Rachel Hair: All Things Celtic Harp(Interview)

Plus: Somerset Folk Harp Festival, Athas’tour pic and schedules, Celtic vampire novel by Karen Victoria Smith and Delta Rae …so emotional and beautiful!

Scottish harpist Rachel Hair notes down her tips on how to get into this fascinating musical instrument: The Celtic harp!

It was through my discovery of harp music that got me  started in perusing the web for more resources. I think it was my interview with Scott Hoye and his invite to join the Celtic Harp facebook page  made this interview with Rachel Hair possible. The Rachel Hair trio brings something fresh to harp music. There’s unmistakable groove, atmosphere and optimism the first time you listen to any of their tracks. Interviewing Rachel deepened my respect and admiration for her music and her band. She is one of the great contributors to the forum lately while being out joining the Manx music festival. She kept everyone updated with pictures and links. I even got my Maeve Gilchrist through her recommendation. Everyone in the Celtic Harp community is very supportive of each other. Eric, Scott, Rachel, Corrina, Amy and the rest keep the community alive with their ideas and presence.

Rachel is very enthusiastic to share her thoughts with everyone. Especially those who are planning to study the instrument but might have doubts that hold them back.  I like her in-depth way of answering questions. I am sure you will enjoy this and add it to your bookmarks for reference.

How do you describe the Scottish folk scene these days ? What’s the trend in terms of playing, the instruments and also the general band image that the listeners are warming up to?
The Scottish folk scene has gone from strength to strength and over the past 10 years has had a real upsurge of talent and creativity. I think its one of the most creative folk scenes in the world. You have musicians who know their tradition well and can perform it fantastically but are also creating and adding to the tradition. More than ever musicians and bands are writing new music and presenting it in an ever creative and evolving fashion… its not just about playing tune after tune anymore. Bands are getting really into big arrangements and taking the listeners on a journey to what is becoming the new tradition in Scotland.
Theres a lot of cross genre music making too. I live in Glasgow, Scotland’s largest city, and a hub of creativity amongst musicians of all styles. Folk, jazz, indie, rock and classical musicians are not only mixing with each other socially but are musically creating new sounds together. The results of this are now being on seen on stage and festivals such as Celtic Connections are a great supportive platform of this allowing it to be brought to the public’s attention.

With friends.

Your tunes are always rhythmic and is also filled with arrangements that glow of atmosphere…how do you value atmosphere in songs? Others are more into technique and speed. Do you think it is essential in every Scottish and Irish recording to have a sense of atmosphere or ambience?

I like to create records and shows which take listeners on a journey, giving them opportunities to tap their feet along, dance but then also give them opportunities to reflect and feel the emotion of the music we create. One of the tunes we most enjoy performing as a trio is the haunting melody “Cancro Cru”. We really get emotionally involved in the tune and this is often felt by the audience and commented to us after.
I don’t think its necessarily essential that every recording gives a sense of this atmosphere but I do think its important that musicians and bands try to give an impression of what the atmosphere their live show creates, through their recordings.

You have been active these days especially during festivals. What are the things you learned being musician, in terms of traveling with ease? Tips you can give us? I remember what Scott Hoye said about harpists..it’s not like playing the fiddle where you can toss it and go. Harpists carry this huge instrument.

Preparation is the key! I often fly with my harp. Living on a large island (Britain!) means that any gig I do outside the country means a flight. I always phone up the airline in advance and let them know I’m taking a Celtic harp and ask them to make a mark on booking. I’m always very casual on the phone and make it clear that its not that bigger than a suitcase, weighs less than 20kg (normally less than my suitcase!) and that I fly all the time without difficulty.
It used to be that I could take it for free, but now you just have to accept that you have to pay for it. Most of the large airlines just see it as an extra piece of hold baggage and this can usually be paid for in advance which makes life easy.
Its always important to be sure that the car that will pick you up will have room for you, your suitcase and your harp. To be honest mine is actually quite small in its flight case so this is normally no problem.
I also have a protective fibre class flight case for my harp which is very easy to move around and protects it well. I tend to tape up the clasps on it too for safety too. I also put pieces of polystyrene pipe round my levers inside its cover, to protect them further.

What are your suggestions for both artists and enthusiasts about this type of music and making it grow? We have the technology and tools but what do you think are the things that each of us can do to improve and expand the scene.

