Kernunna and other great tunes from Brazil.

Kernunna

Kernunna

Band:

Album:TBA

Type of music: Folk/Prog/Rock

Members:

Alex Navar (Braia) – Uilleann Pipes, Tin e Low Whistle
Bruno Maia (Braia/ Ex- Tuatha de Danann (Vocal,Guitar, Flute, Banjo, Bouzouki and mandolin)
Daiana Mazza (Transfônica Orkestra) -Violin
Edgard Brito (Tuatha de Danann and Braia) -Keys
Diniz (Band Nevermind Tribute to Nirvana) – Guitar and Vocal
Khadhu (Band Cartoon) – Vocal, Baixo, Violão, Cítara and Esraj
Rodrigo Abreu (Tuatha de Danann) – Drums

Ever wonder what I do when I am not reviewing albums? I get in touch with musicians who appeared in this site and talk about musical things. The plus side of being a music blogger is that you get to be friends with a lot of artistic people and they are always willing to help out in promoting other artists. One of those is Jp Kallio of Sliotar. He told me about musician  Bruno Maia from Brazil. Bruno has been involved with other Celtic bands like Braia and  Tuatha de Danann. His current project is called Kernunna.

The seven members are from Minas Gerais Brazil. The music of Kernunna is Celtic metal in the vein of Tuatha De Dannad and Irish counterpart Cruacan. What differentiates them from the other metal bands is the use of mainstream rock vocals.Yes not the low doomy singing like that of the late Peter Steele. Think of what happens when Megadeth goes Celtic/folk. The music can also be described as Continental Celtic with world/ethnic influences on top of the high energy metal delivery.

I noted how the band handle the softer side of the music. If they give so much energy in their high powered tunes (like in the case of The Seim Anew), then expect nuance and expressiveness in their instrumental/traditional based tracks. Bruno Maia also played/still plays with other bands and just a brief introduction of one of these bands:

Braia: More folk oriented sound. World and ethnic influences can also be found. Tracks evoke a sense of being transported into another time and place. Expect elegant and atmospheric delivery in their live shows. Instruments are more acoustic: uilleann pipes, mandolin, female vocals, drums flute etc. Also expect to hear reels and other Irish inspired tunes from the band.

Link: https://www.facebook.com/pages/Kernunna/379475808776654

Michelle Butler Ceramics

Michelle Butler Ceramics

These are fantastic ceramics by Michelle Butler!

When listening to Celtic music, why not embellish your coffee table with something lasting and beautiful as well? Michelle Butler Ceramics offers a unique way of looking at crafts. If you want something striking and personal then her designs are definitely something you should consider as gifts to loved ones, souvenirs if you happen to be in Northern Ireland or if you just want to awaken the ‘other you’  buried by years of cultural sleep.

Celtic Stone-Peacock Plaque
Dimensions: 120 x 120 x 5mm

I know how priceless these items are because I happen to own two of her ceramics. One is the Celtic stone peacock plaque and the other one is a brooch with a Celtic knot work design. She made sure the items have natural surfaces. She developed a style which reconciles primitive Celtic influences with contemporary designs and forms. What’s more, they are all handcrafted using textured stoneware clay and are finished with a rich metallic oxide producing a depth of luster-according to her website.

If you look at her catalog you will see that there are so many designs and they are divided into four types: Celtic stone, iron stone, jewelry and the unique. There is also a section for new products in case you are searching for something else. Her designs are so addicting that I am actually thinking of ordering items in the future for my growing collection of Celtic art at home. My big thanks to Northern Irish singer/songwriter Eve Williams who sent me these items. Thank you Eve for giving me something tangible and lasting. And also thanks for doing it at the time when I need something comforting and beautiful.

About Michelle Butler:

Michelle Butler is a Design Graduate from Falmouth School of Art, Cornwall, where she specialised in Ceramics. In December 1998 she started her business in the Omagh Enterprise Centre from where she relocated, in August 2005 to a barn at her home on the Gortin Road, Omagh where Sperrin Ceramics Studio was born.

Her stoneware ceramics have developed a style which reconciles primitive Celtic influences with contemporary designs and forms. The pieces are all handcrafted using textured stoneware clay and are finished with a rich metallic oxide producing a depth of lustre.

