Siltation: A Forthcoming Novel by Darren Lynch

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I admit the character I had in mind was different from the book cover that is part of the promo prior to the book release which is November 10. I am talking about the story called Siltation by Irish musician/writer Darren Lynch.  Somehow I see Bamm Bamm as a little bit on the round side-not heavy but somehow mesomorphic with few traces of fat.  More like Liam Cunningham when he was in his early 30s.

The main character is Bamm Bamm Doyle whose real name is Joseph Anthony Doyle.

I was christened Joseph Anthony Doyle, but as a
child, the mother used to call me ‘Bamm-Bamm’, after
the character in the Flintstones cartoon, I think. Think it
might have been Barney Rubble’s kid, or a pet dinosaur
in it. It was just as a bit of a nickname and a slag, but it
soon stuck, and friends and neighbours knew me as
Bamm-Bamm Doyle.

Bamm Damm is a Dubliner who is suffering from bouts of depression and alcoholism. He often gets into trouble with the neighbors but he strikes me as someone you can get along with if you don’t rub him the wrong side-and as long as he gets his daily dose of drink. He carries a tin whistle and enjoys the craic and good old Irish music. He also keeps a poster of Bobby Sands on his bedroom wall.

What’s really interesting bout Siltation is that Darren Lynch has painted an accurate representation of a life on the edge of the cracks. The perfect candidate of that part of the society that’s marginalized by poverty and mental sickness. “I wanted to show a certain type of person in society that people chose not to see, but lives under the radar.. ” The Man You don’t Meet Every Day was  the initial title according to the author.

I didn’t know what to expect from the kind of language the book has, upon the first few pages. It is spoken through the mind of the character-the first person storytelling. There’s a lot of local expressions. Two pages and I am engaged. This is very Irish. The cadence of the prose sounds like music when you read it aloud but that’s just in my opinion. People read book for the story I guess. Me for both:story and style of writing.

I learned new slangs along the way like for example:gaff:house and looper:crazy.

It has raises a lot of powerful feelings to those who read it. I feel it is timely, with all the things going on over there…the tanking economy..the wounded pride of the Irish. Read up to the end and if it doesn’t make you feel something then you are an android logo.

If you check out the right side of this blog you see there the advert and the release date which is November 10. Please like the fb page of Siltation and let us help Irish writers get their works out there. Yes by the Irish and for the Irish.

Siltation by Darren Lynch

Skipper’s Alley Self-Titled EP

Skipper's Alley

The Band Members are:

John Flynn – Vocals, Guitar, Flute

Eoghan Ó Ceannabháin – Vocals, Flute, Concertina

Cathal Caulfield – Fiddle, Viola

Paddy Cummins – Banjo, Mandola

Fionnán Mac Gabhann – Uilleann Pipes, Tin Whistle

Eilís Lavelle – Harp

Cian Ó Ceallaigh – Bodhrán

Something exciting is happening in the trad/folk scene when these seven members of  Skipper’s Alley released their self-titled EP this year. The EP has four tracks all possessing diverse arrangement yet cohesive in a sense that you know it is their sound.  Ta Me Mo Shuidhe brings back the glory of Skara Brae and The Bothy Band. Rockin’ the Boat jumps at you with its grace as precision. Jim Coleman’s is another charmer  with its awesome break between explosive choruses of trad instrument and the quieter uilleann pipes/fiddle ‘talk’ in between.

Wild Bill Jones is is a poignant ballad with beautiful vocals by John Flynn and Eoghan Ó Ceannabháin singing vocal harmony. I admire the play of shadows between the quiet and the rousing use of instruments. There is a current that runs through all the four tracks representing the band’s youth and excitement for playing music. There is also something magical about Skipper’s Alley as a band. You can sense it in the first track with that sparkling harp intro. You can feel the affection of their music wrapping around you in the sound of the uilleann pipes. The banjo gives their sound a kind of organic feel. The fiddle adds that skipping energy especially during jigs and reels. I like the otherworldly rhythm of the bodhrán, an instrument that is both modern and ancient. All instruments are recorded with that lush approach in this EP

These amazing young musicians made a great start with this this music. It is something that traditional or non traditional fans will really enjoy. There is that rock n roll energy on top of their folk beauty. Have a pint, enjoy the tunes and feel the love of music!

