Celticmusic

Will Tun and the Wasters Time is a Bastard EP Interview

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Will Tun talks about the band, the music and their future plans.

A good week to you all. We have a new featured band this week and it’s Will Tun and the Wasters. Their music isn’t something you can just take for granted for the following reasons: Youthful energy, foot stomping beats, amusing lyrics and a style that appeals both to punk and traditional Irish/Scottish music listeners.

Their new EP is called Time is a Bastard. I enjoyed the five songs because they struck a chord in  me. It is good when music has the capacity to do that. It shows that we are all connected in some way beyond our cultural and geographic distance. As a fellow Asian, I am really rooting for Will Tun’s involvement in the Celtic music scene. Way to go bro!!!!

I got to know the band a couple of weeks ago and it was fun looking at the pictures of crazy things they did on their gigs. I think they are in the right track. It would be interesting how this band would progress musically. Fast forward to the future…say five years from now. That’s actually one of the questions here. Check out their video Community at the end of this interview.

 

 What can listeners expect from your new EP?

The new Will Tun and the Wasters CD “Time is a Bastard” is a 5 track release containing Pogues-Levellers inspired folk punk songs. It also veers of in places to include a gypsy song.

Lyrically it is varied, from narrating a story of getting drunk in Spain to running away with the circus as well as having love songs and political protest songs.

 How long did it get you guys to get together and then decide to form a band?

I met Declan the tin whistle player at a house party one drunken night 3 years ago and we took off from there. He soon introduced me to the rest of the Wasters. Our most recent recruitment has been in the form of a French Rapper, MC Amalgam who raps in the 2nd track “Community”. We intend to do much more collaborations with him in the future.

What were the challenges creating WTATW and also representing an eclectic blend of Celtic and Punk influenced music?

Most of the band members go to university in different parts of the country. Traveling long distances to a gig can take it’s toll after a while… I once did a gig, stayed up all night at the party that followed and then took the 6am train back across the country so I could make it took a compulsory lecture at 9pm…

but at the end of the day, we are all so passionate about making the music that we love and we’re having so much fun going crazy at our live shows that it’s worth the long distance travel.

We all graduate next year and plan to move into Bristol in the West Country so we can keep making music for the years to come. Hopefully, travel should become a heck of alot easier after this.

There’s not a huge amount of punk bands with Celtic influences in the UK circuit at the moment, and I think we set ourselves out by being the only one of the genre with an Asian front man and a French rapper. Musically as well we’re becoming more adventurous… Already in the last month, we have written a waltz, sea shanty and a gypsy jazz tune to give you a taste of the experimentation to come! We’re all excited about the years to come as we mature musically and begin to mix up our song style even more!

 Do you see a polarity between old and young listeners when they hear this kind of music?

I think there is a whole range of personalities and music tastes found in both the young and old generations. I think young kids nowadays are more likely to be open minded about music since they have grown up in a generation where access to different forms of music is but a click of the button away on the internet. Having said that, we have met some “old folks” who are just as open minded and insane as the young.

What is the creative process when you guys start writing music. From conceiving the lyrics, the melody to post production? 

Often I write the song acoustically and then take it to the band and we add in the melody and percussion. Other times another member of the band writes a chorus, a concept or create a chord sequence and I am left with the job of finishing of the verse lyrics.
The song “Community” is a great example of how we hope to write our songs in the future once we live together in Bristol. This is probably the best example of a song in the current Wasters repertoire where the song is composed as a full on team effort

Before going into the studio, what are the things that you bring with you and things you leave behind in terms of attitude.

When recording “Time is a Bastard” Aymeric our French rapper made us a brew of honey, lemon and ginger mixed with a spirit made from the extract of Pine Trees grown from the Alps, it did wonders for rejuvenating my throat after singing for hours as well as making me tipsy haha.
Our attitude in the recording studio we’d like to think is professional but that can be disputed at times…

What do you plan to achieve being in the band five years from now.

In 5 years from now, we hope to be still making the music that we love and playing mad festivals in England and hopefully around the world! We plan to release our first album in 2 years time so watch out for it!

 

 

 

Wow just think about it. They really have big plans. So let us go ahead and support this band. The music culture needs something positive, wild and fun.

This is a self-produced video of the first single-
COMMUNITY- from the upcoming release: “TIME IS A BASTARD” by WILL TUN AND THE WASTERS

Footage was shot in Reading by:
Stu Brooks- vimeo.com/user4610841/videos
Aymeric Voirin
Jared Dyer
Editing was done by Jared Dyer.