One of the brooches

A large variety of glazes are used to apply colour to specific areas of pattern and relief creating a rustic earthy ambience that makes each piece a unique gift from Ireland.

Celtic Stone, Iron Stone, Unique and Jewellery Collections are available in outlets throughout Ireland and abroad. Celtic Stone draws its influence in strong ancient Irish legacy while Iron Stone includes more contemporary designs and forms; Ironstone also features larger pots and lamp bases which are coil built and handcarved and are available as commissioned pieces.

The Michelle Butler Jewellery Collections boasts as amalgamation of these styles in a range of smaller distinctive jewellery items.

You can find more of her works in facebook: https://www.facebook.com/pages/Michelle-Butler-Ceramics/10293475761

Online store: http://www.michellebutlerceramicartist.com/

Or the store address:

Sperrin Ceramics Studio, 92 Glenpark Road,
BT79 7ST Omagh

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Huzzah!

And now few ads from friends:
Purchase the CANTUS LUNARIS – Debut-Cd : Fabula antiqua
Thank you for order and we hope you enjoy listening of our vocal-instrumental ensemble for old music and celitc !
Kind regards Cantus Lunaris
www.cantuslunaris.com

Celtic music record in Belgium.

https://www.facebook.com/pages/Celtiquez-vous/259037564114379

New review of “Affinity”  Moya Brennan and Corma De Barra: http://www.newagemusicworld.com/affinity-moya-brennan-cormac-de-barra/

Band Members Explain the Eclecticism Behind La Única(Interview)

 Neil Reedy and Brian Falkowski at Flanagans Harp and Fiddle.  photo courtesy of Mike Landsman

Neil Reedy and Brian Falkowski at Flanagans Harp and Fiddle. photo courtesy of Mike Landsman

I was lucky to catch up with Neil Reedy of La Única (\lä, oo’-nee-kä\) who submitted the responses of five band members. Based out of Washington, DC, the band is representing the beautiful blend of Irish and Latin music. They are in the middle of promoting their self- titled album. Members of the band give us a close look at what makes  La Única unique, exciting and definitely worth checking out.

1. With the release of your self-titled album, what are you expecting in terms of the listener’s reaction to this project?
La Única: We’re hoping our listeners, upon hearing our songs, will begin to … well, we’re not sure how to answer this question that doesn’t end up in ownership of a private island.  But the most common response we get from people who have just heard our music is, “Wow, at first I didn’t get it, but it really works.”  We expect similar reactions of surprise and embrace.  But overall, we hope our listeners listen with an open mind and discover our new, fun sound.
    2. There are five core members and a total of nine musicians who worked on the tracks. How was the recording experience so far?
We are very lucky to be located in the Washington, DC area where each of us has played with phenomenal musicians from very different backgrounds, and we love having them join us occasionally for gigs to add a nice, fat sound.  The recording itself was a beast! The album was completely independently produced and funded. We even had a situation in which one of us temporarily lived in Miami and had to commute for recording sessions! We looked at the project from a standpoint of first recording the ideas and thought of the 5 core members and then conspiring with these additional musicians to add elements that add value to the complete vision of the album as a whole.  But thanks in no small part to our bass player, who produced the entire album — including all those strange scheduling challenges — we were able to put out a great product.

La Unica at National Cherry Blossom Festival.

National Cherry Blossom Festival.

    3. The Spanish and Irish connection really work! Tell me about the musical connection of Ireland to Spain.
Our Venezuelan lead singer knew about the Irish migration to Argentina, and taught the rest of us about Celtic regions of nations not named Ireland that have their own, distinct Celtic culture like Galicia in Spain, Brittany in France to name a few.  He also turned us onto some artists doing this, notably Gaelica (based out of Venezuela), Salsa Celtica, a few Ruben Blades songs and the Chieftains tried something similar on their San Patricio album. As a shout out to all of these guys, our live shows include two Gaelica covers and one from the San Patricio album.  Musically, you can hear when the traditional Irish rhythms contain roots in the fundamental rhythms that are shared by many styles of music. 3/4 and 6/8 rhythms are understood by the Latin side of our band and that is where the fusing of styles begins.  Then we add styles we’ve acquired from our various experiences and you have La Unica.
    4. Contigo O Sin Ti (With Or Without You) is a pleasant surprise. Tell me about the decision to record this track.

