Babel Pow Wow by Dom Duff

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Album: “Babel Pow Wow

Artist: Dom Duff

Location: Brittany

Original Release Date: April 18, 2013

Tracks:

1. Buan yann buan

2. Bitter Lands of Llydaw

3. Noa

4. Chikoloden groove

5. Floc’h ar jabadao

6. A-du gant an avel

7. Babel pow wow

8. Houarn & lêr

9. Buzhug’o’matik

10. Koroll gouez

11. Treizh

12. En tu all d’an treizh

13. Foeter breizh

“Babel Pow Wow” is the fifth album by Breton singer/songwriter Dom Duff. He got this started through the Kiss Kiss Bank Bank program.  So what’s thid album all about? According to Dom Duff :

This album pays tribute to the world’s cultures, languages​​, to all those people who use their words and their rhythms to sing, dance, laugh,  … The idea came to me after many meetings with different fans, speaking about multilingual cultures : our imagery, rhythm of our words, of our music.  As usual, I sing my native Breton language, adding my guitar licks surrounds by fiddle, bass and percussion to these stomping songs and tunes.It’s about local & global troubles, causes, …

So what’s my assessment of Babel Pow Wow?   To those who haven’t heard it yet, Babel Pow Wow is a collection of folk/ rock inspired tunes laced with Breton music. It is composed of a richly layered album with a wide array of instrumental explorations. I think this is Dom Duff’s most successful work to date, with  ambitious effort and sleek production to match.

This album aims to take  nods on all Celtic music branches. It also highlights other musical genres, from all sides of the globe. It is an album that is a must for lovers of Breton culture and the rest of the Celtic nations. And even if you don’t speak Breton, the rhythm of the language will take you to places you’ve never dreamed of.

Buan yann buan starts the album with its inspiring guitar and percussion. The tune takes flight as fiddles, harmonica and other instruments wrap this track with passionate abandon. The mandolin takes the center stage in Bitter Lands of Llydaw, along with the strong and haunting vocals of Dom. Noa pulls us into the mysterious Breton landscape with that strange mechanical sound for ambience. Chikoloden  has the groove that is definitively Celtic with its beautiful instrumental arrangement and also a jig in the second half of the track that nods on the Irish side of the influence.

Floc’h ar jabadao is typical Dom Duff with the driving percussion and strumming. A-du gant an avel is a beautiful ballad a sweet melody and beautiful guitar solos. Those who love psychedelic rock will love the title track Babel Pow Wow. Jigs, hypnotic percussion and driving rhythm are all explored to the max in one track. Houarn & r channels a bit of George Harrison with that beautiful and catchy chanting for chorus. This style is also found in the next track  Buzhug’o’matik.

Koroll gouez starts with an adult alternative intro and then followed by the marathon run intensity of the verse and chorus matched by the energetic  fiddle and percussion. The mysterious sounds make a comeback in Treizh. The style is Middle Eastern. En tu all d’an treizh gets us back to our feet with the signature Breton rock that’s always typical of Dom Duff. Foeter breizh closes this amazing album with the sound of Breton footsteps by Breton runners. The video of this song was published more than a year ago and it’s been widely shared across Brittany.

I will never get tired listening to Babel Pow Wow. It’s got all the grooves, the sound spices you need when you want a kind of music that not only inspired but also soothes the hunger for something rooted to tradition and the love for diversity. Better get your copy now!

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Huzzah!

Alan Cooke, The Wild Irish Poet

It’s Monday! Birds are singing, the sun is up and ground is wet from last night’s rain. How are you doing?

