Music of Ireland

A little bit of this and that…

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In this edition: Damien McCarron of Mile High Celtic Radio, Karen Victoria Smith, Dan Coleman, Celtic Twist and Moxie!

Mile High Celtic Hour : You ultimate guide to Irish and Celtic music.

Got the feeling that you need to update you Celtic music collection? Work schedules and classes can sometimes take you away from what’s going on with the ‘scene’. Well worry no more.

Mile High Celtic Hour is guaranteed to put you ahead of things Celtic. This is a show based in North America, featuring a playlist  that is diverse. You get to hear bands from all over the world and get to sample their best songs plus video via livestream.

Damien McCarron grew up in Howth outside Dublin and was immersed with  Irish music and tradition. As a musician, he shared stage with amazing musicians  in the  field including members of Solas. This is a very exciting time for Irish music and the rest of  the Celtic world. Damien is definitely in the right track and the right time, with the right crowd

Damien talking between music. .

Here is the page where you can watch and listen to his show:

http://www.livestream.com/tradiovdenver

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Celtic Twist Autumn Renovations in Scotland.

Celtic Twist

The website of the duo Celtic Twist is updated! I met Phil Holland and Dave Palmley over a year ago and I have enjoyed their albums. They are doing  interesting things with their diverse musical backgrounds by mixing them up with Celtic style.

They moved to Scotland  from Italy around two months ago and Phil is taking her time drinking the sight of the beautiful Scottish landscape. This is where she grew up and Scottish music makes a huge part of her musical influences.

Dave Palmley’s pop rock influence creates a radio friendly balance for Celtic Twist. He likes experimenting with various instrument including the synths. Have you heard of a harp tune using the effects pedal?

If you are looking for something interesting on the web, do drop by their website: http://hollandandpalmley.wix.com/celtictwist and say hi.

Notes:

This piece was originally inspired by the native north American people and their loss of land and cultural identity, but it is really in homage to all people of all races and creeds wherever they may be in the world, past, present and future, who suffer the indignities of invasion and oppression.
Phil: Celtic harps, Violins, Voices and Piano.
Dave: Guitars, Voices and percussion.
This will be on our forthcoming album, to be released later this year.
More news to follow.
http://hollandandpalmley.blogspot.com/

Notes:

Dedicated to a dream come true,moving back home to the west coast of Scotland.This meditative and hypnotic piece of music is entirely written, arranged and performed by Celtic Twist (Phil Holland and Dave Palmley).We wanted to share with all our followers this beautiful place and its magical atmosphere.

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Dark Dealings Book Interview via Rock On Radio

Having a great time at the Draft House

Yes our musical culture has a literary friend in the form of Karen Victoria Smith. She wrote the book Dark Dealings which talks pretty much about Irish mythology, Wall Street  vampires, shape- shifters and what they like to listen to in their ipod. You might think I am kidding about that last bit but I am serious. There are a lot of r references to Irish music in the novel and I think she is doing an amazing job pushing the culture and mixing it with the hip, the supernatural and how the money world works. I had to reread the book after it is done because I can’t part easily with the characters. They stay with you like long lost friends.

My friend Christi and I had a blast listening to her interview via Rock on Radio hosted by Dan Coleman and the gang. It was a wacky show and Danny asked a lot of interesting questions about the book. There’s a chat room where listeners can interact with the hosts.  We also met Karen’s best pal Deedee who also happens to be part of an indie rock band Strumberry Pie. The internet made this world a better and smaller place. Christi’s in Michigan and I am in the Philippines. And we all had a blast!

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Introducing Moxie

Moxie

Genre:  Irish Contemporary Music / Jazz / New Age Bluegrass / Folk

Members : Cillian Doheny Tenor Banjo / Nylon & Steel String Guitar / Mandola

Jos Kelly Button Accordian / Keyboard

Darren Roche Button Accordian / Nylon String Guitar

Ted Kelly Tenor Banjo / Tenor Guitar / Mandolin

Paddy Hazelton Percussion

Hometown:   Limerick / Sligo

What Lies Behind the Wall has notes tapping with suspense at the beginning of the track. It is like watching a flower bloom in hyper speed. Like all remarkable Irish bands playing traditional music, Moxie offers fresh approach to a tradition that has been around and is determined to stay.

