Music of Scotland

Ryan Murphy: About Techniques and Styles(Interview)

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Also in this edition: The Bombadils, Ewan McClennan and Hot Releases.

From Cara & Old Blind Dogs Tour

From Cara & Old Blind Dogs Tour

Between Cara and Manran, between countries, Ryan Murphy takes time to share his musical news and the love of piping.

Our next guest isn’t new to this place. He’s been here before contributing his ideas about piping. Ryan Murphy is a musician with skill of the high order and musical commitments form both ends. But these don’t hinder his generosity to share his time with music enthusiasts. He lives in Limerick Ireland, a place famous for boasting talents like The Cranberries, Aphex twin and TV presenter Terry Wogan. If you are a film enthusiast then you might have seen Alan Parker’s Hollywood adaptation of Angela’s Ashes starring Robert Carlyle and Emily Watson, set in the same city.

Ryan Murphy is part of the Irish groups Cara and Ealu. I got myself a copy of Cara’s album “Long Distance Love’ which is now part of my recommended albums to have. They won the Irish Music Award for Top Group and Best New Irish Artist. There is a track in  Long Distance Love called “Rain.” The song is originally by Patty Griffin but Cara added freshness to the track. Jeana Leslie heard the song from the TV series Bones. It inspired her and the band  to cover the song in their own amazing style. Ryan Murphy played the uilleann pipes in the song. I was surprised how he managed to make it sound  like a saxophone. It also proves that this instrument has a lot of expressive potential.

Ealu are a band that try to bridge the gap between Jazz and Traditional Irish music. “Escape” is an album of fresh approach to playing traditional instruments and melodies. The album stays with you because of its unique sound and. Here is a link to an album review I did when Escape came out: http://celticmusicfan.com/2012/02/19/escape-by-ealu/

The review has four sample tracks for you to listen.

As of this writing Ryan Murphy is now part of Manran. Manran made a great impression to Celtic music fans late last year when they released they Latha Math which shot into the UK top 40.

Apart from his piping skills he has this great sense of humor. He is any Celtic music fan’s best pal.

How is Ryan Murphy doing these days in terms of piping?

I am playing a lot between university and the gigs with the bands, lots of new challenges consistently presenting themselves which is great. Long story short the piping is going very well at the moment.

How’s touring with the bands for you this holiday?

Well I just got home from a tour with my new band ‘Mànran’ and I’m flying out to Germany later on today to link up with ‘Cara’. Touring over the holiday season can be stressful in the airports and not getting to have a proper ‘holiday season’ but the gigs have been and will be super. The audiences seem really loose this time of year which makes the gigs absolutely magic.

What can we expect from Cara next year?

Well we’re currently putting together a new album which will be released later this year. Some of the new material is very exciting, so I’m looking forward to getting into the studio and testing some of sets and songs live.

 I love ” Rain” from Long Distance Love and you play the uilleann pipes like no other…you even make it sound like a saxophone. How did you achieve this technique?

Well… I’m not sure actually. I’ve been playing and listening to saxophone and jazz music a lot since I was about sixteen, so I imagine that over the last number of years some of the techniques and styles crept into my piping.

Do you have solo projects on the side?

At the moment I have no solo project on the side. The bands just keep me too busy at the moment to even think about it. It will happen someday but right now it’s just not the time.

Please complete this sentence: If I am not playing music ..

I am studying to finish my degree in the University of Limerick. Right now there is very little time for anything else.

Let’s say the show is about to start and you are about to play, what is the this thing that you do to yourself to keep you balanced and give your best performance all throughout the show?

A good game of fruit ninja on the iPhone will sort the nerves out in no time.

More info about Ryan Murphy:

http://manran.co.uk/wp/

http://www.cara-music.com/

http://www.ealumusic.com/

http://www.myspace.com/ealumusic

https://twitter.com/ealumusic

http://www.myspace.com/ryanmurphyealu

http://www.facebook.com/pages/Ealu/48183…

http://facebook.com/ryanmurphymusic

Videos:

Cara, live at Ebertbad, Oberhausen 2012. Cara is Gudrun Walther – vocals,fiddle, accordeon, Jeana Leslie – vocals, fiddle, piano, Ryan Murphy – uilleann pipes, flutes, whistles, Jürgen Treyz – guitar, Rolf Wagels – bodhrán.

A song by Patty Griffin, played by Cara.

Photo gallery:

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Fresh tune: The Bombadils – Peter’s Lament for the Death of the Duck

http://www.youtube.com/watch?v=GfMHJ8HPRAw

About the video: Original song written by the Bombadils. Copyright 2012. Filmed and recorded by Denis Martin at Stewart Hall – Point Claire, Montreal, Canada.

Following Sarah Frank’s Interview from last week is this nice tune from The Bombadils.

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The Captivating Tunes of  Ewan McLennan

Ewan McLennan

I was chatting with Jacob McCauley about an article he wrote for The Living Tradition magazine. On cover is Ewan McLennan whom I have read about before but never heard fully. I searched for a link to his website and I found it gives you the opportunity to hear his recordings. I was impressed. He has a deep but smooth sounding voice. His guitar playing is also delicate as if he is holding a little bird on his palms afraid to hurt it.

According to his bio:

Winner of the 2011 BBC Radio 2 Horizon Award and named FATEA Music Award’s ‘Best Male Vocalist of the Year’, Ewan McLennan is an emerging folk artist that has been making headlines. His music combines traditional folk, with an inevitable focus on the music of Scotland, as well as his own self-penned songs that are receiving critical acclaim in their own right. BBC Radio 2’s Mike Harding has said of Ewan, ‘he sings beautifully, with great sincerity and great empathy, he’s terrific!’. His guitar playing, described as ‘stunning’ , is influenced by the rigour and technique from his years of studying classical guitar, while retaining a unique and compelling sound in which his immersion in folk music is evident.

Meanwhile his debut album, Rags & Robes, has been receiving glowing reviews. Described as ‘a collection of truly captivating songs’, it was chosen as a ‘Top Ten Album of 2010’ by MOJO and has won numerous accolades in radio and print media.

