“Songs From Before” by Fionnuala Sherry and Other Music.

https://www.youtube.com/watch?v=xjV6NYVt310

Secret Garden’s Fionnuala Sherry stands on her own in Songs from Before

That distinctive  John Edward Betts violin from 1790 is Fionnuala Sherry’s instrument of choice in both live and studio sessions. And like her choice of instrument, the style of most songs in her album Songs from Before (released in 2011 by  Hearts of Space Records) never stray far away from  the subtle mood of Secret Garden-with notable exceptions in some tracks. I am talking about the stunning rhythmic drum work in Lark in Clear Air and the experimental/ambient style of My Lagan Love. screen-shot-2017-02-28-at-8-19-30-pm

Songs from Before is clearly a nod to Irish traditional music but with modern arrangements, and sans the neo-classical style of Secret Garden. Perhaps there will always be challenges in projects like this one. Will be some of the parts be any lesser than the whole? Will her musical efforts get noticed away from the shadow of million-selling duo that are Secret Garden? But many have ventured this path: Lisa Gerrard of Dead Can Dance, Moya Brennan of Clannad and even Karen Matheson of Capercaillie, among others. I think her strength is in her classical discipline. Couple that with her pop sensibilities and you get a modern album that is also timeless due to its traditional spirit.

I remember one early morning while riding the bike. I was playing this album through my bluetooth speaker attached to my messenger bag. I stopped by a bridge just in time for Lark in Clear Air to play. And it was quite a musical moment.The sweeping view and the stately sound seemed to have created that synergy which was spiritual. I understand that her music is always rooted in nature. There is something organic and soothing about her style. It’s like being inclosed in a thick foliage. It is a private moment keeping the world at bay. Even if it’s just for a span of forty minutes. And it is good enough.

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Have you gotten your own copy of Canvas by Moya Brennan? Yes it is out now. Here’s the editorial review via Amazon:

CANVAS is the ninth solo album from the First Lady of Celtic Music, Moya Brennan. This collection of original songs is steeped in her Celtic roots – Moya comes from Donegal in the NW of Ireland. But, more than ever before, the album has a contemporary twist due in no small part to her co-writers/ composers, daughter Aisling and son Paul, both in their early twenties with strong ambient electronica and contemporary singer-songwriter influences. Moya s haunting, ethereal, vocals have been her unique hallmark both in her years with Celtic music pioneers, Clannad, and in her own solo recordings and film work. The album contains some songs in Moya s native language, Gaeilge, while other songs celebrate, for instance, elemental/environmental themes or lament the child victims of needless war and conflict. Musically the record unveils a spectrum from poignant, fragile beauty through to dramatic, symphonic peaks. The album title comes from Moya s rediscovery of her love for painting. She painted the cover and art featured throughout the CD package. Canvas combines the simplicity, depth and beauty of the extraordinary skills which makes Moya unique in her field. Grammy award winner Moya has sung on most of the world s great stages and has collaborated with many notable artists including Bono, The Chieftains, Bruce Hornsby and Robert Plant. Among her movie credits is her collaboration (and co-writing of the end title song) with Hans Zimmer on King Arthur.

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For Drum Fannatics!

This is interesting! As a percussion enthusiast this is a great find for me. Big thanks to Matthew Bell for pointing this out to me. More about this project from Contemporary Bodhran:

www.kitchatham.com
www.contemporarybodhran.com
Kit Chatham, Matthew Bell, Alex Kuldell, Josh Dukes, and Ryan Mullins play a variety of percussion and stringed instruments in a Genre-defying instrumental mashup. Features Mandolin, Banjo, Highland Bagpipes, Jaw Harp, Irish Flute, Guitar, Kanjira, Pipe Band Snare, Rope Tension Bass Drum, Rope Tension Snare Drum, Bodhrán, tabla, drumset, and programmed percussion.

There you have it for now.

Why Music? Why Breathing? The Allison Crowe Band CD!

The powerful voice and intrumental prowess will delight fans and new converts of Allison Crowe’s artistic genius. 

“Why music? Why breathing?” is a quote I got from the liner notes of the new Allison Crowe and band CD. These questions do reflect her artistry. She got into music at an early age and at 15, she was already performing professionally. I am new to her music and I was introduced to her albums perhaps around two years ago. They were studio recordings but her live renditions are something. It really gives you the idea of how powerful that voice is. I have not heard of anyone who sings with the vulnerability or childhood innocence and the piercing intensity of Edith Piaf the way she does, well at least not in this lifetime. And that’s what this double CD present to us.

Introducing / Heirs + Grievances (2016)  are a double-album debut of Allison Crowe and Band comprising one live CD and one studio CD recording. Disc one contains her live recordings with her band and disc two contains her studio recordings which is actually her new album after Souling. I listened to disc two first in order to get the feel of her ‘natural’ recording style. Then I moved to disc one. I was surprised by her flexibility and power not only as a vocalist but also as an instrumentalist.