Their sound is vibrant and the arrangements are intricate. This is traditional music with a cool twist. Sophisticated style blends with rustic simplicity making them one of a kind Irish band. In Elixir’s Walts, they took advantage to pauses and trance like melodies to create a dramatic effect that blends organic percussion with luminous instrumental delivery. This is the music of a butterfly’s wings flapping in a near flight.

Bug and Bear’s further showcase the hypnotic capacity of the banjo and guitar especially when it is given to the right hands. There are three tracks available for sampling in the band’s site http://breakingtunes.com/moxie. I am sure what’s on the site is just the tip of the iceberg.

Band bio: Formed in late 2011 as part of the annual folk festival, Sligo Live, Moxie are a Sligo and Limerick based band that formed through years of musical friendships from playing together at certain festivals around Ireland. The band incorporates Irish music with other genres such as folk, rock and new age bluegrass. A vibrant new band playing an exciting mix of traditional based compositions with richly developed layers of fantastic harmony. The band includes JPTrio members, Ted Kelly (banjo, tenor guitar, vocals), Jos Kelly (button accordion, keyboard, vocals), Paddy Hazleton (percussion, vocals) and Limerick based musicians, accordion and melodeon powerhouse Darren Roche and virtuoso banjo & guitar player Cillian Doheny.

More here:

http://www.myspace.com/moxiemuso

https://twitter.com/#!/Moxiemuso

https://www.facebook.com/Moxiemuso?ref=tn_tnmn

Kinfolk: The Story Behind the Album (Interview)

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 Also in this edition: Janet M. Christel and Maeve Mackinnon

 Brian McDaid explains how Irish music shaped both their styles and also the new album they are working on.

I was interacting with Gerry Power before this interview started. Brian McDaid arrived a week ago for a few gigs. Gerry decided to hand the questions to Brian and he took the honor to answer in behalf of them. I think this is a nice turn since I am curious as to what Brian thinks about their musical career.

This whole thing started because I love the work they put out in the Kinfolk album This Land. I think that as a music lover, the satisfaction doesn’t end in hearing the entire album. One needs to KNOW the process behind and the inspiration plus perspiration that gave way to a beautiful album.

So to quench your curiosity if you are one of those who bought This Land, then this is it! Enjoy.

It’s been years since the release of Kinfolk which is in impressive album wrapped in both traditional and modern beauty. When will we hear another album from you and Brian?

We are currently working on a new album and hope to have it completed by early next year.

I noticed that a lot of Irish artists who are based in the UK getting more visibility in the scene these days. How is the state of Irish music in Britain?

Irish music has been pretty strong in the UK for a number of years. However with the resurgence in popularity of the general folk scene in the UK, with bands such as Mumford and Sons, Irish Music has also benefitted and is attracting more and more young people to listen to and appreciate this genre of music.

Can you name the 5 albums that changed your life and made you love being in the music industry?

Pretty difficult. I have been influenced by numerous types of music, but as a youngster, if I was to name any album which really made a difference it would be ‘Harvest’ by Neil Young. Other influences include James Taylor, America, The Eagles, [which readily explains our use of harmonies!], Steely Dan and Led Zeppelin. Pretty wide and diverse really.  However as a young boy and having Irish parents our house was always resounding to the sounds of Irish and folk music and I particularly remember the songs of the Clancy Brothers and the sounds of Planxty. Also being a Glasgow Celtic football fan and with their Irish traditions, many Irish folk songs are sung on a regular basis by the fans. And when you hear 60,000 people singing together it can certainly raise the spirit and influence you!

I love your song Donegal and it is a love letter you wrote for a place. How huge is the influence of County Donegal to your style of making music?

