Celtic Colours International Welcomes Back Natalie MacMaster

My Island Too

Friday October 5th

Port Hawkesbury Civic Centre, Port Hawkesbury – 7:30 PM, Tickets: $60/50/40, Reserved Seating

October 5 is the opening night for the music festival that has become an establishment . Her new albums is called ” Cape Breton Girl”. Are you going?

Here’s the festival headline:

No one found it surprising when Natalie MacMaster called her latest album “Cape Breton Girl”. Tonight everyone’s favourite Cape Breton girl is home to open the festival and share her beloved island with friends from other islands and provinces…from Shetland the amazing fiddle band Fiddlers’ Bid, from Jamaica Pepito Pinto, Metis dancers the Asham Stompers from Manitoba and close buddies Rachel and Sabin from Quebec. Rachel is actually from Cheticamp, so she, along with Goiridh and Cyril will complete the Cape Breton musical welcoming committee. Be prepared for surprises!

http://www.celtic-colours.com/shows/my-island-too/

Papilio: Neo-Celtic, Contemporary-Traditional Trio Based in Nova Scotia

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From: Halifax, NS

Members:

Jennifer Publicover (flutes/bodhran)
Anthony Rissesco (fiddle/vocals)
Phil Schappert (guitars/bouzar/vocals)


Layne is working at a music venue (DeCoste Centre)in Pictou Nova Scotia as his summer job. This Celtic group is performing there for the next two nights. He calls them “Absolutely AMAZING!!!!”. I have to take his word for that because they really are.  Their recordings have that silky texture.The musical vibes are always reflective of Nova Scotia’s maritime side. Their track F Strathspeys & Reels (trad) will send traditional music lovers smiling. The cover of Caledonia originally by Dougie MacLean gains a new shine.

Listen here: http://www.myspace.com/papiliomusic

About

Papilio is a neo-celtic, contemporary-traditional trio based in Nova Scotia. Come on a musical tour with us through the cultures of Ireland, Scotland, Brittany, Spain, Cape Breton, Scandinavia and uncharted lands beyond…
Biography

Papilio is a neo-celtic, contemporary & traditional world music trio from Nova Scotia. Come on a musical tour with us through the cultures of Ireland, Scotland, Brittany, Spain, Cape Breton, Scandinavia and uncharted lands beyond…to capture the spirit and energy of celtic and other musical traditions in a fresh, progressive way, with a sprinkling of our own compositions as well.

Visit our MySpace page to hear some tracks: http://www.myspace.com/papiliomusic

And here is our brand new website!
http://www.papiliomusic.ca/

We are available for concerts, festivals, conferences, pubs, ceilis, workshops and private functions in and around Atlantic Canada and the Northeastern United States.

Anthony Rissesco (fiddle, vocals)

The newest member of Papilio, Anthony is a versatile violin player and teacher, experienced in all styles of playing from classical violin to traditional fiddle. He tours regularly with singer Lennie Gallant and is also a member of the Halifax band The Gig Dogs. As a music student at Dalhousie University, Anthony studied classical violin under Phillippe Djokic. He has won fiddle competitions throughout Canada, including the Maritime Fiddle Championship. In 1990, he came third in the prestigious Canadian Open in Shelburne Ontario, and he was chosen to represent Nova Scotia at the Grand Masters Competition in Ottawa for six consecutive years. Anthony has played with Symphony Nova Scotia, Bruce Guthro, Cyril MacPhee, Anne Murray, and Peggy Seeger.

Jennifer Publicover (flutes, bodhrán, vocals)

Jennifer leads a double life as an active freelancer on both the modern orchestral flute and wooden Irish flute, and is proud to be a founding member of Papilio. She earned her Master’s degree in flute performance at the University of Toronto and her B.Mus. at Mount Allison. Driven by the desire to develop her own unique voice beyond her classical training, Jennifer has been drawn to the Celtic music of her native Nova Scotia, Ireland, Scotland, Brittany and beyond. A familiar face at Halifax sessions, she has been a long-time participant in and supporter of the Boxwood Festival, an annual traditional flute workshop in Lunenburg directed by recording artist Chris Norman. In her alter ego as a classical flutist, she performs as an alternate player for such institutions as the Charlottetown Festival Orchestra, Symphony Nova Scotia, and the Stadacona Band, frequently appearing in many orchestras, pit orcheatras, pro concert bands and chamber groups in and around Halifax. She is also in demand as teacher, and is a busy mom of two.

