Plus: Manau, Jeremy King,The Levellers,Dead Can Dance New Album Anastasis,Rachael Mccormack,Dom Duff and the spirit of the Olympics!
Be ignited or be gone
-Mary Oliver
Life is about passion. It is inspiring to see people doing something again and again despite being ignored. There are those who do art because for them it is an outlet-or a sickness however you want to see it 😀
folkbyfarr.co.uk
Today, CMF highlight’s the talent of bouzouki player Eamon Doorley. Those who own records of Danu and Julie Fowlis already recognize his name in liner notes. His sound is warm, luminous with the delicate playing style that is his own.
Hearing him play is like listening to a pouring water. Eamon Doorley and Julie Fowlis had little Aoibhe born on Christmas eve last 2009. 2012 is a good year for the couple. After taking part in the big animation The Brave, they are back on stage for more musical performances.
Here is a video by Julie Fowlis. The song was used in the movie The Brave. This time, Eamon Doorley gave his bouzouki a rest in favour of a guitar.
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New album by Manau
Fans of Celtic rap artist Martial Tricoche who created Manau have the reason to celebrate. This year is the release of the new album Panique Celtique. It has been a while since the release of their last album that spawned the hit La Tribu de Dana. That song features a sampling of Tri Martolod by Breton harpist Alan Stivell.
The video of the carrier single La Rumeur is medieval by design, inspired by the burning of heretics. The new video is a follow up single called Le curé et les loups is now available for viewing. I don’t know if it is just me or the theme of the video La Rumeur borders on S&M?!! Anyway I am glad the Breton rapper is back. It has been years and he is surely missed by fans.
Happy Birthday Jeremy King of Poitin. May you have more birthdays to come. May you always touch listeners with your music and also inspire young bands to do more and be the best. Slainte!
Listen to The Congress Reel by Poitín
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Flashback: The Levellers
Remember the good old 90’s and this band? We are back to Doc Martens and of course the Celtic folk/rock band The Levellers. I think I got into their sound at the same time I got into The Paperboys. Back then, Celtic rock was new to me- having been exposed to New Age music and traditional folk. Great tune. Nice memories.
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Dead Can Dance Are Back!
Dead Can Dance isn’t exclusively Celtic, but they blend Celtic elements to their Gothic/Medieval inspired World Music. I bought my first DCD album on cassette tape in the early 90’s following Everybody Else is Doing it So Why Can’t We by Cranberries and Banba by Clannad. What can I say? The early 90’s was cool for Irish music and everything unique. After listening to insipid and forgettable music of my high school years, college was an exciting stage in everything musical. Dead Can Dance made a huge wave in my musical taste. How can one forget the haunting quality of Lisa Gerrard’s vocals as she delivered”The Wind that Shakes the Barley”? I think Brendan Perry’s “I Am Stretched on Your Grave “ is still my favorite Halloween music.
I really jumped with joy when I heard that they are now touring and has released a new album called Anastasis after 16 years! Wow 16 years. A child born after The Spirit Chaser would already have relationship issues by now! Or a dog would be so old it would have passed away by this time. 16 years….Did you know that they have a track available for free download? All you need to do is sign up for their newsletter through their official website.
Tracklisting for Anastasis 01 – Children Of The Sun 02 – Anabasis 03 – Agape 04 – Amnesia 05 – Kiko 06 – Opium 07 – Return Of The She-King 08 – All In Good Time
“I can think as far back as 6yrs of age when I’d be tugging at my mams jumper saying I want a guitar, or I’d make one out of a shoe box and shoe laces hahahaha. So Dublin to me is one big song with many choruses. Let’s face it, us Irish know how to party, so adding the music element is like water from a tap: It comes naturally I guess,we’re a nation of storytellers and the songs are there to guide us along the way”.
The Celtic Music Fan mourns for the passing away of someone close to a dear friend. He is flying to Scotland for the funeral of his grandmother. He helped me make this site what it is now. My heart goes to him and his family.
Plus: Somerset Folk Harp Festival, Athas’tour pic and schedules, Celtic vampire novel by Karen Victoria Smith and Delta Rae …so emotional and beautiful!
