Reflections in Fingerstyle: The Robert Doyle Interview

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The thing I like about Robert Doyle is that he has a lot to say about creativity. It is always exciting to eavesdrop inside a creative mind and discover what he does in a day-to-day basis when not working on music. This interview sent me looking for his last CD Life in Shadows and played the album once again. I remember the day it got to me. Like music, the artist has many layers. You can read between the lines or you can listen to the songs: They are all a part of him.

You have just released a new single Flags of Belfast with other musicians playing on this track. Are you taking a new direction for the new album?

‘Flags of Belfast’ is a reworking of the melody to ‘Star of the County Down’ with new lyrics. When I began working on it I knew I wanted to add other instrumentation when recording the song. I recorded a lot of demos of the track and some of these were done in Flood Plain Studios here in Dublin which is run by Graham Watson. He suggested trying a second vocal along with uilleann pipes and Aoife Dermody and Eoin Dillon were the perfect choice for this. So yeah there’s going to be some other musicians involved on parts of the album but it will still mostly be a solo record. Sometimes it feels right to have different instruments and then sometimes the music feels better played solo.

You mentioned the new album will be released in 2015. How’s the recording going?

I had hoped to have the album ready by the end of this year but that probably won’t happen now so 2015 is more realistic. From a recording perspective the last single was interesting for me because I got a new preamp for the home studio which now lets me record a guitar sound I’m happy with. This was always a problem in the past. So for the single I recorded the guitar and vocal myself and then we put the other parts down in Flood Plain. This gives me some flexibility for the next record that I didn’t have before. So for now I plan to record most of the album myself and for any extra instrumentation I’d like to work with Graham again. This will be a totally different recording process to last time when I only recorded two of the tracks myself and the rest with an engineer. There are a number of advantages and disadvantages to recording yourself and I’ve been debating these with myself over the years. We’ll soon see if I’ve made the right choice this time round!553461_376232242408880_1434945284_n

How will the tracks differ from your last album Life in Shadows in terms of arrangements and lyrics?

At this stage I still have a lot of work to do on writing and arranging. Like the last album it’ll be a mix of original and traditional music but there’ll be a different feel because hopefully I’m a better musician now and this should show in the music. I have about 15 or 16 separate ideas that I’m working on. Some of that material will get cut and hopefully there’ll be a good album in what’s left. Also there’ll be more songs in English this time. In the past I was mostly interested in singing in Irish but there’ll definitely be more English on this record. There’ll be some new instrumental pieces and I want to push those arrangements further on this record. I love to improvise when playing fingerstyle because you have the chance to play basslines, harmony and melody altogether so I’ll improvise around the themes and try to work out the arrangements that way.

Aside from music, what are the other projects you are working on? Can you tell us a bit about your day job?

Work and music takes up a lot of time so aside from that I don’t have any other projects. There are other important things in life though so I hope I make time for them too. The day job is in IT and this comes in useful when invariably you have technical problems in the studio. Obviously not being a full time musician means you can’t spend as much time as you’d like on the music but you try to use the time you have and always stay with it. It would be great to have time to play more gigs and record more often but the important thing is to keep playing music.

After the last album what has changed so far?

Well I think I’ve learnt a lot since then. Each project is a great learning experience and it’s worth all the work for that alone. There was a big jump from the EP I released in 2008 to the album in 2011 and I think it’ll be a similar step this time. Overall I was very happy with the last record. It was great to get a positive reception and some good coverage and radio play. Of course listening back there’s some things that I’d have done differently both in the recording and post-production but that’s all part of it.

What do you plan to accomplish musically this year?

Work on the album is the priority now and if I can get a good piece of it recorded by the end of the year I’ll be happy with that. I’m also working on a collaboration with a bouzouki player based around some traditional songs which hopefully will get to involve other musicians too.

Where can listeners buy your last album Life in Shadows?

The CD is available from Claddagh Records and will soon be for sale again directly from www.robertdoyle.net. A digital download is available from iTunes, Amazon and eMusic.

What other instruments do you play?

I’m learning to play some piano at the moment. It’s not serious piano study but I’m enjoying playing some chords and seeing how they’re built on a different instrument. It would have been great to learn piano when I was starting out all those years ago because as a guitar player you’re often trying to play like a piano player if that makes any sense! I think it’s important to not get too obsessed with the instrument you’re playing so spending some time on another instrument is something I’d recommend.

https://itunes.apple.com/ie/album/flags-of-belfast-single/id775461242

Robert Doyle – guitar and vocal
Aoife Dermody – vocal
Eoin Dillon – uilleann pipes

http://www.robertdoyle.net

Flags of Belfast

Boundaries are drawn
On council walls
Divisions are made easily
When a vote was called
The decision did say
The flag won’t fly daily

The Union remains
But the North had changed
Some divisions are the same
Next time you hear the Lagan sound
See the flags of Belfast town

When the protests began
Where are the leaders now
Heard with nothing to say
If there was a chance or a call for calm
It was soon swept away

Living on the sides
Of religious divides
Faith not faded with time
Next time round can you ask the crown
Has she seen the flags of Belfast town

At the start of the night
Through empty streets with dark light
Marches begin to pass
Along an enclave
Calls of an old age
Armed guards to defend both sides

Segregation in schools
Teaches old rules
Lessons begin early
As the children plan
To not let tradition down
And wear the flags in Belfast town

With the city closed
Blockades along the roads
Wasn’t this all a thing of the past
A sectarian divide
A part of city lives
No need to portray any side

Masks leave faces with no names
One after another taking aim
As broken bottles fall all around
The flags of Belfast town

Lyrics printed with permission.  