Last time I mentioned that I read in advance The Spirit of Ireland – An Odyssey HOME – Alan Cooke’s  follow-up memoir to Naked in New York. Did I mentioned that the book moved me that I wept? perhaps not so I am telling you now. It is a beautiful work , richly layered in atmosphere and images. You need to get it when it is finally out. So here’s a passage:

From The Spirit of Ireland – An Odyssey HOME : I looked at an old cottage that was for sale because the picture struck me as haunting and evocative. It was dark and grey outside with the threat of rain. This house had no road, no gentle garden path with plants along the edges. It was muddy and full of rocks. I got to the door. A small river ran around the entire house. Inside it was chilling and desolate. A whole planet of despair resounded here in lost memories and lives that had been lived out. Old stained suit jackets hung in the window. Everything was dead. The house had shed its last breath. The windows were blurred with dirt and finger marks. The floor was broken and warped and an old kettle sat in the middle of the room awaiting an owner to bring it into life again. This house had kept generations enveloped in a kind of soft life. Yet hardship always lurked nearby in the form of poverty. I imagined coins counted to the penny and a soft shuffle out the door to get a loaf of bread and some meat for the week. Or some news brought to the door that would shatter the heart. Or the sound of a baby covered in her Mother’s blood born on the wet floor as the roof let in the rain at angles. A weeping newborn amidst the rain storms that took hold of the land and shook and drowned her till she was sodden and miserable.

I saw old cigarette boxes lying by the fireplace. I imagined rugged hands lighting wrinkled cigarettes shoved into the sides of black stained drinking mouths and scouring the land, planting and digging and heaving and sweating the years away. Or maybe a song that was hummed and filled their sleep in the night. Or a foot that tapped with rhythm on the black dirt floors. Or the eyes that were lit by the fire. Soft country eyes that had only seen the glory of nature all their lives. Yet I could feel the intense energy and loss of this ghostly cottage. A house withered and dying without human warmth felt terribly lonely to me. And above me a billion miles into the sky far above the ghosts in this house we were looked down upon by forces undefinable. This tiny house in this tiny land and this eternal terror of being. The light filled the soul, measured against the immense beyond. I felt the depth of it and the memory so thick down to my fingers which I traced along a window sill.

In an old drawer I spotted a faded photo of a Father and his child. The photo was half burned, the daughter looking away from the camera. The Father had a beautiful smile. His cap was in his hands. He looked humble and had soft eyes. Where were they now? Long gone. So far gone I could not sense any of their life in this sad place. Who would buy this place? I wanted the weeds and the fern and the branches of trees to grow tall and strong and wrap themselves around this cottage. Move inside the walls and windows. Creep along the floor and take this house back into the earth. It did not belong in the present. I put the photo back in its place. I felt like I had walked upon a grave. I was trespassing amongst the dead.

Here amongst the ragged remains of an Irish home at once comforting and now cold and dead I sensed what the end might feel like. My own end. It sent a fever into the throat to think on this, the idea of ceasing to exist and of disappearing. Outside I could see a bird wet, on a thin branch still singing in this most terrible of winter days. His eyes darted with each note and his breathy reedy notes were a symphonic calming release against the singular bleakness of my emotions.

His was the constant song of aliveness. The paradox when God seemed to have bolted his door. It almost seemed to me that this messenger was all that kept the world from upending and falling apart. It is the voices of hope in the world that keep us from despair. The bird stayed for an eternity. Singing, for no purpose, but his own, and I selfishly took it for mine as well. To give my own presence meaning.

I left the house and walked back down the rocky path to my car. I looked in the mirror inside and I could see my own darkened eyes, this strange search for home within me always. The restless spirit misaligned with a race that itself was lost. Spinning on in this grey eternity called life.

Enter The Haggis On The Road Interview

ENTER THE HAGGIS - THE MODEST REVOLUTION

Brian Buchanan: Vocals, Fiddle, Keyboards, Acoustic Guitar, Electric Guitar

Craig Downie: Vocals, Highland Bagpipes, Trumpet, Harmonica, Whistle,
Acoustic Guitar, Bells

Trevor Lewington: Vocals, Acoustic Guitar, Electric Guitar, Octave Mandolin, Keyboards

Mark Abraham: Bass Guitar, Vocals

Bruce McCarthy: Drums, Percussion

This interview happened in the middle of the Enter the Haggis tour. Anita Daly became our go between because she has direct contact with the band and it made the communication easier between us. I made a review of their new album in my past edition and the band was pleased hahaha. So it was Trevor Lewington who answered all these questions. Let us welcome them as our band of the week!  Also check out the cool videos at the end of this interview.