I like to use social media to connect with people… through Facebook, twitter and youtube. Its a great way of keeping in touch with your fans and new people are discovering my music through these ways every day. It also gives me the chance to promote other music, that isn’t always mine. Bands and groups that I like that I think deserve to be heard. I like to post videos etc. of them to help their music grow and get to new people. Its definitely a worthwhile thing to get into….facebook, twitter and youtube and free to use so you’ve nothing to loose!

What tell young people who find harps fascinating and want to study it?

Rocking out the Scottish reels
— with Maeve Gilchrist.

Get yourself to one of the harp festivals and try it out for yourself! I’m on the organising committee for the Edinburgh International Harp Festival and it coming along to a festival like it really is a great way to discover harp music. You can join a beginners course and have a go, visit the harp exhibition which has all the top makers in Europe showing of their harps and you can go to some of the concerts. Harp festivals really are a great way of experiencing everything “harp”. You also get the chance to meet harp players young and old, of all levers from beginner-to professional. We’re all a very friendly bunch.

Who are people who influenced your growth as an artist through the years?

When I was at university in Glasgow, studying music, my harp teacher was Corrina Hewat. She was an incredibly encouraging teacher who really pushed me to discover my own style of playing. We don’t really play in the same way and I think that’s a testament to her as a teacher.
A lot of my friends are professional musicians, Jenn and Euan who play in my trio, Jamie Smith who plays in the group Jamie Smiths Mabon and Gaelic singer Joy Dunlop. We’re all very very head strong and passionate at what we do and we’re very good at encouraging each other to keep going and achieve our dreams and success in music.

What’s your biggest goal in life.

Well to be happy, and to be fulfilled both in my personal life and in my musical life. simple!

Rachel Hair – Harp
Jenn Butterworth – Guitar / Vocals
Euan Burton – Double Bass

Follow her band in facebook: https://www.facebook.com/rachelhairharp

http://www.rachelhair.com/

http://www.youtube.com/rachelhair

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Somerset Folk Harp Festival

Everyone got a harpful for 4 days! People who are very enthusiastic about harp music(including yours truly) will keep this festival on the calendar. Some of the big names in the community attended: Chris Caswell presented Guerilla Music Theory. There’s also Breton dancing( this is really fun!) led by harpist Clotilde Trouillaud. For people who wanted to pick up a handy instrument enjoyed the tin whistle workshop. Maeve Gilchrist whom we presented in this site was also there teaching techniques.

Other notable musicians:

Peacocks Feathers: entertained with Irish & Scottish tunes & songs during the lunchtime concert in the Atrium.

Debbie Brewin-Wilson lead the 3-day Basically Beginning workshop.

Nicolas Carter on the first of his 3-day class on Paraguayan harp. He’ll also help out Tracy Gorman in the Paraguayan Dance class at 3:30pm.
There’s Billy Jackson in his workshop on Scottish Harp of the 17th century yesterday. Right now he’s teaching Composing in a Traditional Style. By the way I have one of his albums!
Thanks to Scott Hoye who is up to date. He’s the source of this news.
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Today in Pictures: Athas on Tour

Amy thought she ordered the large Bloody Mary-Jeff Ksiazek

Between gigs, the band unwinds.
Follow the band’s tour schedule here: http://www.athasmusic.com/schedule/
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Book curiosity:

Dark Dealings by Karen Victoria Smith
Synopsis: At thirteen, Micaela O’Brien was found wandering a pasture in Ireland, the sole survivor of a mid-air explosion. Now, as a successful investment banker, she will discover that Wall Street has fangs and claws. When international power brokers, creatures hiding in plain sight, threaten her and those she loves, will this heiress to a Druid legacy deny her power and let loved ones die again?A thrill ride of money, monsters and murder across the globe.
According to the author
: 2 DAYS left to get Dark Dealings for Kindle on sale for $1.49. 1/2 royalties 2 Kick #Cancer Overboard.BUY,read,review amazon.com/Dark-Dealings-… Read the novel described as Trueblood meets bluebloods with a 4.4/5 rating on Amazon. Price goes up August 1
Tataratat! The Gothic Celtic in me loves it! Twilight fans sorry but I think Karen Victoria Smith does more than Stephanie Meyer. Nothing is better than Vampires and Celts in one book.