The Passing of Pete Seeger and Podcast #22

My late mom used to sing me a song called Where Have All the Flowers Gone. It’s such a sweet poignant song that reminds me of dusk and summer, of petals getting blown to nowhere. It was not decades later when I learned it’s written by the late Pete Seeger who passed away today. I heard a lot of his songs (without knowing him) because I was raised by people who grew up after the Second World War. So my upbringing was a combination of the old ways and the love for exploring new things. Judy Collins was also a popular artist in my childhood. So I get to hear Turn Turn Turn a many times in the house. My cousins were huge fans of folk music.

I started venturing into Celtic music in my late teens. He was associated with banjo and 12-string guitar. He has a continuing powerful influence   to other singer/songwriters with  names like Billy Bragg, Jackson Browne, Donovan, , Nanci Griffith, Indigo Girls, Tom Paxton, Bonnie Raitt, Martin Simpson, and Bruce Springsteen are associated with him.

I think his impact to me is more as a songwriter than a performer. His songs get better with time. The distinctive folk elements in his songs tell you: this is how to write a song. Pete Seeger will be sorely missed. It’s characteristic of people who carve their names in everyone’s heart. Life is a collage of all things that you’ve heard, seen and felt. His songs were the songs of the best years of my life. How could I let those go?

When I feel this heaviness in my heart I go into this little corner and listen to the songs of my childhood. And like magic the pain disappears. Where Have All the Flowers Gone indeed? Life is a mystery that is temporary. But memories are forever.

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The Baxteria Podcast #22

Podcast 22 comes with a live concert featuring The Gloaming.
Track listing:
The Gloaming-Set at the National Concert Hall of Ireland(Live concert)
Robbie MacInnis-Massacre of Glencoe (ft. Robbie MacInnis)
Eivør-Hounds Of Love
BrowneProject-Silver Sun
J.P. Kallio-Time
Once A Tree-Light Me Up
Paula-I Could Be
Dadawa-Sister Drum

A Tune for Burns Supper

Robert Burns was a charmer with sad eyes. Anyone can draw their own conclusions but that’s what I see in him ( the portrait by Alexander Nasmyth) and in his poems. There’s that heart breaking beauty in all his works. It is interesting how history can transcend his growing up in up poverty and hardship . Now his legacy resides in the hearts of many men and women.  Scottish folk tunes introduced me to the works of Burns. The

The best-known portrait of Burns,  by Alexander Nasmyth, 1787

The best-known portrait of Burns,
by Alexander Nasmyth, 1787

First Time I Heard Ae Fond Kiss, I was struck at the themes of sadness and longing in the song. Perhaps it’s because I find sadness in my life and I connect to that. Or perhaps Burns is really a poet who can speak to every soul of all races and classes.

Indie folk artist Layne Greene covered a  Scots tune called The Massacre of Glencoe for this occasion. Many have covered this tune including The Corries in 1976. Robbie MacInnis provided the bagpipes. This is an interesting arrangement because Greene layered the bagpipes in the mix and the result is really fascinating. I’d say this is a perfect tune for Burns supper!

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Celtic Connections!!!

I will be posting more Celtic Connections related blogs but I am leaving you with this one. Don’t forget to tune in 4:00 pm German time for “The Baxteria” on http://www.radiohappy.eu

Matthew Bell and Celtic Percussion Plus Podcast #21

There is a thread running through this post that started when I wrote about the bodhran. To be honest, the instrument has taken a huge degree of interest on my part because I am trying to be good at it. Everyday is great when I get to practice. It also opened a big world of percussion to me and various rhythms that dominate all types of music all over the world.

This thread also pointed me to a remarkable artist and teacher in the world of percussion. I am talking about Matthew Bell who runs a successful project called Celtic Percussion.  He merges Irish and Scottish drumming styles with the infusion of other world influences. He is very zen in his vlogs as he tries to calmly explain the basics of drumming. He combines the Kerry and top end of bodhran playing.

The youtube videos are just samples of the potential that he can offer. His recent book is The Contemporary Bodhrán:
A Modern Percussionist’s Perspective on an Ancient Instrument

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Here’s the general info about Celtic Percussion found in his official youtube site:

The Celtic Percussion Collective is comprised of several of the Washington, D.C. area’s biggest names in the Pipe Band and Celtic Music Communities. Matthew Bell formed the CPC in December of 2012 to expose audiences to the truly unique percussion concepts inherent in Celtic Percussion. The CPC is available for a variety of educational and performance-based functions. Please have a look around our website. We look forward to working with you.

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The Baxteria Podcast #21

http://old.mixcloud.com/thecelticmusicfan/the-baxteria-podcast-21/

With:

Alan Stivell-Eliz Iza
Sinéad O’Connor-Oró, sé do bheatha ‘bhaile
Baal Tinne-Toss The Feathers
Brendan Mulholland-The King of The Pipers
Clannad-In a Lifetime
Luka Bloom-How Am I To Be
Ashley MacIsaac-To America We Go
Sleepthief-Reason Why
J.P. Kallio-Greener Grass
Teenage Fanclub-Take The Long Way Around
Von Shakes-Last Day on Earth
Jazzotron Vs Jamie Berry-Kiss Me
Róisín O-Here We Go
Who Does Music-Looking Around
Samuel Smith-The Agony

Folk Music Chronicler Peter Simmonds

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Peter Simmonds already shot and uploaded 10,325 music videos in his youtube site. All of them are live, taken from concerts and folk festivals around the UK. He’s from West Yorkshire and runs the Garden Care Maintenance business in Macclesfield.

He uploads  high quality videos daily using his Sony Pro(see the picture). From Capercaillie, Steeleyespan to the Strawbs. He’s got them all. Folk music should give this man an award as he keeps the scene alive and encourage music fans to check out what folk music has to offer.

Contact information:

simmo7ts@gmail.com

01625610021