Scottish harpist Rachel Hair notes down her tips on how to get into this fascinating musical instrument: The Celtic harp!
It was through my discovery of harp music that got me started in perusing the web for more resources. I think it was my interview with Scott Hoye and his invite to join the Celtic Harp facebook page made this interview with Rachel Hair possible. The Rachel Hair trio brings something fresh to harp music. There’s unmistakable groove, atmosphere and optimism the first time you listen to any of their tracks. Interviewing Rachel deepened my respect and admiration for her music and her band. She is one of the great contributors to the forum lately while being out joining the Manx music festival. She kept everyone updated with pictures and links. I even got my Maeve Gilchrist through her recommendation. Everyone in the Celtic Harp community is very supportive of each other. Eric, Scott, Rachel, Corrina, Amy and the rest keep the community alive with their ideas and presence.
Rachel is very enthusiastic to share her thoughts with everyone. Especially those who are planning to study the instrument but might have doubts that hold them back. I like her in-depth way of answering questions. I am sure you will enjoy this and add it to your bookmarks for reference.
How do you describe the Scottish folk scene these days ? What’s the trend in terms of playing, the instruments and also the general band image that the listeners are warming up to?
The Scottish folk scene has gone from strength to strength and over the past 10 years has had a real upsurge of talent and creativity. I think its one of the most creative folk scenes in the world. You have musicians who know their tradition well and can perform it fantastically but are also creating and adding to the tradition. More than ever musicians and bands are writing new music and presenting it in an ever creative and evolving fashion… its not just about playing tune after tune anymore. Bands are getting really into big arrangements and taking the listeners on a journey to what is becoming the new tradition in Scotland.
Theres a lot of cross genre music making too. I live in Glasgow, Scotland’s largest city, and a hub of creativity amongst musicians of all styles. Folk, jazz, indie, rock and classical musicians are not only mixing with each other socially but are musically creating new sounds together. The results of this are now being on seen on stage and festivals such as Celtic Connections are a great supportive platform of this allowing it to be brought to the public’s attention.
With friends.
Your tunes are always rhythmic and is also filled with arrangements that glow of atmosphere…how do you value atmosphere in songs? Others are more into technique and speed. Do you think it is essential in every Scottish and Irish recording to have a sense of atmosphere or ambience?
I like to create records and shows which take listeners on a journey, giving them opportunities to tap their feet along, dance but then also give them opportunities to reflect and feel the emotion of the music we create. One of the tunes we most enjoy performing as a trio is the haunting melody “Cancro Cru”. We really get emotionally involved in the tune and this is often felt by the audience and commented to us after.
I don’t think its necessarily essential that every recording gives a sense of this atmosphere but I do think its important that musicians and bands try to give an impression of what the atmosphere their live show creates, through their recordings.
You have been active these days especially during festivals. What are the things you learned being musician, in terms of traveling with ease? Tips you can give us? I remember what Scott Hoye said about harpists..it’s not like playing the fiddle where you can toss it and go. Harpists carry this huge instrument.
Preparation is the key! I often fly with my harp. Living on a large island (Britain!) means that any gig I do outside the country means a flight. I always phone up the airline in advance and let them know I’m taking a Celtic harp and ask them to make a mark on booking. I’m always very casual on the phone and make it clear that its not that bigger than a suitcase, weighs less than 20kg (normally less than my suitcase!) and that I fly all the time without difficulty.
It used to be that I could take it for free, but now you just have to accept that you have to pay for it. Most of the large airlines just see it as an extra piece of hold baggage and this can usually be paid for in advance which makes life easy.
Its always important to be sure that the car that will pick you up will have room for you, your suitcase and your harp. To be honest mine is actually quite small in its flight case so this is normally no problem.
I also have a protective fibre class flight case for my harp which is very easy to move around and protects it well. I tend to tape up the clasps on it too for safety too. I also put pieces of polystyrene pipe round my levers inside its cover, to protect them further.
What are your suggestions for both artists and enthusiasts about this type of music and making it grow? We have the technology and tools but what do you think are the things that each of us can do to improve and expand the scene.
