Irish

Thoughts and Music this Christmas

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Still with Allison Crowe… About the song: Canadian poet, singer-songwriter, sailor and islander Andy Vine (http://www.andyvine.com) composed this song in the late 1970s. While music-making in St. John’s, Newfoundland he discovered “Woman of Labrador”, the remarkable autobiography of Elizabeth Goudie. Of Inuit, Indian, French and English roots, Goudie (née Blake) was born in 1902 in Mud Lake, Labrador. At 18 she’d wed a trapper, raising their eight+ children in the brush – her memoirs recounting life and travails and dwellings from a trapper’s “tilt”, and log cabins to a Summer lake-shore fishing house and beyond – all that comes with and from such a pioneering existence in territory that encompassed family homes in Mud Lake, North West River and Happy Valley-Goose Bay To read the complete description, go the You Tube link: http://youtu.be/uYBp3ooX-2Q

About the song:  From Corner Brooker Allison Crowe’s album, “Newfoundland Vinyl II”, comes this stirring song of a shipwreck and brave rescue efforts that occurred on November 29, 1875. To read the complete description, go to the You Tube link: http://youtu.be/LEM9DIRAGyk After listening to Souling and The Newfoundland Vinyl !! repeatedly, I notice something I never mentioned in my last article. Allison Crowe has a strong and distinctive voice. Singer/songwriters or musical artists who play their own instruments have always been associated with having soft singing voices. There are those who do have powerful voices but this is rare. Feel free to correct me but this is my observation. I think it comes with the fact that singing while playing an instrument is hard. You got to pick at least one instrument to channel your skills and emotions. Pop divas have their voices as their primary instrument. And for instrumentalists who don’t sing, they channel their power to that instrument they are using. But to master both is a challenge-I think. I have tried performing before and it is really hard to channel intense emotions when you are strumming a guitar. It feels awkward. When you belt out a tune, you do it easily when you are just holding a mic. And this is what I have noticed in Allison Crowe’s singing. She sings like a pop/rock vocalist but she is also that woman with the guitar. But he is certainly not Suzanne Vega or Judy Collins. She’s more like the late Nina Simone with bit of Natalie Merchant.

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Holiday albums I listen to year after year.
 
The list of Holiday albums I listen to change year after year depending if there are artists who are able to squeeze into my top 5. This usually happens upon new releases. But here are the albums that made it to my holiday list which I will be listening to next year.
  1. Loreena McKennitt- Midwinter’s Night Dream: This Canadian artist never fail to dazzle me with her amazing voice and marketing smarts. What is Christmas without the elfin appeal of McKennitt’s music?
  2. Enya-And Winter Came: Every year I listen to this because her arrangements bring down the snow. I won’t say more but perhaps you know what I mean.
  3. Moya Brennan-An Irish Christmas: After her US tour, she will be performing a Christmas special in Ireland. The first lady of Celtic music continues to dazzle.
  4. Souling-Allison Crowe: Yes she made it to my top 5 and I know I will be playing this album next holiday season.
  5. Together at Chritmas-Various artist: I want to thank Anita Daly for giving me this sampler as there are many amazing Celtic artists out there worth discovering.

*** Martin Tourish and how Celtic music continues to inspire me. I sometimes get asked, how I am able to keep up my passion for blogging . Especially that it’s been years since I started this baby? The answer is simple. Music. When I hear something that I like , that tune inspired me to write something about it. It is like discovering a beautiful plant that you just want to take care of it because seeing it bloom give you much pleasure.1458141506_bb96e77eb0 Of course it’s been obvious that I also like other types of music. And this liking for other styles of music made me marvel at the beauty of Celtic music. Because it remains different and ‘not mainstream.’ We all have our degree of elitism and this is my little elitist guilt ….and well, let’s face it, you don’t want to be part of the herd right? You gotta find your niche and hone your creativity around it. For me the sound of uilleann pipes, harp and other Celtic instruments inspire me. I love hearing them and also the comments that I get from people when they say that my music is something they could not find anywhere and that when they hear it they are soothed. So let me give you a taste of this wonderful playlist by the very talented Martin Tourish. This is presented by Trad Connect, the leading site for lovers of traditional Irish music. http://www.martintourishmusic.com