According to The Root and Branch Review ‘he may well be the best singer you’ll hear all year’ while Maverick have said he is ‘quite possibly destined to become the UK’s finest folk singer!’.

More here: http://www.ewanmclennan.co.uk/

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Hot releases. Yes they are fresh from the oven ready to be served to sooth your hunger for Celtic music! Click each image to buy:

Orginally from Castletown Geoghegan, Co. Westmeath but now residence in Kilfenora Co. Clare, Colin Nea is among Ireland's finest button accordion players. Winner of the prestigious All-Ireland Senior Button Accordion title in 1993 and 1994, Colin has firmly established himself among the upper echelon of Irish button accordionist. His second solo album entitle 'Between the Jigs and the Reels' has just been released and is available for sale and download in the online store.

Orginally from Castletown Geoghegan, Co. Westmeath but now residence in Kilfenora Co. Clare, Colin Nea is among Ireland’s finest button accordion players. Winner of the prestigious All-Ireland Senior Button Accordion title in 1993 and 1994, Colin has firmly established himself among the upper echelon of Irish button accordionist. His second solo album entitle ‘Between the Jigs and the Reels’ has just been released and is available for sale and download in the online store.

The beauty of Cornwall through the eyes of Cornish Composer and Violinist Sue Aston. The DVD is a visual treat for anyone in love with the landscape of Cornwall and Celtic Music. The DVD features many of the videos seen on the Classical music channel oMusic (SKY TV) and includes the hits 'The Home Coming' and further tracks from Sue Aston's albums Sacred Landscapes and Inspirational Journey.1. The Home Coming 2.Escape to Freedom 3. Nancy's Garden 4. Elly's Theme 5. Sketches of Newlyn 6. Afternoon Tea 7. MadronSpecial Features Interview with Sue Aston Stills galleryEach DVD Includes a limited FREE personalised signed photograph from Sue Aston 7" x 5"

The beauty of Cornwall through the eyes of Cornish Composer and Violinist Sue Aston. The DVD is a visual treat for anyone in love with the landscape of Cornwall and Celtic Music. The DVD features many of the videos seen on the Classical music channel oMusic (SKY TV) and includes the hits ‘The Home Coming’ and further tracks from Sue Aston’s albums Sacred Landscapes and Inspirational Journey.
1. The Home Coming 2.Escape to Freedom 3. Nancy’s Garden 4. Elly’s Theme 5. Sketches of Newlyn 6. Afternoon Tea 7. Madron
Special Features Interview with Sue Aston Stills gallery
Each DVD Includes a limited FREE personalised signed photograph from Sue Aston 7″ x 5″

This is NUA's debut recording, featuring all original compositions. NUA is an innovative new trad trio bringing a fresh and unique sound to traditional music, creating their own distinctive flavour with both original and traditional compositions from Ireland and Scotland. Based in Toronto, Canada, NUA consists of three award-winning members: fiddle player James M Law, v guitarist Graeme McGillivray and bodhrán player Jacob McCaule

This is NUA’s debut recording, featuring all original compositions. NUA is an innovative new trad trio bringing a fresh and unique sound to traditional music, creating their own distinctive flavour with both original and traditional compositions from Ireland and Scotland. Based in Toronto, Canada, NUA consists of three award-winning members: fiddle player James M Law, v guitarist Graeme McGillivray and bodhrán player Jacob McCaule

Full of atmosphere, and rich in its diverse representation of the world of Celtic music this is an exceptional, unique and original Celtic/Folk CD from two established musicians in the field.

Full of atmosphere, and rich in its diverse representation of the world of Celtic music this is an exceptional, unique and original Celtic/Folk CD from two established musicians in the field.

The debut album from Barrule, consisting of new and traditional music from the Isle of Man. Alongside the trio, this eclectic album features appearances from guest musicians such as Manx gaelic singer Greg Joughin, guitarist Malcolm Stitt, pianist David Kilgallon, guitarist Dylan Fowler, Hurdy Gurdy player Clare Salaman, and bodhrán player Will Lang.

The debut album from Barrule, consisting of new and traditional music from the Isle of Man. Alongside the trio, this eclectic album features appearances from guest musicians such as Manx gaelic singer Greg Joughin, guitarist Malcolm Stitt, pianist David Kilgallon, guitarist Dylan Fowler, Hurdy Gurdy player Clare Salaman, and bodhrán player Will Lang.

Mànran have quite literally rocketed to the top of the Scottish music scene with their powerful combination of Gaelic/English songs underpinned by driving Accordion, Fiddle, Flute and a backline of drum and bass to make any mouth water. Mànran are also the only band to host Highland and Uilleann pipes together in one line up to create a sound like no other.

Mànran have quite literally rocketed to the top of the Scottish music scene with their powerful combination of Gaelic/English songs underpinned by driving Accordion, Fiddle, Flute and a backline of drum and bass to make any mouth water. Mànran are also the only band to host Highland and Uilleann pipes together in one line up to create a sound like no other.

Throw your music map and dive!

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In this edition: Eve Williams, Clan Suibhne, Dom Duff, Colin Nea, Connie Dover , Mark Harmer and Planxty.

It is 2013. Four years after I officially launched this site. In the past four years, I met a lot of talented musicians and listened to their amazing music. In the past four years I met interesting readers who turned out to be bloggers too. In the past four years I poured my heart out, experienced joy and at some point almost lost my sanity. But I never gave up blogging and maintaining this site. Despite the personal earthquakes I experienced in this life, this one seems to be left unscathed. This is my baby. This is my love. It’s been four years. And here’s The Celtic Music Fan looking forward to more discoveries, more mistakes, more success and more joy! Let the fun begin again.

Eve Williams-Twenty Miles from Home

New CD from UK based singer/songwriter Eve Williams

Think of the soft approach of Cara Dillon and  the vocal power of Evanescence.