Gerry in studio

Quite simple. This is a song about my Dad who likes many young people from Ireland, left Donegal when he was a young man and came to find work in the UK. As a child I often went on holiday to Buncrana in Donegal visiting relatives. On their retirement my parents were lucky enough to be able to build a house there overlooking Lough Swilly which all the family still visit on a regular basis and the view from the house is what influenced ‘Wonderful Day’ on the Kinfolk Album. So in answer to your question County Donegal has obviously influenced my song writing!

 I know that Bound for New York City strikes a universal chord to the Irish diaspora. What sparked the idea of writing this track?

This is a song which came about while we were recording ‘This Land’. We had been working in the studio all day and were trying to find a middle eight for one of the tracks [I can’t remember now which one]. It was about 11 o’clock at night and we were obviously in the ‘zone’ and between us we came up with the idea and had most of it recorded within 2 or 3 hours. Sometimes it just seems to happen like that and sometimes it can take forever!

From the time you both worked on this project, what do you think has changed?

We feel our songwriting has developed and we have grown as musicians as a consequence of playing with various bands and playing a variety of styles. We hope to show this on the new album while still maintaining our strong Celtic influence.

 If given a chance to collaborate with other artists what are the names that you both would like to work with?

Brian in studio

There are a lot of great song writers that the both of us admire. As far as Gerry is concerned he would like to to work with Steely Dan for their gorgeous harmonies and groove, Mark Knopfler for his tasteful country folk playing and Paul Brady, a long standing hero of Gerry’s, who has written some of the best songs he has heard. As far as I am concerned I must agree with what he says about Steely Dan and  someone who I particularly admire as a songwriter is Christy Moore. His songs tend to have a great ‘mood’ and I could learn a lot from his use of lyrics. However what I would like to do is spend more time with a good instrumentalist, fiddle player or accordionist, and explore and mix some of my more contemporary ideas together with the traditional. The idea would be to create something a bit more individual.

How do you two work on a song? What’s the collaborative process?

We have no set process. Sometimes one of us will present a complete song. The both of us will then work on it and ‘tweak’ it to give it the distinct ‘Kinfolk’ sound. Sometimes one of us has the initial idea lyrically or it may be a sequence of chords or a riff that starts the ball rolling. Other times one of us comes up with a chorus and we take it from there. We have actually written the ideas for a song over a pint in the pub – amazing how creative you can be after a couple of drinks!

There you have it. Another interesting moment with a musician and getting to know the process behind the song. Watch out for their upcoming album that will be out, hopefully early next year. Now that it’s done I will give This Land another spin and get lost among the beautiful tracks.

Buy the album here: http://www.cdbaby.com/cd/kinfolksongs

You can also listen to their tracks here: http://www.myspace.com/kinfolksongs

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Exquisite vocal siren Janet M. Christel

Photo: MK-Fotografie — at 37. Bardentreffen.

I miss vocal music! This is really refreshing. The voice and accent of Janet M. Christel are things that make her singing really distinctive. The arrangements are striking. Her music is a delectable bar of dark chocolate wrapped in soft caramel hazel nut core. Listen listen listen!

http://www.janetmchristel.com

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Maeve Mackinnon Her Music is like a Force of Nature.

Ok I got goosebumps listening to the style of Maeve Mackinnon. The music haunts you. Like the swaying tree amidst the howling wind, her voice is a spiritual force that can rattle the walls of your soul and open the sky of rain. This is the kind of music that draws me and it is hard to say no…to such music as Maeve Mackinnon’s. Her music page says: 1st October 2012 sees the release of “Once Upon an Olive Branch”, the second album from acclaimed contemporary Gaelic singer Maeve Mackinnon.

http://www.maevemackinnon.com
http://twitter.com/maevemackinnon

Weekend Edition with Music and Album Release!

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In this edition: Fraser Fifield, Carmel Gunning and Calum Stewart

Fraser Fifield, EDINBURGH, Britain (UK)

The Music of Fraser Fifield

My last edition covered music from Ireland, Wales and Brittany. Our new edition unleashes another talent from Scotland by the name of Fraser Fifield. I became familiar with his work after seeing videos of Salsa Celtica. This is the same band where Kenny Fraser of Music Scotland(who was our featured artist/interview) plays the fiddle in.