Hi guys, my name is Baxter. I write for The Celtic Music Fan online magazine. I listened to your album in its entirety and have been meaning to conduct an interview with you since 2009. I am glad for this opportunity…. With the release of The Modest revolution, what do you think has changed in the musical aspect of the band?

Our last album, Whitelake, was recorded at a cottage and the overall vibe was pretty folky. We went down to a studio in Kentucky to record TMR and cranked the amps back up again. Songwriting remains our first priority but the arrangement approach was to bring the songs to new highs and lows dynamically-speaking. Brian (fiddle/keyboards) played basically ALL the electric guitar parts, which changed the sound of the band rather dramatically. Craig (bagpipes/harmonica) picked up the trumpet on our last album and his playing is really solid on this record.

     What are the technical aspects you have learned in terms of recording and playing live?An Instagram ETH photo taken by patrickc68! #enterthehaggis #irishfest http://instagr.am/p/W4SGG5GYhA/ - tag your photos #enterthehaggis to share them on our Page!
The experience of recording a new album always challenges us in different ways. Thanks to the success of our kickstarter campaign, we had more time than usual in the studio such that we didn’t feel rushed and were able to experiment with unusual sounds, parts or arrangement ideas. Sometimes it worked out and sometimes not, which is the exciting thing about experimenting!

In terms of the technical aspects of live performance, I don’t think anyone learned more than Brian. He’s always been a gear head but now that he’s playing electric guitar live he’s done a lot of research to get the right tones for all the new songs. Craig has added electric bagpipes to the live mix, which frees us up to play songs in more keys (the traditional highland pipes have a very limited range.) The highland pipes are still his instrument of choice but it’s nice to have the option of electric pipes.

     How’s the tour going so far?
Great! We had a crazy March run where we played some amazing venues, including a sold-out show at Turning Stone casino. We’re now in the middle of a Canadian run and will be heading over to Ireland soon. The new music really seems to be connecting with people, which makes performing It all the more enjoyable for us.

     Why the title The Modest Revolution?
It’s a quote from the front page of the  newspaper that inspired the album: “Harper’s Modest Revolution.” The gist of the article is that our prime minister is trying to sway Canada’s collective psyche to the right, but we’ve taken it to mean that “even a small gesture can be the beginning of positive change.”

What can you say about each of your band member in terms of being together through the years, playing and recording together?
Well it’s certainly been quite the ride. I feel like we’ve always just kept our heads down, writing the best songs we can and traveling around playing shows. Only recently have we noticed that we have an actual history! College kids are coming up to us and saying they started listening to us when they were kids. It makes us feel old until we realize that most if us were pretty young when we started making music together.
Personally, the longer we do this for, the more I appreciate the other guys in the band. Not only are they amazing musicians, but that there’s a respect for each other as people. Musically I think the growth as individuals and as an organism has been substantial. I feel like with this album we’ve only now come to understand what this band is – but don’t ask me what that is as I probably won’t have an answer.

    What’s your marketing goal for the album now that it’s release?
Being an independent band, we don’t Have a “marketing department” as such. I think the idea is to connect with as many people as possible who might enjoy what we do. This isn’t dumbed down pop music so it’s not going to be everyone’s cup of tea but that’s the way we like it. We’ve got an amazing group of dedicated fans and we feel like as long as we can make music that resonates with them they’ll want to share it with their friends. We’ve hired two publicists, a radio tracker and pay for online advertising but there’s no better advertising than getting up in front of a crowd and playing our asses off.