My Christmas thoughts. Warning it’s a little bit personal. 
Never be afraid to be vulnerable. I read that via Flipboard this week. I must confess, one of my fears to bare my weakness for anyone to say. And so I hid behind the guise of a blogger who just wants to post updates and ‘new stuff.’ Of course the ‘enterprise’ can be about that and building a brand. But that’s way behind me now. What I just want to do is to share music, and my thoughts about music. And perhaps a bit of my ‘voice.’
I know everyone has his or her own holiday plans. It could probably involve visiting relatives or holding a party. Mine is receiving relatives, playing Yuletide tune, completing a book by Anne Rice about werewolves of mid-winter and watching great movies. My aunt who raised me to become who I am today passed away last May 16, 2013. So it’s the second Christmas without her. I have to tell you, it is not an easy thing to go through year after year. But she also raised me to be strong and despite the pain I might be feeling inside, the ‘show must go on.’ There are moments of crippling pain especially when I am alone. There are moments when I feel I lave lost my relevance. I feel that she took the meaning out of existence with her, when she went away. As if living is a just a task I have to do because there is nothing else to do but to endure and to live for others.
I want to thank everyone who followed this blog through the years since its first launch in 2009. So may things happened. Amazing and tragic things. I met amazing people through this blog. And I know nothing lasts forever. We don’t have inexhaustible source of energy. Who knows one day I might stop writing simply because I could no longer go on. Perhaps because I have moved on to another venture. But I just want to say that this is my baby. I nurtured it, poured my love and sometimes pain to it. And I tell you, there is one thing that makes life beautiful and that is the feeling of being connected. That we are all part of a bigger picture, whatever that is. That we are not alone. No one is insignificant.
For my late aunt:
To my late aunt whom I call mama. You were the meaning of my life. And when all the stars fade and I have given all I have to give to life, your smiling face will be the last thing I will see…your voice , the last thing I will remember. And the universe will go on.
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Coming up…
I will be posting a review of North Star by Kyle Carey

A fantastic essay from Fraser Fifield and more updates.

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Here is an interesting update that musician Fraser Fifield posted on his Facebook page. I thought that it would be great to share this post for everyone (with his permission of course) to read. And yes he gave his approval:

“A jig with no melody per se, perhaps.a wee pre referendum musing, feeling pensive at the time I think, but optimistic, stupidly. audio a bit a low side, but you can just turn it up, a fair bit. hope you like. it’s optimistic with a hint of certainty of getting done in and overtones of despair. ”

http:www.fraserfifield.com for more

My newsletter, to show unsubscribers just what they’re missing out on…

Welcome. Enough has happened in the life of this freelance musician, I feel, to warrant sharing an update for any vaguely interested, muse upon an existence which is pretty varied if not opulent, recount some highs and lows of the past year and so draw a line in the sand.

Then step over it and into the future. 2015 looks interesting, but first a non-chronological look at some of what was has been so far, 2014.

(Why? Because I like my work to remain current and vaguely in people’s consciousness at times, it’s healthy given my job, plus there’s good music involved which I’m genuinely happy to advertise).10387424_790070994388029_5241127912082493114_n

I’m happy to have contributed to a variety of nice recordings. Still unreleased, but soon to be, are 2 lovely records by Inge Thomson ‘Da Fishing Hands’ and Sophie Ramsay’s 2nd solo album, respectively. Already filtering through to discerning ears are records by Patsy Reid ‘The Brightest Path’ and Jim Sutherland aka Struileag aka Children of Smoke and one by me and Graeme Stephen lest I forget – Esotero, released this time last year, and still flying off the shelves. And there’s an unmixed record by David Milligan, Graeme Stephen and I, resting on a hard disk for some months now, quite happy, look forward to share that in due course.

A pleasure to play alongside and learn from (and travel, rehearse, eat, drink etc) Angus Lyon/Duncan Lyall Band, Gavin Marwick’s Band, Corrina Hewat’s Band, Graeme Stephen, Dave Milligan, Mr McFalls Chamber, Red Note Ensemble, Allan MacDonald’s ‘Bruce 700′, Big Big Sing, Jerry Donahue and crew, and all others..Thank you all, very much.

And the Eurovision song, for Montenegro, glorious, I didn’t see that one coming. Thanks Slobodan. A lovely song too… No, no I didn’t appear in the final, just the singer and a rollerskater did. I didn’t even leave my own flat…been doing a few bits of remote recording this year – just last week on a cover of You Shook Me All Night Long by AC/DC for a musician in USA. And also last week, in another studio right enough, a kind of sultry Marilyn Monroe version of the Proclaimers’ 500 Miles kind of gobsmacked me momentarily, but I regained composure and pitched in with everything I could blow or squeeze no problemo. They won’t mind me mentioning, it’s not meant for folks like you.

My week in Gavoi, Sardinia, in June, courtesy of the British Council, collaborating and making friends with fellow European musicians, was a small sunny highlight and felt perhaps like something of a holiday whilst being allowed to pursue an interest in making experimental music, without guilt. I’m not an experienced holiday-maker, some would argue a professional one, but they don’t know.