Buy the EP here: http://www.skippersalley.ie/store.htm

The Rattling Kind: Rise Up EP

The Rattling Kind

Catchy, energetic and profound. These are the things that come to mind when listening to The Rattling Kind.

Album: Rise Up EP

Band members:

Eddie Sherlock: Lead Vocals and Rhythm Guitar
Tom Forde: Bass and Vocals
Ben McGinn: Lead Guitar and Vocals
Anthony White: Drums and Percussion

Genre: Indie/Folk/Rock

Sounds like: REM with a banjo.

The Rattling Kind are an exciting band with a fresh approach to Irish music that’s emerging from the  Northside of Dublin. If you play the title track Rise Up the first time this is what you will notice: A gradual build up of instruments, from the gentle percussion, a single guitar note that seems to wink at you, and then the swaggering banjo plucking that introduces the voice of Eddie Sherlock: Michael Stipe with a “Dublin howl.” Mainstream listeners would probably mistake The Rattling Kind as REM with a banjo, mandolin and other assorted mix of Irish instruments but the five tracks off the EP Rise Up will confirm that they have an original sound and musicianship that should be taken seriously.

I think The Rattling Kind have this exciting and melodic sound embedded all throughout their songs: A really fresh approach to Irish music! Another thing I noticed is that they can rock the house down without being noisy. There is that strong affinity to folk that is intimate and warm. Tracks like The Mero has this Simon and Garfunkel feel in the midst of the Dubliners’ marching energy.

The lyrics tackle topics ranging from economic, political to other aspects pertaining to the human condition. Rise Up actually touches the current situation happening not just in Ireland but the rest of the world; especially the economic instability that triggers the rise of immigration.

Rise Up is also a catchy EP. For instance Follow the Moon has this signature ‘woooh!’ stamped at the end of each verse that makes me do the same thing. But in spite of the positive and playful vibe, there is one poignant track that closes Rise Up and it’s called No Time To Say Goodbye and this is embellished by the beautiful sound of the tin whistle.

With Rise Up, I think The Rattling Kind will attract fans of diverse music, especially those who are into the combination of alternative rock, pop and Irish folk.

Trivia: According to Eddie Sherlock, the Mero is their take on an old Dubliners classic, written by Pete St John (the man who wrote the Fields of Athenry).

Links –
https://www.facebook.com/pages/The-Rattling-Kind
https://soundcloud.com/#the-rattling-kind
http://breakingtunes.com/therattlingkind
http://www.reverbnation.com/therattlingkind
http://youtu.be/_PanCzrCRJc
http://chewyourownfat.com/near-fm-label-sampler/
http://reviews.ticketmaster.ie/7171-en_ie/1722346/the-rattling-kind-reviews/reviews.htm

Will Tun and the Wasters & MC Amalgam – Raggamuffin MC

 

Will Tun and Aymeric Amalgam

This week, we are moving a bit away from the traditional /New Age flavor of this page to give way to a more pop rock oriented series of articles. It is after all summer is most parts of the world where most of my readers are. Live bands are playing in festivals and there are new releases from artists which will be featured here. You wont be disappointed that’s for sure!

I was totally stoked when these guys handed me their finished EP sometime ago. It is exciting to represent a young band that’s full of energy and looking good onstage. I think the onstage getups really represent their punk and zany musical personas. Who needs Prozac when you have Will Tun and the Wasters?

Hey Baxter! Hope you’re having a good summer! Thought you might be interested in the knowing the Wasters got a new tune out with our French rapper Mc Amalgam.. It’s a little far from the our pogues inspired roots, but what the hey… it’s summer and we were in the mood for some upbeat ska :)-Will Tun

The music video for Raggamuffin MC really say a lot about the spirit of summer in the vein of Irish music meets Rasta spirit. This track is going to be included in their new album ‘Unite and Charge’, release date TBA. I think they got what it takes to really court mainstream audience and play in big venues. Just help spread the music, blog about these guys and their fame will spread like virus. Oh and French rapper MC Amalgam really convinced me to listen to rap. Check him out and his solo work that, although not really Celtic but really fit the format if my other blog Sphere Music.

