Sidhe Bheag, Sidhe Mhor” The tune is by Turlough O’Carolan (1670-1738). O’Carolan’s works were published by his son in 1747. According to this timeline “Si Bheag Si Mhor” was the first piece O’Carolan composed upon the completion of his harp apprenticeship (1691).

According to Ralph: “I think a closer translation is ‘big hill, little hill’. I’m pretty sure it has something to do with a war of fairy clans but I’d like to know how the story goes. Wanna know who owned w/c hill and who won in the end.” Here we have two versions. The first one by Planxty and the second one by Celtic harper Mark Harmer:

Note: An in depth research by harpist Scott Hoye suggested a new light to the trivia on top  . According to his source, Si Beg Si Mor is in fact a Scottish Tune, The Bonny Cuckoo. O’Carolan used the tune, made popular by the Ulster Scots, and wrote Irish lyrics for it. His poem was about the battle between two Faerie kingdoms. My big thanks to Scott for the info about this classic.

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Babel Pow Wow by Dom Duff

Breton musician Dom Duff is working on a new album. He is requesting the help of Breton music enthusiasts to help fund this project. As I

Dom Duff Babel Pow Wow Proje

Dom Duff Babel Pow Wow Project

said  in a conversation with a musician that music is a community. You get what you give. Dom Duff is very passionate about the culture of Brittany and its people. He  was also one of our featured artists way back .

I chatted with him a few days ago. He was trying to put a video project to promote the album. This involves people speaking in their own dialects from all over the world. The video you see below is just one of the many he is trying to create between music session. This man in really busy these days!

Please check this one out:

More here: http://www.kisskissbankbank.com/fr/projects/dom-duff-album-babel-pow-wow-2013

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Wonderful Review of trad album by Colin Nea

Fair play to Colin Nea on a great review from TradConnect-Enda Seery: http://tradconnect.com/profiles/blogs/album-review-colin-nea-between-the-jigs-the-reels

Colin Nea and Enda Seery are cousins. They are also very supportive of each others music projects. The proud Enda was posting and tweeting about this wonderful review of his album Between the Jigs & the Reels with Jack Talty on a piano. I haven’t talked to Colin Nea yet but I have exchanges several pleasant messages with Enda. He is also releasing an album this year and I am sure Colin is going to advertise it too. It is great to see trad music growing. It is composed of family relations jamming together or with other musicians. Like I’ve mentioned before: Irish music is a family affair.

Clanú: A Closer Listen (Interview with Dee McIlroy)

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Plus our picture of the day featuring Maura O’Connell and Flashback video from Equation!

Clanú: Dee McIlroy, Niall McIlroy, Damian McIlroy and Barry Skeffington.

Great Irish music comes pouring in with Clanú.

I have no doubt that this band is going to create more great albums in years to come. I think they are in the right track with their music. It is always inspiring to have a kind of music that not only lets you look back at traditions but also makes you FEEL inside.  Clanu is one of the finest examples how Irish music is flowering, taking other influences and spreading awareness to both national and international listeners. Thanks to cyberspace one can keep track of these things which would be impossible offline. The little article I did became an agreement with Dee McIlroy  (singer / guitarist/ producer) for an online interview which took sometime due to the band’s rigorous touring schedule. If  you are not aware yet, Dee(Dermot) runs a great company called  McIlroy Guitars http://www.mcilroyguitars.co.uk It was worth the wait because they are the featured band for this week.

http://www.myspace.com/clanu

https://www.facebook.com/clanumusic

..And Dee answers the questions:

 

How do you describe your band and what’s in store for your listener this summer?

Dee McIlroy talks to CMF about Clanú

Clanú is a combination of several members of two very different Irish bands, Outta Folkus who are the Folk / Bluegrass combo (usually a 3 piece) and Torann who are a young 5 piece playing Irish Trad. Both Outta Folkus and Torann are very busy playing in venues and festivals around the country. Outta Folkus average two or three gigs a week, while Torann can fit just as many into one weekend.