It is always a great experience when I discover new music. This is only possible without a map. Personal maps obscure our chances of finding something new out there. Especially when we are so used to the formula we created and the comfort zone we find hard to let go. I wondered if this is the same thing that ran inside the mind of Eve Williams when she created Twenty Miles from Home.

It is an eclectic album full of  surprises wrapped in a blanket of atmosphere. There are things that are consistently noticeable in the midst of variety. All the twelve tracks are melodic. Her voice is superb and full bodied. She is also a writer which explains her interesting lyrics references to classical literature.

In my other blog friend who is a guest blogger wrote about Music Theory. I think we have to admit that people who make artfully crafted music are those who at least in some part of their musical development, had undergone music studies. The maintaining discipline  in creating and also in the performing part is probably hard because music is such an emotional medium. It is easy to get lost and let everything rip through.

Twenty Miles from Home strikes me as a balance of  emotion and control. It is also a recording done with minimalist approach to instruments. This gives us a chance to hear how Eve can showcase her vocal talents. I sometimes find it hard to listen to something overly produced because you have a lot of sounds coming from every direction. Which in turn makes it hard to concentrate to the few aspects. But this album proves to be something that even listeners with short attention span can feast in.

I realized that listening to different systems also yield different results. When I listened to this through a computer, it didn’t give me too much probably due to the speakers. Then I put it in a CD player with good speakers. And the experience was something else. The whole album shimmers. The headphones also give you that intimate feel which focuses more on the nuances . I suggest you listen to all types of

Singer Eve Williams

Eve Williams

players and see which works for you.

Twenty Miles from Home is a beautiful album. Oblivion is one track with full arrangements and soaring vocals along with Tall Dark Stranger. These are orchestrated tracks. But I love the contrast of the spare arrangement on others like Broken Dolls (feat Scarlett Burnside), The Rock (feat. Dominik Boncza-Skrzynecki) and many more. Eve Williams is based in County Down, Northern Ireland. It is probably the beautiful landscapes that shaped her sound and sentiments. It it an album that can appeal to lovers of Sinead O’Connor, Cara Dillon and Evanescence. The combination of folk simplicity and operatic flourishes in her songs makes her one of the rising voices in the Irish music scene.

Older recordings

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Clan Suibhne Yank~Irish~Celtic Music Group‏

Clan Suibhne. Clan Suibhne They're Not Just a Band, They're a Clan clansuibhnegreengrassmusic.blogspot.com

Clan Suibhne. Clan Suibhne They’re Not Just a Band, They’re a Clan
clansuibhnegreengrassmusic.blogspot.com

Their unique “Roots” music, dubbed “Greengrass,” is a blend of traditional Irish/Celtic meets American Folk/Bluegrass tunes.  “This genre existed long before the music we know as bluegrass. We were very surprised, but so honored to win an award for our music,” says Charles (C.W.) Farrell. The three Farrell brothers and cousin John Curran have become well known around the “Irish Riviera” for their signature style. They incorporate traditional instruments, including  the mandolin and banjo, into traditional Irish music.

Celtic music is a family affair. You can see this in bands like Clannad, The Corrs, The Rankins among others. It is no surprise when a lot of American Irish bands are consist of family members. Irish and Scottish music have grown into stellar proportions in the United States in the past few years. This is an exciting age to start your own Celtic band because even though you can’t find listeners in your hometown, you know that there is this whole wild world which is the Internet. There will always be  listeners for you out there!

Clan Suibhne (pronounced Sweeney)are a band based in New Jersey. They play acoustic music combining their Yank-Irish-Celtic Roots which they fondly mention in their website.  Like I mentioned, they are a family group, acoustic and fun. They do solo, duo, trio & quartet arrangements throughout the New Jersey, Pennsylvania, New York Tristate area.

This St Patrick’s Day 2013, they are scheduled to play at the Historical National Hotel in Frenchtown, NJ…and will be appearing at many other venues throughout the months of February, March and April 2013. Sounds like fun! Do check them out if you are in the area.

http://www.reverbnation.com/clansuibhne
http://www.facebook.com/pages/Clan-Suibhne/240984553900
http://clansuibhnegreengrassmusic.blogspot.com/
https://twitter.com/ClanSuibhne

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Connie Dover and what makes her amazing.

If you’ve been a listener since 1993(her debut album came out in 1991) and now it is 2013..surely there is something about Connie Dover. She is considered as one of the stalwarts in the Celtic genre. I think she is underrated considering the achievements she has. I don’t think I am totally biased when I say that being an American singer, she took such challenging steps in making sure she breaths authenticity in her every recording. Even to the point when she has to sing in Latin of Scots/Irish Gaelic.

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Before going solo, Connie Dover fronted this Missouri based bluegrass group. She is one American singer I really respect because her music is based in hard research and she yes she sings in Gaelic.

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Si Beag, Si Mhor

This composition by the famous Irish composer O’Carolan landed into facebook discussion with my friend Ralph who plays the tin whistle. I am so glad he raised this discussion up so I was able to do further research about the song. I discovered the other versions. There are many out there but I will just post two of them here. These are fine interpretations. I am crazy for uilleann pipes and that is why the one from Planxty appears in this edition. I am also a big fan of harp music specifically the Celtic harp. So let us get to know a wee bit more of this music.

Picture. Mark Harmer gauntssummergathering.com

Picture. Mark Harmer gauntssummergathering.com

In English it means: Little hill, big hill. It’s a reference to the fairy kingdoms.
It’s also translated as “it’s little, it’s big.”It’s sometimes titled “Sidhe Bheag, Sidhe Mhor” The tune is by Turlough O’Carolan (1670-1738). O’Carolan’s works were published by his son in 1747. According to this timeline “Si Bheag Si Mhor” was the first piece O’Carolan composed upon the completion of his harp apprenticeship (1691).

