Music of Ireland

Will Tun and the Wasters Time is a Bastard EP Interview

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Will Tun talks about the band, the music and their future plans.

A good week to you all. We have a new featured band this week and it’s Will Tun and the Wasters. Their music isn’t something you can just take for granted for the following reasons: Youthful energy, foot stomping beats, amusing lyrics and a style that appeals both to punk and traditional Irish/Scottish music listeners.

Their new EP is called Time is a Bastard. I enjoyed the five songs because they struck a chord in  me. It is good when music has the capacity to do that. It shows that we are all connected in some way beyond our cultural and geographic distance. As a fellow Asian, I am really rooting for Will Tun’s involvement in the Celtic music scene. Way to go bro!!!!

I got to know the band a couple of weeks ago and it was fun looking at the pictures of crazy things they did on their gigs. I think they are in the right track. It would be interesting how this band would progress musically. Fast forward to the future…say five years from now. That’s actually one of the questions here. Check out their video Community at the end of this interview.

 

 What can listeners expect from your new EP?

The new Will Tun and the Wasters CD “Time is a Bastard” is a 5 track release containing Pogues-Levellers inspired folk punk songs. It also veers of in places to include a gypsy song.

Lyrically it is varied, from narrating a story of getting drunk in Spain to running away with the circus as well as having love songs and political protest songs.

 How long did it get you guys to get together and then decide to form a band?

I met Declan the tin whistle player at a house party one drunken night 3 years ago and we took off from there. He soon introduced me to the rest of the Wasters. Our most recent recruitment has been in the form of a French Rapper, MC Amalgam who raps in the 2nd track “Community”. We intend to do much more collaborations with him in the future.

What were the challenges creating WTATW and also representing an eclectic blend of Celtic and Punk influenced music?

Most of the band members go to university in different parts of the country. Traveling long distances to a gig can take it’s toll after a while… I once did a gig, stayed up all night at the party that followed and then took the 6am train back across the country so I could make it took a compulsory lecture at 9pm…

but at the end of the day, we are all so passionate about making the music that we love and we’re having so much fun going crazy at our live shows that it’s worth the long distance travel.

We all graduate next year and plan to move into Bristol in the West Country so we can keep making music for the years to come. Hopefully, travel should become a heck of alot easier after this.

There’s not a huge amount of punk bands with Celtic influences in the UK circuit at the moment, and I think we set ourselves out by being the only one of the genre with an Asian front man and a French rapper. Musically as well we’re becoming more adventurous… Already in the last month, we have written a waltz, sea shanty and a gypsy jazz tune to give you a taste of the experimentation to come! We’re all excited about the years to come as we mature musically and begin to mix up our song style even more!

 Do you see a polarity between old and young listeners when they hear this kind of music?

I think there is a whole range of personalities and music tastes found in both the young and old generations. I think young kids nowadays are more likely to be open minded about music since they have grown up in a generation where access to different forms of music is but a click of the button away on the internet. Having said that, we have met some “old folks” who are just as open minded and insane as the young.

What is the creative process when you guys start writing music. From conceiving the lyrics, the melody to post production? 

Often I write the song acoustically and then take it to the band and we add in the melody and percussion. Other times another member of the band writes a chorus, a concept or create a chord sequence and I am left with the job of finishing of the verse lyrics.
The song “Community” is a great example of how we hope to write our songs in the future once we live together in Bristol. This is probably the best example of a song in the current Wasters repertoire where the song is composed as a full on team effort

Before going into the studio, what are the things that you bring with you and things you leave behind in terms of attitude.

When recording “Time is a Bastard” Aymeric our French rapper made us a brew of honey, lemon and ginger mixed with a spirit made from the extract of Pine Trees grown from the Alps, it did wonders for rejuvenating my throat after singing for hours as well as making me tipsy haha.
Our attitude in the recording studio we’d like to think is professional but that can be disputed at times…

What do you plan to achieve being in the band five years from now.