The double CD also contain a re-make of ‘Why’ originally by Annie Lennox(from her album Diva). Lennox is quite a challenge but Crowe maneuvered her way into the soulful road of the song and belted out like kingdom come on the last part of the track. It is quite amazing how she can do so many things with her voice. She’s a woman with a guitar who belts out like Aretha Franklin, a bodhran player with soul in her heart and yes a pianist with the grace of a classical performer.

All songs in the double album are originally composed by Allison Crowe except Chelsea Hotel No. 2-by Leonard Cohen,Foggy Shores of Home-Garry Driscoll, Tarry Trousers/Now I’m 64(Traditional). And you can see why this album is a must for all you music fans. It’s got everything. It’s got soul and power and most of all the unique style of Allison Crowe.

About the album:

  • When critics liken you to Edith Piaf, Elton John, Aretha Franklin and Modest Mussorgsky, it’s a good sign you’re truly one-of-a-kind. So it is with musical explorer Allison Crowe who, since creating her own record label in 2001, uniquely inhabits the world of song – continually adding breadth and depth to a richly expressive repertoire for piano, vocals, guitar and bodhran.

    Crowe’s “supernaturally agile and exquisite voice” is complemented ideally by her international touring band: Céline Greb (cello, vocal harmonies); Sarah White (mandolin, vocal harmonies); and Dave Baird (bass). Longtime friend, musician and photographer Billie Woods contributes guitar and vocal harmonies to the band’s recordings. The combo’s gorgeously thrilling hybrid of Canadiana, Celtic  more

    ships out within 2 daysa1474349875_10

Feel the warmth of AN IRISH CHRISTMAS BLESSING by Fr Ray Kelly

Father Ray Kelly Chrstimas cd cover

If An Irish Christmas Blessing is a solar system, then Make Me a Channel of Your Peace has to be sun, drawing all planets to its gravity. It is a track that’s timely as the world needs something to hold on to especially in these troubled times. An Irish Christmas Blessing recalls the auspicious debut of Father Ray Kelly almost a year ago. This happened when he sang at the wedding of Chris and Leah O’Kane on April 5th 2014 which blew the internet after it was captured and posted on You Tube.

I am listening to the title track while writing this. It brings back a lot of good feelings. Like when I was in high school and I was a teenager again haunting for good holiday albums in record stores. The classic style represents the ‘feel’ of the whole album. There is nostalgia and a sense of adventure.

His style of singing is unique. Not Gregorian or operatic. He sounds close to Elvis Costello but with a rich upper register and nuance where it is needed. In O Holy Night, he gives his all hitting those rich notes at the end of the song. The album’s orchestration is superb. I love orchestras and An Irish Christmas Blessing is a treat for those who love grand arrangements but with a modern twist.

Father Kelly  will be donating a percentage of the profits of the sales of this album and his live concerts to the Kiltegan Fathers St Patrick’s Missionary Society. It’s where he started his journey as a Catholic priest.Below is a brief interview made possible by my good friend Anita Daly of Daly Communications:

 

Hi Father Kelly, you must be ecstatic that your Christmas album is finally out! Why did you choose An Irish Christmas Blessing as the album’s title?

Yes I am very excited about the Christmas album and indeed the final production of it. When I heard the song An Irish Christmas Blessing, I fell in love with the melody and the words immediately. And in deciding a title for the album I thought there it is, the title, the first song on the Album. I guess being an Irish Man and firmly planted in my roots it was the ideal title.

What are your favorite songs in this album?

I love all Christmas music so I really love all the songs. However, when I heard my completed version of Make Me A Channel Of Your Peace, I just thought it was so prayerful and haunting, so I guess it is one of my top 3. But I love O Holy Night as I feel hearing that song at Christmas is so special and necessary. As for the song The Little Drummer Boy, I do think the arrangement of that is super. All my grand nieces and nephews are constantly listening to that one and tell me it is their favourite.

You employed an orchestra to record the thirteen songs (by the way it’s my lucky number). How did you decide to record with an orchestra plus choir instead of just the usual piano, drums, bass and synths?

I was very fortunate that Nigel Wright in the UK agreed to produce my Christmas Album, as he is up there among the top record producers in the world, so I was totally guided by him as to what was needed to create a great album.

Some of the songs are vocally challenging! But you glide through them gracefully. Do you record in one take or did you experience having to decide between two versions of then same song?

Nigel made me work very hard, he knew I could create the sound he wanted. So it took a lot more than one take in most of the songs. But that is not unusual, and having heard the final production I can understand why it took some time.

You will be donating a percentage of the profits of the sales of this album and his live concerts to the Kiltegan Fathers St Patrick’s Missionary Society right?

Yes, Kiltegan Fathers, or St Patrick’s Missionary Society will benefit from the sale of my CD and concerts. When I decided to become a priest, I joined The Kiltegan Fr’s in Co Wicklow. So they educated me for 7 years and had a huge say in my formation as a Catholic Priest. I spent a couple of years on the Mission Field in S.Africa, however I decided I wanted to work at home eventually. I always said if I could every give something back to them for all they did for me even in a small way I would, little did I realise that an opportunity like this would come my way.

What’s your biggest wish this Christmas?

