because I am not posting any album reviews at this time, I’d rather post something about live music. I am hoping that you’ll be able to watch your favorite artists performing in your area. Due to my right hand injury, I am using voice dictation to write text messages. And so far, it has been working quite OK.
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Dubbed internationally as the singing priest, father Ray Kelly is in New York City promoting his new album “Where I belong.” He is also releasing a Christmas album this November. So watch out for that one I am sure it will be amazing.
Following the release of his celebrated book A history of Irish music, Larry Kirwan is performing live in New York City catch him and also buy the new book.
If you are in the Czech Republic, you better check out Sliotar as they are currently touring and performing. These guys never grow tired performing. They have inexhaustible energy to sing and play those wonderful tunes. I think it takes passion and also good health to be able to really play in many venues.
Even though I am not currently writing album reviews, I’ve been listening to these wonderful albums. I highly recommend them.
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Track Listings
Disc: 1
The Duke Of Leinster/Gardiner’s/John Stenson’s #2
A Sailor s Life
Tommy Potts’ Slip Jig
The Bay Of Biscay
The King Of The Pipers/Behind The Haystack/The Maid On The Green
Paddy Cronin’s/If I Had A Wife
The Close Shave/East At Glendart
Moving Cloud
The Heart Of The World
Neckbelly
Kiss The Maid Behind The Byre/Tá Do Mhargadh Déanta
Dónal Na Gréine
Sore Point
The Hut On Staten Island/The De il Among The Tailors
Belfast: Back To Belfast/Anne Lacey/Eroticon VI
The Pipers Of Roguery
Wedding Dress
Disc: 2
Hardiman The Fiddler
Brelydian
A Mháire Bruineall
Portaferry Swing
Róise Na BhFonn Tuneful Rose
Pota Mór Fataí
The Slide From Grace (Dusty Miller s/Dan O Keefe s/The Slide From Grace)
Bean An Fhir Ruaidh The Red Haired Man s Wife
Beer Belly Dancing
The Beauty Spot
Cailleach A Shúsa The Hag In The Blanket
Product Details
Original Release Date: 2012
Label: World Music Network
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Patrick Ball has been keeping me awake at night with his wonderful Music. It is great to hear the Celtic harp without other instruments. So pure, so magical, it is something that you can listen to again and again.
Musician Cormac Begley, redefines the Traditional Irish musical instrument with the giant concertina.
This has been circulating round social media that it’s hard to ignore. Concertinas are awesome and I am glad there are artists who are pushing the limits in redesigning the instrument. I think traditional Irish music needs something like this because it adds variety to the mix. Just imagine new traditinal tunes that could be written just for it! Here’s the link to the original article: http://www.thedronenews.org/#!CORMAC-BEGLEY-UNVEILS-NEW-LOWLOW-D-CONCERTINA/c1kod/551c18fc0cf215f35a319658
I know someone who plays the Uilleann pipes and that person is a Chemistry major. It seems that everyone who has Celtic blood running in their veins, has no difficulty in leading two careers-Music and Science.
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I featured the band Cara a few weeks ago. That’s when I got to know Ryan Murphy and his other band Ealu. Ryan gives his FYI about the Uilleann pipes in between tours here.This is for those who want to learn and the basics and the important things to remember.
Basic info:
Currently with: Cara and Ealu
Hometown: Cork
Also Plays: Flutes, whistles and Saxophones.
The things he could never leave behind when on a tour:
“Aside from the instruments I’d have to say the iPod. The car journeys just get too long with out it.”
1.Buying the instrument : Make sure you know that the maker has a good reputation and make sure the sound they produce is to your taste.
2.Interpreting traditional pieces: Well everyone interprets tunes differently. I always try to mix up how I interpret every tune. Sometimes they could be filled with loads of ornaments and tricks but then sometimes it’s great to scale it all back.