ETH has a kind of Celtic rock that is easily accessible. It is also radio friendly and universal. How are tracks conceived. What’s the science behind the songwriting? An Instagram ETH photo taken by patrickc68! #enterthehaggis http://instagr.am/p/W4SjyAGYhX/ - tag your photos #enterthehaggis to share them on our Page!
Haha… Seriously? Celtic rock is about as radio-friendly as… well, bagpipes. Being radio-friendly definitely isn’t our intention, although there are so many great specialty online stations these days that any style of music can find a home. I could go on for hours about songwriting but suffice it to say that I try to remain a student of it. There’s so much incredible music out there so it’s important to keep listening to as much of it as possible. As a band I think we’ve learned how to take on the roll of a producer by focusing on the best parts of a potential song and losing the parts that distract from that.

  Do you think you have reached the part in your musical career where you can breathe? For those aspiring Celtic rockers, what’s your top 5 list of things that they should remember when they want to make music as a career?
Can we breath? Absolutely not! I feel like we’re being chased by the Minotaur and are barely staying one corner ahead. We’re having a spark of success but with that comes the pressure to stoke the fire.
1.) don’t do it unless you must
2.) get regular servicing done on the van
3.) eat fresh vegetables
4.) book your hotels through Priceline
5.) don’t room with a band member who snores

   Where can fans buy your albums?
Come to a show! Or get them through our website, iTunes, Amazon and just about anywhere else online.

    What’s your marketing advise to all bands trying to court online and offline listeners?
Don’t call it marketing! Just try to connect with your fans as often as you can and don’t put out music just to put it out – make sure it’s something you’ll proudly play for your grand kids.

I hope that works! Thanks Baxter.

Ok there you go. I hope it gets to them, Trevor

Videos:

AVAILABLE EVERYWHERE MARCH 30TH.

Thanks to Zach McNees for cutting this together, and Daniel Roher for some of the footage. 🙂

#THEMODESTREVOLUTION #ENTERTHEHAGGIS

Sounds:

Links:

http://www.enterthehaggis.com
http://www.twitter.com/enterthehaggis
http://www.myspace.com/enterthehaggis
http://www.youtube.com/user/enterthehaggis
http://itunes.com/enterthehaggis

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Huzzah!

Welcome to our artist of the week edition featuring the band Enter the Haggis. For the whole week I will be putting updates in my Huzzah! column so that you will be informed about what’s going on with the band.

Now on a sad note I was shocked upon hearing the Boston Marathon explosion this Monday and the whole blogosphere mourns for the victims and their families. Actually I posted an essay on another site and I am glad to be able to talk about situations that belong to a particular venue and not just mix things up.

An Air For Boston – April 15, 2013

Here is a video that piper Patrick D’Arcy performed on the wake of the tragedy and I think this is very appropriate because Boston is one of the most Irish places in America. The Celtic Music Fan, being spiritually attached to Ireland mourns and condemns any violence inflicted upon the Irish and the rest of humanity.

My heart goes out to those affected by today’s bombings. May God help you all. This air came to me, The Wild Geese- Patrick D’Arcy

This is not just an American tragedy but a global one because people of all races were victims. And we are all human beings. We are not fighting people from another planet but our own kind. Very sad.

Tehilim Celtic Rock: Back to the New

Album: Back to the New

Band: Tehilim Celtic Rock

Genre: Celtic, rock and folk

Location: Brazil

Members: César Ricky (eletric guitar, acoustic guitar, harmonica and vocal) and Jackie M. Mendes (tin whistles, low whistles and vocals), and some friends!

Tracks:

  • When I survey the Wondrous Cross
  • Close to you
  • Panic
  • Build Me Up Again
  • With All My Soul
  • Wherever you Go
  • Saved My Soul
  • Two Little Princesses
  • Carried Me
  • Follow the Way
  • I’m Not Condemned
  • Nearer My God to Thee

Back to the New bolted out of the gates upon its release via Noisetrade.  Noisetrade is one of the most accessible sites to showcase bands of all genres . For this Brazilian band to spotlight their work internationally is a great thing. After all, the sound of Tehilim is really something that American and UK listeners will embrace. All tracks are sung in English. I dig the influences: Iona,  Moya Brennan, The Corrs,  John Petrucci, Steve Vai, Dixie Chicks, Sheryl Crow and others.