According to Ralph: “I think a closer translation is ‘big hill, little hill’. I’m pretty sure it has something to do with a war of fairy clans but I’d like to know how the story goes. Wanna know who owned w/c hill and who won in the end.” Here we have two versions. The first one by Planxty and the second one by Celtic harper Mark Harmer:

Note: An in depth research by harpist Scott Hoye suggested a new light to the trivia on top  . According to his source, Si Beg Si Mor is in fact a Scottish Tune, The Bonny Cuckoo. O’Carolan used the tune, made popular by the Ulster Scots, and wrote Irish lyrics for it. His poem was about the battle between two Faerie kingdoms. My big thanks to Scott for the info about this classic.

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Babel Pow Wow by Dom Duff

Breton musician Dom Duff is working on a new album. He is requesting the help of Breton music enthusiasts to help fund this project. As I

Dom Duff Babel Pow Wow Proje

Dom Duff Babel Pow Wow Project

said  in a conversation with a musician that music is a community. You get what you give. Dom Duff is very passionate about the culture of Brittany and its people. He  was also one of our featured artists way back .

I chatted with him a few days ago. He was trying to put a video project to promote the album. This involves people speaking in their own dialects from all over the world. The video you see below is just one of the many he is trying to create between music session. This man in really busy these days!

Please check this one out:

More here: http://www.kisskissbankbank.com/fr/projects/dom-duff-album-babel-pow-wow-2013

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Wonderful Review of trad album by Colin Nea

Fair play to Colin Nea on a great review from TradConnect-Enda Seery: http://tradconnect.com/profiles/blogs/album-review-colin-nea-between-the-jigs-the-reels

Colin Nea and Enda Seery are cousins. They are also very supportive of each others music projects. The proud Enda was posting and tweeting about this wonderful review of his album Between the Jigs & the Reels with Jack Talty on a piano. I haven’t talked to Colin Nea yet but I have exchanges several pleasant messages with Enda. He is also releasing an album this year and I am sure Colin is going to advertise it too. It is great to see trad music growing. It is composed of family relations jamming together or with other musicians. Like I’ve mentioned before: Irish music is a family affair.

Quinn Bachand: Teen Power in Trad Music (Interview)

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Also in this edition: Mànran – Latha Math, Simple Celtic Phrases and Eluveitie – Live @ Graspop Metal Meeting.

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Young Canadian Celtic guitar superstar Quinn Bachand exclusive interview with The Celtic Music Fan.

At 13 Quinn Bachand already shared the stage with notable names in Celtic music. He has videos all over youtube performing with the likes of Natalie MacMaster and Ashley MacIsaac. It is amazing to remember that it’s been only a few years since he and his sister Qristina got catapulted into Canada’s capital of Celtic music-the East Coast from their native British Columbia, and finally  the world. Yes like any teenager he goes to school and does his homework . It seems this year is very musical for the Bachands so I decided to get an update. The last interview I did with him was April 13 of 2011.

To be 16 and being serious in doing the kind of music he likes, what is it like?  There is also this question I wanted to ask but was not included in my first interview: Why trad music and not other types of music in an age where teenagers do dance or rock? Quinn gives surprising answers to this interview:

Your tour calendar says your next performance will be on January 26 , 2013 with “Quinn Bachand and Friends – An evening of Celtic, Roots and Jazz Music.” What are you busy doing these days?

Yes, Qristina is living in Amsterdam, so we haven’t been doing as many smaller/in-town gigs. More festivals and a concert here and there. We’re doing a tour of the Yukon in February, that will be a lot of fun. I’ve just started a group with my friend Richard Moody, from “the Bills”, and “Acoustically Inclined” so we’re just getting started. It will be Richard and I with rhythm guitar and bass playing the music of Django Reinhardt, “Gypsy Jazz.”

You have just finished doing  the Celtic Christmas Ceilidh show with your sister at the Knox. How was it?

The Christmas concert was a lot of fun! It was sold out, which is great since Qristina was coming all the way from Amsterdam. It was wonderful to see so many of our friends from Victoria that we hadn’t seen in a long time, and new ones too!

Please tell me more about this wonderful video:Lady Be Good – Performed by Richard Moody, you & Aaron Watson.

 

That is Richard and I, with our friend Aaron Watson. That was the first time we ever played together. It was a jazz vespers gig in Deep Cove, Saanich (Victoria). We’re playing the old Gershwin classic, Lady be Good!

It’s been more than a year since you and your sister released the album Family. How are things in the recording aspect of both your careers? Any plans for a new album?

I’ve been looking at making a solo album myself of a lot of different things, from straight ahead Celtic stuff with me on banjo, fiddle, guitar, and whatever else, to jazz. And everything in between like French Canadian waltz with Adrian Dolan on accordion, and old time Canadian swinging tunes with Daniel Lapp on the fiddle or trumpet. It’s all being thrown around and we haven’t made any decisions. I have recorded a couple of Celtic demos though.

Qristina and I are also planning on doing another record. She’s been growing a lot as a vocalist, so it would have a lot more songs on it than the last one. She’s learned a lot of awesome tunes while she’s been in Amsterdam so she’ll throw those all on the table!

Your Mom Marie is very supportive of your music. Does she go with both of you on tours?

Our mom does manage us, since I was so young (still kinda am) she or my dad, have been going with us on our tours. But I’m older than I was before and touring with ma big sis is alright with them! As long as we don’t kill each other it’s all good. Qristina’s boyfriend, Felix, will be our referee on this Yukon tour coming up.

If you were given a chance to create your own band on the side, what kind of music would it be and what instruments would be included?

I couldn’t really decide! There’s so many  instrumental arrangements of the style of music I play, alone. And so many styles I haven’t ever played that I like to listen to. A lot of those elements are slowly coming into Qristina and my set. I’ve just bought a midi bass pedal (a foot organ) that I can control to do bass notes, or swells (that you can hear on the last album). Things like that will allow me to play more banjo and fiddle in the set.

Now that you have toured the world and played with the best artists in the scene, what’s the reception like when you go back to your native British Columbia?

We’ve had the honour of playing with a lot of great musicians and some of our idols. I’m 16 so I’m still in school and my life is kind of separate from the music stuff. A lot of kids at my school don’t know about my music. It’s very separate. But the people in the music scene here are still the same towards me, we respect each other!