I like to use social media to connect with people… through Facebook, twitter and youtube. Its a great way of keeping in touch with your fans and new people are discovering my music through these ways every day. It also gives me the chance to promote other music, that isn’t always mine. Bands and groups that I like that I think deserve to be heard. I like to post videos etc. of them to help their music grow and get to new people. Its definitely a worthwhile thing to get into….facebook, twitter and youtube and free to use so you’ve nothing to loose!
What tell young people who find harps fascinating and want to study it?
Rocking out the Scottish reels — with Maeve Gilchrist.
Get yourself to one of the harp festivals and try it out for yourself! I’m on the organising committee for the Edinburgh International Harp Festival and it coming along to a festival like it really is a great way to discover harp music. You can join a beginners course and have a go, visit the harp exhibition which has all the top makers in Europe showing of their harps and you can go to some of the concerts. Harp festivals really are a great way of experiencing everything “harp”. You also get the chance to meet harp players young and old, of all levers from beginner-to professional. We’re all a very friendly bunch.
Who are people who influenced your growth as an artist through the years?
When I was at university in Glasgow, studying music, my harp teacher was Corrina Hewat. She was an incredibly encouraging teacher who really pushed me to discover my own style of playing. We don’t really play in the same way and I think that’s a testament to her as a teacher.
A lot of my friends are professional musicians, Jenn and Euan who play in my trio, Jamie Smith who plays in the group Jamie Smiths Mabon and Gaelic singer Joy Dunlop. We’re all very very head strong and passionate at what we do and we’re very good at encouraging each other to keep going and achieve our dreams and success in music.
What’s your biggest goal in life.
Well to be happy, and to be fulfilled both in my personal life and in my musical life. simple!
Everyone got a harpful for 4 days! People who are very enthusiastic about harp music(including yours truly) will keep this festival on the calendar. Some of the big names in the community attended: Chris Caswell presented Guerilla Music Theory. There’s also Breton dancing( this is really fun!) led by harpist Clotilde Trouillaud. For people who wanted to pick up a handy instrument enjoyed the tin whistle workshop. Maeve Gilchrist whom we presented in this site was also there teaching techniques.
Other notable musicians:
Peacocks Feathers: entertained with Irish & Scottish tunes & songs during the lunchtime concert in the Atrium.
Debbie Brewin-Wilson lead the 3-day Basically Beginning workshop.
Nicolas Carter on the first of his 3-day class on Paraguayan harp. He’ll also help out Tracy Gorman in the Paraguayan Dance class at 3:30pm.
There’s Billy Jackson in his workshop on Scottish Harp of the 17th century yesterday. Right now he’s teaching Composing in a Traditional Style. By the way I have one of his albums!
Thanks to Scott Hoye who is up to date. He’s the source of this news.
Synopsis: At thirteen, Micaela O’Brien was found wandering a pasture in Ireland, the sole survivor of a mid-air explosion. Now, as a successful investment banker, she will discover that Wall Street has fangs and claws. When international power brokers, creatures hiding in plain sight, threaten her and those she loves, will this heiress to a Druid legacy deny her power and let loved ones die again?A thrill ride of money, monsters and murder across the globe.
According to the author
: 2 DAYS left to get Dark Dealings for Kindle on sale for $1.49. 1/2 royalties 2 Kick #Cancer Overboard.BUY,read,review amazon.com/Dark-Dealings-… Read the novel described as Trueblood meets bluebloods with a 4.4/5 rating on Amazon. Price goes up August 1
Tataratat! The Gothic Celtic in me loves it! Twilight fans sorry but I think Karen Victoria Smith does more than Stephanie Meyer. Nothing is better than Vampires and Celts in one book.
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Our featured band Delta Rae
Take a look at this official video by Bluegrass fusion band from North Carolina Delta Rae. I love the concept. It is both funny and creepy. The voice of Brittany Holljes has a powerful quality in a pop sense but with New Age delicacy. There are also male lead vocals occasionally. The music has a knockout rocking quality but with the atmosphere of Sarah McLachlan. It is a band that will appeal to fans of music categorized as folk/rock or country with chillout moments. My favorite track from the band is Holding On To Good because it is really explosive and glorious and the sound just floods through you. So beautiful! But wait till you hear Surrounded, a moving and mesmerizing track that builds up into a glorious release- a crashing wave of sound, angelic harmonies and earth ravaging meteor or emotions.