In 5 years from now, we hope to be still making the music that we love and playing mad festivals in England and hopefully around the world! We plan to release our first album in 2 years time so watch out for it!

 

 

 

Wow just think about it. They really have big plans. So let us go ahead and support this band. The music culture needs something positive, wild and fun.

This is a self-produced video of the first single-
COMMUNITY- from the upcoming release: “TIME IS A BASTARD” by WILL TUN AND THE WASTERS

Footage was shot in Reading by:
Stu Brooks- vimeo.com/user4610841/videos
Aymeric Voirin
Jared Dyer
Editing was done by Jared Dyer.

Lyrics

As the rich get rich and the poor get fucked
as the fear begins to creep
as the bombs go off and the nights ablaze
we return to Cable Street
and the wheels of history turn again
they’re looking for someone to blame
a media storm is coming our way
and it spins like a hurricane

Chorus
but I know where I’m from
and I’m no time bomb
Have some faith in what you see
this is our community!

we’re the underdogs, the alley cats
the rats trapped in a maze
we’re the immigrants that came to shore
and we are here to stay
the name of our enemy is fear and greed
it crawls beneath our skin
but music will always shine a light
from a single flame within

Chorus x2

Pourquoi s’assimiler à une catégorie de personnes
L’apogée du mimétisme quand le droit à la différence se prône
L’Homme siège, trône, bien haut sur l’absurdité
C’est l’esprit abasourdis que j’aspire à être compris
Comprends, qui veut, qui l’accepte et qui l’entends
Espérant de toujours plus recevoir plus d’enseignements
M’efforçant de réduire et ceci efficacement
Ces leçons pas comprises ou omises volontairement
Chaque être est unique, mais tellement se ressemble
Et c’est bien triste à dire, mais la connerie rassemble
Ne pas devenir aigri, en luttant contre la misanthropie
Aujourd’hui c’est aussi difficile que de connaître ses amis
Amis, sache que, l’époque veux que
On se tire dans les pattes en tout temps et en tous lieux
On cherche le bonheur et une vie toujours meilleure,
On cherche dans l’argent ce qui se trouve au fond des gens

Check their facebook: https://www.facebook.com/willtunandthewasters

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Featured band: Lachan

http://www.reverbnation.com/lachlanirishamericanfolkduo

Wow an Irish band based in Holland. I shall write more about them soon but have a listen to their reverberation link. I am sure you will find something that you like. There is definitely that unmistakable Dutch  flavour in their Irish music which makes it really interesting. It is hard to explain in writing you please have  a listen.

History
Marlies Janssens and Marc van Mulkom started Lachlan in November 2005. They were soon recognized for their own unique sound especially their rhythms that just pull you in. Within a very short period they were not only to be found in the Irish pub-circuit, but were also popular in all kinds of cafe’s and venues.

At the end of October 2009 Marc decided to leave Lachlan and Marlies was looking for a new colleague. It did not take very long and a few weeks later Wesley joined Lachlan. The partnership has already proven to be successful.

Lachlan is gaining popularity and appreciation in the Dutch folk world and you will have to hear them for yourself to fully appreciate their wonderful sound. Lachlan performs in pubs, clubs, cafe’s, parties and on festivals throughout the country. Check their schedule to see where you can catch them next!

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Flashback: Gaelic Storm – Titanic Set

We all know that Gaelic Storm earned international notoriety by appearing in the set of the movie Titanic.Remember that part where they do the Irish dance? Yeah that’s them. A blue ray DVD of the movie is going to be released soon. So watch out for this one. I love it when someone in the entertainment industry tips us about these things!

 

Tuned Up, Cobblestone Sam, DÁN,Brenda Wootton and Dom Duff

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Album review:Brendan Mulholland/ Brendan Hendry/Paul McSherry with Tuned Up!

Tuned Up is a project which lovers of traditional Irish music will love to collect. Energy, solid harmonies and top notch players in the trad scene are things that you will find here. From the start of track 1 (Reels: Fox in the town/In the tap room/The Belfast traveler) one can already say ‘ ah this is a trad album I have been looking for’. Big nod to Paul McSherry for kicking the tunes with his punchy guitar strumming that paves the way for all the wonderful tunes to come.