Torann have just finished a stint as the “3rd class passenger folk group” in the stage musical version of The Titanic.

They will be supporting bands such as Lunasa throughout the summer months.

Outta Folkus just returned from Switzerland after a series of gigs there and have already secured gigs there for 2013.

Because two members of Torann and one member of Outta Folkus are part of the same family (father and sons), the project to create something blending the two was something that we talked about many times. Hence Clanú was formed in 2010 and we set about writing the music for the album Ancient Walls which was completed in 2011.

What’s the recording process for Ancient Walls? 

Many of the tracks on the Ancient Walls album are original, either written specially for the album or selected from a back catalogue of unrecorded material. Most tracks had been chosen before we started but there were one or two which just seemed to need to be part of the project, “Slow Whiskey” is one example.

The core of the recordings were recorded over the course of a few sessions. We have recording studio at home, so that allowed us the freedom to experiment.

“Once I had the foundation of the recording, i.e. the main tune and instrumentation which was recorded live so to speak (all major parts playing together), I would then add the orchestral pieces, bass, pads etc at a later date. Some I would do myself and other pieces would be done by the other band members where necessary and then layered into the sound. So the rest of the production and mastering took six months to complete. With that in mind, I was conscious that we must be able to recreate the sound as much as possible when playing live. Because we are all multi-instrumentalists we can swap instruments to suit the individual track and we can indeed produce the album tracks exceptionally well.

Dee, What is it about Clanu that is unique from the rest of the bands cropping up these days within the musical culture?

Irish music: It’s a family thing.

There are few, if any, bands who manage to create a mix of old and new folk songs with the fast paced modern Trad that you see in the likes of Grada and Beoga. It’s like The Dubliners meet Lunasa with a bit of Planxty thrown in for good measure. The beauty of this is that we tend to please both camps. There are many people who think an evening of pure Irish Trad would be made even better with a spattering of songs, some new and some old favourites. That’s what we do.

Torann and Outta Folkus  came head to head with an event last 11th  of Aug, not as Clanú but individually, with all members, when they will appear at the 3rd International McIlroy Guitar gathering in Ballycastle, Co Antrim, N. Ireland.

Do you think there is a fierce competition within the Trad scene these days?

 There is little or no competition within the Trad scene other than when it’s an actual competition like the All Ireland Fleadh http://www.fleadhcheoil.ie/ .

There is a tradition within Irish music that you teach the music to the next generation and this keeps the culture alive. So it’s not a case of keeping your music to yourself but spreading it as far and wide as possible, even if that means that there is less work for musicians. But we don’t look at it that way, we simply try to be the best we can and maybe offer something a little different or special.

What are the bands that were supportive of your works(recording and getting the word out there) and what are the bands that have influenced you musically? 

There are certainly many bands and musicians who have influenced us over the years, such as Planxty, The Bothy Band, Boys of the Lough and more recently Gráda, Sharon Shannon, Beoga, the list goes on.

When it comes to support for getting albums recorded and distributed, while there may be a little arts funding for the few, the vast majority of musicians dig deep into their own pockets to produce their albums. I started my own label called Stubborn Ass Music. The idea was to make studio, production and mastering time available ourselves and friends (or friends of friends) who would not in any normal circumstances be able to afford to get an album to market. So far I have produced 5 albums (not all folk / trad), the latest was An Turas by the Glengormley school of traditional music, of which all the members of Clanú have taught at.

There was an incredible amount of work put into all these albums and all in our spare time as we’re not professional musicians. But hopefully the work put in is reflected in the quality of the Ancient Walls album as well as the others.

On performing live, what are the things artists should consider especially when it is a big crowd as opposed to intimate gatherings?