Additional info:

Taken from the upcoming release
To pre order/pledge go to http://www.pledgemusic.com/willtunand…

http://www.facebook.com/willtunandthe…
http://www.facebook.com/mcamalgam

Lyrics:

You’ve got nothing to say, from your writing it’s really perspiring
Is that only in your lyrics or does it extend toward you days?
You’ve got nothing to say in your rap so you’re only blabbering
Even though you should shut up you make 16 bars from dust
You speak into the void and even do it shamelessly
I almost got vertigo facing the emptiness that you just left
You even pretend to be giving a message
You’ve got nothing to say so you speak about a life that you fantasise
You’ve got nothing to say so you speak about the girls you pulled
Of the size of your penis and other lies you imagined
You’ve got nothing to say and what’s worse is that nobody’s forcing you to
You’ll always find an audience despite the lyrics that you have
You’ve got nothing to say so you speak about what you call batty boys
Of your LACOSTE tracksuits and the JD that you’re drinking
You’ve got nothing to say so you big-up, big up a lot
You’ve got nothing to say so you became Mc Jungle Ragga
—————————————-­—————————————-­—

Recorded at Downtown Digital Studios
Produced, engineered and mixed by Patch Harmonix
http://www.facebook.com/downtowndigit…

Video By EGOLIFE Productions
http://www.facebook.com/egolifeproduc…

Huzzah!

In keeping with the tradition of summer here are festivals you might want to check out:

Band Members Explain the Eclecticism Behind La Única(Interview)

 Neil Reedy and Brian Falkowski at Flanagans Harp and Fiddle.  photo courtesy of Mike Landsman

Neil Reedy and Brian Falkowski at Flanagans Harp and Fiddle. photo courtesy of Mike Landsman

I was lucky to catch up with Neil Reedy of La Única (\lä, oo’-nee-kä\) who submitted the responses of five band members. Based out of Washington, DC, the band is representing the beautiful blend of Irish and Latin music. They are in the middle of promoting their self- titled album. Members of the band give us a close look at what makes  La Única unique, exciting and definitely worth checking out.

1. With the release of your self-titled album, what are you expecting in terms of the listener’s reaction to this project?
La Única: We’re hoping our listeners, upon hearing our songs, will begin to … well, we’re not sure how to answer this question that doesn’t end up in ownership of a private island.  But the most common response we get from people who have just heard our music is, “Wow, at first I didn’t get it, but it really works.”  We expect similar reactions of surprise and embrace.  But overall, we hope our listeners listen with an open mind and discover our new, fun sound.
    2. There are five core members and a total of nine musicians who worked on the tracks. How was the recording experience so far?
We are very lucky to be located in the Washington, DC area where each of us has played with phenomenal musicians from very different backgrounds, and we love having them join us occasionally for gigs to add a nice, fat sound.  The recording itself was a beast! The album was completely independently produced and funded. We even had a situation in which one of us temporarily lived in Miami and had to commute for recording sessions! We looked at the project from a standpoint of first recording the ideas and thought of the 5 core members and then conspiring with these additional musicians to add elements that add value to the complete vision of the album as a whole.  But thanks in no small part to our bass player, who produced the entire album — including all those strange scheduling challenges — we were able to put out a great product.

La Unica at National Cherry Blossom Festival.

National Cherry Blossom Festival.

