Weekend makes way for great tunes!

Also in this edition:Damien Mullane, The Tristan Legg Band, Paul Mounsey and Alalé.

Instagram pic of Frost at Midnight’s Happy Birthday

Album Review: Happy Birthday by Frost at Midnight.

Country: Wales

Band members:

Robert Atkins: guitar, bass, keyboards

Catherine Atkins: vocals

Catherine Handley: flute

Johnny Quick: vocals

John Tribe: harmonica

Record label: taff vale

Beautiful and uplifting, Frost at Midnight crafted an album that is determined to encourage repeated listens. Even the album artwork encourages a smile with its illustration of golden birthday cake framed in blue. The album title is Happy Birthday. Opening the cardboard case introduces me to a back cover picture of band members slicing that cake. There are references to Keats, Jacques Humbert, Jack Sinclair, Julian of Norwich and TS Eliot.

I can tell that songwriter Rob Atkins is somewhat into academic themes. This album is also traditionally influenced with classical frills. As for the vocals, Catherine Atkins and Johnny Quick both deliver superb singing styles. Catherine has pure soprano voice which is comparable to Judy Collins and fellow Welsh singer Mary Hopkins. Johnny  has a faint folk roughness underneath the Broadway smooth voice.

A kind of high plucky sound is heard all over the album courtesy of Rob Atkin’s mandolin. The airy sounds of keyboards, bass and guitars almost slide into the border of indie folk and is only hold on a balance by the flute of Catherine Handley. The harmonica of John Tribe reinforces the band’s folk influence.

Happy Birthday opens with the lively A Birthday. It has a kind of 70’s vibes. The signing here reminds me a bit of Sally Oldfield and Maggie Reilly. Deep Open Chord follows with its heartfelt lyrics and pastoral melodies. Surprise by Joy opens with “Surprise by joy impatient as the wind I turn to share, I turn to share the rapture..” I am touched with the poetic elegance of this track. I love the mandolin playing in The Egg Timer. It’s one of those instrumental tracks that should be given more exposure for its delicate and atmospheric beauty.

Writ in Water has a renaissance kind of sound while All Shall Be Well reminds me of those Irish ballads performed by the Dubliners and Planxty. Love’s a Mystery is filled with magical bells which grow on you after repeated listens. Why Should I Care strikes me as something the late Sandy Denny would sing. At the same time the Jazz melodic flavor makes it a perfect lounge track.  Percy Paves the Way burrows its melody from the Scottish song Ae Fond Kiss. The voice of Catherine Atkins soars like an angel.

Tambourine is a track that introduced me to the band after hearing it online. This is definitive Welsh trad style.The tambourine sounds  trimmed down to give more emphasis on the flute of Catherine Handley. Sleep starts with an ambient keyboard style. This is the only track featuring a synthesized sound that works well! As the title suggests, it is a lullaby.  Another Birthday(reprise) closes the album as an instrumental track.

My verdict: There should be more Welsh bands like Frost at Midnight that celebrates the beauty of combining the delicate styles of various genres. It is a must have album whither you are into indie folk, Celtic or easy listening.

http://www.myspace.com/frostatmidnight

Samples:

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Damien Mullane

Damien Mullane has just released 13. The carrier single is “The Orphan”. He’s just finished a tour with Fiddle player Colin Farrell and Lunasa’s Kevin Crawford. Big thanks to Cillian Doheny of Irish trad band Moxie for recommending this music.

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The Tristan Legg band

I discovered The Tristan Legg band last July of 2011. Since then I have been following their updates. Tristan Legg is based in Nova Scotia, the Celtic music capital of Canada. Below are videos that will give you an idea about his music. Enjoy!

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 Paul Mounsey

My friend Paula who is based in Yorkshire England posted this man’s music on my facebook wall. I was captivated. There is definitely a strong Scottish identity in his music.This track is also very hypnotic. He was featured in the UK docu called Visit Scotland…

Video notes:

One picture video of Paul Mounsey track The Fields of Robert John

Album:- Nahoo Too

Year:- 1997

Track:- No10

Last FM:- www.lastfm.com/music/paulmounsey

My Space:- www.myspace.com/paulmounsey

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Alalé

My friend Sacha Talens is a punk rocker who travels around the world. He lived for a certain time in Ireland. This is a band he witnessed performing live when he was in Galway.