Being in an age where you can literally do anything musically and somehow get away with it, what makes you stick to traditional music instead of doing the things that other people do, meaning pursuing either mainstream rock or pop?

I really love trad music. It rocks pretty hard I think. I listen to some of that stuff though, and threw some cool effects from the electric guitar on the last album tastefully, and we’ll keep doing that and experiment.

More of Quinn and Qristina: www.qbachand.com

Videos:

A set of reels we captured in our hotel room during Kansas City Irish Fest 2011. The tunes are The Dash to Portobello (by Sean Ryan) and I believe the second tune is Jim Donoghue’s. The whistle is an MK low D made by Misha Somerville, Quinn’s guitar made by by his dad, Adrian Bachand.-Zach Leger.

Gallery

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Featured video:Mànran – Latha Math

Manran hit the UK top 40 which is a wonder considering that the song is entirely in Gaelic and yes it is such an honor to celebrate the distinctive style, freshness and the coolness of the Celtic circle!

Info: Mànran are the hottest new band on the Scottish music scene. Combining driving accordion, fiddle, Highland pipes, Uilleann pipes and flute with powerful songs in English and Gaelic, all underpinned by rocking drums and bass. Though the band is a fairly recent collaboration, each member has been dazzling crowds in Scotland and throughout the world with various line-ups for a number of years but now unite to create Mànran: the fresh, unstoppable sound of modern Gaelic Scotland. Since coming together in June 2010 the band have already played at festivals in Europe and Scotland. The band have enjoyed gigs at Celtica in Italy, The Hebridean Celtic Festival in Lewis and are looking forward to a busy 2011.

Mànran are hoping to become the first band in the 21st century to take a Gaelic song into the official UK top 40. The song, “Latha Math,” was written by lead singer Norrie MacIver and it will be released on the 17th of January. It will be available for download only on iTunes. The single was produced by two of the countries top producers, Calum Malcolm (Wet Wet Wet, Simple Minds and Runrig) and also legendary accordion player and musician Phil Cunningham.

After a very successful start to 2011 after appearing on the BBC Alba hogmanay show the band are now turning their attention by making history and taking “Latha Math” to the UK Top 40!!

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Simple Celtic Phrases:

Saying good night in all the Celtic languages:

Codladh sámh-Irish

Oidhche mhath-Scottish

Nos da-Welsh

Nos dha-Cornish

Ken ar wech all-Breton

Oie vie-Manx.

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Merry Christmas and a Happy New Year in Celtic languages:

Bliain úr faoi shéan is faoi mhaise duit!-Irish

Nollaig chridheil agus bliadhna mhath ùr! -Scottish

Nadolig llawen a blwyddyn newydd dda-Welsh

Nollick Ghennal as Blein Vie Noa-Manx

Nedeleg laouen ha bloavezh mat-Breton

Looan Blethen Noweth-Cornish.

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Eluveitie – Live @ Graspop Metal Meeting, 23.06.12

Thanks to YouTube’s improvement we can now view a full concert. This one is by Celtic metal band from Switzerland . They are called Eluveitie. From wiki: The lyrics are often in the extinct language Gaulish. The name of the band comes from graffiti on a vessel from Mantua (ca. 300 BC).[10] The inscription in Etruscan letters reads eluveitie, which has been interpreted as the Etruscan form of the Celtic (h)elvetios (“the Helvetian”), presumably referring to a man of Helvetian descent living in Mantua.

Visit the band website: http://eluveitie.ch

Video is Published on Jun 25, 2012

Captured by Stucker
http://www.eluveitie.ru

00:00 Prologue
01:05 Helvetios
05:20 Luxtos
09:40 Neverland
14:20 Meet the Enemy
18:20 A Rose for Epona
22:45 Inis Mona
28:40 Alesia
33:10 Uxellodunon
38:30 Kingdom come Undone
42:35 Havoc
47:33 Epilogue

Conversations with Douglas McQueen Hunter of The Picts (Interview)

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Also in this epidsode:The Picts Of Scotland and Karen Matheson

Douglas McQueen Hunter

Douglas McQueen Hunter

Douglas McQueen Hunter talks about The Picts and the new band,The  Court of Equity inspired by the music of Robert Burns.

If you are a Scottish music insider then The Picts is not new to you. They proved to be very influential among Celtic fusion bands in Scotland. My curiosity was fueled after seeing the video of the song The peak. The haunting accordion intro and the dark blue lighting are captivating. Then, the music explodes into a traditional inspired fusion of drums, acoustic guitar and other instruments. The camera revolves and the music becomes hypnotic until it reaches the ending with a crunch..

Douglas McQueen Hunter joins us today. He is our featured artist and he talks to us about interesting points relating to his musical career and other things. I found interesting bits about his bio:

 ” He  is the front man and founder member of ‘The Picts’ and ‘The Court of Equity’. Douglas is also a composer, song-writer and the co-author (Along with his father- artist Colin Hunter McQueen) of the world-wide acclaimed book on Robert Burns “Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns” which was released in 2009 for the year of homecoming. He has produced albums with ‘Badenoch’, ‘The Picts’ and his first solo album ‘Ghosts’.
Instruments: Vocals, Six and Twelve String Guitars, Mandolin, Mandola, Bodhran and percussion.”

As you can tell this is a very relaxed conversation. We go back and forth in various topics but as any good conversations, everything has to flow naturally. He also helped me choose the pictures to go along with this interview.

I enjoyed this chat with Douglas McQueen Hunter and I am looking forward to the new album!

What do you do apart from music that very few know about?

Apart from music, I’m a jujitsu coach and run my own martial arts clubs…. also author of book on Robert Burns www.facebook.com/drumbow

What made you become a big Robert Burns enthusiast? What is it about the man that speaks to you?

