Got an interesting message from Jennifer of World Music News Wire. Here is one interesting site if you want fresh news on what’s happening around in terms of World Music. MY friend once corrected me that it is World Beat (a.k.a format). But I don’t really think so. Some of the World Music I heard doesn’t really require beats. Anyway, I got this interesting article about Altan which I’d say is beautifully written(picture courtesy of the site):
While checking the links, I also bumped into this blogger from Galicia. I have covered anything Galician in this site and I am glad to read something from a person who is literally from there. Politics, music(mostly) and day-to-day events can read here:
Got this interesting videos from YouTube today which I would like to share with you. Galicia has always been apart from Spain in a sense that it shares a culture related to Ireland and neighboring regions. I don’t feel like writing a lot today so let’s just watch and listen…
Whether you are listening to headphones or theater speakers,the production quality of Putumayos’s Celtic Crossroads will satisfy both formats. The good thing about these compilation as well as the rest that’s been floating around is that they introduce us to popular as well as unheard of artists. These albums are teasers on what to expect if you get into these unique acts.\par
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For instance, the first track Parting Glass from Emer Kelly is head turning; with a voice that is breathy and ethereal as well. Capercaillie’s Hoirean O also made a surprising addition to the mix. Rough energetic styles like Keltik Elektrik’s Wild Mountain Thyme, Peatbog Faeries’ Captain Cou and Ashley McIsaac’s To America(with Mary Jane Lamond on vocals) spar well with Cara Dillon’s diaphanous alternative folk She’s Like the Swallow.Then, there’s Mick McAuley’s luminous track The House Carpenter. Still other known acts like Sinead O’Connor performing Her Mantle is stunning. Alan Stivell’s E Kreiz Hag En makes you long for more Breton music . Gwenno’s ethereal scruffy vocals on Tryweryn makes you wish for a full length album. Michael McGodrick’s Sully’s is a testament to Celtic music’s ability to fuse with other styles and genre yet making it still distinctively world music. This is a must have for those who like their Celtic music a bit of something else and totally familiar.
There is a great deal of rich,melodic and rhythmic music in Brazil. This undeniably inspired Galician composer/piper Carlos Nunez to compose Alborada do Brazil released 2009 under Sony Music. This kind of musical direction is very much welcomed since I am also a big fan of Brazilian music especially of Juan Carlos Jubim. As we might be aware of, Celtic music is also making a wave in this country especially the harp revival movement. I gathered this a few months ago when I met a Brazilian blogger and musician who opened my eyes to this knowledge.
The album has 13 tracks of tango,samba and bossa music that you can simply crank anywhere. It is artfully crafted making it both an attraction to lovers of urban,jazz and even hip hop.There is also a great deal of natural sounds. The first track Alborada De Rosalia is a mix of funky loops and samples with Brazilian rapping around a supple, slick female vocals singing in native tongue. A few years ago there’s this trip hop band called Smoke City and this track reminds me of the band’s music.
Vou Vivendo is typically Nunez in his flute accompanied by a bossa beat. Play it in your car while driving on the beach or just simply stretch on your easy chair and watch as summer moves to greet the flowers and butterflies outside.
Alvorada De Cartola’s drum beats and a spoken word create a great intro to this piece that sounds like the Trios Los Panchos had just had a round of Guinness with Carolan in Galician fields. The male vocals capture the easy lifestyle and if you listen closely you can hear other sounds of people in marketplace. The only problem is that this is a short song around 2:23.
Nau Bretoa has a nice flute fused with the maritime flavor of Britany. Here we can here Carlos Playing his Galician pipe known as the gaita over other instruments. This one makes me get up and do some step dancing. Halfway we hear a male chorus chanting . This is how haunting music meets the carnival.
Gaita is sung in a way that Astrud Gilberto would. It has a kind fo feeling that you get when you wake up in a sunny morning ,open your window and see this view of an ocean stretch in front of you . The elegant piano line is soothing.
Xotes Universitarios sounds like it has been talking out of a 60’s movie playing samba. There are dialogues sampled …perhaps students discussing about music with a professor.
Coracao Brasileiro is acoustic guitar driven with fiddle, keyboard instruments and flute around that silky female vocals. Gentle drums finish this off with a high note from Carlos.
In Y-Brazil we are once again greeted by the distinctive and festive playing of Nunez which I first discovered in his Galician Carol released by Windham Hill a few years ago. There is again the presence of the Galician pipes in the foot- tapping tempo.
Ponta De Areia has this mournful feel of the Irish countryside with all pipes congregating .The harp adds a dream feel to this beautiful piece.
In Padaria Electrica Da Barra Carlos treats us to a powerful fusion of traditional and pop . The collage of electronic drum loops , sampled sounds, and male vocals make this song a candidate for top 40 music.There is this part in the chorus that chants ‘Galicia, Glalicia’… And I know how enthusiastic it can get!
Maxie De Ferro is a piece that could have been played in a movie like Casablanca. The piano in this track is simply exquisite.The syncopated snare drums, wood winds and happy tempo just take the blues of a long day away.
Feira De Mangaio is a sad melody riding in a happy tempo. This reminds me of being along in a windswept sunny countryside. Bosa and Celtic music has never been this good. Great saxophone and Spanish guitar too.
The last track Assum Preto, Asa Branca another mournful tune embellished with gossamer guitar ,accordion and a melody that cries for aother glass of wine.
Though this album is a fusion between two musical cultures Carloz Nunez has a style that is so distinctive that even if he plays heavy metal or rap, you’ll still know it’s him. This is a perfect soundtrack for spring and summer ….and life is a beach.
I am a fan of Carlos Núñezmusic. This talented musician from GaliciaSpain has a lot of achivements under his belt. He is well-known in playing the gaita or Galician bagpipe. Galicia and Asturia are the only regions in Spain that have strong Celtic culture. Learn more in his official site http://www.carlos-nunez.com