Video notes:

Born out of the lively music scene in Galway in the West of Ireland, Alalé was formed in 2006. The band was formed by Fergal Walsh, David Cardona, Gabriel G. Diges and Ciaran O’Donghaile. They soon released the self-produced album Wo Japen, which has since gone on to sell over 4000 copies. At the moment the band members include, Flute, Whistle and Galician Gaita player, Gabriel G. Diges; Singer and Fiddle player, Stephanie Swanton, guitarist, Esteban Moreno; and Bodhrán player, David Cardona. Alalé have played and toured extensively in festivals and venues in Ireland and throughout Europe, returning regularly to Germany, Spain and the Netherlands and recently got their first television exposure playing on BBC Northern Ireland.

A little bit of this and that…

In this edition: Damien McCarron of Mile High Celtic Radio, Karen Victoria Smith, Dan Coleman, Celtic Twist and Moxie!

Mile High Celtic Hour : You ultimate guide to Irish and Celtic music.

Got the feeling that you need to update you Celtic music collection? Work schedules and classes can sometimes take you away from what’s going on with the ‘scene’. Well worry no more.

Mile High Celtic Hour is guaranteed to put you ahead of things Celtic. This is a show based in North America, featuring a playlist  that is diverse. You get to hear bands from all over the world and get to sample their best songs plus video via livestream.

Damien McCarron grew up in Howth outside Dublin and was immersed with  Irish music and tradition. As a musician, he shared stage with amazing musicians  in the  field including members of Solas. This is a very exciting time for Irish music and the rest of  the Celtic world. Damien is definitely in the right track and the right time, with the right crowd

Damien talking between music. .

Here is the page where you can watch and listen to his show:

http://www.livestream.com/tradiovdenver

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Celtic Twist Autumn Renovations in Scotland.

Celtic Twist

The website of the duo Celtic Twist is updated! I met Phil Holland and Dave Palmley over a year ago and I have enjoyed their albums. They are doing  interesting things with their diverse musical backgrounds by mixing them up with Celtic style.

They moved to Scotland  from Italy around two months ago and Phil is taking her time drinking the sight of the beautiful Scottish landscape. This is where she grew up and Scottish music makes a huge part of her musical influences.

Dave Palmley’s pop rock influence creates a radio friendly balance for Celtic Twist. He likes experimenting with various instrument including the synths. Have you heard of a harp tune using the effects pedal?

If you are looking for something interesting on the web, do drop by their website: http://hollandandpalmley.wix.com/celtictwist and say hi.

Notes:

This piece was originally inspired by the native north American people and their loss of land and cultural identity, but it is really in homage to all people of all races and creeds wherever they may be in the world, past, present and future, who suffer the indignities of invasion and oppression.
Phil: Celtic harps, Violins, Voices and Piano.
Dave: Guitars, Voices and percussion.
This will be on our forthcoming album, to be released later this year.
More news to follow.
http://hollandandpalmley.blogspot.com/

Notes:

Dedicated to a dream come true,moving back home to the west coast of Scotland.This meditative and hypnotic piece of music is entirely written, arranged and performed by Celtic Twist (Phil Holland and Dave Palmley).We wanted to share with all our followers this beautiful place and its magical atmosphere.

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Dark Dealings Book Interview via Rock On Radio

Having a great time at the Draft House

Yes our musical culture has a literary friend in the form of Karen Victoria Smith. She wrote the book Dark Dealings which talks pretty much about Irish mythology, Wall Street  vampires, shape- shifters and what they like to listen to in their ipod. You might think I am kidding about that last bit but I am serious. There are a lot of r references to Irish music in the novel and I think she is doing an amazing job pushing the culture and mixing it with the hip, the supernatural and how the money world works. I had to reread the book after it is done because I can’t part easily with the characters. They stay with you like long lost friends.

My friend Christi and I had a blast listening to her interview via Rock on Radio hosted by Dan Coleman and the gang. It was a wacky show and Danny asked a lot of interesting questions about the book. There’s a chat room where listeners can interact with the hosts.  We also met Karen’s best pal Deedee who also happens to be part of an indie rock band Strumberry Pie. The internet made this world a better and smaller place. Christi’s in Michigan and I am in the Philippines. And we all had a blast!

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Introducing Moxie

Moxie

Genre:  Irish Contemporary Music / Jazz / New Age Bluegrass / Folk

Members : Cillian Doheny Tenor Banjo / Nylon & Steel String Guitar / Mandola

Jos Kelly Button Accordian / Keyboard

Darren Roche Button Accordian / Nylon String Guitar

Ted Kelly Tenor Banjo / Tenor Guitar / Mandolin

Paddy Hazelton Percussion

Hometown:   Limerick / Sligo

What Lies Behind the Wall has notes tapping with suspense at the beginning of the track. It is like watching a flower bloom in hyper speed. Like all remarkable Irish bands playing traditional music, Moxie offers fresh approach to a tradition that has been around and is determined to stay.