I’ve been surrounded by the works of Burns since I was a child and was brought up singing his songs… Burns knew how to express every emotion in beautiful word… which as a song writer is something I strive for. If I could do it even a fraction as well as him then I’d be happy. Interestingly, my own Great great Grandfather James Gibb was a neighbor of Burns when Burns lived in Mauchline, Ayrshire and according to A.B Todd, a 19th century Ayrshire author, James Gibb used to debate religion with Burns and sell him lime for his horses.

The drumbow projects is fascinating because it goes back to the time or Robert Burns. I see that your bloodline is linked with his. How do you see the future of this illustrated book? What do you want to happen?

When I was researching the book (Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns) I had to research lots of the history and genealogy of Burns, his family and friends. This led to me discovering over three hundred old parish records and documents, which allowed me to correct long standing errors and mistakes that had been compounded for decades by authors and biographers of the poet.

Doing this also threw me in at the deep end and created a real passion for genealogy which led me on to doing two years at Strathclyde University; studying a Post Grad Diploma in Genealogy. Not that I was particularly interested in gaining any academic qualification, but because I really wanted to get as great an understanding in the subject as I possibly could. I have lots of new projects and Ideas at the moment for new books, but I’m not quite ready to reveal them yet ha ha!! But music and song-writing still comes first in my heart.

Let us talk about your music especially The Picts which you founded . You have one single with an accompanying video called The Peak.It’s been gaining lots of viewers in youtube. Tell me the influences that shaped the sound of the Picts and also the Island itself.

I guess each of the guys who started the Picts and those with us who have played with us over the years all brought their own influences with them and help to develop the sound of the band. The Island like Moving sands our second album was a compromise between the band members to shape the sound. There are successes and failures on both albums. I’ve not listened to them for a long time. I think the Live EP we recorded a few years ago is the best representation of the band…

I still can’t get over the fact that you teach martial arts! That’s totally interesting.

Ha ha .. I’ve done Judo from the age of 7-17 then left martial arts for many years and finally took up Jujitsu 12 years ago … I enjoy seeing people happy and learning.. Great fun and keeps everyone fit (including me).

  Is this Martial Arts family thing?

   
No … My folks just took me along to classes when I was a little     and I loved it.

Do you think the jujitsu spirit carries itself into your musical performance? Especially when you  play with passion ?  

I suppose it depends on what I’m playing… It’s tricky because The Picts are a working band therefore have different setlists for different types of gigs… One gig may be a festival playing original material, the next gig may be a function doing more mainstream covers … All to keep the wolves from the door… So as a professional band we always need to look as if we are enjoying it, even though we are singing the same song for the 1000th time (laughs).

  You mentioned you just finished the CD and your mind needs a little relaxation.   Do you listen to music, meditate etc?    
   
After a gig I generally go for a wander round the 24 hour shops to clear my head …. It can be hard to sleep after a gig. Especially after a far away gig when we maybe get back at 5 or 6 in the morning.

   Wandering.. that sounds very zen 

Yeah generally the second day after the gig is when the cloudy head and tiredness hits me and I can’t string two coherent thoughts together(laughs).

  That explains why musicians need a ‘downer’ after a great gig. The adrenaline after the playing is there ..it doesn’t go away..and you need to do something about it.   

Yeah although I suppose it depends on the gig… We’ve done that many that its sometimes hard to get a buzz from a gig… But yeah after really good gigs there can be lows.

After quiet a while being onstage..Do you still get moments of being surprised or overwhelmed when it comes to your audience?    

Very rarely…

No stage freight…Nervousness..Cold hands?    

I was trying to think of an example…No never.. Very rarely get nervous… maybe a wee bit anxious if I’m going to sing a new song   but I do get very sleepy before I go on stage….  Maybe that is anxiety coming out in different ways.

How about strange acting audience…Did you experience  awkward situations and how did you deal with them?

We’ve kinda had everything at some point… Girls fighting in front of us pulling hair, fights breaking out, you name it… But we just kinda get on with the music…
     Like any rock concert!   

We used to play in pubs and bars in the early days …They can be rough. We don’t do that now.      

Why The Picts?

Well its apart of our bloodline here and heritage …. It’s who we are
I’ve always been fascinated with the mysterious Pictish stone symbols etc and wanted to know more.
Would you be exploring more of this in the future through your band?

I’d love to.. At the moment there has been talk about another Picts album, but I’ve no idea if it will happen… I’m sure it will at some point, the priority at moment is to focus on The Court of Equity with the new albums coming out.
    How do you describe your new project band The Court of Equity in terms of the sound. Will you be doing vocals there?
All the Picts are in The Court of Equity.. It’s really the acoustic version of the band which focuses mainly on the works of Robert Burns ..    yeah I sing most of the songs.

So this is till your band only with a different moniker !

Yeah it was a long project but long over due… the first album (volume one) will be released this month and the second in the summer 2013.

   Who did the album artwork,mixing,lyrics etc? 

The album was produced by myself and Greg Friel, Tracy who does all of our artwork and covers done in this album too…. All the lyrics are traditional by Robert Burns. The music is traditional except for the modern arrangements and compositions by ourselves.

If you were to choose between singing and playing instruments which would you favour the most?

Honestly… I don’t mind.. But the passion even greater than performing live for me is song writing… So looking forward to finishing my new solo album next year.

The Court of Equity band members:

Douglas McQueen Hunter
Singer, guitarist, front man and founder member of ‘The Picts’ and ‘The Court of Equity’. Douglas is also a composer, song-writer and the co-author (Along with his father- artist Colin Hunter McQueen) of the world-wide acclaimed book on Robert Burns “Hunters’ Illustrated History of the Family, Friends and Contemporaries of Robert Burns” which was released in 2009 for the year of homecoming. He has produced albums with ‘Badenoch’, ‘The Picts’ and his first solo album ‘Ghosts’.
Instruments: Vocals, Six and Twelve String Guitars, Mandolin, Mandola, Bodhran and percussion.