Lyrics

As the rich get rich and the poor get fucked
as the fear begins to creep
as the bombs go off and the nights ablaze
we return to Cable Street
and the wheels of history turn again
they’re looking for someone to blame
a media storm is coming our way
and it spins like a hurricane

Chorus
but I know where I’m from
and I’m no time bomb
Have some faith in what you see
this is our community!

we’re the underdogs, the alley cats
the rats trapped in a maze
we’re the immigrants that came to shore
and we are here to stay
the name of our enemy is fear and greed
it crawls beneath our skin
but music will always shine a light
from a single flame within

Chorus x2

Pourquoi s’assimiler à une catégorie de personnes
L’apogée du mimétisme quand le droit à la différence se prône
L’Homme siège, trône, bien haut sur l’absurdité
C’est l’esprit abasourdis que j’aspire à être compris
Comprends, qui veut, qui l’accepte et qui l’entends
Espérant de toujours plus recevoir plus d’enseignements
M’efforçant de réduire et ceci efficacement
Ces leçons pas comprises ou omises volontairement
Chaque être est unique, mais tellement se ressemble
Et c’est bien triste à dire, mais la connerie rassemble
Ne pas devenir aigri, en luttant contre la misanthropie
Aujourd’hui c’est aussi difficile que de connaître ses amis
Amis, sache que, l’époque veux que
On se tire dans les pattes en tout temps et en tous lieux
On cherche le bonheur et une vie toujours meilleure,
On cherche dans l’argent ce qui se trouve au fond des gens

Check their facebook: https://www.facebook.com/willtunandthewasters

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Featured band: Lachan

http://www.reverbnation.com/lachlanirishamericanfolkduo

Wow an Irish band based in Holland. I shall write more about them soon but have a listen to their reverberation link. I am sure you will find something that you like. There is definitely that unmistakable Dutch  flavour in their Irish music which makes it really interesting. It is hard to explain in writing you please have  a listen.

History
Marlies Janssens and Marc van Mulkom started Lachlan in November 2005. They were soon recognized for their own unique sound especially their rhythms that just pull you in. Within a very short period they were not only to be found in the Irish pub-circuit, but were also popular in all kinds of cafe’s and venues.

At the end of October 2009 Marc decided to leave Lachlan and Marlies was looking for a new colleague. It did not take very long and a few weeks later Wesley joined Lachlan. The partnership has already proven to be successful.

Lachlan is gaining popularity and appreciation in the Dutch folk world and you will have to hear them for yourself to fully appreciate their wonderful sound. Lachlan performs in pubs, clubs, cafe’s, parties and on festivals throughout the country. Check their schedule to see where you can catch them next!

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Flashback: Gaelic Storm – Titanic Set

We all know that Gaelic Storm earned international notoriety by appearing in the set of the movie Titanic.Remember that part where they do the Irish dance? Yeah that’s them. A blue ray DVD of the movie is going to be released soon. So watch out for this one. I love it when someone in the entertainment industry tips us about these things!

 

Dave Hum,Les Ramoneurs de menhirs,Velha Gaiteira, Connie Dover and Celtic Cross Stitch

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Featured Video: Les Ramoneurs de menhirs – Bella Ciao

Ah Celtic punk from Brittany. Forget the fact they don’t sing in English..well actually that makes it very ‘rebellious’! Hey the bombarde overpowers even the electric guitar.

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Album Review: Traveling Light by Dave Hum

Dave Hum

I have other Dave Hum albums so I say Traveling Light sounds different from his other creations. I will bring each one of them to your attention in days to come. For now we are going to take Traveling Light apart and discover its artistic merits. There’s a lot actually.

Groove: Most of Dave Hum’s albums are about instrumental prowess and great atmosphere. This one is an example of music  that crosses genres. You hear African, Reggae, modern rock and classical influences thrown in for the good measure.

Great Melodies: Every track in this album are very satisfying. Dave Hum has a thing for melody which is always close to Celtic music. Whither he is trying to make something new out of something old, his music has that ’ring’ to it. If you are a fan of certain artists, it’s that quality that makes their music recognizable as theirs. It’s like DNA embedded inside the workings of rhythm, melody, arrangement and song structure.