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Our featured band Delta Rae

Take a look at this official video by Bluegrass fusion band from North Carolina  Delta Rae. I love the concept. It is both funny and creepy. The voice of Brittany Holljes has a powerful quality in a pop sense but with New Age delicacy. There are also male lead vocals occasionally. The music has a knockout rocking quality but with  the atmosphere of Sarah McLachlan. It is a band that will  appeal to fans of music categorized as folk/rock or country with chillout moments. My favorite track from the band is Holding On To Good because it is really explosive and glorious and the sound just floods through you. So beautiful! But wait till you hear Surrounded, a moving and mesmerizing track that builds up into a glorious release- a crashing wave of sound, angelic harmonies and earth ravaging meteor or emotions.

Members:

Ian Holljes (vocals/guitar)
Eric Holljes (vocals/keyboard/guitar)
Brittany Holljes (vocals/percussion)
Elizabeth Hopkins (vocals/percussion)
Mike McKee (drums)
Grant Emerson (bass)

Info:

http://www.deltarae.com/

Music: http://www.myspace.com/deltaraemusic/music

The Scottish New Music Awards September 2nd 2012

The 2012 Scottish New Music Awards are going to be held on Sunday, September 2nd 2012 at the Classic Grand in Glasgow..

You can now start voting for your favorite artists for the 2012 Scottish New Music Awards. My focus is on the Roots Recording of the year. It’s going to be bloody because two of the artists in that category have already been featured in this website. They are Fiona J MacKenzie and The Rachel Hair Trio led by harpist Rachel Hair.

It is a nice award because it recognizes the best in Scottish music. The category covers everything, from Pop, Indie to Metal. So I am sure you can pick your own category and be happy with it. I made my vote already but I won’t tell you 😉

About:

The purpose of The Scottish New Music Awards is to present a professional event to honour the music made in Scotland and recognise the artists and the industry that make it happen.

The SNMA’s goal is to promote, celebrate and showcase new emerging artists and bands across all genres and to promote, celebrate and showcase the businesses within the industry i.e. recording studios, venues, photographers and print publications.

Beyond entertaining, The Scottish New Music Awards strives to educate attendees on an important part of Scottish culture. There is NO OTHER event like The Scottish New Music Awards. There is no political motivation or corporate pressure behind this event, The Scottish New Music Awards is for music lovers by music lovers.

Vote now for the music awards by clicking HERE
Vote now for the music industry awards by clicking HERE

The 2012 Scottish New Music Awards are going to be held on Sunday, September 2nd 2012 at the Classic Grand in Glasgow..

Contact: info@scotmusicawards.co.uk

For up to date news click HERE to visit our facebook page

Fiona J Mackenzie and The Kilmarnock Edition (Interview)

 

Generally we have an idea in our heads of what sort of ‘feel’ we can imagine for a song but sometimes it ends up being totally different to the first template! For instance, in ‘Gazz’,  that developed from Roberto playing a riff on the upright bass then each of us just joining in with some little snippet, then I threw in some odd Gaelic words which then developed themselves into a wee new genre- Gazz- Gaelic Jazz! It’s great fun as well as being completely inspirational, working with the others.
 
 

http://www.kilmarnockedition.com/ 

Gaelic/Traditional Vocalist/Member of The Kilmarnock Edition talks to The Celtic Music Fan about her new exciting musical project.

So excited to feature this band from Scotland. I follow Fiona Mackenzie’s update so that’s how I was able to read about The Kilmarnock Edition. What got to me was their reggae sound on top of the distinctive Scottish trad tune. And yes folks ’tis the season to party! I set this interview up to know more:

1. After your last album A Good Suit of Clothes which I enjoyed so much, this is one good news! Your voice is really beautiful. What is the most exciting thing about The Kilmarnock Edition?

The most exciting thing about being part of the KE is the realisation that we are bringing a new style of Scottish music to the public ear.  We are all well known in our own individual genres but as we work together, we are creating something that I think is very special and that wont be found anywhere else on the Scottish music scene. We are thrilled to have the chance to work on establishing what is in effect, a new genre of Scottish music- we are not a folk band, we’re not a classical band, we’re not a rock, jazz or reggae band- but we have  elements of all this within our style-  but it doesn’t emerge as if we are a real ‘hotchpotch’ of sound, the music presents itself as an exciting, hopeful and inspirational style, all  of its own.  