Jeremy Stirling
Founder member of ‘The Picts’ and ‘Court of Equity’, Jeremy is a composer and arranger of Scottish music. He has played on all the band’s recordings and written compositions for each album. He has played with the band at all the major events like T-in-the-Park, The Interceltique Festival of Lorient and the Glasgow George Square Hogmanay Bash in front of 40,000 people. He has previously played and recorded with bands such as King Joseph’s Drum and The Laughing Phrogs.
Instruments: keyboards and Pianos.

Grant McConnell
An award winning multi-instrumentalist with ‘The Picts’, Grant is a champion accordionist and founder member of ‘The Court of Equity’. He has toured extensively with both bands at home and abroad since 2004 and contributes many of his own fine compositions and arrangements. Grant’s great passion and love for music is an inspiration to all who work with him. He is the primary lead player in both bands.
Instruments: Piano Accordion, Six and Twelve String Guitars, Bass Guitar, Vocals and Backing Vocals.

Dave Murray
Dave is well known for his enthusiasm for the life and works of Robert Burns and his family, performing recently in the new Andrew Dallmeyer productions ‘The Mother of All Burns’ and ‘The Cauldron’. He has appeared at the Edinburgh Fringe Festival on a number of occasions. Dave is the former Pipe Major with Haddington Pipe Band and as a leading member of the Grant’s Braes Burns Club he was responsible for the renovation and restoration of the grave in Bolton Kirkyard of Robert Burns’s mother, sister and brother who lived nearby at Grant’s Braes.
Instruments: Highland Bagpipes, Techno-pipes, Harmonica, and Whistles.

Links:

The Picts

https://www.facebook.com/thepicts?ref=ts&fref=ts

The Court of Equity

http://www.facebook.com/TheCourtOfEquity

The Gallery

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The Picts Of Scotland – Last Of The Free(1/6)

Since we are into the music of The Picts, I think it is important to include this video. If you picked up the book by Anne Rice called Lasher then you will learn that she was writing about the myth of the Picts in Scotland. Look for the other parts of this video in youtube.

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My Love Is Like a Red Red Rose – Karen Matheson

A Red, Red Rose

A Red, Red Rose

by Robert Burns

My love is like a red, red rose
That’s newly sprung in June :
My love is like the melody
That’s sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in love am I :
And I will love thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun :
And I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only love,
And fare thee weel a while !
And I will come again, my love,
Thou’ it were ten thousand mile.

http://www.poetsgraves.co.uk/Classic%20Poems/Burns/a_red,_red_rose.htm

Rachel Hair: All Things Celtic Harp(Interview)

/ mrbaxteria2008 / 4 Comments

Plus: Somerset Folk Harp Festival, Athas’tour pic and schedules, Celtic vampire novel by Karen Victoria Smith and Delta Rae …so emotional and beautiful!

Scottish harpist Rachel Hair notes down her tips on how to get into this fascinating musical instrument: The Celtic harp!

It was through my discovery of harp music that got me  started in perusing the web for more resources. I think it was my interview with Scott Hoye and his invite to join the Celtic Harp facebook page  made this interview with Rachel Hair possible. The Rachel Hair trio brings something fresh to harp music. There’s unmistakable groove, atmosphere and optimism the first time you listen to any of their tracks. Interviewing Rachel deepened my respect and admiration for her music and her band. She is one of the great contributors to the forum lately while being out joining the Manx music festival. She kept everyone updated with pictures and links. I even got my Maeve Gilchrist through her recommendation. Everyone in the Celtic Harp community is very supportive of each other. Eric, Scott, Rachel, Corrina, Amy and the rest keep the community alive with their ideas and presence.

Rachel is very enthusiastic to share her thoughts with everyone. Especially those who are planning to study the instrument but might have doubts that hold them back.  I like her in-depth way of answering questions. I am sure you will enjoy this and add it to your bookmarks for reference.

How do you describe the Scottish folk scene these days ? What’s the trend in terms of playing, the instruments and also the general band image that the listeners are warming up to?
The Scottish folk scene has gone from strength to strength and over the past 10 years has had a real upsurge of talent and creativity. I think its one of the most creative folk scenes in the world. You have musicians who know their tradition well and can perform it fantastically but are also creating and adding to the tradition. More than ever musicians and bands are writing new music and presenting it in an ever creative and evolving fashion… its not just about playing tune after tune anymore. Bands are getting really into big arrangements and taking the listeners on a journey to what is becoming the new tradition in Scotland.
Theres a lot of cross genre music making too. I live in Glasgow, Scotland’s largest city, and a hub of creativity amongst musicians of all styles. Folk, jazz, indie, rock and classical musicians are not only mixing with each other socially but are musically creating new sounds together. The results of this are now being on seen on stage and festivals such as Celtic Connections are a great supportive platform of this allowing it to be brought to the public’s attention.

With friends.

Your tunes are always rhythmic and is also filled with arrangements that glow of atmosphere…how do you value atmosphere in songs? Others are more into technique and speed. Do you think it is essential in every Scottish and Irish recording to have a sense of atmosphere or ambience?

I like to create records and shows which take listeners on a journey, giving them opportunities to tap their feet along, dance but then also give them opportunities to reflect and feel the emotion of the music we create. One of the tunes we most enjoy performing as a trio is the haunting melody “Cancro Cru”. We really get emotionally involved in the tune and this is often felt by the audience and commented to us after.
I don’t think its necessarily essential that every recording gives a sense of this atmosphere but I do think its important that musicians and bands try to give an impression of what the atmosphere their live show creates, through their recordings.

You have been active these days especially during festivals. What are the things you learned being musician, in terms of traveling with ease? Tips you can give us? I remember what Scott Hoye said about harpists..it’s not like playing the fiddle where you can toss it and go. Harpists carry this huge instrument.