No loose ends from beginning to end: The opening track Chesters Tune is ear-grabbing. From that track up to the end track which is Grandad in the Lift, Traveling Light  will put you up your toes.

The Future of Banjo Music: Dave Hum has made banjo music in this album  accessible to a lot of listeners.There are great tunes with great beats and variety. Tunes like Lulworth Mermaid with its New Agey female layered voices and the uplifting Riders are testaments of his amazing artistry. This is an album for all!

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Submitted: Velha Gaiteira – “Bate lavadeira e Helena” (tradicional do Paul/Beira-Baixa)

A friend of CMF Pedro Fulano Lourenço submitted this video. I am pleased that friends are very passionate about Celtic influenced music.The voice reminds me of Hungarian folk singer Márta Sebestyén. Very lovely!

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Flashback:Connie Dover – Somebody

I first read about her in CD review magazine. That was around 1991. This album was creating a stir in the Celtic music scene. Back then, the scene was different. No mp3s and very few people have access to ‘elite’ music like this one. She is one of the great artists who paved the way for Celtic music to have a broader acceptance.

My heart is sore, I dare not tell, my heart is sore for Somebody
I would walk a winter’s night all for a sight of Somebody

If Somebody were come again then one day he must cross the main
And everyone will get his own and I will see my Somebody

Chorus
Ochon, for Somebody, Och hey, for Somebody,
I would do, would I do not, All for the sake of Somebody

Why need I comb my tresses bright, oh, why should coal or candlelight
Shine in my bower day or night since gone is my dear Somebody

Oh, I have wept many a day for one that’s banished far away
I cannot sing and must not say how sore I grieve for Somebody

Music: traditional Irish; lyrics: traditional Scottish
Adapted by Connie Dover
From the CD, Somebody (Songs of Scotland, Ireland and Early America) by Connie Dover

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Today in Pictures: Celtic Birds Cross Stitch by Paula.

I could not let this article pass without introducing this wonderful musician who explored the world of Celtic designs.

Celtic glasses case sewn for my mother —Paula
From the real of electronic music, Paula moved to cross stitch. She made amazing images with her Celtic designs and CMF is a proud owner of a lot of her works!

Classical Celtic

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Featuring: Emma Kate Tobia, Sue Aston, Noel Duggan, Karnataka, Denez Prigent(with Lisa Gerrard) and Celtic Tenors.

My dearest subscribers, welcome. It is raining while I am writing this and the weather can really change the mood. So we are going to go on a ‘softer route’ with classically sounding Celtic tunes-well, mostly- some old songs and and interviews I picked up off youtube. Weekend is here and August is almost over. It is amazing to see how the musical career of friends are starting to take off. This is probably the only site where you can find really eclectic stuff. I mean think about it: punk, traditional and new age all in one edition plus other interesting trivia along the way. But like I said, today we are going to go a little bit soft. I warn you though he next edition is going to be ear pounding.

Happy Birthday Sue Aston

http://www.sueaston.com

The Cornish diva of the bow is celebrating her birthday today. It was perhaps about two years ago when I invited her for an interview article. This woman is really down to Earth, intelligent and passionate about her culture. What are better tunes to celebrate her birthday than this beautiful Cornish dance tune which she performed and also one of her tracks from Between Worlds. Check them out!

Cornish Dance “Mazey Dazey” Sue Aston/Tros An Treys

Taken from the album ‘Between Worlds’ by Sue Aston Filmed in Cornwall UK

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Emma Kate Tobia

http://www.emmakatetobia.com

One of the songs by Emma Kate Tobia that you don’t get to hear in youtube so I took time to upload it for your listening pleasure. Have you observed that there are songs in any album by any artist that don’t usually get to be a single yet that song sounds really good? Next time I will have to find someone who works in the record industry and ask how they get together to decide which songs in the album become singles. This is the 11th track off her album Aisling na nGael. I recommend it if you are into classical type of singing and lush orchestration. I was raised in Classical music so I really dig tunes such as this one. And yes, the Irish part came a bit later. When you merge the two influences , the result is always amazing.

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Noel Duggan of Clannad Speaks About the reason why they got together again.

I was watching the Clannad performance in LiveTrad a couple of days ago. If you haven’t yet, you better subscribe to LiveTrad because they bring only the best in Irish music to the world. Try to read my interview with the people behind LiveTrad here: http://celticmusicfan.com/2011/09/12/livetradstreaming-traditional-irish-music-to-the-worldinterview/

Now going back to the video, Noel Duggan says here that they never really disbanded but concentrated in their individual projects. I think taking the time off from your band to hone your own musical styles can be a refreshing and creative thing would you agree? I am just so glad one of the best Celtic bands in the world is back!