The fascinating thing about his work is his love for improvisation and fusion. His bio states this interesting info: “A Piper and Low Whistle player who improvises like a jazz musician. A Soprano Sax player playing the traditional music of his native Scotland like it had always been played on that instrument.” I think one of the most haunting track in his compositions is Softly Spoken, with its hypnotic arrangements and syncopated beats. He has other gems in his soundcloud page and I am sure you will definitely buy his albums when you hear his tracks. He has other equally wonderful tracks and your way of relating or liking them will depend on how you respond to the music upon hearing each track.

I am doing a correspondence with him which will be a structure for an upcoming featured artist/interview. I embedded few tracks of my choice but I recommend for you to click Fraser Fifield’s soundcloud channel http://soundcloud.com/fraserfifield to listen to the music continuously.

For more of his music, visit the following links:

http://www.youtube.com/user/tanarrecords

http://www.fraserfifield.com/

https://twitter.com/fraserfifield

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Carmel Gunning

She moves between two worlds. The fast paced playing and the delicate execution of some tracks. A native of Sligo, she came from a musical family. I think she is one of those amazing artists who contribute their efforts in making sure Irish music gets national and international

Carmel Gunning

recognition. I wonderful info I uncovered about her:  She runs The Carmel Gunning School of Music all year round in Sligo town and runs a festival annually in August. She has written 2 books on music and song and currently working on another. She has produced 5 CDs to date and is working on a singing album currently. Many of her past pupils, Liam Kelly of Dervish being the most well known, are top class in their field today.

With this kind of music and also a unique way of playing the whistle, I am sure she will conquer more ears. Let there be more albums from her then!

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Calum Stewart has a new album out!

Wooden Flute & Fiddle

Calum Stewart & Lauren MacColl
with Éamon Doorley and Andy May

  1. Eoghainn Iain Alasdair
  2. The Gordons
  3. Alzen
  4. Rise Ye Lazy Fellow
  5. Stoidhle Nèill Ghobha
  6. Crow Road Croft
  7. Aileen’s
  8. Tomnahurich
  9. Boys of the ‘25
  10. A Highland Lamentation

Now available for Pre-Order worldwide. (Please be careful to select worldwide delivery if you live outside the UK) All orders will be dispatched on 15th October, one week ahead of the official release date of 22nd October.

Scottish wooden flutist Calum Stewart just released an album with Lauren McColl. It is called Wooden Flute and Fiddle. This is an album that every traditional music listeners will want in his or her collection. This is due to the huge effort that the two and the rest of the session musicians placed on this album. There are slow and fast tunes. Expect variety in instruments and grand artistry that only musicians of their caliber can provide. And even if you are not really into Scottish or Irish trad music, you will still warm up to this one for its melodic and relaxing merit. Love it love it! A track from this album was featured here: http://www.bbc.co.uk/programmes/b01mwz99

Buy Wooden Flute and Fiddle here: http://www.laurenmaccoll.co.uk/shop/

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Wild and Sensual

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A new promo posted about The Pogues

In this edition: The Pogues, Jamie Smith’s MABON, Atlantean and  Gwenael Kerleo

I am sure you have notice the energy I placed on editing the pictures of the artists I posted here. It was a great practice of visual creativity on my part. At this point in time I am confident to say anything I can and post anything I want. It is fun discovering new acts and re discovering legends. Last time, I released an interview about Scottish percussionist/producer Dave Martin. It was an eye opener for me. It is inspiring to know that Scotland is a country of thriving Celtic fusion music. Music embraces all aspects. I think it is sad if we all think that Celtic music should only be about acoustic instruments and traditional songs. It is an expanding genre while it is also keeping in touch with its past. It is like an interesting person you met on a date. Someone who possesses a keen sense of culture but is also attuned to the current times. I think I’d date that person anytime.