Preparation is the key! I often fly with my harp. Living on a large island (Britain!) means that any gig I do outside the country means a flight. I always phone up the airline in advance and let them know I’m taking a Celtic harp and ask them to make a mark on booking. I’m always very casual on the phone and make it clear that its not that bigger than a suitcase, weighs less than 20kg (normally less than my suitcase!) and that I fly all the time without difficulty.
It used to be that I could take it for free, but now you just have to accept that you have to pay for it. Most of the large airlines just see it as an extra piece of hold baggage and this can usually be paid for in advance which makes life easy.
Its always important to be sure that the car that will pick you up will have room for you, your suitcase and your harp. To be honest mine is actually quite small in its flight case so this is normally no problem.
I also have a protective fibre class flight case for my harp which is very easy to move around and protects it well. I tend to tape up the clasps on it too for safety too. I also put pieces of polystyrene pipe round my levers inside its cover, to protect them further.

What are your suggestions for both artists and enthusiasts about this type of music and making it grow? We have the technology and tools but what do you think are the things that each of us can do to improve and expand the scene.

I like to use social media to connect with people… through Facebook, twitter and youtube. Its a great way of keeping in touch with your fans and new people are discovering my music through these ways every day. It also gives me the chance to promote other music, that isn’t always mine. Bands and groups that I like that I think deserve to be heard. I like to post videos etc. of them to help their music grow and get to new people. Its definitely a worthwhile thing to get into….facebook, twitter and youtube and free to use so you’ve nothing to loose!

What tell young people who find harps fascinating and want to study it?

Rocking out the Scottish reels
— with Maeve Gilchrist.

Get yourself to one of the harp festivals and try it out for yourself! I’m on the organising committee for the Edinburgh International Harp Festival and it coming along to a festival like it really is a great way to discover harp music. You can join a beginners course and have a go, visit the harp exhibition which has all the top makers in Europe showing of their harps and you can go to some of the concerts. Harp festivals really are a great way of experiencing everything “harp”. You also get the chance to meet harp players young and old, of all levers from beginner-to professional. We’re all a very friendly bunch.

Who are people who influenced your growth as an artist through the years?

When I was at university in Glasgow, studying music, my harp teacher was Corrina Hewat. She was an incredibly encouraging teacher who really pushed me to discover my own style of playing. We don’t really play in the same way and I think that’s a testament to her as a teacher.
A lot of my friends are professional musicians, Jenn and Euan who play in my trio, Jamie Smith who plays in the group Jamie Smiths Mabon and Gaelic singer Joy Dunlop. We’re all very very head strong and passionate at what we do and we’re very good at encouraging each other to keep going and achieve our dreams and success in music.

What’s your biggest goal in life.

Well to be happy, and to be fulfilled both in my personal life and in my musical life. simple!

Rachel Hair – Harp
Jenn Butterworth – Guitar / Vocals
Euan Burton – Double Bass

Follow her band in facebook: https://www.facebook.com/rachelhairharp

http://www.rachelhair.com/

http://www.youtube.com/rachelhair

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Somerset Folk Harp Festival

Everyone got a harpful for 4 days! People who are very enthusiastic about harp music(including yours truly) will keep this festival on the calendar. Some of the big names in the community attended: Chris Caswell presented Guerilla Music Theory. There’s also Breton dancing( this is really fun!) led by harpist Clotilde Trouillaud. For people who wanted to pick up a handy instrument enjoyed the tin whistle workshop. Maeve Gilchrist whom we presented in this site was also there teaching techniques.

Other notable musicians:

Peacocks Feathers: entertained with Irish & Scottish tunes & songs during the lunchtime concert in the Atrium.

Debbie Brewin-Wilson lead the 3-day Basically Beginning workshop.

Nicolas Carter on the first of his 3-day class on Paraguayan harp. He’ll also help out Tracy Gorman in the Paraguayan Dance class at 3:30pm.
There’s Billy Jackson in his workshop on Scottish Harp of the 17th century yesterday. Right now he’s teaching Composing in a Traditional Style. By the way I have one of his albums!
Thanks to Scott Hoye who is up to date. He’s the source of this news.
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Today in Pictures: Athas on Tour

Amy thought she ordered the large Bloody Mary-Jeff Ksiazek

Between gigs, the band unwinds.
Follow the band’s tour schedule here: http://www.athasmusic.com/schedule/
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Book curiosity:

Dark Dealings by Karen Victoria Smith
Synopsis: At thirteen, Micaela O’Brien was found wandering a pasture in Ireland, the sole survivor of a mid-air explosion. Now, as a successful investment banker, she will discover that Wall Street has fangs and claws. When international power brokers, creatures hiding in plain sight, threaten her and those she loves, will this heiress to a Druid legacy deny her power and let loved ones die again?A thrill ride of money, monsters and murder across the globe.
According to the author
: 2 DAYS left to get Dark Dealings for Kindle on sale for $1.49. 1/2 royalties 2 Kick #Cancer Overboard.BUY,read,review amazon.com/Dark-Dealings-… Read the novel described as Trueblood meets bluebloods with a 4.4/5 rating on Amazon. Price goes up August 1
Tataratat! The Gothic Celtic in me loves it! Twilight fans sorry but I think Karen Victoria Smith does more than Stephanie Meyer. Nothing is better than Vampires and Celts in one book.

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Our featured band Delta Rae

Take a look at this official video by Bluegrass fusion band from North Carolina  Delta Rae. I love the concept. It is both funny and creepy. The voice of Brittany Holljes has a powerful quality in a pop sense but with New Age delicacy. There are also male lead vocals occasionally. The music has a knockout rocking quality but with  the atmosphere of Sarah McLachlan. It is a band that will  appeal to fans of music categorized as folk/rock or country with chillout moments. My favorite track from the band is Holding On To Good because it is really explosive and glorious and the sound just floods through you. So beautiful! But wait till you hear Surrounded, a moving and mesmerizing track that builds up into a glorious release- a crashing wave of sound, angelic harmonies and earth ravaging meteor or emotions.

Members:

Ian Holljes (vocals/guitar)
Eric Holljes (vocals/keyboard/guitar)
Brittany Holljes (vocals/percussion)
Elizabeth Hopkins (vocals/percussion)
Mike McKee (drums)
Grant Emerson (bass)

Info:

http://www.deltarae.com/

Music: http://www.myspace.com/deltaraemusic/music