My biggest wish this Christmas is that my younger sister who is quite ill will make a complete recovery. Now that would be Christmas for me.

There you go 🙂 Bax

Slan, best wishes, Merry Christmas

Fr Ray

 

And I wish your younger sister a complete recovery as well Father Kelly.

The Lush and Vibrant “The Promise” by Caitlin Grey is Here!

I am enjoying the new album of Caitlin Grey called The Promise. One thing I noticed upon playing this album for the first time is her beautiful and supple voice. It has the ease of a folk singer and the refined muscle of a classically trained vocalist. She uses these influences seamlessly in this new album, consisting of twelve songs.There are original songs as well as interpretation of traditional materials. I love her rendition of She Moved Through The Fair because of its melodic simplicity and emotional power. a1763992850_16

The title track is something that will please fans of Clannad, Loreena McKennitt and Anuna or even Secret Garden. Her arrangements are also spot on. I love the drumming on this one because it sounds almost like a pop ballad. But then again we know that with Ms Grey, every song can be a magical journey between classical and folk.

Her approach to singing tells you  this is how to sing these songs. Yes, especially these kinds of songs because it takes a special artist to pull this off. Because in the hands(or throat) of an ordinary singer, they will sound weird. These songs choose a singer and that singer is Caitlin Grey. I love it when she harmonises in some songs.They sound whispery, airy and crystal clear. I love the style of Innisfrie because I love movie soundtracks. Ailein Duinn is haunting  especially with the harp. An original from Scottish group Capercaillie for the movie Rob Roy. I love her singing in Scottish Gaelic. She maintained the beauty of the original but added her own unique style.

I love ballads that build up gradually. And this is the style that is present in most of the songs in The Promise. Black is the Color is another personal favourite. She sings that sense of loss where words fail.

In My Awakening, I like that part of the chorus where she sings the line “..When all my life fades away in tomorrow..” deeply moving! In Anam Cara, her voice is a powerful instrument that can transport us to anywhere in the world where she wants to take us. Call of the Clans closes this wonderful album with an arrangement that can rival any operatic aria. Listen to the latin chants at the end of the song. If that does not conjure something in you, then you are not human.

The Promise is a work of magnificent sound craftsmanship and artistic maturity. Looking forward to her third album!

Ark by Brendan Perry and Mary Fahl’s Gravity(Tentative Album Title)

I spent my late teens listening to World/Medieval/Celtic/Fusion duo Dead Can Dance . I admit it’s the voice of Irishman Brendan Perry that really got to me. It’s a haunting baritone that reminds you of  quiet walks on a cemetery during a faintly windy night. I  almost own all of Dead Can Dance album (on audio cassettes) and most of them now on mp3s so I can bring them along when I travel.

You have to understand what it did to me when I heard that he just released a new album called Ark. This is closer to the sound ‘feel’ he did for Dead Can Dance. Recorded in his home studio Quivvy Church ( it’s really an old church in Ireland he bought and converted into a recording studio) this 8-track album will be something to treasure for years to come. A totally rewarding listening experience! Check out the latest news about Brendan Perry here.

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Mary Fahl is getting busy this year as two of her albums are about to be released : Mary Fahl: From the Dark Side of the Moon (to be released in 2010) and  Gravity (Tentative Title) – 10-song album to be released in 2010…I love this update! Recently I chatted with Mary about the three tracks that was floating around : Ghost of Me, Red Sunset and White Bird. These are demos she made with Bob Riley of Grace Pool. Bob passed away sadly and they were left forgotten .  Let’s hope Mary will consider re-recording them because they will blow your mind away with their beauty. Full discography here.

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Nigel Eaton

If you love excellent Hurdy-Gurdy music, then you should never miss Nigel Eaton’s  myspace page. He played with Loreena McKennitt (1996-2006) I love the sound of this instrument and I think it deserves more exposure.

About the Hurdy-Gurdy


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On Jenne Lennon

…She became a friend in facebook and wrote me a sweet message. As always Jenne will remain a favorite here @ Celtic Music Fan because of her wonderful talent and fresh approach in Celtic Music. How she sounds like? Here’s how she describes her music: A combination of Clannad, Lisa Gerard, Enya, Loreena McKennitt…plus let me add a passionate intensity close of Janis Joplin.

Listen to: http://www.myspace.com/jennelennon and read her blog. There’s also this interview I posted.   Check out her rendition of Marble Halls  from The Bohemian Girl, an Irish Opera by Michael William Balfe.

thanks to knoeful for posting this video and providing additional info…

(Jenne Lennon performs with Indiana University’s International Vocal Ensemble at the Mary Goetze farewell concert in April, 2007. Goetze founded both the IU Childrens Choir and the International Vocal Ensemble, giving performance opportunities and musical learning to youngsters as well as university students who are not music majors. Lennon is a Chicago based Celtic singer dubbed the Janis Joplin of Celtic Music! http://www.glencoerecords.com/ “I Dreamt That I Dwelt in Marble Halls” is also called “The Gipsy Girl’s Dream” It comes from the opera “The Bohemian Girl.”)