 It’s The Pogues and I am Doing Pogo Dance!

It’s been a while since I last visited the wonderful, explosive and punk inspired music of The Pogues. As always when you think of the Pogues always expect something unconventional both in the musical and also how they project their image to the world. You know, when I get depressed the Pogues are always reliable in cheering my mood up. This song is called Fiesta. My big thanks to Irish Music Forever for posting this video.

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Autumn Tour for Jamie Smith’s MABON

Their official facebook page has confirmed this news: “The first batch of Windblown pre-orders are on their way! Huzzah! UK orders should arrive tomorrow and internationals early next week. Any future orders we receive will be dispatched within 48 hrs. Get your copy now at www.jamiesmithsmabon.com/windblown

Cheers folks :)”

Check out this new single from this amazing band based in Wales!

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Atlantean: A Unique Documentary

Take a look at this folks. Other segments of the story can be found in youtube. It is amazing how much wealth of information is stored out there waiting to be discovered.

A segment from Irish filmmaker Bob Quinn’s four-part documentary on the maritime heritage of Western Ireland and it’s links to North Africa. This scene includes examples of Conamara dancing, called “Battering”, and it’s relation to Flamenco.

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Gwenael Kerleo – Brand new skies 

The sound of the electro harp is always invigorating. A few days ago, Layne and I were discussing about cool harp designs and he said that the one on top of his list is the electro harp. It was right after I showed him the link to the Corrina Hewat interview I did. In this video we hear another addition to our growing collection of Breton artists. Gwenael Kerleo makes music that has that maritime appeal wrapped in haunting melodies. What I like about her voice is its tender quality that has an almost child like innocence and urban sensuality.

Une chanson extraite de l’album “QUAI N°7” de Gwenael Kerleo (distribution Coop Breizh). Musique : Gwenael Kerleo – Paroles : Louis-Jacques Suignard. Avec Kevin Camus à l’irish tin whistle et au uilleann pipe et Yvon Molard aux tablas.

Les photos ont été prises sur la plage de l’Aber à Crozon (pointe de la Bretagne) en mars 2012.

Brand new skies

When your love burns so deep

Everything melts inside

When you’ve gone past the need

To sort out wrong and right

When your words take the hues of brand new skies

May your will and your way walk side by side

When your love burns so high

Setting your skies on fire

Looking down on your pride

And yielding to desire

Then it turns into gold all rocks and stones

And that sand once so cold a new bed of strokes

It blows on and whispers and sings

Never waits for any man

It knows about everything

And laughs in waving hands

When it takes you away

To the thrones of High Kings

It is then you start to pray it never ends

A Life of Music: Martin Tourish Interview

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Plus: Sahara and video plugged by Luke Fraser.

 

 

 

Martin Tourish talks to The Celtic Music Fan about composing, performing and the top 5 albums that influenced him musically.

It is great when few conversations happen beyond the interview. Our guest this week is prolific musician/composer Martin Tourish who is in the middle of his PhD studies. He lent his time to answer several questions related to his career and Irish music in general. He has just started mixing his new album. We had a little craic about Donegal winning the All Ireland Gaelic football final. So everyone over there is happy! Christmas is a great time to visit the place for the Frankie Kennedy Winter School.

According to Martin: “In Donegal they pass one fiddle around everybody in the room and everyone has to play whether they can barely play a tune or are brilliant. There’s always huge respect.” He is working on a lot of projects. I got to hear songs from An Tain. It is about the Irish saga set into music. Years ago I was over Makati and stumbled upon a copy of The Táin (1969, Oxford University Press) by Thomas Kinsella and that book opened  the whole new world of Irish myths to me. So to know that a musician is doing another interpretation of that is amazing news.  According to Martin: “This album that we made is based upon the book but it’s sung here using a proto-gaelic language as found in the oldest known text.” The song interpretations he made for this project are haunting, beautiful and captivating. The interesting use of modern and traditional instruments are fascinating. So are the vocals and scales that were applied. There’s so much atmosphere and richness in the melodies. So even if you don’t understand Gaelic you will be able to follow the plot as long as you have read the book.