Their sound is vibrant and the arrangements are intricate. This is traditional music with a cool twist. Sophisticated style blends with rustic simplicity making them one of a kind Irish band. In Elixir’s Walts, they took advantage to pauses and trance like melodies to create a dramatic effect that blends organic percussion with luminous instrumental delivery. This is the music of a butterfly’s wings flapping in a near flight.

Bug and Bear’s further showcase the hypnotic capacity of the banjo and guitar especially when it is given to the right hands. There are three tracks available for sampling in the band’s site http://breakingtunes.com/moxie. I am sure what’s on the site is just the tip of the iceberg.

Band bio: Formed in late 2011 as part of the annual folk festival, Sligo Live, Moxie are a Sligo and Limerick based band that formed through years of musical friendships from playing together at certain festivals around Ireland. The band incorporates Irish music with other genres such as folk, rock and new age bluegrass. A vibrant new band playing an exciting mix of traditional based compositions with richly developed layers of fantastic harmony. The band includes JPTrio members, Ted Kelly (banjo, tenor guitar, vocals), Jos Kelly (button accordion, keyboard, vocals), Paddy Hazleton (percussion, vocals) and Limerick based musicians, accordion and melodeon powerhouse Darren Roche and virtuoso banjo & guitar player Cillian Doheny.

More here:

http://www.myspace.com/moxiemuso

https://twitter.com/#!/Moxiemuso

https://www.facebook.com/Moxiemuso?ref=tn_tnmn

Kinfolk: The Story Behind the Album (Interview)

 Also in this edition: Janet M. Christel and Maeve Mackinnon

 Brian McDaid explains how Irish music shaped both their styles and also the new album they are working on.

I was interacting with Gerry Power before this interview started. Brian McDaid arrived a week ago for a few gigs. Gerry decided to hand the questions to Brian and he took the honor to answer in behalf of them. I think this is a nice turn since I am curious as to what Brian thinks about their musical career.

This whole thing started because I love the work they put out in the Kinfolk album This Land. I think that as a music lover, the satisfaction doesn’t end in hearing the entire album. One needs to KNOW the process behind and the inspiration plus perspiration that gave way to a beautiful album.

So to quench your curiosity if you are one of those who bought This Land, then this is it! Enjoy.

It’s been years since the release of Kinfolk which is in impressive album wrapped in both traditional and modern beauty. When will we hear another album from you and Brian?

We are currently working on a new album and hope to have it completed by early next year.

I noticed that a lot of Irish artists who are based in the UK getting more visibility in the scene these days. How is the state of Irish music in Britain?

Irish music has been pretty strong in the UK for a number of years. However with the resurgence in popularity of the general folk scene in the UK, with bands such as Mumford and Sons, Irish Music has also benefitted and is attracting more and more young people to listen to and appreciate this genre of music.

Can you name the 5 albums that changed your life and made you love being in the music industry?

Pretty difficult. I have been influenced by numerous types of music, but as a youngster, if I was to name any album which really made a difference it would be ‘Harvest’ by Neil Young. Other influences include James Taylor, America, The Eagles, [which readily explains our use of harmonies!], Steely Dan and Led Zeppelin. Pretty wide and diverse really.  However as a young boy and having Irish parents our house was always resounding to the sounds of Irish and folk music and I particularly remember the songs of the Clancy Brothers and the sounds of Planxty. Also being a Glasgow Celtic football fan and with their Irish traditions, many Irish folk songs are sung on a regular basis by the fans. And when you hear 60,000 people singing together it can certainly raise the spirit and influence you!

I love your song Donegal and it is a love letter you wrote for a place. How huge is the influence of County Donegal to your style of making music?

Gerry in studio

Quite simple. This is a song about my Dad who likes many young people from Ireland, left Donegal when he was a young man and came to find work in the UK. As a child I often went on holiday to Buncrana in Donegal visiting relatives. On their retirement my parents were lucky enough to be able to build a house there overlooking Lough Swilly which all the family still visit on a regular basis and the view from the house is what influenced ‘Wonderful Day’ on the Kinfolk Album. So in answer to your question County Donegal has obviously influenced my song writing!