Plus points:

Liner notes. There is a comprehensive written by Kevin Crawford to introduce the trio. Kevin is known as the flute player and chatty man with Lúnasa. It is great to have his presence in this wonderful CD.

Tracks:

There are traditional and traditional sounding original compositions. There are ten tracks but there are divided into the following: reels, jigs, slow reels, air/hornpipe, waltz and polka. This is a great introduction to people who are trying to study traditional Irish music because of the description of the musical style in each track. Brendan’s flute playing really shines in track 7 with Air/hornpipe. Here you will really appreciate the round tunes produced by this wind instrument.

Sound quality:

I like spaces in between songs. They make the tracks breath and give you the time to get acquainted with the soul of the music. The sonic production is excellent. There is a balance of a really clean recording that reaches to the surface of the sound in each instrument. To cite an example, the warm fiddle sound of Brendan Hendry is captured really well in track 4(Slow reels/reels). There is that brightness in the instrument that calls to mind wood sprites dancing. There is also a good use of reverb in the midrange and it gives all tracks their natural warm sound.

Verdict:

They need to come up with another project like this one. There’s the undeniable chemistry between these three musicians and personally it was one of those satisfying and educational listening experience for me. Tune Up is the life of a party. Just crank it up and listeners will clap their hands and tap their feet.

Sound samples:

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Debut: Cobblestone Sam the musical

Cobblestone Sam the musical promotional poster

http://www.cobblestonesam.com/

https://www.facebook.com/pages/Cobblestone-sam-the-musical/128719787272930

New musical written by award winning singer/songwriter Dave Rooney and writer actor bill monks.
based on the life of a homeless temple bar character

Here is one musical even about an Irish unsung hero. This is a must see both for the music and for the story. I got to ask Dave about his involvement in the project and other important info:

“This musical started when I used to meet a homeless guy on the

street during my breaks on gigs in Temple Bar. He was homeless and we

got chatting. I only met him 4 or 5 times and we chat for about 15

minutes. He was in his eighties and he liked to reminisce. He told me

little bits about his life and and I listened with intrigue.

 

I didn’t see him for a few months and I asked some of the

homeless people where he was, and they said he passed away.

I was saddened by this and I decided to write a song about him.

and so was the birth of millionaire. This was to be the catalyst

for the whole project.”

About the production:  

“I hooked up with Bill Monks who is a writer/actor and we set

about putting his life in a story, an adaptation, based on limited

info about him, and how his life unfurled from our perspective.

I’d like to tour this musical in the states because it has an

Immigrant side to it. I feel it would be a draw for any of the diaspora.

I’ve written all the songs for the play. I did some re-recording and a bunch

of new songs all woven into the story line.

 

It’ll be held at the merchants arch in Temple Bar starting next

Monday September 10th,  and hopefully will be ongoing.

People are always asking (tourists) where they can meet real

Irish people and learn about real Irish life. I think this will

bring something real. It’s refreshing to be involved in something

new. I’ll be reaching a new audience and I think it’s a really good

angle to have the music exposed”.

Promotional videos:

Featured band: DÁN – making fine Irish music

I got a beautiful treat when I stumbled upon the tunes these musicians make. They are a trio called DÁN. The spare piano lines amidst the

DÁN – fine Irish music

traditional fiddling make them sound like no other. Groovy bass lines make that driving motion in the overall tranquility. I think I listened to them again and again because one time isn’t enough. And oh, they are from Germany. This isn’t the first time I featured German bands that make amazing Irish music. Check them out: http://www.myspace.com/fineirishmusic

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Flashback: Crowdy Crawn (Brenda Wootton) – No Song To Sing(1974)

http://www.cornwalls.co.uk/history/people/brenda_wooton.htm
http://www.brendawootton.com/

Here is one relaxing track uploaded via a vinyl recording(You can hear the nostalgic scratches) by the late Cornish folk singer Brenda Wooten. This is a duet performance with Rob Bartlett.