3.Playing, tuning and knowing the parts of the instrument: Is vital when it comes to the Uilleann pipes as maintenance is critical in order for them to sound right.
4.Practicing: Is a big part of my daily routine. I sometimes skip lectures in college just to practice that hour or two extra.
5.Maintenance: I always keep my pipes as well maintained as possible. On tour the pipes could hang you out to dry in the middle of a concert if they’re not kept in top order. I make sure the joints are always well sealed, in dry climates I humidity the reed as often as I need to depending on the level of humidity.
Picking the right studio is vital to me if I’m doing an album for somebody. Often a person tries to do everything themselves, but actually allocation is the way to go. As director Bryan Singer once said “Surround yourself with a great cast”.-Karl Nesbitt
Karl Nesbitt is one of those musicians, that if you aren’t that good enough, makes you want to hide your instrument! He is young, oozing with talent and apart from playing he also produces. Most people in Ireland play a musical instrument (and sing well too), most can even master more than one. Sometimes they play it just for fun in family gatherings. Others take it to the point that they make albums. When we talk about Irish music, it’s always a family affair as proven by The Corrs, The Brennans and Duggans of Clannad and now the Nesbitts. In this interview, Karl talks about how he became a musician, his very musical family and yes the new album Vista Point.
Your bio says that you are excellent with flute, bodhran and bouzouki. How do you do that?
My background has a huge part to play, both my parents and family are great traditional musicians, and I was always hearing it at home via recordings radio/TV programs etc. At first I began tapping around on the bodhran..later My Mam encouraged me to start flute, then I took up the bouzouki because I wanted to play a guitar or something like it! Also I became very interested in exponents of those instruments. Then I was very influenced in the thriving revival of the 80s and 90’s, especially the work of Donal Lunny and Steve Cooney, and their work for other musicians.
Being an arranger, composer and producer all at the same time must be very challenging. You are doing all these separately and sometimes together. Tell me how one aspect which is producing differs from being a composer and arranger?
Well, I started writing tunes when I was about 15, that was pure melody. Then when I moved to Cork I was accompanying singers as well as trad players, so I got familiar with harmony through experience. Then a few years ago I studied Classical harmony, and got very interested in learning about that. One of my passions is to arrange songs for people. Still when I arrange or compose I do it from the heart first, then edit it later!
Production is something I wanted to do since I was a child. I would pick up a CD and look who produced it rather than who the artist was. I used to mess around on a 4-track cassette recorder, but now my production style involves musical direction and helping with arrangements rather than hands on recording/mixing.
How’s studio like when you start working on an album?
Picking the right studio is vital to me if I’m doing an album for somebody. Often a person tries to do everything themselves, but actually allocation is the way to go. As director Bryan Singer once said “Surround yourself with a great cast”.
So the studio gear is important, but more important is the engineer and musicians used. There needs to be no other agenda, other than making a great album.
This album Vista Point took four years in the making. What can your listeners expect from the album and how is it different from your EP The Good News released in 2005?
Vista Point is my first “Serious” CD, a more mature experienced version than my EP. Indeed I only did an EP for that reason; I could not have done a proper full one. I learned a lot from the EP though.
Tell me about the feeling of performing in Glasgow Concert Hall, The National Concert Hall, Cork Opera House and Everyman Palace, The Lobby Bar Cork, Whelan’s and the Cobblestone in Dublin, The Crane Galway, and numerous festivals in Europe; Celtica, Celtic Connections, Festival Interceltique , to the name the few?
It was great! I owe a lot of those experiences to my sister Mairead, and others I have played with. It was invaluable to play with those musicians in those venues.
I understand that Brittany is one of the Celtic nations mentioned in your tours. How was the feeling of arranging for a band for the Festival Interceltique in Lorient?
I was younger and bolder back then! I decided to go for it, and brought a band twice there, each time with different players. They played a lot of my tunes which was amazing to me. I love Brittany.
Tell us about your hometown.