La Única : Pure energy.

La Única : Pure energy.

Our bass player is partial to U2’s guitar player, The Edge.  We brought in “With or Without You,” which–I guess you can say–is “Irish,” but more to demonstrate that we can apply our style to popular music as well.  We want to show that our style doesn’t just have to be so eclectic that only a few people “get it”—in fact, at our live shows, we get great crowd responses from cover songs of popular music that we’ve “La Unicized.” With or Without You has a nice chord structure, a pleasing melody throughout, and a climax (which is interpreted here as a salsa). Bachata throughout is a very dance friendly feel, and goes perfect with the violin and tin whistle.  Hopefully, people may come across our version when looking for U2’s With or Without You and perhaps be interested in checking out more of our stuff.
    5. All of the tracks I’ve heard are amazing. How do you work on polishing  and making them sound the way we hear them now.
The musicianship of our members is really impressive both in terms of technical ability as well as creativity.  We see examples of it all the time at our rehearsals when we come up with more and more ideas for songs we’ve played a lot (and we get incredibly frustrated when we forget to press record!). It stems from persistent practice, and playing many shows live. Sometimes new ideas sprout up even a year after a song is technically completed. Those ideas are then incorporated in the recording process, and additional elements are discussed and our bass player executed those ideas with supreme production skills. He added elements to these tracks that really make them a pleasure to listen to like the short hip hop beat in Dame Sabor, the ambient sounds in Silver Spear, and the background voices in Walk.
    6. Where can listeners purchase the album?
Everywhere. But make sure to come to a live show to get a signed copy of our music.  You can find out site and store at launicamusic.com
    7. What’s your message to other Celtic fusion artists out there?
Contact us!  We love hearing from bands and are always looking for new ideas or bands to partner with for live shows.  All five of us agree that after having played in scores of bands, this project is by far our most successful and most fun; we think a large part of it is the merging of so many distinct styles and producing a truly unique sound.  So if you’re a group out there doing that, keep at it and we’d love to hear it!
    8. Please invite your readers to buy the new album.
Buy our new album …how’s that for persuasion?  If you really want to hear something different, something that’s very likely not on any of your playlists, and will put you in a good mood, have a listen and give us your support!
    9. How do you unwind after a great gig or recording?Album now out
Honestly, after our gigs we are absolutely exhausted, so sleep is our go-to for now.  Yep, not too exciting an answer.  We occasionally hang out with the owner and staff at Rumba Café in the Adams Morgan neighborhood of DC—they’ve been very good to us.  Oh, if anyone would like to be a roadie for us, yeah, we’ll take that.
10. Top 5 albums you are listening to right now?
“Valtari” from Sigur Rós
“Random Access Memories” from Daft Punk

“Secret People” from Capercaille
“Muy Divertido” from Marc Ribot y Los Cubanos Postizos
“La Revancha del Tango” from Gotan Proeject

Links:

https://www.facebook.com/launicairishband

http://www.launicamusic.com/

https://twitter.com/launicaib

http://www.reverbnation.com/launicairishband

http://vimeo.com/user17693879

http://www.jambase.com/Artists/97816/La-Unica

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Huzzah!

If you like this interview, check out other exciting pages of friends:

This is from 67 Music:

Haunting melodies and evocative storytelling are at the heart of “Transplants” from Amelia Hogan

This is from Tradconnect:

Live Review : Goitse / The Mill Theatre, Dundrum

 

Cheers! Wrong & Right

Cheers!

Band: Cheers!

Album: Wrong & Right

Genre: Folk-Rock/Punk

Location: Czech Republic

01 – Frying Pan 3:01
02 – Cliffs of Galway 3:24
03 – Molly’s Eyes 3:36
04 – Mary Hogan’s 4:05
05 – Collier 3:46
06 – Parnik 3:49
07 – Jim 5:03
08 – Poor Man’s Hat 2:24
09 – Tearberries 2:36
10 – I’ll Never Be the Same Man Again 3:47
11 – Rugged Day 4:11
12 – Wrong & Right 2:59
13 – In the Maze 5:07

Release date: 9 May 2013
Running time: 47:46

One of the most energetic releases in the Celtic punk genre is Wrong & Right by Czech band Cheers. I featured an interview with the lead man Pavel(Pafka)Steidl last year and it was fun. You get to feel the punk attitude sandwiched between melodic  tunes. Wrong & Write is fun to listen to.This is an all out party album not for the faint of hearts. But the sweet melodies will keep the balance between spicy strong sounds and crunchy beats. Yes take a bite. Feel it sizzle. Get drunk to the music!