Members:
Ian Holljes (vocals/guitar) Eric Holljes (vocals/keyboard/guitar) Brittany Holljes (vocals/percussion) Elizabeth Hopkins (vocals/percussion) Mike McKee (drums) Grant Emerson (bass)
Plus: Celtic inspired Goth band BKR, Soundtrack for the ships, Sliotar pictures, Flutatious 2nd album, free mp3 download, artist sampler Philip Knight and the joy of music!
It it fascinating how much we can learn from our history. It is also surprising to learn how much we have departed from our old selves given a year or two. Sometimes, we lost the original cadence of our words that made people listen to us. Like natural elements, people around us,the things we read and the things we do-or LIFE itself- can have huge impact on how we present ourselves to the world. I was reading my old articles and marveled at the things I stop doing. There are no longer those highlighted words or links attached to words that make reading colorful. No wonder I bore myself easily haha. So on with the news:
Brendan Mulholland Creates a Super Impression
The name Brendan Mulholland has cropped everywhere especially in traditional sessions. It is no wonder why he gets a lot of gigs. His energetic flute playing is one of the finest. His style appeals to both young and old. I think his simple/minimalist approach in recording makes him stand out from the rest. An electrician by day and a full-time musician by night, it amazes me to think that he is also a dad!
Fox in the Town Set with its pattering notes creates an impression of drizzle. The Dregs of Birch has that head swaying melody that is filled with summer sweetness. His works are all great tracks that make his playing unforgettable. My druid is getting impatient to hear his new album Jean’s Hill (2012). I will do a track by track review when I have it and I promise you readers, he will be our featured artist!
They have been getting attention in the web lately as: A fusion of Gothic music with Celtic folklore. Hmmm.. so far I have no direct reference for the band except the name BKR. I don’t even know what that stands for. Do you know? Would you care to share with us what you know?
Three ships are arriving in Nova Scotia and how Layne got entangled with the Ceilidh
Noon in the Philippines means might time in Nova Scotia. I popped Layne a conversation. He was busy the whole week because there will be three ships arriving tomorrow. The town has a huge ship that stays docked the whole year round. He is excited about this event. I thought I’d go ahead and recommend a soundtrack for the event. So I gave a link to that Enya video up there. I said it is a good
A replica of the ship Hector which arrived in Pictou in 1773 carrying settlers from Scotland – the Mayflower of Pictou County. It sits next to the Hector Heritage Quay Museum. From http://www.novascotiaphotoalbum.com
soundtrack for the event. He said he will sneak to the sound booth and blast it through the PA. He said that’d be awesome. Lately he has made himself into the circle in the DeCoste Centre where he worked as part of his summer job. I said he is da mafia man of music now. As for the sound guy he is friends with:
“Super nice/smart guy, really knows his stuff. I’m learning a lot about live mixing from him. since I’m interested, he’s letting me work the board more than he usually lets the summer students.”
“I got to mix a ceilidh last night with a piano, 2 guitars and 2 fiddles. plus 3 vocals, it was really fun.”
“Really? How did you end up with a ceilidh”? I asked.
” We do a ceilidh every week for 3 nights, its really fun”.
“Wow well if you get mixed up with the ceilidh again tell me about it so I can write something about it.”
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Album review
Flutatious 2
Track List
1.Wendel The Witch
2.Consumption
3.Dragonfly
4.W.O.W
5.Springtime on the Hill
6.Somewhere’s near to Nowhere
7.Haste ye Back
8.Morning Star
9.Drunken Drummer
10.The River of Ae
This album took me more than10 listens before I decided to post a review. There are things we ignore about a song( or an entire album) with just few listens. Flutatious is a band that is both complex and minimalist in its approach sound recording.