    3. The Spanish and Irish connection really work! Tell me about the musical connection of Ireland to Spain.
Our Venezuelan lead singer knew about the Irish migration to Argentina, and taught the rest of us about Celtic regions of nations not named Ireland that have their own, distinct Celtic culture like Galicia in Spain, Brittany in France to name a few.  He also turned us onto some artists doing this, notably Gaelica (based out of Venezuela), Salsa Celtica, a few Ruben Blades songs and the Chieftains tried something similar on their San Patricio album. As a shout out to all of these guys, our live shows include two Gaelica covers and one from the San Patricio album.  Musically, you can hear when the traditional Irish rhythms contain roots in the fundamental rhythms that are shared by many styles of music. 3/4 and 6/8 rhythms are understood by the Latin side of our band and that is where the fusing of styles begins.  Then we add styles we’ve acquired from our various experiences and you have La Unica.
    4. Contigo O Sin Ti (With Or Without You) is a pleasant surprise. Tell me about the decision to record this track.

La Única : Pure energy.

La Única : Pure energy.

Our bass player is partial to U2’s guitar player, The Edge.  We brought in “With or Without You,” which–I guess you can say–is “Irish,” but more to demonstrate that we can apply our style to popular music as well.  We want to show that our style doesn’t just have to be so eclectic that only a few people “get it”—in fact, at our live shows, we get great crowd responses from cover songs of popular music that we’ve “La Unicized.” With or Without You has a nice chord structure, a pleasing melody throughout, and a climax (which is interpreted here as a salsa). Bachata throughout is a very dance friendly feel, and goes perfect with the violin and tin whistle.  Hopefully, people may come across our version when looking for U2’s With or Without You and perhaps be interested in checking out more of our stuff.
    5. All of the tracks I’ve heard are amazing. How do you work on polishing  and making them sound the way we hear them now.
The musicianship of our members is really impressive both in terms of technical ability as well as creativity.  We see examples of it all the time at our rehearsals when we come up with more and more ideas for songs we’ve played a lot (and we get incredibly frustrated when we forget to press record!). It stems from persistent practice, and playing many shows live. Sometimes new ideas sprout up even a year after a song is technically completed. Those ideas are then incorporated in the recording process, and additional elements are discussed and our bass player executed those ideas with supreme production skills. He added elements to these tracks that really make them a pleasure to listen to like the short hip hop beat in Dame Sabor, the ambient sounds in Silver Spear, and the background voices in Walk.
    6. Where can listeners purchase the album?
Everywhere. But make sure to come to a live show to get a signed copy of our music.  You can find out site and store at launicamusic.com
    7. What’s your message to other Celtic fusion artists out there?
Contact us!  We love hearing from bands and are always looking for new ideas or bands to partner with for live shows.  All five of us agree that after having played in scores of bands, this project is by far our most successful and most fun; we think a large part of it is the merging of so many distinct styles and producing a truly unique sound.  So if you’re a group out there doing that, keep at it and we’d love to hear it!
    8. Please invite your readers to buy the new album.
Buy our new album …how’s that for persuasion?  If you really want to hear something different, something that’s very likely not on any of your playlists, and will put you in a good mood, have a listen and give us your support!
    9. How do you unwind after a great gig or recording?Album now out
Honestly, after our gigs we are absolutely exhausted, so sleep is our go-to for now.  Yep, not too exciting an answer.  We occasionally hang out with the owner and staff at Rumba Café in the Adams Morgan neighborhood of DC—they’ve been very good to us.  Oh, if anyone would like to be a roadie for us, yeah, we’ll take that.
10. Top 5 albums you are listening to right now?
“Valtari” from Sigur Rós
“Random Access Memories” from Daft Punk

“Secret People” from Capercaille
“Muy Divertido” from Marc Ribot y Los Cubanos Postizos
“La Revancha del Tango” from Gotan Proeject

Links:

https://www.facebook.com/launicairishband

http://www.launicamusic.com/

https://twitter.com/launicaib

http://www.reverbnation.com/launicairishband

http://vimeo.com/user17693879

http://www.jambase.com/Artists/97816/La-Unica

***

Huzzah!

If you like this interview, check out other exciting pages of friends:

This is from 67 Music:

Haunting melodies and evocative storytelling are at the heart of “Transplants” from Amelia Hogan

This is from Tradconnect:

Live Review : Goitse / The Mill Theatre, Dundrum