Celticmusic

Interview with Fabien Guiloineau of Shelta

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 Lyon France is the home of Shelta, a band playing beautiful traditional Irish music. Fabien contributed one of their tracks for your download pleasure.

Shelta has already gained prominence as a  band that jumps into our discussion once in a while. This happens when I talk to my friend Jimmy who lives in France. The Antidote Pub is one of the great places that are very accommodating towards musicians of Celtic music. A year of drifting in and out of discussion(plus youtube posts), it was an honor  to finally  talk to one of the members of the band. Fabien Guiloineau lives in Lyon France. He plays the guitar and acts as the spokes person for the band. He has various side projects. Some, I  already featured in this site. It is great to hear first hand information from someone who is involved with the Irish music scene in France.

 

 

Shelta released two albums. One was in 2006 and latest one was in 2010. Is there a new album in the making?

We are not recording albums currently, but we are working on new tunes.

 Your band plays gigs around Lyon. Being the food capital of France, tell me what is the state of Celtic music in Lyon?

There are a lot of Irish pubs in Lyon and big Irish/Anglo community. So there are a lot of sessions (4 times a week). Irish music is very present:
You can get some news here:
http://www.afil.fr/index_eng.htm

How do you describe the music of Shelta.

 

We try to play Irish music as it is played usually in the pubs in Ireland.
So our music sound like traditional Irish, but we try to arrange it for the concert and make it accessible to the French audience.
We spend a lot of time making the best set of tunes !

 The band met in 2002 because of the common love for Irish music. What inspired the group to choose the name Shelta?

 

Shelta is the language of the Irish travelers. In Ireland the Irish travelers made a lot for Irish music (Johnny Doran, Paddy Keenan…).
And it sounds good for the name of a band 😉

After 10 years, what has remained and what has changed in terms of the band’s vision and also in terms of the music.

With time, we understand that the most important in traditional music is to have the swing !
You can have a lot of arrangements but if you don’t have the swing your music, it will be flat.

Being part of the group, how do you describe the individual playing styles of each one?

Each member has it own style but try to be the best for the collective aspect.
Guitar and bodhran try to be in the same mood, violon and accordion are very close and the flute can blend with everyone.

What have you learned in the past years playing live? 

Playing Irish music in France seems to be difficult but French people really like Ireland, so for us it’s also easier.
We try to explain our approach for the Irish music and to play it with sincerity! People like to see musicians as sincere; we don’t play just for the sake of playing music.

 

Do you know other bands/musicians in Lyon playing Celtic music with the same passion?

Yes there are other musicians, professionals or simply those  with the same passion for the Irish music !
For example: Davog Rynne, Sebastien Luthers, Julien Cartonnet, Simon Boddy etc…

What can we expect from Shelta this 2012?

We are working on new tunes and new concerts! Please watch out for our future performances.

What is the best Irish bar in Lyon?

Johnny Walsh’s Pub is the most famous, but for me the one I prefer is the Antidote Pub-both are in St Georges street in Lyon (5th).

Have you met other Irish music enthusiasts in the Antidote ?Do they have their own bands or just listeners.

We play regularly at the Antidote, every Thursday night from October to June. These are not concert types but intimate sessions or gigs. Sometimes we are just 3 or 4 musicians but there are cases when there are more than 10 of us. It usually depends on who is available.There are now some listeners who come regularly too.

Please add Shelta through facebook:

https://www.facebook.com/pages/Shelta/125419444161088?ref=ts

also check out:

http://www.shelta.org
http://www.myspace.com/musicshelta

Debut Album by Flutatious Has the Bounce!

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http://www.flutatious.co.uk/

http://www.myspace.com/flutatiousUK

 

I have my different Celtic “soundtracks” of the day. I listen to New Agey stuff after waking up , usually when the sun hasn’t risen yet. In the middle of the day, there’s the Celtic Rock and other ‘lively’ albums. In the afternoon it is usually traditional stuff. In the evening that’s when the urban chill out albums come. At this time, I give way to the dancy electronic types of Celtic music. One included in my regular playlist is from the UK based group Flutatious which I wrote about before.

 

Their self-titled debut album is a joy to listen to. I like dancing and this is the type of music that has that bounce. This is best played with big speakers emanating deep bass and lush midrange. What I like about the production is the emphasis on balance between the midrange sounds and the bouncy, floor shaking lows. The wispy highs are also crisp.

 

Things that I noticed about this album are:

  1. Chanty choruses injected in some tracks are fabulous. But the emphasis is not so much given to them as in the case of bands like  Ceredwen or Clannad. Often times these effects are done when the track really needs it.
  2. The traditional aspect of the album is geared towards the Welsh and Cornish type of flavour. There are Scottish and Irish jig styles that you can hear once in a while.
  3. The jazzy keyboards make this album appealing both to lovers and non lovers of Celtic music. I bet this will also sell well in the London club scene as in the case of loops and electronic effects that are hip.
  4. The band doesn’t repeat their styles in every track. It can be a good or sad thing depending on your point of view. Tracks like Spacechick, Venus, Morag’s Dance and Road to Skye are so addictive you want another version of the same sound.  