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Dom Duff: From Brittany to Manchester

Singer/songwriter Dom Duff has traveled a lot lately. There is a warm reception towards Breton music these days and It is because of musicians like him who continue to inspire the awareness of Breton music and culture.

Classical Celtic

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Featuring: Emma Kate Tobia, Sue Aston, Noel Duggan, Karnataka, Denez Prigent(with Lisa Gerrard) and Celtic Tenors.

My dearest subscribers, welcome. It is raining while I am writing this and the weather can really change the mood. So we are going to go on a ‘softer route’ with classically sounding Celtic tunes-well, mostly- some old songs and and interviews I picked up off youtube. Weekend is here and August is almost over. It is amazing to see how the musical career of friends are starting to take off. This is probably the only site where you can find really eclectic stuff. I mean think about it: punk, traditional and new age all in one edition plus other interesting trivia along the way. But like I said, today we are going to go a little bit soft. I warn you though he next edition is going to be ear pounding.

Happy Birthday Sue Aston

http://www.sueaston.com

The Cornish diva of the bow is celebrating her birthday today. It was perhaps about two years ago when I invited her for an interview article. This woman is really down to Earth, intelligent and passionate about her culture. What are better tunes to celebrate her birthday than this beautiful Cornish dance tune which she performed and also one of her tracks from Between Worlds. Check them out!

Cornish Dance “Mazey Dazey” Sue Aston/Tros An Treys

Taken from the album ‘Between Worlds’ by Sue Aston Filmed in Cornwall UK

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Emma Kate Tobia

http://www.emmakatetobia.com

One of the songs by Emma Kate Tobia that you don’t get to hear in youtube so I took time to upload it for your listening pleasure. Have you observed that there are songs in any album by any artist that don’t usually get to be a single yet that song sounds really good? Next time I will have to find someone who works in the record industry and ask how they get together to decide which songs in the album become singles. This is the 11th track off her album Aisling na nGael. I recommend it if you are into classical type of singing and lush orchestration. I was raised in Classical music so I really dig tunes such as this one. And yes, the Irish part came a bit later. When you merge the two influences , the result is always amazing.

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Noel Duggan of Clannad Speaks About the reason why they got together again.

I was watching the Clannad performance in LiveTrad a couple of days ago. If you haven’t yet, you better subscribe to LiveTrad because they bring only the best in Irish music to the world. Try to read my interview with the people behind LiveTrad here: http://celticmusicfan.com/2011/09/12/livetradstreaming-traditional-irish-music-to-the-worldinterview/

Now going back to the video, Noel Duggan says here that they never really disbanded but concentrated in their individual projects. I think taking the time off from your band to hone your own musical styles can be a refreshing and creative thing would you agree? I am just so glad one of the best Celtic bands in the world is back!

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Featured ensemble: Karnataka

 ttp://karnataka.org.uk/music.php

That is a link to the track samples off the Celtic group Karnataka. Think of them as Riverdance, meets Gaelic Storm. They make big sounds and their live shows are always grand. Check them out if you like your Celtic music grand, big and theatrical.

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Flashback: Denez Prigent – An Hini A Garan

http://www.denezprigent.com/

Denez Prigent is one of the artists who introduced me to the music of Brittany. His voice has that haunting quality of a pinched pipe and the moving power of Gregorian singing. The subtle orchestration really highlights the beautiful singing between him and Lisa Gerrard. This language is Breton.  What is more compelling is the translation I found in this channel:

In English: An hini a garan (‘The One I love’) The one I love, before, when we were little at home when we were so near to each other My heart was loving only one When I was little at home, the one I love. The one I love, I lost forever Gone far away and will never come back And this is what I sing for the one I love. The one I love one day left me For a far away land A land that I don’t know Lost, lost one day, the one love

Wow I think this is one of the songs you would like to listen to in your room after a break up with someone.