 I know that Bound for New York City strikes a universal chord to the Irish diaspora. What sparked the idea of writing this track?

This is a song which came about while we were recording ‘This Land’. We had been working in the studio all day and were trying to find a middle eight for one of the tracks [I can’t remember now which one]. It was about 11 o’clock at night and we were obviously in the ‘zone’ and between us we came up with the idea and had most of it recorded within 2 or 3 hours. Sometimes it just seems to happen like that and sometimes it can take forever!

From the time you both worked on this project, what do you think has changed?

We feel our songwriting has developed and we have grown as musicians as a consequence of playing with various bands and playing a variety of styles. We hope to show this on the new album while still maintaining our strong Celtic influence.

 If given a chance to collaborate with other artists what are the names that you both would like to work with?

Brian in studio

There are a lot of great song writers that the both of us admire. As far as Gerry is concerned he would like to to work with Steely Dan for their gorgeous harmonies and groove, Mark Knopfler for his tasteful country folk playing and Paul Brady, a long standing hero of Gerry’s, who has written some of the best songs he has heard. As far as I am concerned I must agree with what he says about Steely Dan and  someone who I particularly admire as a songwriter is Christy Moore. His songs tend to have a great ‘mood’ and I could learn a lot from his use of lyrics. However what I would like to do is spend more time with a good instrumentalist, fiddle player or accordionist, and explore and mix some of my more contemporary ideas together with the traditional. The idea would be to create something a bit more individual.

How do you two work on a song? What’s the collaborative process?

We have no set process. Sometimes one of us will present a complete song. The both of us will then work on it and ‘tweak’ it to give it the distinct ‘Kinfolk’ sound. Sometimes one of us has the initial idea lyrically or it may be a sequence of chords or a riff that starts the ball rolling. Other times one of us comes up with a chorus and we take it from there. We have actually written the ideas for a song over a pint in the pub – amazing how creative you can be after a couple of drinks!

There you have it. Another interesting moment with a musician and getting to know the process behind the song. Watch out for their upcoming album that will be out, hopefully early next year. Now that it’s done I will give This Land another spin and get lost among the beautiful tracks.

Buy the album here: http://www.cdbaby.com/cd/kinfolksongs

You can also listen to their tracks here: http://www.myspace.com/kinfolksongs

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Exquisite vocal siren Janet M. Christel

Photo: MK-Fotografie — at 37. Bardentreffen.

I miss vocal music! This is really refreshing. The voice and accent of Janet M. Christel are things that make her singing really distinctive. The arrangements are striking. Her music is a delectable bar of dark chocolate wrapped in soft caramel hazel nut core. Listen listen listen!

http://www.janetmchristel.com

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Maeve Mackinnon Her Music is like a Force of Nature.

Ok I got goosebumps listening to the style of Maeve Mackinnon. The music haunts you. Like the swaying tree amidst the howling wind, her voice is a spiritual force that can rattle the walls of your soul and open the sky of rain. This is the kind of music that draws me and it is hard to say no…to such music as Maeve Mackinnon’s. Her music page says: 1st October 2012 sees the release of “Once Upon an Olive Branch”, the second album from acclaimed contemporary Gaelic singer Maeve Mackinnon.

http://www.maevemackinnon.com
http://twitter.com/maevemackinnon

Contemporary Celtic Rock, Jazz, and Instrumental Music

In this edition: Sahara, Declan Sinnott and Dave Hum

A great weekend to all you readers of this page. We have great albums worth listening and I will tell you what I like about them. Enjoy and listen to the music samples.

Sahara: A New Beginning

Genre: Original Contemporary Celtic Rock Jazz Eclectic

Members: Dave Long vocals, guitar keyboards & sequencing

Trish Long vocals, sax, flute, flageolet, recorder keyboards & sequencing

Release date: October 2012

Sample track:

Fans of Bruce Hornsby, Van Morrison and Marc Cohn will certainly welcome Sahara’s A New Beginning with open arms. The duo of Trish and Dave long incorporate a broader spectrum of musical styles. There are hints of smooth jazz, pop rock and Celtic. In terms of instrumental delivery, I’d say hands down to both of them. Their years performing on stage and recording  the way they want their albums to sound, ripened and made their music intoxicating like fine wine. It is the confidence brought about by the test of time, elements and LIFE that we all go through. There are certainly events that shake us rendering us incapable of moving. But it is the call of artistic desire that always brings us into a sense of purpose. This optimistic thought is present all over the album’s 10 tracks.