Headsets or speakers, the slick production qualities are notable. This is a further step from their debut album. The style becomes well-defined. It seems that the band deepens whatever kind they based their influence in this album, composed of 10 songs.
Tracks like Wendel The Witch and Consumption come out with adventurous sonic blows that really defines the band’s eclectic style. There are slow tunes like Haste ye Back and River of Ae that nod on their New Age roots but tracks like Dragonfly and Drunken Drummer clearly define their Celtic heritage.
I recommend that you should NEVER skip a track when you listen to an album because it is like a journey. Every track tells you a story or a piece of a puzzle that completes the whole mystery which is the album. I prefer albums as opposed to singles.
An album is like a cathedral. Every track contributes to its architecture. What I see in Flutatious 2 is a great body of work. I can’t wait for the next album!
1. Men Selevan (St Levan’s Stone) 00:00
2. Tamsin (Tamsin) 03:35
3. Maria Wynn a Gernow (Blessed Mary of Cornwall) 06:46
4. Dhe Vlamya yw Hi (She is to Blame) 10:43
5. Karoryon Porthgwartha (The Lovers of Porthgwarra) 13:49
6. Dehwelyans an Marner (The Sailor’s Return) 18:50
7. Myrgh an Mor (Daughter of the Sea) 22:59
8. Kyns ty dhe vos (Before You Go) 26:56
9. Spyrys agan Tir (The Spirit of our Land) 31:14
Drumkit, Bodhran, and Percussion performer/educator from Tasmania Australia
Listening to Jeremy Sibson is awe inspiring. He can play the percussion instruments to make them tonal-even emotionally delicate! His collection of various drums can make a percussionist drool. Just take a look at his gallery. His repertoire extends beyond Celtic to include Broadway, Jazz and even Modern Rock. Other than being a musical performer, he has also written and engineered tracks for other artists. I attached two videos. The first one is at a recent Cygnet Folk Festival. The second one is from Miss Saigon.
A Bodhrán Solo by Jeremy Sibson of WhistleBlower performing at the 2012 Cygnet Folk Festival
After seeing the massive percussion set-up for Miss Saigon, a lot of people were curious to see Jeremy and Robert in action. Here’s your chance. First of 3 videos from the Hobart season of Miss Saigon. October 2009. This is the percussion 2 part as played by Jeremy Sibson on opening night.
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Website update:
Jeremy Sibson’s current project is a huge one. He is in the process of writing an article on Tipper Grip for various styles of music that Bodhrán Players come across. This involves sending out a survey form to hundreds of Bodhrán players around the world and then compiling their answers and PoV photos and then trying to make sense of the findings. This is on-going as the questionnaires are still coming in. The questionnaire is located below this article for those of you who wish to be part of this survey. Just copy and paste into Word (or similar), fill out, attach your PoV photos, and then email back to me at the address below.
Bodhrán Grip Questionnaire.
Do you use more than one “grip” or style?
Do you often use more than one tipper? If so, how many and what sort (ie: Maker’s brand or description)
What brand/type of Bodhrán do you usually use?
Do you use more than one Bodhrán for your usual gig?
Do you have a favourite Bodhrán?
Do you use different Bodhráns for different musical situations? If so, can you describe why you would use the various drums for the different circumstances.
Can you please attach a clear photo showing the grip/s you use for holding the tipper in each and every style you play (eg: Top End, Kerry Style, etc.)
Thank you very much,
Jeremy Sibson
Please return this questionnaire to: jeremysibson@hotmail.com
The mandolin of Joe Khoury is one of the best sounds you hear in Molly Ramone. They are from Nashville TN playing a combination of traditional and original tracks. I think a lot of interesting Celtic musicians are found in Nashville. Do you remember the Chieftains once held a concertover there and released it as Down the Old Plank Road? It is still one of my favorite DVD releases. There are ballads and Celtic rock songs in Molly Ramone’s live shows. Lead vocalist Mark Harriman has a versatile voice. He can sing really softly and belt out tunes with such terrific range. Skins man Dave Harrison maintains the nice beats, while grooves man Bruce Wallace has it going all the time.
Molly Malone is a feel good American Celtic rock band with a lead vocalist based in the UK.