2. The members are high-powered coming from their own bands and projects. Is it a great experience working with the rest of the band?

 It is hugely exciting with the band. We all manage to get along together very well socially as well as professionally and we have formed  very strong personal bonds, as well as various other duo/trio partnerships for other gigs. Everyone is very generous with their Songwriting and willing to ‘let their songs go’ to others in the band, for vocals, instrumentation etc  if  they feel that is what the song needs. When we get together for writing/rehearsals we are always very excited to see what the latest sounds will emerge- we never quite know what’s going to happen, but we do know when its right! We are very lucky to have such a diverse range of talents within the group, both musically and in writing. Roberto for instance, is hugely talented at writing funny, observational but very incisive songs about normal day to day life, which are really brought to life in his own Italian accent and style. Lisa writes beautiful songs about the world today, political/socio-economic environments as well as taking history as inspiration for example.  Yvonne writes truly stunning lyrics of life and love and gives us the gift of her beautiful keyboard skills. Alex writes wonderful songs which are easy for audiences to pick up as well as the most tender of love songs.  I write contemporary songs incorporating Scottish Gaelic with English and the Scots tongue-  on contemporary subjects such as technology and ‘empty nest syndrome’!  It gives me the chance to experiment with new ways of making Gaelic accessible to a wider audience. And Stu, our cajon player  and percussionist  gives us that fantastic extra brilliance of beat for whatever the style and tempo.

3. What can we expect from this project musically?

Musically we want to show an audience that Scottish music does not have to be traditional to be representative of our language and culture. That is is possible, in the hands of good musicians and writers, to take elements from all aspects of the Scottish musical spectrum and blend them into something new, fresh and invigorating, a new face of Scottish music. All members of the band are well established and well respected in their solo careers and we only perform to the highest professional standards. We are all passionate about what we do and we believe that is evident in our performance.  

4.Is there an album coming out soon?

We will be going to Watercolour Studio on the lovely Ardgour peninsula at the end of April to record our debut album “Pay it Forward” and we are hugely excited by the prospect of working very very hard at producing what we hope will  be a truly special and indigenous album.  We are totally delighted and honoured that the album will be released on the Greentrax label and we are very grateful to Ian Green to having faith in us to produce an album for his catalogue. He has been following us since our first rehearsals and says that he did indeed spy something unique about us right from the beginning. We take our title from the fact that , having been lucky in being given support from various people over the last 2 years, we now want to ‘pay a little forward’ and do something for other people or groups in the Community. To date , we’ve done some local charity gigs to raise money for the new Church roof in Prestonpans, where  Alex comes from.. The album will be out during the Summer.  

5. I heard a few sample tracks and I understand what makes the band exciting. The tracks are really groovy and good enough for dancing. I am sure fans of Reggae, Traditional music as well as Jazz will love the music. Who lays down the musical ideas for the tracks?

 All the ideas for the tracks come from ourselves. We bring an idea to the group then just jam for a while until something gels then we work on that basic idea.  Its often easier working with others than on your own as you can bat ideas around and someone will play a wee riff or sing a ‘doo wop’ that sparks something interesting and unusual.  Generally we have an idea in our heads of what sort of ‘feel’ we can imagine for a song but sometimes it ends up being totally different to the first template! For instance, in ‘Gazz’,  that developed from Roberto playing a riff on the upright bass then each of us just joining in with some little snippet, then I threw in some odd Gaelic words which then developed themselves into a wee new genre- Gazz- Gaelic Jazz! Its great fun as well as being completely inspirational, working with the others. We’re all so thankful that we met in the Burnsong House in 2009- Kilmarnock Edition has given all of our musical careers a totally new direction and hopefully it will take us to all parts of Scotland, the Uk and to further afield too- we really do believe that overseas markets will find out new style of Scottish music, appealing whilst still drawing on our traditions and respecting where we come from.          

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Glasgow: Celtic Connections 2012

From January 16 to February 5, musicians flocked  to Glasgow.  This video shows you why.

For more info read The Celtic Connections Blog

Also, check out http://www.celticmusicradio.net/