Most of the compositions in Back to the New is built around the guitar flourishes of César Ricky Mendes who is also the band’s lead vocalist. Jackie Mendes plays the whistles and backing vocals. The couple has four album credits . There are three guest musicians who played in Back to the New  for the bass, drums and other instruments.

The music of Back to the New reminds me of American Southern Rock with  an arena packed energy. It is a kind of music that’s best to be played live and in a wide setting as opposed to something intimate.  The vocals are robust with remarkable range. Most of topics in back to the New revolves around Christianity, soul searching and finding meaning in life. I think I can label this album safely as  Celtic Christian Rock album with mainstream appeal. I also think they are better known as Tehilim Celtic Rock as opposed to just Tehilim. That way people who pick up the recordings will have an idea what to expect.

Consider track 7 Saved my Soul as an example:

Lord, you saved my soul
And gave me hope
You loved me so
And made me new
Lord, I want to know
Who needs your love
And save their soul
And make them new
You saved my soul,
Saved my soul
Don’t let me go without your love
You saved my soul,
Saved my soul
I sing for all, you saved my soul.

It’s also the most Irish sounding track in the entire album.

Lyrically, think of early Moya Brennan albums like Perfect Time and Whisper to the Wild Water meeting up with Jars of Clay and you will appreciate each Tehilim releases. Although the content of the album is Christian-centric, Tehilim  is never preachy which makes it accessible to all ears even if you are not a Christian. And yes in the end it is the beautiful music that’s worth listening to again and again which is actually what universal love is all about: embracing all and pleasing all. You can download the album via Noisetrade.

Links:

www.tehilim.com.br
www.facebook.com/tehilimcelticrock
www.myspace.com/tehilimcelticrock
www.twitter.com/tehilimband
www.youtube.com/cesarrick

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Huzzah!

Hi there folks and welcome to our Saturday edition. This is what happens when you put things aside and then realize you have things piled up at the last minute. So, let me bring you great tunes once more and also recommendation. And please don’t be shy. If you have anything to share, use the comment thread of this post and post your own stuff. Be the blogger too!

Donal and Mick McCague: These two brothers are always popping up in my newsfeed so I finally got a good video to showcase their amazing instrumental talents. Donal (Fiddle) and Mick (Guitar) pay a set of reels at the all Ireland Fleadh in Cavan in August 2011.Check this video: https://www.youtube.com/watch?v=q-8imeWmCKY

Yes I wrote a review about this amazing album from way back: Everything in this album bumps and pulses. No need for you to think deep thoughts. Just the pure fun of knowing that Black 47 is there to shake your day into burst of ecstatic energy. Buy it here: http://www.black47.com/

Another album lovers of Irish music should not miss: Memory Lane is an album worth of repeated listens. It’s a collection of tracks that sound familiar to everyone Irish or not, but given a new life and freshness by The High Kings. This is just their second album but it looks like they have achieved a lot. These guys know their stuff. They are real musicians with real instrumental talents. They are seasoned vocalists and their individuality shines in every track. They are also charismatic figures that looks good on your CD library. I am pleased to own this album. In terms of production, the album shimmers with clarity and lushness of sound. Buy it here: http://www.amazon.co.uk/Memory-Lane-High-Kings/dp/B0036V0VPY

I am still enjoying this gem:

Expect to hear instrumental arrangements that were made popular during that time. I am a fan of harpsichord and recorders and they’re highlighted here! What I love about  the recording is the variety . You hear English Country dances, James Oswald, Matthew Locke, Traditional Scots Tunes, Traditional Irish and so much more.

The tunes are lively and melodic. I should also mention that I adore the packaging of the album especially the very informative liner notes. Buy it here: http://www.musicapacifica.org/recordings.html#

Deep is the Well by Kevin O’Donnell.