Sweetness, pain, laughter: these are emotions that surround A New Beginning. There are other atmospheric surprises like The Promise which possesses a definitive Celtic sound. The vocal layering and melody lean into Clannad and Loreena McKennitt. Other titles like Right the Wrongs and A New Beginning are songs that anyone who has gone through tough times can relate to.

The Sweetest Thing, track four, delivers the “get into the Irish pub” kind of sentiment. It has that relaxed atmosphere of being with someone you loved through the years. It says that you don’t have to hide anything because you can be who you are with the right person.

Let’s Unite affirms the belief that we can all get through our differences if we  realize our similarities. I reflected on this and also remember all the natural disasters like earthquakes, famine, disease and poverty. We aren’t invincible. So why should we fight each other when nature is already fighting us and diminishing our numbers? Must we also contribute to the pain? The song has that Irish marching beat.

It Could be True is an example of someone continuing to “court”  a beloved through the years in the relationship. I think it is telling us that winning someone’s heart doesn’t stop after marriage. It continues and there is never a morning when you wake up with a sense of wonderment and challenge to continue loving against all odds. The nice sound of the recorder glides throughout like a nightingale.

Renovating my Igloo is groovy. Fans of Talking Heads can relate to the 80’s New Wave style. Another tribute to being with someone through thick and thin and also the idea that nothing is constant but change. But love the a unifying and constant force.

Is it only Me has a rocking feel. Both vocal and instrumental arrangement set the example of musical excellence. Rainy Day At Shady Creek explores the world of Jazz and Bluegrass. It sounds like traditional Irish music gone crazy. I love it though. Such a nice ending for this album that needs repeated listens.

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Declan Sinnott: I love the noise it makes

Genre: Folk Rock

Players:

Declan Sinnott: Lead vocals, guitars and various instruments

Owen O’Brien: Keyboards, piano.

Release date: September 2012

Sun Shine In is the carrier single off this new album by former member of Horslips (before they became official) and Moving Hearts. He is associated with both sisters Mary and Frances Black. He currently plays and tours with Christy Moore. “ I love the noise it makes “( a quote he loved from John Lennon when asked whether in music it is the lyrics or the melody he prefers ) was released on 7 September 2012 in Ireland and on 10 and 11 September in the UK and USA respectively.

There are twelve tracks. They are on the easy folk rock style that’s catchy and groovy. Everything in this album sticks together. The sonic quality is amazing, partly through the efforts of Tim Martin and Ian Cooper courtesy of Metropolis Studios. The album has a nice packaging imitating the cardboard style CD. The liner notes are informative and excellent especially in terms of visuals. There are photos of Declan with co-songwriter Owen O’Brien in the studio. The consoles he uses for recording will make a record junkie drool. In one photo, there is a room filled with ethnic instruments (African), synthesizers, assorted guitars and drums.

This album feels like a bunch of hay stacked and tightened in great detail. Craftsmanship and art are combine creating a collection of songs that is timeless and also at home with today’s folk rock top 40. His voice is just the right combination of time tested roughness and whiskey smoothness that goes down easily. Sun Shine is bound to stay in your head for  along time with its melody and easy breezy delivery.

Other tracks like Blood Rushing Through These Veins, I See the World From Here, Corrina, Corrina, Broken Glass and Circle Round the Sun beg for covers due to their amazing sentiments, and heartfelt lyrics. Other tracks like Me and My Dark Companion and Ocean are bluesy and finely executed that they will spawn more covers and jams in years to come. One sweet surprise is the ambient track called Orbit found at the end of the album. It is actually a remake of a traditional tune. I think it is an awesome way to close such excellent album. I like the fact that I won I love the noise it makes and yeah I love it…I love the music it makes!

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Celtic and Bluegrass 5 String banjo Album 2

Genre   Instrumental – Celtic – Bluegrass – Old Time – Traditional – Original – Banjo Music

Banjo – Guitar – Mandolin – Bass – Harmonica – Keyboards – Percussion – Programming-All by Dave Hum.

Released Date: August 2011

Sample track:

Album two is a progress to album one of Dave Hum’s top notch banjo playing. I haven’t met anyone who plays like a deity. Expect tracks combining Irish, Bluegrass and Celtic music. Album 2 is composed of 21 tracks. Other artists would have released this as a double album. But you see folks, Dave Hum doesn’t boast his talents through promotion. He relies so much on the word of the mouth and social networking to showcase his craft.