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Featured ensemble: Karnataka

 ttp://karnataka.org.uk/music.php

That is a link to the track samples off the Celtic group Karnataka. Think of them as Riverdance, meets Gaelic Storm. They make big sounds and their live shows are always grand. Check them out if you like your Celtic music grand, big and theatrical.

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Flashback: Denez Prigent – An Hini A Garan

http://www.denezprigent.com/

Denez Prigent is one of the artists who introduced me to the music of Brittany. His voice has that haunting quality of a pinched pipe and the moving power of Gregorian singing. The subtle orchestration really highlights the beautiful singing between him and Lisa Gerrard. This language is Breton.  What is more compelling is the translation I found in this channel:

In English: An hini a garan (‘The One I love’) The one I love, before, when we were little at home when we were so near to each other My heart was loving only one When I was little at home, the one I love. The one I love, I lost forever Gone far away and will never come back And this is what I sing for the one I love. The one I love one day left me For a far away land A land that I don’t know Lost, lost one day, the one love

Wow I think this is one of the songs you would like to listen to in your room after a break up with someone.

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Curiosity:Facebook Celtic Tenors

http://www.celtic-tenors.com/

Wow curiosity brought me to this site. Frankly it is interesting to listen to how The Celtic Tenors talk. I was able to interview Matthew Gilsenan way back and I really expected him to talk that way. Here is the interview I did: http://celticmusicfan.com/2012/03/03/exclusive-interviewmatthew-gilsenan-of-the-celtic-tenors/

The Celtic Tenors are  on tour in China. Yeah, it is closer to the Philippines 😀

Celtic Punk, Wooden Flute, Northumbrian Pipes and Irish Inspired Prints.

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Stephen Ducke on wooden flute

Play it again Stephen!

I featured an e book about learning how to play the tin whistle by Stephen Ducke. I told you how amazing that book is. It has 430 MB of files containing music, texts and illustrations will be enough to give you all that you need to get you started. Well, this guy doesn’t just teach one instrument. He teaches a LOT of instruments including the wooden flute. He makes amazing music too. Just take a listen to his myspace page and it will give you a good impression if not tell you EVERYTHING you need to know about Irish maestro Stephen Ducke. He now lives in France. He also runs www.tradschool.com which I posted here from my previous article but didn’t realize who the man behind the site is.

http://www.myspace.com/stephenducke

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Featured band: Greenland Whalefishers

If you think Norway is just about melancholic Scandinavian music then you are wrong. The Greenland Whalefishers not just ruins the stereotypes, they also bring a kick…yeah more like a kick in the eye with their brand of Irish music or Paddy

Greenland Whalefishers

rock. Whoa! And check this out, this guys have been on the road for 16 years! They love what they do, they don’t apologize for the awesome music and they are performing live in the Czech Republic this week. Yes get your socks rocked with the Greenland Whalefishers!

http://www.myspace.com/greenlandwhalefishers

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Featured MP3s: Will Tun and the Wasters.

Will Tun and the Wasters

Don’t let their wacky pictures and band bio fool you. These guys are SERIOUS about their music. I was impressed by the amount of craft they put on every recordings. They are Will Tun and the Wasters, a young, fiery and energetic 7 piece folk punk-ska band from Reading, England.
They occasionally add in a bit of gypsy to their song repertoire as well as collaborating with a French Rapper called MC Amalgam!
These 3 tracks  are from our latest release “Time is a Bastard”.

http://www.reverbnation.com/venue/318780#!/willtunandthewasters

https://www.facebook.com/willtunandthewasters

They have an interesting bio:

Deep in the winter of ’09 a lonely group of introspective alcoholics (AKA The Wasters) who were sick of having nothing to show for their drinking, decided to legitimise their actions by forming a band. Naturally this was to be a folk-punk band. One fateful night at a party after a few, the ebbullient Burmese violin/guitar maestro Will Tun steps on to the scene and a union is formed. The only trouble is he doesn’t know how to drink and he likes coldplay. Thus begins the fusion of two opposing worlds into the weird, smorgas board band dynamic of Will Tun and the Wasters. The Wasters learn to play music properly (kind of), Will Tun learns about punk rock and cider and somewhere in that process some songs got written.