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Curiosity:Facebook Celtic Tenors

http://www.celtic-tenors.com/

Wow curiosity brought me to this site. Frankly it is interesting to listen to how The Celtic Tenors talk. I was able to interview Matthew Gilsenan way back and I really expected him to talk that way. Here is the interview I did: http://celticmusicfan.com/2012/03/03/exclusive-interviewmatthew-gilsenan-of-the-celtic-tenors/

The Celtic Tenors are  on tour in China. Yeah, it is closer to the Philippines 😀

Clanú: A Closer Listen (Interview with Dee McIlroy)

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Plus our picture of the day featuring Maura O’Connell and Flashback video from Equation!

Clanú: Dee McIlroy, Niall McIlroy, Damian McIlroy and Barry Skeffington.

Great Irish music comes pouring in with Clanú.

I have no doubt that this band is going to create more great albums in years to come. I think they are in the right track with their music. It is always inspiring to have a kind of music that not only lets you look back at traditions but also makes you FEEL inside.  Clanu is one of the finest examples how Irish music is flowering, taking other influences and spreading awareness to both national and international listeners. Thanks to cyberspace one can keep track of these things which would be impossible offline. The little article I did became an agreement with Dee McIlroy  (singer / guitarist/ producer) for an online interview which took sometime due to the band’s rigorous touring schedule. If  you are not aware yet, Dee(Dermot) runs a great company called  McIlroy Guitars http://www.mcilroyguitars.co.uk It was worth the wait because they are the featured band for this week.

http://www.myspace.com/clanu

https://www.facebook.com/clanumusic

..And Dee answers the questions:

 

How do you describe your band and what’s in store for your listener this summer?

Dee McIlroy talks to CMF about Clanú

Clanú is a combination of several members of two very different Irish bands, Outta Folkus who are the Folk / Bluegrass combo (usually a 3 piece) and Torann who are a young 5 piece playing Irish Trad. Both Outta Folkus and Torann are very busy playing in venues and festivals around the country. Outta Folkus average two or three gigs a week, while Torann can fit just as many into one weekend.

Torann have just finished a stint as the “3rd class passenger folk group” in the stage musical version of The Titanic.

They will be supporting bands such as Lunasa throughout the summer months.

Outta Folkus just returned from Switzerland after a series of gigs there and have already secured gigs there for 2013.

Because two members of Torann and one member of Outta Folkus are part of the same family (father and sons), the project to create something blending the two was something that we talked about many times. Hence Clanú was formed in 2010 and we set about writing the music for the album Ancient Walls which was completed in 2011.

What’s the recording process for Ancient Walls? 

Many of the tracks on the Ancient Walls album are original, either written specially for the album or selected from a back catalogue of unrecorded material. Most tracks had been chosen before we started but there were one or two which just seemed to need to be part of the project, “Slow Whiskey” is one example.

The core of the recordings were recorded over the course of a few sessions. We have recording studio at home, so that allowed us the freedom to experiment.

“Once I had the foundation of the recording, i.e. the main tune and instrumentation which was recorded live so to speak (all major parts playing together), I would then add the orchestral pieces, bass, pads etc at a later date. Some I would do myself and other pieces would be done by the other band members where necessary and then layered into the sound. So the rest of the production and mastering took six months to complete. With that in mind, I was conscious that we must be able to recreate the sound as much as possible when playing live. Because we are all multi-instrumentalists we can swap instruments to suit the individual track and we can indeed produce the album tracks exceptionally well.

Dee, What is it about Clanu that is unique from the rest of the bands cropping up these days within the musical culture?

Irish music: It’s a family thing.

There are few, if any, bands who manage to create a mix of old and new folk songs with the fast paced modern Trad that you see in the likes of Grada and Beoga. It’s like The Dubliners meet Lunasa with a bit of Planxty thrown in for good measure. The beauty of this is that we tend to please both camps. There are many people who think an evening of pure Irish Trad would be made even better with a spattering of songs, some new and some old favourites. That’s what we do.