Sad news came regarding the untimely passing of Georgi Petrov this year. He’s missed. A virtuoso player of the Gadulka, he kindly played along with Nedyalko on my 2008 record Traces of Thrace. His warmth of character, stories, good company and the music which resulted was loved by all who knew him.

The musical year started with a chance to play on a couple of songs with Capercaillie on their 30th anniversary gig in the Glasgow Concert Hall. Having gone through teenage years listening to them a part of me felt a tiny bit fraudulent being on stage.. For the 15 mins on the night and only a day or two of anticipation beforehand in typical, loveable, Shaw style, this was really exciting. Later in the year if I hadn’t missed his call I could have got to play my whistle with Kylie Minogue.

The musical year actually started bang on the 1st with Graeme and I playing our part in Lau-Land Edinburgh, which was perfect, my guitarist colleague almost managed to sleep in, but didn’t.

What else…became increasingly politically charged re the Scottish referendum for a while, insulted quite a few people with contrasting views probably, got crushed, returned to normal.

The Martyn Bennett Prize for composition happened for the 2nd year in Edinburgh. This time I had the job of trying to play the finalist’s pieces along with 4 other musicians – fun and challenging. The standard was great but I would urge more composers to have a go – it’s restricted to Scottish based composers (I think) but that’s pretty much the only restriction. It’s got a 1st and 2nd prize of 2 and 1k respectively. It’s a kind of high-brow X factor, not to be taken overly seriously as competitions shouldn’t, but an event that can help motivate new ways to integrate elements of our traditional music in composed music. Fingers crossed it’ll run next year.

Now, looking over that line and beyond the approaching festival of consumerism, is Celtic Connections Festival 2015 and my pal Greg Lawson’s work to arrange Martyn Bennett’s great last album, Grit, for a large bespoke acoustic ensemble. As you do. To be performed in the festival’s opening concert, January 15th. All being well it will (must surely) be quite epic I imagine.

Inge Thomson’s Da Fishing Hands – Celtic Connections 23rd January, Glasgow. Inge and I are also beginning to play as a duo which I’m chuffed about. More info about this soon. But the Celtic Connections gig is a 5 piece and will surely be lovely. The 1st gig of this collection of music/song, on the tiny island of Fair Isle, May 2014, was one of my favourites. Inge and I also play Dec 12th in Kilbarchan, nr Glasgow.

A great opportunity has come along for me to join the tabla maestro Zakir Hussein’s ‘Pulses of the World’ project which will tour in Dubai and India at the beginning of February and in the USA in March. With Rakesh Chaurasia and Jean-Michel Viellon on flutes… shelves of my CD collection just came to life. Not that often I can reel off a tour list like this, so I’ll take this opportunity to:

13th March – Pabst Theater, Milwaulkee
14th March – Purdue University, Fort Wayne IN
15th March – Cullen Theater, Houston TX
17th March – Lisner Auditorium, Washington DC
20th March – Moore Theatre, Seattle
21st March – Chan Centre, Vancouver BC
22nd March – Boulder Centre, Boulder CO
27th March – Painted Bride Arts Centre, Philadelphia
28th March – Carnegie Hall, New York
29th March – Somerville Theater, Boston MA
31st March – Rio Theater, Santa Cruz CA
2nd April – Jazz Centre, San Francisco, CA
3rd April – Jazz Centre, San Francisco, CA

Audiences in the Scottish Highlands (mostly) will get a chance to hear my collaboration with Red Note Ensemble and Kuljit Bhamra (tabla) at the beginning of March. It was nice to meet and try some material out at the recent Sound Festival in Aberdeenshire. The Highland dates will be posted in due course.

I’ll leave it there, just before I begin to tell of a big bit of news, good news, which I had to read a few times when it arrived the other day. But that perhaps would turn this simple newsletter into something else, a short story at the least so, back soon on that.

Nice to write to you. Nothing to sell you directly but perhaps some CDs for Christmas presents, always an option, always a tenner.

Any correspondence always welcome.

All the best,

Fraser

 

www.fraserfifield.com

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ATHY “The Electric Harper”

Athy from Latin America.He’s got style, he’s got the funk. He plays the harp like no other. Mix the Spanish soul with Irish tradition and you get Athy Electric harper. He is passionate in propagating the harp as popular instrument and not confined inside the doors of classical standards. I made an interview with him before and he is down to earth and filled with a great sense of humour. It is good to see how his fans are multiplying year after year. He has toured around the world ad have performed with the greats in the world of traditional and contemporary music.He is embraced by fans of Jazz, World, Classical and Folk. Irish musicians hold him in high regard and well, hearing his recordings myself made me a fan!