Deep is the Well

Artist: Kevin O’Donnell

Album: Deep is the Well

Players: Jim DeWan, Finbar Furey, Larry Gray, Kathleen Keane, Bill Lanphier, Maurice Lennon, Haley O’Donnell, John Rice, John William, and Jessica Willis

Style: Irish Country, Americana

Tracks:

  • A Letter Home
  • When I Was Young
  • Factory Girl
  • Downtowner Motel
  • Girl from Durango
  • Illinois & Michigan Canal
  • Camp-Farm Road
  • Rusted Dreams
  • She
  • The Ballad of Jackie Ryan Fagan
  • Saint Malachy’s Waltz

There are recordings that accomplish the purpose of entertaining. There are those that serve to tell. Deep is the Well by Kevin O’Donell accomplishes both of these aspects. The album reads like a biographical book as it explores the lives of Irish immigrants to the United States. Those who are fascinated by Irish history and the American Antebellum period will take this album close to heart as any jewels uncovered from the treasure chest.

The album starts with A Letter Home . The spoken letter takes us back to the sentiments of someone sending a message to those close to the heart more than a century ago. There is something poignant and also I sometimes feel the hair on my skin stand as I realize that that the owner has been dead  a long time ago. To uncover these intimate details about another person’s life long after he or she is dead is such a fascinating thing.

Factory Girl is the promotional single which is available online. It’s a story of Mary Helen Dougherty (1879-1918)

Born a blue-collar daughter in an old river town,

where the slow-rolling water from the prairie run down

the bend of the river is the edge of her world,

there’s no place it seems for the modest of dreams of a Factory Girl…

Makes you want to find out more right? There are more vibrant lives through the liner notes of Deep is the Well.

The rest of the album play like old pages with the breath of freshness. Something like old pages smelling of tobacco, dust and the lives exposed to it. The music is lush, vibrant but unhurried. It is a story teller’s album. The intention is to tell you something with the accompaniment of music. The spotlight is on the lyrics, although the musical depth and richness are always present. Cellos, viola, acoustic guitar, dobro and other beautiful sounds embellish this album.

Kevin O’Donnell has a resonant and expressive voice that can appeal to any genre. The production is crisp, clear and bright. Appreciation also goes to the album packaging. That cover artwork is a piece of eye candy.

Inspiration (at least the great ones) always comes from something deep. Something that’s steeped in history and the passionate lives led by people who handed out their legacy to us through books and songs. This is what I found in Deep is the Well. It’s an album that’s focused on something that is lasting. It speaks of feelings across time, and the wisdom comes with age and experiences.

Do you recall how  older relatives tell us how life was harder and how they struggled to make ends meet. I realize how everything comes easy now, in this age of instant gratification. How we get spoiled and would like everything to happen when we want it. They struggled and fought just to get us where we are now. It isn’t hard to acknowledge all the sweat and blood that paved way for something like a generation of the free. It’s the very sentiment that’s found in Deep is the Well. Just acknowledging and not forgetting , I think is enough for those who came before us.

I recommend this album to people who are fond of history and ballads. You will get so much out of Deep is the Well, not just musically but something to feel your soul.

About Kevin

Singer, songwriter, musician, actor, and published author: these are the distinctive hallmarks of Kevin O’Donnell’s public career. He is affectionately called “uncle tunes” among his family and close circle of musician friends, and is more broadly recognized in Chicago music circles as the founder and front man for the Irish-American folk group Arranmore.

Kevin’s commercial success as a songwriter dates back to the 1986 release of Island Home. He has frequently been compared to such writers as Gordon Lightfoot, Cheryl Wheeler, and Bill Staines. Americana and folk artists have recorded his early works and his historically based compositions have been featured in television documentaries both in the USA and Ireland.  Under Kevin’s leadership and direction Arranmore attained musical success in the 1980’s and 1990’s.

Kevin traded concert stages for theatrical stages in 2000, performing with the prestigious Racine Theatre Guild, playing leading roles in several plays including Twelve Angry Men, The Sensuous Senator, The Complete Works of William Shakespeare (Abridged), Flowers for Algernon, and Neil Simon’s, I Ought To Be In Pictures.

Links:

https://www.facebook.com/deepisthewell

https://twitter.com/DeepIsTheWell

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Huzzah!