The confidence is present. Take note: this band has performed in many live shows prior to recording this album. All the tracks were recorded live at the Saloon Roudna. The sound quality is also excellent. You really get to savor the crunch of the drums and the sharp edge of the guitars. The Celtic instruments aren’t drowned by the louder sounds as they are given room to breath in Rugged Days, Wrong & Write as well as other tracks. Katka Hofmanova also sang the female parts in the tracks when not playing the flute. This creates a balance with Pafka’s testosterone induced voice.Cheers!

Freddy Kruger who played the accordion maintained that melodic envelope all throughout. The fiddle of Filip Matyas has that Irish feel which I really like.  The punk power of Wrong & Right is brought  to you by the guitar of Mates Sistek who also provided the backing vocals. His rocking contribution is really important. Paja Vesela made the groove and the fullness of the recording with her bass.I just love it!  And last but not the least, Prema Broz kept the tunes in one place with his drums. As you know drummers are awesome.

The lyrics are in English but they are translated to Czech in the liner notes. I think the cover rocks. It shows a tattooed hand holding a lollipop . This clearly showcases the band’s sense of humor. My favorite song is the ballad in track 5. This is one of the tender moments when the band show their intricate and expressive side. I think this is a track that should be a single because it is easy to sing along. The other one is track 13 called In The Maze. But I tell you Wrong & Right is an album intended for energetic gatherings where you invite your friends for a pint of Guinness and great live tunes. All the tracks in Wrong & Right are recommended for big speakers.

Wrong & Right is one of the releases you should not fail to check out as it provides a satisfying listening experience. Especially if you want your tunes to rock big time.

***
Huzzah!
Music keeps me alive. I am sure it is doing the same to you. Whatever problems we may face in life I have learned to rely on the wisdom of the Sound and how it has the power to pull us from the darkness into light. I know that our  brothers and sisters are having problems over there in Europe as flooding continues. My prayers go to the people of the Czech Republic, Germany and the neighboring countries. These are hard times. I had hard times last month but I know that as long as we live our lives in music then nothing will ever destroy us.
Now on the lighter side, check this youtube playlist from another Celtic band from the Czech Republic called Poitin which I am sure you have read about them in my past posts. I love posting their music because I have their albums and yes I am a certified Poitin fan. Do check this out:
Info: It’s taken from a show they had recently in Prague-  with a live webcam and the sound quality is quite good.

Poitín live at the Vagon Club, Prague March 2013
Poitín http://www.reverbnation.com/poitin

Postcards from Dundalk: A Wee Craic with Nuala Kennedy

by Louis De Carlo

Dundalk, Scotland,Canada and anywhere in the world, Nuala Kennedy plays music for every ear.

Help me welcome this fantastic musician this week. She is Nuala Kennedy. She became the focus of my interview request after seeing a post by The Riverside Celtic Society announcing her Canadian tour. It’s to promote her third release  “Noble Stranger.” After seeing her youtube videos and listening to her tunes, I told myself that I have to get her story. She would make a wonderful featured artist. I was right.

You had a show in  Canada this 24th of February! You must been very excited to greet your Canadian listeners. After all we know how Canada and Ireland are linked closely.
It was great to visit Canada again. It’s a fantastic country with a wonderful connection musically with Celtic music in Ireland and Scotland, especially on its Eastern seaboard, in places like Cape Breton Island and Newfoundland. I love the diversity of Canada, from Vancouver and the stunningly beautiful west coast, to Toronto and Quebec. I’m looking forward to touring and exploring more there, but I do have a special fondness for Cape Breton, its culture and people resonate with me and I love playing there.