Clanú are a four piece band spanning two generations and the influences of each generation comes through in their music. From the fast paced modern Trad of Damian and Niall to the even faster contemporary folk and bluegrass sound (or greengrass as we call it) of Dee and Barry. With the wide range of instruments they play, they manage to produce a sound which enthrals crowds around the country and beyond. Add to this the song-writing and tune-writing capabilities that all the members possess and you have a unique yet familiar trad / folk sound that will have you dancing, singing or crying and sometimes all at the same time.

When performing in front of large crowds it’s more than likely that all the sound, lighting, running times, etc have all been arranged, so it’s best to just relax and enjoy. The main thing to remember is “Never turn up late”. You won’t make any friends with the organizers, crew or other musicians on the bill.

What’s your message to people who have just stumbled upon Clanu?  

I would say to all those who hear our music, I hope you enjoy it as mush as we did making it. Support live music by buying the CD, downloading it or streaming it on Spotify or similar. And please spread the word. We hope we can come play in your town sometime, wherever in the world you are.

And thank you Baxter for inviting us to take part in this questionnaire.

Dee, thank you so much for talking the time to talk to CMF and also for sharing your ideas  that will  benefit musicians of all genres. Friends, don’t forget to check out the music of Clanu and also get yourself a copy of their new album Ancient Walls.

Here are links to their videos:

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Our picture of the day:  Maura O’Connell

Maura O’Connell

She has a big Celtic voice that resonates through your soul. This picture tells us how this this Irish artist sees life and uses that  inspiration to heal our hearts.

http://www.mauraoconnell.com/

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Flashback: Equation from 1995

Yes this is Cara Dillon and gang in the age of grunge music and fashion. Who would have thought that years later individual members wouldlead successful solo careers…and continue to inspire us with their great music. It is great to look back and marvel at how Irish music has evolved and influenced the younger generation.

Cara Dillon and Seth Lakeman, two of the leading acts in the UK and Irish folk scene, were both formerly members of Equation, a folk supergroup signed to Warner label Blanco y Negro in 1995 by Geoff Travis. They recorded one album, Return To Me, which was shelved by the record company just before its release (but was released by Rough Trade Records after Travis bought the masters), but the lead single, He Loves Me, got a release in 1996 with a full promotional video. The video became available on Ebay recently and with a stroke of luck I had the winning bid. Here it is in all its glory. Seth appears to be a bit of a spare part, but Cara is glowing in all her youth and mid nineties fashion! Enjoy…

Cecile Corbel – Sweet Amaryllis

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Cécile Corbel
“Sweet Amaryllis” (John Wilbye/Corbel)
Original music video (c) Bran Music 2012
from the album “SongBook vol.3”

Cecile Corbel on tour!

Do you ever get this impulse of being stuck in one song and finding your self playing it again and again? I know it isn’t what normal people do because what happens is when a song ends you move to the next track. Today, I found myself getting stuck in this one song by Breton musician Cecile Corbel. The song is called Mary and there is this stanza that goes:

Mary was a sailor
But she is drowned to die
She sleeps under the sea
Mary ever on her way

Kind of morbid don’t you think? But the music of Brittany has always been steeped in stories of seafarers. This song made me go to her website and I saw her new video called Sweet Amaryllis taken from the new album Songbook 3. I am impressed by her knack for powerful melodies and tight vocal harmonies. This is a kind of music that artists like Moya Brennan and  fellow Breton Nolwenn Leroy make. Very catchy and haunting at the same time. Need I say that her videos are always appealing ? She is on tour right now and more can be found in http://www.cecile-corbel.com

The Priests from Northend Ireland.

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the_priests_cd

Someone in the Unity (The official Enya forum) sneaked them in at the Off Topic section. I thought I should give them a try. Fr Eugene, his brother Fr Martin O’Hagan and Fr David Delargy are real Roman Catholic priests from Northern Ireland. Check out their official You Tube site

Trivia:In December 2008 they scooped the Guinness World Record for ‘Fastest-selling UK debut for a classical act’.