Torann and Outta Folkus  came head to head with an event last 11th  of Aug, not as Clanú but individually, with all members, when they will appear at the 3rd International McIlroy Guitar gathering in Ballycastle, Co Antrim, N. Ireland.

Do you think there is a fierce competition within the Trad scene these days?

 There is little or no competition within the Trad scene other than when it’s an actual competition like the All Ireland Fleadh http://www.fleadhcheoil.ie/ .

There is a tradition within Irish music that you teach the music to the next generation and this keeps the culture alive. So it’s not a case of keeping your music to yourself but spreading it as far and wide as possible, even if that means that there is less work for musicians. But we don’t look at it that way, we simply try to be the best we can and maybe offer something a little different or special.

What are the bands that were supportive of your works(recording and getting the word out there) and what are the bands that have influenced you musically? 

There are certainly many bands and musicians who have influenced us over the years, such as Planxty, The Bothy Band, Boys of the Lough and more recently Gráda, Sharon Shannon, Beoga, the list goes on.

When it comes to support for getting albums recorded and distributed, while there may be a little arts funding for the few, the vast majority of musicians dig deep into their own pockets to produce their albums. I started my own label called Stubborn Ass Music. The idea was to make studio, production and mastering time available ourselves and friends (or friends of friends) who would not in any normal circumstances be able to afford to get an album to market. So far I have produced 5 albums (not all folk / trad), the latest was An Turas by the Glengormley school of traditional music, of which all the members of Clanú have taught at.

There was an incredible amount of work put into all these albums and all in our spare time as we’re not professional musicians. But hopefully the work put in is reflected in the quality of the Ancient Walls album as well as the others.

On performing live, what are the things artists should consider especially when it is a big crowd as opposed to intimate gatherings?

Clanú are a four piece band spanning two generations and the influences of each generation comes through in their music. From the fast paced modern Trad of Damian and Niall to the even faster contemporary folk and bluegrass sound (or greengrass as we call it) of Dee and Barry. With the wide range of instruments they play, they manage to produce a sound which enthrals crowds around the country and beyond. Add to this the song-writing and tune-writing capabilities that all the members possess and you have a unique yet familiar trad / folk sound that will have you dancing, singing or crying and sometimes all at the same time.

When performing in front of large crowds it’s more than likely that all the sound, lighting, running times, etc have all been arranged, so it’s best to just relax and enjoy. The main thing to remember is “Never turn up late”. You won’t make any friends with the organizers, crew or other musicians on the bill.

What’s your message to people who have just stumbled upon Clanu?  

I would say to all those who hear our music, I hope you enjoy it as mush as we did making it. Support live music by buying the CD, downloading it or streaming it on Spotify or similar. And please spread the word. We hope we can come play in your town sometime, wherever in the world you are.

And thank you Baxter for inviting us to take part in this questionnaire.

Dee, thank you so much for talking the time to talk to CMF and also for sharing your ideas  that will  benefit musicians of all genres. Friends, don’t forget to check out the music of Clanu and also get yourself a copy of their new album Ancient Walls.

Here are links to their videos:

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Our picture of the day:  Maura O’Connell

Maura O’Connell

She has a big Celtic voice that resonates through your soul. This picture tells us how this this Irish artist sees life and uses that  inspiration to heal our hearts.

http://www.mauraoconnell.com/

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Flashback: Equation from 1995

Yes this is Cara Dillon and gang in the age of grunge music and fashion. Who would have thought that years later individual members wouldlead successful solo careers…and continue to inspire us with their great music. It is great to look back and marvel at how Irish music has evolved and influenced the younger generation.