My hometown is really the countryside, near Thurles in Co. Tipperary. Its a beautiful place of flatland, and I look forward to going back more often now than ever.
You came from a family of musicians right? Tell us about it.
Yep, my Mother and Father are serious Traditional musicians all their lives! Between them they now countless tunes..My Mam is a well known teacher for years. She met my Dad in Dublin in the 60s through playing music. They used to play sessions with people like Liam O’Flynn and Sean Keane.
My 2 sisters and 3 brothers all play. It was never forced on us, which is why we really grew up to love it. In the beginning I didn’t like it at all!
Raining Up is collaboration between you and your sister Mairead Nesbitt whom I discovered through Celtic Woman which I am also a huge fan. This is a beautiful track. Can you elaborate on it?
Actually, Mairead was kind enough to play the tune on her CD, she liked it!
I was amazed because some of my idols were arranging/playing on it.. Manus Lunny, Donlad Shaw, Ewen Vernal etc.. I love what they did with it. I would never have thought of that arrangement even now.
You give music tutorials. I am aware that you are uploading more videos on your You Tube site. How’s being a music tutor differ from what you usually do?
I have taught a little through the years, but I got really into it in the last 4 or so. I really enjoy it, and love what others seem to get from it. It also has made me a much better player, because you must really find out your techniques (I am self-taught) and explain them. Music has a lot of philosophy in it too, which is another day’s talk.
You have such diverse influences from Folk, Rock to Jazz. Is this the result of growing up on a household of musicians or did you discover these as well as your style as you go along? You also played an alternately tuned guitar in the Funk band The 4Players as I remember.
This was more as I went along, at home was mostly Traditional music, but I learned a lot from my two brothers Michael and Noel. They listened to different kinds of music, one was Steely Dan, the other Metallica. I was absorbing away in the background! I’m a rhythm player on bouzouki so Funk guitar was not to far away.. we had great fun in the 4Players, my first band experience.
You have supported Carlos Nunez, Hothouse Flowers, Juliet Turner and Bob Geldof to name the few. How was it?
Again, that was with Niall Connolly and Mairead respectively. It was good for nerves! Carlos Nunez and Bob Geldof was in Celtic Connections (Glasgow) Juliet Turner was here in Cork.
Calum Malcolm mastered the tracks in Vista Point. He also worked with Clannad, Prefab Sprout and Capercaille. That must be an interesting experience having him in this album.
I’m very happy with it. Capecaille are one of favourite bands ever, and my favourite albums Calum was involved in. I sourced him out to master, and he knew the genre so it was no problem. When I’m producing something, if its mixed well, the mastering must be subtle, but present. He did just that.
What can your fans expect from you now that the album is out.
Well, it’s good intro I guess, a friend joked to me that it was a mix between Steeley Dan and the Chieftains! It’s really a showcase of all my influences, a musical tour of new tunes and some old. I was delighted to get John Spillane and Niall Connolly to sing it too.
Who is Karl Nesbitt when he is away from the studio ?
Well, I’m a pretty average fella! I like being outdoors, the simple life definitely. I’m a big believer in balance, and like to see everything as equally important in its own way.
What’s your message to our readers/listeners out there?
I hope you enjoy my music, and thanks a lot for any nice comments and ratings, it’s very encouraging. 🙂
It’s nice to have a cup of tea while listening to your favorite instrument at 6 in the morning. One of those instruments that I like is theHarp Guitar. I’m sure you folks out there who are used to just the Harp or the Guitar would wonder what this hybrid is. Well, to tell you, harp guitar’s history dates back 200 hundred years and there are notable composers/performers out there who single-handedly created names for themselves through this instrument. The sound is like no other.
There are other artists who are known to play this but I would only give credit to one. His name is John Doan. The fact that he is my MySpace pal, and we sent comments to each other’s page on several occasion proved to be memorable. Here’s his music site in case you want to check out how a harp guitar sounds like.