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Featured Video:Kathryn Tickell – ‘Lads of Alnwick’

Kathryn Tickell and band (Peter Tickell – fiddles, Joss Clapp – guitars, Julian Sutton – melodeon). Song taken from a live set recorded at The Zodiac, Oxford. 8th September 2004

Prior to hearing her through The Sky Didn’t Fall with Corrina Hewat, I already posted a video about her. But you don’t really get to know an artist’s music unless you listen to an entire album. The northumbrian smallpipes are really great to hear and no one plays it like the way she does.

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Today in pictures: Eva McCauley

Have you seen the works of Eva McCauley before? If you haven’t check them out. Intense stuff. She is a painter and print artist. Well, it was a surprise to know that he is also the mother of famous bodhran player Jacob McCauley.  I never realized Jacob has an awesome mom! Eva is the Founder & Director of Riverside Celtic College,  in Guelph, Ontario. These images are about her latest exhibit.

Eva McCauley: Painter and print artist.

More of her artworks can be found in her official site: http://www.evamccauley.com

Interview with Gilles H (Daonet) for the album “Donemat”

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Plus: Lúnasa video and new releases fromAndrew “Slim” Black,  Michelle Mulcahy and Eliseo Mauas Pinto.

Gwendal Meillarec, Herve Briand and Gilles Bogzh-daonet.

I am glad to discover the band Daonet from Nantes. They are a fine addition to our ever growing collection of Breton artists. They play catchy rock oriented music using Breton language. It doesn’t matter if you don’t speak the language. The music is fun, catchy with just enough loudness to awaken your caffeine deprived family members. The lead vocals of Gwendal Meillarec (he also plays the flute) is strong but not imposing which is a good thing. He sometimes mimics the sound of the bagpipes with his guitar tuned in a unique fashion using great effects.

My guest Gilles H  mostly plays bass guitar. He explains : “I personally mostly play bass guitar except on O’surfin on which we play with 2 guitars (Gwendal on chorus me in rhythmic guitar and after we exchange the roles). On stage I also play synth sounds controlled by my bass (organ, guitars sounds etc.) or my guitar on “O’surfin” (upright bass sound) but on the CD, I’ve used this sounds on “Marv Ponkalleg” intro and one effect on “Nerzh-kalon”. The drums of Herve Briand make the crunch! If you read further,  Gilles gives us an in-depth look at the Celtic music scene in the whole of France not just in Brittany. Here, Gilles uses the terms Breton and Celtic to differentiate the specific from the general.

You made a different treatment of Tri Martolod..it has a  more energetic and punk feel. What are your expectations in terms of people’s reactions to this song and those who are loyal with Alan Stivell’s version?

Yes we play Tri Martolod on stage in our way since 2003, 2004 I think. The reactions to our interpretation of this traditional song are always good, never any complaints 😉 people sing and clap their hands every time 😉

Daonet means Damned in English. Why did you choose that name for the band?

We are from the town of Nantes = Naoned in Breton language and there is an expression from Brittany “Mont da Naoned da c’hortoz bezan daonet” = going to Nantes waiting being damned, an expression referring to people from west part of Brittany who had to go to Nantes to get a job in the 19th century. The 12th track of Donemat album, “Mont da Naoned” is a folk-rock style song based on this expression with a parallel on  nowadays people who have to migrate to find a job … Paris or elsewhere on the planet …

 How about giving us a brief background of each band member?

Gwendal founded the band in 2000. He is an electric and acoustic guitarist. He also sings, and plays tin whistle. He writes lyrics mainly in Breton or in French.

I (Gilles) have joined the band in 2002. I play bass guitar, upright bass, synth guitar, and I also sing.

I’ve played in the late 80’s and early 90’s in a Celtic rock band from Vannes called Tan Flam. I’ve also played, wrote and sung in rock, rock’n roll, blues-rock bands  ….for example Bogzh ! with Hervé on drums …

Hervé has joined Daonet in 2006,  he plays drums, derbouka, djembe, cajon etc. He played in different music styles band before Daonet : rock, punk-rock, blues-rock …

 What can we expect from the band this year?

We have recorded “Donemat” with guests’ participation on violin (Frédéric Bouley) and bombarde (Olivier Arz). We have played some concerts with Olivier. We also played in acoustic configuration (acoustic guitars, upright bass, cajon and voices). These different configurations may be developed in the future for live and recording events …

Booking / tour +33 628 362 994

 Where can listeners purchase their copies of Daonet CDs and mp3s?