Cara Dillon and Seth Lakeman, two of the leading acts in the UK and Irish folk scene, were both formerly members of Equation, a folk supergroup signed to Warner label Blanco y Negro in 1995 by Geoff Travis. They recorded one album, Return To Me, which was shelved by the record company just before its release (but was released by Rough Trade Records after Travis bought the masters), but the lead single, He Loves Me, got a release in 1996 with a full promotional video. The video became available on Ebay recently and with a stroke of luck I had the winning bid. Here it is in all its glory. Seth appears to be a bit of a spare part, but Cara is glowing in all her youth and mid nineties fashion! Enjoy…

Celtic Punk, Wooden Flute, Northumbrian Pipes and Irish Inspired Prints.

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Stephen Ducke on wooden flute

Play it again Stephen!

I featured an e book about learning how to play the tin whistle by Stephen Ducke. I told you how amazing that book is. It has 430 MB of files containing music, texts and illustrations will be enough to give you all that you need to get you started. Well, this guy doesn’t just teach one instrument. He teaches a LOT of instruments including the wooden flute. He makes amazing music too. Just take a listen to his myspace page and it will give you a good impression if not tell you EVERYTHING you need to know about Irish maestro Stephen Ducke. He now lives in France. He also runs www.tradschool.com which I posted here from my previous article but didn’t realize who the man behind the site is.

http://www.myspace.com/stephenducke

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Featured band: Greenland Whalefishers

If you think Norway is just about melancholic Scandinavian music then you are wrong. The Greenland Whalefishers not just ruins the stereotypes, they also bring a kick…yeah more like a kick in the eye with their brand of Irish music or Paddy

Greenland Whalefishers

rock. Whoa! And check this out, this guys have been on the road for 16 years! They love what they do, they don’t apologize for the awesome music and they are performing live in the Czech Republic this week. Yes get your socks rocked with the Greenland Whalefishers!

http://www.myspace.com/greenlandwhalefishers

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Featured MP3s: Will Tun and the Wasters.

Will Tun and the Wasters

Don’t let their wacky pictures and band bio fool you. These guys are SERIOUS about their music. I was impressed by the amount of craft they put on every recordings. They are Will Tun and the Wasters, a young, fiery and energetic 7 piece folk punk-ska band from Reading, England.
They occasionally add in a bit of gypsy to their song repertoire as well as collaborating with a French Rapper called MC Amalgam!
These 3 tracks  are from our latest release “Time is a Bastard”.

http://www.reverbnation.com/venue/318780#!/willtunandthewasters

https://www.facebook.com/willtunandthewasters

They have an interesting bio:

Deep in the winter of ’09 a lonely group of introspective alcoholics (AKA The Wasters) who were sick of having nothing to show for their drinking, decided to legitimise their actions by forming a band. Naturally this was to be a folk-punk band. One fateful night at a party after a few, the ebbullient Burmese violin/guitar maestro Will Tun steps on to the scene and a union is formed. The only trouble is he doesn’t know how to drink and he likes coldplay. Thus begins the fusion of two opposing worlds into the weird, smorgas board band dynamic of Will Tun and the Wasters. The Wasters learn to play music properly (kind of), Will Tun learns about punk rock and cider and somewhere in that process some songs got written.

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Featured Video:Kathryn Tickell – ‘Lads of Alnwick’

Kathryn Tickell and band (Peter Tickell – fiddles, Joss Clapp – guitars, Julian Sutton – melodeon). Song taken from a live set recorded at The Zodiac, Oxford. 8th September 2004

Prior to hearing her through The Sky Didn’t Fall with Corrina Hewat, I already posted a video about her. But you don’t really get to know an artist’s music unless you listen to an entire album. The northumbrian smallpipes are really great to hear and no one plays it like the way she does.

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Today in pictures: Eva McCauley

Have you seen the works of Eva McCauley before? If you haven’t check them out. Intense stuff. She is a painter and print artist. Well, it was a surprise to know that he is also the mother of famous bodhran player Jacob McCauley.  I never realized Jacob has an awesome mom! Eva is the Founder & Director of Riverside Celtic College,  in Guelph, Ontario. These images are about her latest exhibit.

Eva McCauley: Painter and print artist.

More of her artworks can be found in her official site: http://www.evamccauley.com