Hi friends. Sunday edition comes too soon. That’s because this week is really hectic for me. And this is a good kind of busy because it’s all about music and writing projects. I hope your Sunday is being spent wisely: more naps and music. Yes those are good things. Anyway what you will meet below are links to what’s hot today. At least these are the things that people are talking about. So let me start:

An event for  Battlefield Band:

“A warm welcome back to Scotland’s BATTLEFIELD BAND Thursday April 11th. This a a fundraiser for NC Chapter of Leukemia and Lymphoma. We hope you will come out and support the event . Local Celtic Musician James Olin starts of the evening at 7pm with a 45 minute set of Celtic Music, Award Winning Wake & District Pipes & Drums open for ” The Battlefield band. Tickets are $8 in advance on ticketleap.com. or $10 at Door. Great Raffle Prizes plus brilliant Scottish Dinner special will make this salute to Tartan Day a great Celtic event. Please call 919 833-7795 to reserve seats stage side for dinner.”-Tir Na NOg Annie

Here’s the amazing video: http://www.youtube.com/watch?v=JDiVyra7jd0&feature=share

Whoa! The Edinburgh International Harp Festival

Wow if you are in the area better check this out. It’s filled with amazing artists. According to Corrina Hewat:

“A good day! And tomorrow will be even better as the CH Band are playing. Me and Fraser Fifield Alyn Cosker Tom Lyne Dave Milligan Woop. I suppose the sensible thing to do would be to create an event and invite you all, but on the other hand, I could just catch up with friends, hear harpy goings on and not be in front of the computer. I choose the latter!”

Wild Irish Poet

Photo from Wild Irish Poet

Spring has Sprung in Ireland: Our featured artist Alan Cooke, The Wild Irish Poet this week has posted this photo of the sunny Ireland today. It looks like the sun is finally here to stay!

Réalta:The Brevity and Grace of the Irish Spirit.

Realta:Aaron O'Hagan (Uilleann pipes, Flute, Whistles, Bodhran)Conor Lamb (Uilleann pipes, Whistles)Deirdre Galway ( Guitar, Bouzouki, Concertina)

Realta:

Style: Irish traditional

Members: Aaron O’Hagan (Uilleann pipes, Flute, Whistles, Bodhran)
Conor Lamb (Uilleann pipes, Whistles)
Deirdre Galway ( Guitar, Bouzouki, Concertina)

Golden melodies and shimmering sounds: these are the things that make Réalta a joy to listen to. No frills or effects. Just straight ahead traditional tunes but with undeniable freshness. Picture the sight of  flowers blooming in spring. They play tunes that’s moving yet also capable of being unobtrusive. This is exactly the main ingredient in recordings that stand the test of time. Which calls to mind the term: less is more.

This trio from Belfast are made up of Aaron O’Hagan (Uilleann pipes, Flute, Whistles, Bodhran), Conor Lamb (Uilleann pipes, Whistles) and Deirdre Galway( Guitar, Bouzouki, Concertina). Dierdre sings in that Janis Ian meets Judy Collins style. That’s the closest comparison I can give you because it is hard to categorize her voice. It sounds soft to fit folk but there’s also something kind of hippie to it. You be the judge but that’s my observation.

Fact: Celtic music is mood enhancer.  Something in  Patsy Tohey’s-The Exile’s Jig, reminds me of riding long distance, and that is the soundtrack. I love the bouzouki. It sounds like honey dipped with sunlight. The guitar strums are wispy. It is balanced by the round sound of the wooden flute. The uilleann pipes have this silver metallic crispness. If you are into instrumental music then Réalta should be in your priority list.

I like the way Sliabh Gael gCua (air) creates that floating sensation. We live  in a generation dominated by fast tracks. It gets too much sometimes. Slow tunes are awesome. I like an album that not only shows off acrobatic sounds but also lifts one’s soul with its slow airs.

Réalta creates impeccable arrangements. The Galtee has the kind of  tightness that’s comparable to a thread going through the needle. Réalta celebrates the ecstatic spirit of Irish music in its brevity and grace.