The latest album “Donemat” is distributed by Coop Breizh, so dealers may have access to this record. It is also available on Daonet’s website http://www.daonet.eu/ as the previous CD “Rok a raok”, the different albums are also available in numeric version on http://daonet.bandcamp.com/ .

Donemat is also available in MP3 on itunes, Amazon platforms … It is also possible to discover the album through Deezer, spotify …

What are the festivals around France that you guys have been to?And what  memorable things  happened during these shows? 

We played for the “Festival des filets bleus” in Concarneau (Brittany) 1 year ago opening for Gilles Servat with 10 000 people attending, we were announced as the “coup de coeur” of the festival… It was great. We’ve also played for “Celtival on the rock” in Guemene-Penfao with Dom Duff and Muray Head, for Festival des nuits salines in Batz-sur-mer …

It is not a festival, but a fest like the St Patrick fest for Ireland, in Brittany around the St Yves day / Gouël Erwann may 19th there is Brittany Fest organized since several years and promoted by Brittany region, we play during this period in different contexts. We played for example, few years ago in Rennes with traditional music bands, “Les Ramoneurs de menhirs” with their special recipe mixing traditionnal music and punk music and also a punk-metal-fusion band singing in Breton … This year we played for one of this concerts for the Brittany Fest in Nantes for or the first Breton language fest in Loire Atlantique. We are also asked for playing every year for the St Patrick day with Irish music bands (traditional or rock bands). We also play sometimes our music in concerts with no Celtic, or folk theme, with rock, blues-rock, punk bands etc. for concerts organized by bikers that sometimes are a little afraid of songs in Breton but when we ask if they understand the lyrics of English singing bands this stops their fear and they often recognize that  even some French  singing bands are not so easy to understand ;-).

Tell us about making the album Donemat. How do you gather materials etc. Can you tell us the procedure down to the final mixing?

Most of the songs were played on stage several years before they were recorded but in the beginning of the new record project, we’ve selected the songs (with 2 traditional songs “marv pontkalleg” and the Brittany anthem “Bro gozh ma zadoù”) and we stopped playing others songs, new songs replacing the previous ones. We worked the titles adopted in studio versions exclusively with the strict tempo of a metronome on every rehearsal during at least one year. We recorded with Arthur Lauth, who manages when this is possible our sound on stage, in a one day captation + mix, a pre-production recording of the 12 titles. With this pre-production CD, we met several sound engineers to find the studio allowing us to get the recording we were expecting with an agenda matching ours ;-).

At this point of the project, we had the agreement of Coop Breizh for the distribution of our album in France. We also had a contact with a painter / illustrator Brucéro to order him a drawing for the CD.

We chose to work with a brand new studio : Woodbox Studio near Nantes – managed by Jeff Ferrand that worked before in others studios.

We began the recording in the end of may 2011 with drums and bass tracks (electric basses and fretless bass) in 2 week-ends.

Followed later by Gwendal during a week electric and acoustic guitars parts, a keyboard track on the slow song, tin whistle, and we recorded voices.

Two guests recorded after then theirs parts in other sessions :

– Olivier Arz (we played together in Tan Flam group long time ago) played bombarde on three tracks, we worked together for several rehearsals with Olivier with the complete band, or with guitar, bass and tin whistle/ bombarde.

– Frédéric Bouley who plays violin in numerous bands (Breton, Irish music) recorded on the song “Mont da Naoned”, we worked with him and Gwendal in rehearsal (acoustic guitar, upright bass, violin), and with a first mix of the tracks already recorded of this title.

We finished the choirs, Hervé recorded Derbouka and Djembe, I recorded upright bass licks with the bow on “Mont da Naoned”, synth guitar on “Marv Pontkalleg” intro and my rhythm and chorus guitar parts on O’Surfin …

Jeff did the mix with some adjustments after listen sessions with the band. We defined the final order for the titles and then the mastering process was done in a specialized company.

My brother Lionel took pictures of the band for the CD and newspapers, he also did the graphics of the Digipack including the booklet with lyrics etc. with the character Brucéro drew for us.

The CD was then manufactured in the first week of January 2012 and sent to stores in February by Coop Breizh, we also sent CD to fans who pre-ordered and organized a concert in Nantes to invite fans for this disc availability.