I also have the honor to hear his Midori Suite. The Japanese/ Irish piece he wrote for a charity in Japan. The classical training he had took a front seat here. Martin could well be a movie composer of epic scenes. I love the combination of Japanese and Irish styles especially the part with the harp and female vocals. And then I got the Raincoats of Dijon – a track he recorded for Naxos with the National Symphony Orchestra of Ireland. This is another moving piece of a different style. It’s a waltz that crosses between Strauss and Disney Classics. With all these in mind, I realize that one day Martin Tourish will be making lots of music that other musicians will play. So yes I am crossing my fingers.

Here’s a little trivia: When he was in the Philippines, he was with Cape Breton fiddler Gillian Boucher, Irish fiddler Fergal Scahill, Mickey Martin and the sean nós dancer Emma O’Sullivan. They were playing a charity concert for the kids of smokey mountain so they formed the band just for that. He actually only met them either on the plane or over in Manila. A Trad session in a jeepney is one of his goals! He further stated that he enjoyed the experience and he felt totally at home.

Now on with our interview:

Hi Martin, welcome to our artist of the week interview. It is an honor to have you as my guest. I read your bio and it describes your life as one devoted to music. How’s the experience writing articles for the “Encyclopaedia of Music in Ireland”?

It’s an honor to be your guest! It was a great experience to write a number of articles for the Enyclopaedia of Music in Ireland. The research unearthed a great deal of new information on the subjects, only a small amount of which could be included in each of the articles. Regarding the article that I wrote on the piano accordion, reading the first description of the instrument being performed in Ireland was one of those magical moments. I often pass the venue in Dublin in which it was first heard and imagine the music that might have been played!

You came from Donegal which brought us legendary bands like Clannad and Altan. I see that your cousin Ciaran plays for Altan. Your childhood must have been a very musical one.

Donegal is an amazing place and recently, I had the honor of playing a concert with Altan and Clannad at the Fleadh in Cavan. There actually wasn’t music in my immediate family but that was probably a good thing. I had no idea that there was any difference between genres and so I played everything I heard and could reproduce. This openness to every type of music has stayed with me since. Once the heart is in it, it will be good!

 Your first album was released in 2005 which gained top reviews and honors. You are working on a new one right? Please tell us what listeners can expect in this new album.

The new album has been developed over the past four years and it is quite different to Clan Ranald, and maybe quite different from anything else! The aim of the album was to try to be as honest as possible in trying to capture the spirit of the music, moment, and musicians who took part. It’s almost entirely comprised of my compositions, with some reworking of traditional material. Really, it documents the interactions and experiences of the past four years and I hope that people will enjoy it as much as I have enjoyed it. We’re mixing it at the moment so stay tuned!

You’ve been around the world and one of those places you’ve been to was the Philippines! How was the experience?

The Philippines trip was amazing and I remember every minute of it! The people were really warm and friendly and in particular, I remember stumbling across a singer/songwriter night in a bar in Makati City and playing piano in the house band before going to the birthday party of one of the musicians! I really hope to make a return visit at some point in the future and this time, stay longer than four days!

What is it about being in the trad scene that you like?

I’m actually involved in many different scenes in Ireland but it’s the people that make each scene a joy to be involved in. The trad scene in Dublin is particularly interesting because being a small city, musicians from different scenes get an opportunity to meet and explore each other’s traditions. Everything seems to exist side-by-side and one can dip in and out of each when the mood is right!

 What do you plan to accomplish before the year ends and what’s in store for 2013 for you musically?

I hope to have both my PhD and album completed before the year is done and for 2013, I’m hoping to focus almost solely on music. As always, I’ll be playing with various musicians under my own name and with a wide variety of other musicians, bands and projects, specifically with the bands of which I’m a member: The Convergence Ensemble, and Deep End of the Ford. I’m working around the clock on plans for 2013 but at the moment, they’ve to be kept under wraps. But every year something amazing always seems to happen and if that trend continues, it’ll be better than anything I could have imagined!