Phil Schappert (guitar, cittern, vocals)

Phil has been playing for more years than he can remember. Dr. Phil, as he’s known to his students, has an alter ego as a PhD entomologist/botanist who has written books about plant/insect interactions (FYI, Papilio is a genus of swallowtail butterflies, represented in Nova Scotia by Papilio canadensis, the Canadian Tiger Swallowtail). Introduced to Irish and Scottish traditional music by Don Ross–and Joel Shore, his fiddle-playing PhD supervisor–early in the last decade of the last century, Phil has developed a particular fondness for the music of Brittany, celtic Spain and Scandinavia. He plays fingerstyle guitar, and plays guitars made by Russel Crosby of Nova Scotia. Phil has played in neo-celtic/jazz/folk/trad bands in Toronto and Austin. He and his wife, Pat, returned to Canada from Texas in late 2007. Halifax is their playground of choice…

Review: Papilio ~ EP Emergence

Papilio is a very musical trio consisting of Jennifer Publicover on flutes and bodhran, Anthony Rissesco on violin and vocals and Phil Schappert on guitar and bouzar (guitar shaped bouzouki). Emergence is a 6 cut EP which one hopes will lead to a full-length recording. Their music has roots in the Celtic world of Scotland, Ireland, Brittany and Cape Breton. They also show Nordic and Eastern European influences.
The recording opens with a Nordic polska followed by Jennifer’s “Chorolations” written in the style of an Eastern European “Oro” or “Choro”, hence the name. Anthony then gives a fine rendition of Dougie MacLean’s classic song Caledonia before he launches into a set of Cape Breton style strathspeys and reels on cut 4. A beautiful Scottish air gives way to an Irish slip jig while the closing set has a Breton march and three rousing jigs from England, Scotland and Ireland respectively.

The music of Papilio, which is Latin for butterfly and a result of Phil’s other career as a biologist, is arranged, played and presented with style and grace as well as a high degree of musical proficiency. They have a “big” sound for a trio and I would certainly look forward to a full CD in the future.

John Ferguson for CelticLife magazine: http://www.celticlife.ca/

Tim Chaisson & Morning Fold – Come Clean

I am working on an article about the recording process. It will be focusing on the mixing and mastering side. While I am at it, I want to distract you all with this video by Tim Chaisson. He used to be the youngest member  of the Celtic/contemporary band Kindle with his two brothers and three cousins as their bassist. Now his band is simply known as Tim Chaisson & Morning Fold. Thanks to my friend Jimmy for bringing him up during one of our conversations about musicians based in the east coast of Canada.

http://www.timchaisson.com

Photo by Rémi Thériault

The Bombadils East Coast Tour

The amazing  musicians  of the Canadian Celtic band The Bombadils are now on tour. Sarah Frank reminds me of a smart friend I met in college. She has this nice aura. We finally get to see the house of Luke Fraser! Wait, he still owes me that interview!

We’re going on our first tour to the East Coast! We’ll be uploading vlogs whenever internet is available so please subscribe to our channel to keep updated on our tour!

We went to Luke’s today!

*NEW* Order our new CD online:
http://www.cdbaby.com/cd/thebombadils

Sarah Frank: fiddle, vocals
Luke Fraser: mandolin, vocals
Anh Phung: flute, vocals
Kit Soden: guitar, vocals
Evan Stewart: bass
Noam Bierstone: percussion

Visit our website:
http://www.thebombadils.com/

Become a fan on Facebook:
http://www.facebook.com/pages/The-Bombadils/323119409428#!/pages/The-Bombadil

Book us at:
thebombadils@gmail.com

Trevor John Howlett:Journeys and Lyrics( Interview)

Trevor Howlett is a Canadian singer/songwriter and also a folk musician from cape Breton island Nova Scotia. He has the gift of gab as shown in his lyrical power . His eloquence is not only evident through his songwriting but also through his job as a news reporter. From Cape Breton to Ireland. This is the story of a journey of  thousands of miles and ended up into songs. To quote:”A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness”.-Robert Frost

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What made you decide to record  Lost Cause? 