Do you think Celtic Breton is stronger now than before?

I suppose that you ask the question of Breton music . Is it stronger ? It is always present. In Brittany there are many bands playing traditional music : bagadoù created on the model of pipe bands. There are fest-noz bands (fest noz can be translated in night fest) and they play music to make people dance traditional Breton dances. They are very active. There are also Celtic rock bands and some Breton rock bands. They play songs written in Breton, in Gallo with or without traditional, Breton or Celtic music influences. The success of Celtic music and of Breton music for masses is cyclic in France. Alan Stivell, Tri Yann, Soldat Louis, Manau (Celtic rap), Armens, Dan Ar Braz, Matmatah (their first album), Merzhin etc. had a very good success in some periods, Nolwenn Leroy with her cover album of best of traditional songs in Breton had been a big success recently.

The scene for Celtic music and Breton music is always present here, especially in Brittany, where the festivals are very popular and numerous (Festival interceltique de Lorient, Nuits salines in Batz sur Mer, Filets bleus in Concarneau, Festival de Cornouaille etc. In the Festival des Vieilles Charrues in Carhaix-Plouguer  it is much more rock and pop oriented,  but a stage is reserved for Breton music). But bands playing Breton music are not only present in Brittany. In every region of France there are Breton associations including a bagad, a “cercle celtique” (breton dance group) promoting Breton music and Breton learning in the region where they live. There are also Celtic rock, folk-rock bands in the different regions playing Breton, Celtic inspired music…

A band like Daonet mostly plays rock sung in Breton language to promote its use, its learn that was in the past reduced in use by the action of France (interdiction in French schools).

Daonet band is based in Nantes, a town that officially is not a part of administrative region Bretagne, the department of Loire Atlantique was in fact removed from the historic Brittany to create an artificial region called “Pays de la Loire”. Numerous songs of Daonet are based on Brittany and Nantes history, and the use of Breton language for a band from Nantes in this context is of course a  symbol. Others bands from Nantes that don’t still exist played Breton rock sung in Breton, EV and Tri Bleiz Die for example, (EV guitarist-singer Gweltaz ADEUX plays now pop-rock songs in Breton), the band Tri Yann that exists since the 70’s, plays Breton and Celtic music with some songs in Breton language is also based in Nantes.

https://www.facebook.com/daonetrock

http://www.daonet.eu/

http://www.myspace.com/daonet

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Featured Video: Lúnasa”The Merry Sisters of Fate”

Called “the hottest Irish acoustic band on the planet” by the Irish Times, Lúnasa performs live from the intimate confines of The Burren Irish Pub in Somerville, Massachusetts. Named for an ancient Celtic harvest festival in honor of the Irish god Lugh, patron of the arts, Lúnasa is made up of some of the top musical talents in Ireland. The current lineup includes:

Seán Smyth — Fiddle, Whistles
Kevin Crawford — Flutes, Whistles
Trevor Hutchinson — Double Bass
Cillian Vallely – Uillean pipes, Whistles
Ed Boyd – Guitar

The Burren Backroom Series is hosted by Brian O’Donovan of A Celtic Sojourn on WGBH Radio.

Subscribe to our YouTube Channel WGBH Music: http://www.youtube.com/subscription_center?add_user=WGBHMusic

Audio Engineer: Antonio Oliart
Camera/Editing: Greg Shea
Camera: Annie Shreffler
Producer/Host: Brian O’Donovan

My big thanks to Greg Shea for this one.

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New Releases:

Slim’s forthcoming LP, ‘Gallows Tree Tales’, is a barn-storming folk-rock romp through tales of love, loss, booze, laughter and madness. With big productions, there’s everything from americana rock, celtic folk, country balladeering, and even a gospel choir thrown in for good measure. Once the record’s released, you’ll be able to buy it here, and there’ll be a full band tour, gigs-aplenty, and of course, a fair few ‘Gallows Tree Tales’ to tell. Get it here: http://www.slim-music.com/tcms/home

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Michelle Mulcahy, Suaimhneas (Cló Iar-Chonnacht)

Read the wonderful review here: http://www.robadamsjournalist.com/index.asp

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The Celtic Harp  By Eliseo Mauas Pinto

“The Celtic Harp” is a very interesting quick guide not only approaching to questions regarding the origins of its name, its history and revival, but also to the surviving types, suggested Celtic Harpists, and a list of related external links. https://www.smashwords.com/books/view/210054

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