Bio:

This Belfast based musical trio bring with them the intricate melodies and driving rhythms that make Irish music so loved throughout the world. While Conor and Aaron pursue the melody on dual uilleann pipes, whistles and flute, Deirdre explores the harmony and rhythms within the tunes through a dynamic accompaniment on guitar.

These three young musicians take a lively yet respectful approach to traditional music and have already established themselves on the Irish music scene. Between them, they have performed with a variety of established bands including Craobh Rua and Killultagh. Their experience includes venues and festivals such as The Smithsonian Folklife Festival (Washington), Festival Interceltico Accidente (Asturias), Alkmaar Irish Music Festival and Mulligan’s (The Netherlands), Randers Ugen (Denmark), Le Bono Folk Festival (Brittany), Tok Trad Festival (France), Girvan Folk Festival and Moniaive Folk Festival (Scotland), The Open House Festival (Belfast) and The William Kennedy Piping Festival (Armagh).

http://www.realtamusic.com

https://www.facebook.com/realtamusic

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Huzzah!

How are you? I am just enjoying the peaceful Easter Saturday tuning in to CRC FM  based in Castlebar, Ireland. My big thank you to Denis Charlton for playing my request. The song is called In a Lifetime by Bono and Clannad. Life is beautiful when there are sweet tunes around. Music makes the world go round. And where there is music, magic happens. My big thanks to my friend Damien McCarron for recommending the station to me. You know he has recommended a LOT to me and they contribute to my ideas.

Lúnasa

Lúnasa

I wrote an essay about Lunasa in Expats Post earlier today. It’s one of the online magazine where I act as a music contributor. Here’s a little excerpt: My first introduction to the fabulous music of Lúnasa was through their second album Otherworld. The marriage of deep, tempestuous colors to the  serene patterns of water in the album artwork conveys the deep connection of Irish music to the spiritual world. In the tradition that spans thousands of years, the passion and love for immortality is embodied in the melodies that explains the visual symmetry of the Celtic artwork. READ MORE.

Kevin O'Donnell

Kevin O’Donnell

Here’s the fourth teaser for the Kevin O’ Donnell album:

Making of

Kevin returned to the studio in 2012 when Maurice Lennon, of Stockton’s Wing, agreed to produce an album of Kevin’s material. Kevin and Maurice eventually settled on ten original songs for the project. Some were pulled from the drawer; while others – previously recorded by Kevin in the ‘80s and ‘90s – were retooled, rearranged, and in some cases, completely rewritten. The project inspired Maurice to write an original tune (A Letter Home) that serves as a prelude to the album.

More at: www.deepisthewell.com.

John Breen

John Breen

Easter Lily -by John Breen http://www.youtube.com/watch?v=QjwR88_So7I is a perfect track today. The song has that warmness and down to Earth appeal that becomes a great tune to sing along with. Here’s the background:

Easter Lily recorded by John Breen and written by Brendan Phelan whose credits also include the hit Ballad’ Dublin in my Tears. This song is written about James Connolly’s wife Lillie Connolly who was originally from County Wicklow Ireland the same county as John Breen himself. James Connolly was a leader during the 1916 rising, having joined his workers army (the Citizen army) with the IRA to strike a blow for Irish independence and Socialism. James was murdered by the Brittish army for his part in the Easter Rising. He is an Iconic figure in Irish republicanism and indeed socialism globally. Lillie was from the Beautiful village in the east of County called Rathnew. James Connolly and Lillie nee Reynolds had seven children together, one of whom died tragically in a House fire. John Breen performs this with Steven Collins backing him on mandolin, banjo, vocals and bass guitar in what is their first recording together. The beginning of many more recordings to come…watch this space.
https://www.facebook.com/JohnBreen2u
https://www.facebook.com/JohnBreen2u?…

Dalla

Dalla

Been a while since I last heard about Cornish band Dalla. A new video has been uploaded. This is part of the Scilly Folk Festival and I thought you might want to get a listen: http://www.youtube.com/watch?v=HvXvpw_MrVg&feature=youtu.be

And some interesting pages….