You have a jazzy approach to Irish and Scottish music. Where did all the vibes come from?
I wouldn’t say my approach is jazzy, but I guess there’s a few different influences in there side by side with the traditional music. Edinburgh in the late nineties was an incredibly inspiring place to be a traditional player, with a lot of sessions and different musicians crossing paths and playing together. That was a hugely influential time for me. I always had an interest in other types of music too, in songs, contemporary music and in American folk music from the sixties and seventies.

 Dundalk is the same place where The Corrs originated. It must be a wild place for Celtic music.Can you give us a Nuala Kennedy: Noble Strangerbackground of your musical development? Do you think that the environment plays a big role in an artist’s artistic direction?
Definitely. I learned to play the whistle at around age seven, with a local teacher Mary Grennell. She taught me tunes out of the back of a shoemakers shop at the end of town. After I had a few learnt, I joined a local ceilidh band, ‘Ceoltoiri Oga Oghrialla’ which had some great older players as members. People like Tiarnan O Duinnchinn and Suzanne, Lisa and Patrick Conway, Brendan Needham. Fantastic players all, and I think I learned a lot from playing alongside them in the band, without even realising it really.

I was also encouraged to be independent and think for myself from an early age, by my parents but also by teachers and particularly my art teacher in secondary school who was a big influence on me. I loved the practical aspect of creating, the fact that you have a tangible finished ‘something’ at the end of a period of work. In Edinburgh, where I first went to study at the College of Art, it was difficult not to be influenced by all the amazing music that was in the city at that time. I returned often to Dundalk, where I grew up, and played with Gerry O Connor, with whom I now perform in the band Oirialla. I still go home very regularly, and it’s very satisfying to play traditional music from my own native area.

What do you look forward to this year in terms of live shows and recordings?

I’m currently working on a duo record with Mike Bryan, the guitarist from my band. It’s called “A Wee Selection: Some Scottish Tunes on Flute and Guitar” We recorded a bunch of our favourite traditional Scottish tunes. I’m really looking forward to seeing the finished CD! In a couple of weeks, we are launching Oirialla’s new CD. (Oirialla is an Irish trad. band featuring Nuala, Gerry ‘fiddle’ O’Connor, Martin Quinn and Gilles LeBigot) We are having a home town gig at the Square in Dundalk, as part of the Homecoming Festival. And I’m particularly excited about making my first trip to Alaska in September to play with John Doyle and Eamon O’ Leary. In October I’m taking the Snowflake Trio to Celtic Colours International Festival on Cape Breton Island, in Nova Scotia. It’s one of my favourite places in the world. The Snowflake Trio is myself, with Frode Haltli and Vegar Vardal, two incredible Norwegian musicians.

Can you cite other artists whose works inspired you?

by Louis De Carlo

Oliver Schroer was a huge inspiration to me. I also love Will Oldham’s singing and writing. I met the Birds of Chicago at Folk Alliance in Toronto this year, and really enjoyed their music. I’m a fan of lots of strong female singers and traditional musicians such as the late Ishbel Macaskill, Fiona Hunter, Kathleen MacInnes, Cathy-Ann MacPhee, Christine Primrose, Margaret Stewart, Padraigin Ni Uallachain, Catriona Mackay, Lori Watson, Shona Mooney… Also accordionists Martin Quinn and Julian Sutton. Of course Cathal McConnell continues to inspire me, especially with his musical musings on well known traditional tunes. I love his sense of creativity and the detail in his music.

 Top 5 albums you are listening to right now?

Some of my favourite albums at the moment include Mary Custy and Eoin O’Neill, Oliver Schroer’s Hymns and Hers, Rickie Lee Jones’ Traffic in Paradise, Devon Sproule “I Love You’ Go Easy”, Oliver Swain’s CD ‘Big Machine’ and Nels Andrews’ Scrimshaw.

I am curious how you would describe this as a flutist: What’s amazing about the flute?

That it’s a physical extension of the human body, powered by breath? That every aspect of my particular flute was made from scratch by hand by one artist, including all the keys and silver work. (It’s a Chris Wilkes flute.)

What other instruments do you love to play?

Whistle, piano.

Where can listeners buy your album?

They can get my album through: http://www.nualakennedy.com/store.htm

Your message to the readers.

Support live, local and independent music and art!

|| Nuala Kennedy » online store ||

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