What are the challenges composing music in the traditional style and do you have other musical styles that you are working on as of the moment?

Well I never compose music as a task, it just flows out in response to something when it’s ready and sticks if it’s good! It’s the most natural thing in the world and when I compose a piece of music, it’s usually fully formed. A few days ago I wrote eight tunes in about two hours for a sean-nós dancing tutorial DVD by the dancer Mary Beth Taylor, which is to be released before the end of the year. The chemistry and rhythm from her steps made the music flow and those are always special moments. Following from my Japanese – Irish piece called The Midori Suite, I’ll be writing a concert length program of material in this style. I’ll also be in Italy in October producing an album of songs by the novelist Oscar McLennin, and working on a program of world music in Brittany in November with the clarinetist Dylan Gully. Plenty of diversity!

Can you name us the top 5 albums that influenced you?

Altan’s Runaway Sunday (But really all of their albums!)

Mary Black’s Mary Black Live (particularly for Steve Cooney’s song Just a Journey)

Frank Cassidy’s Níl Gar Ann (aesthetically and creatively)

Alyth McCormack & Triona Marshall’s Red & Gold (a masterclass in tone, colour and great story telling)

Zbigniew Preisner’s Requiem For My Friend

I enjoyed chatting with Martin Tourish and I am sure this interview has given you an idea about his music and projects. You can listen to his music through:

http://www.myspace.com/martintourish

Sample videos:

http://www.LiveTrad.com
Featuring Ciarán Tourish (fiddle), Martin Tourish (piano accordion), Tim Edey (guitar), Tríona Marshall (harp), Alyth McCormack (voice), Thomas Charles Marshall, Philip Horan (shakuhachi), Fran Marshall (voice) & Morgan Crowley (voice) performing ‘Suite for Japan’, composed by Martin Tourish. This was recorded at the Aid Japan for Children concert at St. Ann’s Church, Dawson St., Dublin, to aid and support Japanese children effected by the 2011 earthquake & tsunami. Recorded and edited by Martin Moylan on behalf of Aid Japan for Children, and provided subsequently to LiveTrad.com.

The last part of the concert was with a special appearance by
PADDY Mc MENIMEN, CONNIE & MERLA DROST-BYRNE
14.08.2010, Kilcar, co.Donegalh

A Great Documentary which Martin also appears in.

A documentary by journalists / film makers Malou Fickling and Robert Gustafsson about Traditional Irish music in a changing Ireland. Set in rural and urban Ireland (Donegal and Dublin) this piece takes a look at the history, themes, preservation and evolution of Irish music. Musicians interviewed include Martin Tourish (TG4 Young Musician of the year 2008), Danny Diamond and Dinny McLaughlin.

Language: English Version

This production was entirely conceived, shot and edited by Malou Fickling and Robert Gustafsson. It was created for a final college project for Journalism and Media Production at Linnaeus University, Sweden.

For more information email Malou Fickling at Malfic@hotmail.com

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Proud to announce the release of Sahara’s latest CD ‘A New Beginning’ – now available from iTunes, Amazon and other music outlets!!

Samples are available in the link below. I found them totally uplifting and beautiful. The production is superb. A must have for those who love genre bending music that exudes warmth and elegance.

https://onerpm.com/#/album/937792581

Connect with them through:

https://www.facebook.com/SaharaMusic

http://www.saharamusic.com.au/

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Upon Recommendation from Luke Fraser

Casual lookin’ Luke.

Luke Fraser plays guitar/vocals for The Bombadils and Raftmen. Once in a while he drops by for a chat. This is one of the videos that made it to our conversation.

From “A Christmas Celtic Sojourn”, recorded live at the Cutler Majestic Theatre in Boston, Massachusetts, on December 19, 2009. Tunes composed by Liz Carroll; choreography/improv by Nic Gariess.

For information about tickets, CD recordings, and celtic radio programming, visit http://www.wgbh.org/celtic

Copyright 2010

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