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Moya Brennan and Cormac De Barra – Sailing

For those who missed this track the day it came out, here it is. So lovely! Enjoy your weeks ahead friends.

 

Celtic Tenors and Other Good Music!

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THE CELTIC TENORS announce their US Christmas tour!

Feels Like Home is still going strong in my list of last year’s awesome albums! I still love to play it in the morning and I adore their version of Going Home originally composed and performed by Mary Fahl for the movie Gods and Generals. These tenors have voices that can sooth your heart and refresh your weary mind. I also love it when they start harmonising , raising their voices as if imploring the heavens to come down to us, for only then shall the impossible be made possible and all dreams will come true.celtictenors-christmas_5_small

I looking forward to play their holiday album, Christmas this December as I am in the mood for something classical with a pop flavour. And they are really good at it, as they jump seamlessly between genres. I still read the interview I did with Matthew Gilsenan way back and I like how he provides insights into the current state of music in this category. If you haven’t yet please do and leave comments.

They are coming to the US to perform their best tunes plus holiday songs. Here’s a link to Irish Central regarding their upcoming tour: http://www.irishcentral.com/news/irishvoice/Good-tidings-from-the-Celtic-Tenors-VIDEOS.html#

As usual my big thanks to Anita Daly for keeping me informed about these things!

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launch_banner
John Breen “Origins” Album – New Single Pre-Sale
My Irish pal, the singer/songwriter John Breen will be releasing a new album soon. I am excited about it as I already reviewed his last album Old Men in Hats and I admire the arrangements and exciting twists he adds to traditional tracks. His deep mellow voice is addicting and I know you won’t be disappointed when you get a copy of any of this albums. The new album is called Origins. Beautiful title eh? Here’s a sampler of the album. Ok hold your horses Irish music lovers!

Here’s the info: Single pre-sale from the new album “Origins” by John Breen, begins 12/12/2014 at iTunes. For more information or to sign up to be notified of the pre-sale, please visit http://www.johnbreenmusic.com
Video music is an excerpt from the new album. © 2014 Emphasis Records

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Enda Seery Soundcloud. Fantastic tunes uploaded for trad ears!

Now I don’t know when will  be the the follow up the last album
Síocháin Na Tuaithe: Peace of the Countryside
because I am constantly looking forward to Enda Seery’s new recordings. I have been listening to this playlist at work and they are great in relieving stress. But of course you do know traditional Irish music is not just about THAT. It’s about celebrating the Irish culture that touches the heart and mind.

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I made this blog at 3 pm. Now it is almost 4 and I am chilling’ out in the garden after. Please stay strong and beautiful music lovers! Talk to you soon.

Shotgun Down The Avalanche by Cara Dillon from the New Album “A Thousand Hearts”

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This was posted last April 30. This was supposed to be a blog but I noticed it was part of the ‘menu’ section above. I took it down and placed it here for everyone to see:

Folk diva Cara Dillon is making rounds all over the UK to promote her new album A Thousand Hearts. I already sent the interview questions to her publicist Ali and I am just waiting for the results. It is amazing to finally be able to ask her directly everything related to her musical career. Big thanks to my friend Paula for watching her concert and getting me the spot to do an interview. Here is one of the songs from that album and it’s called Shotgun Down the Avalanche.

It is a fantastic folk ballad featuring Sam Lakeman’s acoustic guitar (joined by equally amazing musicians). Her voice always awakens something in me. It is a beautiful voice that sounds like it’s coming from the pipes of a sad angel.

Buy the new album here: http://www.caradillon.co.uk/albums/thousand-hearts-1

Two Available tracks from Wish by Poitin, via Soundcloud.

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Yes you heard it right. The new album Wish by Poitin is finished. The main reason to rejoice.

Just when the thought the seas have calmed, Poitin brings out a new album called Wish. I am not sure about the details of the album yet, but I know the band have worked in recording tracks around Autumn last year. They uploaded two track via soundcloud: The Broomfield Wager and Toffee Jigs. The former is a vocal track showcasing the versatility of Jeremy King’s voice. It is also an acoustic and bodhran driven song. The latter is an instrumental collection of traditional tunes.

Like I said, I have not listened to the whole album yet, but I can tell this is something new. The poitin flavor is still there. But there is that slick and superb texture that I noticed in these two tracks. It is easy to judge that the album will sound this way. And this is an exciting release!

The album will be available everywhere and I will tell you more about it in my future post about the guys of Poitin.