With all these in mind, I think the debut album by Flutatious deserve more spin in your player.

Thanks to Bill Forwell for the taste of this great sonic juice!

Samples:

Cumbria Cardboard Harp Project

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I have been visiting the page of this wonderful project called the Cumbria Cardboard Harp Project by musician Mary Dunsford. I owe this discovery to my friend Scott Hoye who is a recording artist. He posted this in Celtic Harp (https://www.facebook.com/groups/celticharp/)  for everyone to see.

This workshop teaches  beginners how to play using cardboard lap harps,  making the once challenging instrument more accessible. I think this is amazing! Everyone can do it. It simply makes this instrument less intimidating for people who think harps are difficult to learn.

Mary Dunsford  is a harp teacher, professional musician and passionate ambassador to the harp. She  has been teaching harp for a decade already, resulting to a publication of an instructional harp book  for adult beginners.  It isn’t too late to learn new things and this is what she has been teaching everyone.
If you are curious, please go ahead and like the Cumbria Cardboard Harp Project in facebook. You might find yourself a part of her workshop and really enjoy life and music to the fullest!

Now when you become an expert, you might want to join this : http://www.furnesstradition.org.uk/

https://www.facebook.com/CardboardHarpProject

Celtic Twist-Twist in the Tale (album review)

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I was so excited when the mailman gave this to me, that I stopped all chores and put this in my CD player. Celtic Twist is a duo that will win more followers with their brand of Celtic music.

There’s a lot of artistic polishing done to the recording of  Twist in the Tale by  the duo Celtic Twist (Phil Holland and Dave Palmley). Only an arrogant listener with the heart of ice will fail to appreciate these enchanting pieces. The first track, Maids of Mourne (based on Sally Gardens) opens with the sound of seagulls by the shore. Then, we have the guitar and harp by Phil and Dave. The song soon builds up into an Enyaesque piece complete with vocal layering that sounds like church choir.

There are lively tracks like The Raggle Taggle Gypsies/The King of The Faeries, Ye Jacobites, Gerdundula, Toss the Feathers/Scotch Sally and Whiskey You’re the Devil that will sweet you up your feet with their refreshing and energetic styles. These are all wrapped in jigs and reels.

The remaining half of the album are tracks that convey relaxation and reflection. These are elegantly crafted compositions. One song called Looking For Moss(third track), is already familiar because Phil already uploaded this track on youtube for friends to hear. Hearing it compiled here is a treat! I also need to commend her rendition of She Moved Through the Fair. In this traditional song, Phil puts aside  her classical singing style, to make way for the lighter, airy spirit of Irish music-more like Kate Bush meets Moya Brennan.

Takes Forever expresses that hopeful longing for someone. The melody just breaks your heart. The Far Away Child is a vocal track with harp and guitar. Once again, I noticed the lighter and sweeter voice of Phil. Heart of Ice sounds like a song about heartbreak or loss.   Cold wind, Cold heart, Still life, Torn apart, Walls of ice, Carpets of snow, Cannot stay, And cannot go….

The album ends with Climbing Pendle. Have you heard how a harp sounds like through an effects pedal? This will tell you how. I thought it was a didgeridoo or something. It used used during the intro and the last part of the track. Climbing Pendle is one of the most memorable instrumentals I have heard in quite a while. If you like the music of Loreena McKennitt, Enya, Clannad, Chieftains and even Kate Bush then you will appreciate Twist in the Tale.

Order of tracks: 1: The Maids of Mourne Shore 2: The Raggle Taggle ypsies/The King of The Faeries 3: Looking For Moss 4: She Moved Through the Fair 5: Ye Jacobites 6: Takes Forever 7: Gerdundula 8: The far Away Child 9: Toss the Feathers/Scotch Sally 10: The Wild Geese 11: Heart of Ice 12: Whiskey You’re the Devil 13: Climbing Pendle

http://hollandandpalmley.blogspot.com/

To purchase the album, contact: lmcrecords2011@gmail.com

About Dave and Phil

The exciting and dynamic fusion of two such versatile musicians creates a sound that is as varied as it is unique. Rooted in Celtic music but drawing from their diversified musical backgrounds, Dave Palmley and Phil Holland bring to this musical communion all their decades of experience and insatiable passion for making music. Their contrasting yet harmonious vocal styles give added depth and texture to an already fascinating weave of instrumental sounds. Their repertoire consists of many traditional Irish and Scottish classics and lesser-known songs, jigs and reels, but Dave and Phil have also combined their song writing and compositional skills to create their own inimitable sound. Dave Palmley: Guitars(acoustic and electric),mandolin, bass, bodhran and vocals. Phil Holland: Celtic Harp and Electric Harp, violin, keys, bass and vocals.

Naia

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Celtic harp and flute. These are two instruments that sound like they’re made for each other. Flutist Nicole Rabata and harpist Danielle Langord will enchant you with their perky tracks. They make music that  sounds like it comes from the fairies. There is this lively and sparkling quality in every track. Portland is their home base. Hear more about them.

http://www.myspace.com/naiaduo

http://www.naiamusic.com/

Update:

Harpist Danielle Langord is working on her solo album which will be out, hopefully this September. She will update CMF when it is finally finished.