He does everything here. But the star instrument is the banjo. It would be unfair not to mention his expertise in the guitar, bass, mandolin, keyboards, harmonica and percussion. Cluck the Old Hen is a track that has been around in youtube and never gets old. Check out his wild harmonica intro in this track. This is good bluegrass music. Other tracks really hardcore trad music because these are titles that are not familiar to me. He plays them all like he has known them all his life. One fine example is Nashville Blues which is track 15 in this album.

Everything in this collection has the polished sheen of expensive and worn pair of shoes. You could never go wrong picking up this album. I think it is the best banjo album I have heard in years.  His artwork has also flourished. It shows bolder and deeper colors. The Irish Traveller has come  a long way and is trying to explore new territories. Dave Hum has a wizard’s fingers and a chemist’s intelligence in merging and breaking apart the mystery of tunes. His playing is innovative yet rooted deeply in the past. Album 2 of Celtic and Bluegrass 5 String Banjo is a must have and it plays well in any season.

Weekend Edition with Music and Album Release!

In this edition: Fraser Fifield, Carmel Gunning and Calum Stewart

Fraser Fifield, EDINBURGH, Britain (UK)

The Music of Fraser Fifield

My last edition covered music from Ireland, Wales and Brittany. Our new edition unleashes another talent from Scotland by the name of Fraser Fifield. I became familiar with his work after seeing videos of Salsa Celtica. This is the same band where Kenny Fraser of Music Scotland(who was our featured artist/interview) plays the fiddle in.

The fascinating thing about his work is his love for improvisation and fusion. His bio states this interesting info: “A Piper and Low Whistle player who improvises like a jazz musician. A Soprano Sax player playing the traditional music of his native Scotland like it had always been played on that instrument.” I think one of the most haunting track in his compositions is Softly Spoken, with its hypnotic arrangements and syncopated beats. He has other gems in his soundcloud page and I am sure you will definitely buy his albums when you hear his tracks. He has other equally wonderful tracks and your way of relating or liking them will depend on how you respond to the music upon hearing each track.

I am doing a correspondence with him which will be a structure for an upcoming featured artist/interview. I embedded few tracks of my choice but I recommend for you to click Fraser Fifield’s soundcloud channel http://soundcloud.com/fraserfifield to listen to the music continuously.

For more of his music, visit the following links:

http://www.youtube.com/user/tanarrecords

http://www.fraserfifield.com/

https://twitter.com/fraserfifield

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Carmel Gunning

She moves between two worlds. The fast paced playing and the delicate execution of some tracks. A native of Sligo, she came from a musical family. I think she is one of those amazing artists who contribute their efforts in making sure Irish music gets national and international

Carmel Gunning

recognition. I wonderful info I uncovered about her:  She runs The Carmel Gunning School of Music all year round in Sligo town and runs a festival annually in August. She has written 2 books on music and song and currently working on another. She has produced 5 CDs to date and is working on a singing album currently. Many of her past pupils, Liam Kelly of Dervish being the most well known, are top class in their field today.

With this kind of music and also a unique way of playing the whistle, I am sure she will conquer more ears. Let there be more albums from her then!

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Calum Stewart has a new album out!

Wooden Flute & Fiddle

Calum Stewart & Lauren MacColl
with Éamon Doorley and Andy May

  1. Eoghainn Iain Alasdair
  2. The Gordons
  3. Alzen
  4. Rise Ye Lazy Fellow
  5. Stoidhle Nèill Ghobha
  6. Crow Road Croft
  7. Aileen’s
  8. Tomnahurich
  9. Boys of the ‘25
  10. A Highland Lamentation

Now available for Pre-Order worldwide. (Please be careful to select worldwide delivery if you live outside the UK) All orders will be dispatched on 15th October, one week ahead of the official release date of 22nd October.

Scottish wooden flutist Calum Stewart just released an album with Lauren McColl. It is called Wooden Flute and Fiddle. This is an album that every traditional music listeners will want in his or her collection. This is due to the huge effort that the two and the rest of the session musicians placed on this album. There are slow and fast tunes. Expect variety in instruments and grand artistry that only musicians of their caliber can provide. And even if you are not really into Scottish or Irish trad music, you will still warm up to this one for its melodic and relaxing merit. Love it love it! A track from this album was featured here: http://www.bbc.co.uk/programmes/b01mwz99

Buy Wooden Flute and Fiddle here: http://www.laurenmaccoll.co.uk/shop/

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