I decided to record a full length CD the previous year, having lots of material that remained unreleased. I applied for some money from the government my application was rejected, so I lowered the budget and made a self-released, self-recorded EP. I just needed to finally release a CD, whether it be EP or LP, to tell me get gigs and help new bandmates in transition. Plus I wanted to have an official snapshot of my life, which is shown through the songs.I designed Lost Causes EP to have a narrative from when I first decided to go to Ireland, to me going there, falling in love, and coming back, somewhat heartbroken.

 This trip to Ireland  created a spark which inspired your songs. Tell us more about this.

I traveled to Ireland in 2009 to work for the summer, although I didn’t find a job, I did find a girlfriend though. When I moved to Ireland it was my first time living anywhere outside of Nova Scotia, my home province (I now live in Alberta). I only left Canada about two times to visit the US, so it was a bit crazy to just pick up and move somewhere not knowing anyone, and having to find a place to live, work etc. In Cape Breton, where I am from, we have a lot of Celtic music but it’s mostly instrumental stuff, where I wanted to learn some ballads. Which are far more popular in Ireland. Plus a few of my ancestors are from the Emerald Isle, so it seemed like a good fit. I stayed in Dublin for two weeks and moved to Galway where I fell in love with a girl from County Meath who was also unemployed. We lived together and had a blast before I had to move back to Canada to finish my journalism degree, and since she was unwilling to come over, it caused us to break up. I was heartbroken at the time like never before, and it led to a period of depression in my life. In the end I realized that life doesn’t always happen the way you expect it to, and that’s fine. A big theme in the CD is the feeling of having no place to call home, which was the result of the trip. When I first left Cape Breton, it didn’t seem like the place for me to live anymore. In Ireland, although I loved the people and music etc, I couldn’t see myself living there forever, especially with the economic situation (and I was mistaken for an American, which was disheartening). When I came back to Halifax, NS for school it also didn’t seem like home to me. My story is probably similar to thousands from years ago who left their families and loved ones behind, So I tried to draw a connection between them and my own experience.

Who are your musical heroes?

I have a vast amount of musical heroes, really. I started playing guitar because I loved Nirvana, and I started on electric guitar in high school. I never wanted to be a songwriter, it just sort of happened naturally. I then gained a fascination for The Beatles. In high school I gained an appreciation for fellow Nova Scotian musician Joel Plaskett, and at a solo gig he perfomed in Port Hawkesbury in 2005, my life was changed forever. I slowly changed into a folk musician, because I realized how captivating acoustic music can be, and how it’s a great form to tell a story. Joel incorporates a little bit of Celtic into his music at times, and I wanted to do something similar. Stan Rogers has become an increasing presence in my influences and is probably my strongest at the moment. He took the traditional ballad to new heights in Canada and his style can never been replicated. If I consider myself traditional at all, it’s in the tradition of Stan Rogers. I listen to an eclectic mix of music at home, some rock stuff like the White Stripes, lots of Irish stuff like Luke Kelly and I especially love Paul Brady. I really like fiddler Ashley MacIsaac who is from my neck of the woods. He did some modern celtic stuff that is really breakthrough in my opinion and I’d be lucky to accomplish anything close to him in the genre. His mother actually heard my CD and informed my mother that she liked it so that’s the highlight of my career so far! As far as songwriting goes, my all time favorite is Neil Young and that will never change.

Yours songs are rich in story-telling and the human condition. They are also personal. Do you wish to connect to people through your songs or is it the other way around?

I don’t necessarily look to connect with people through my songs,it’s probably simply a by-product of the human condition.We all have similar experiences of love, hate, heartbreak etc through our lives, and our feelings bring us together.

 How many songs have you written so far? 

I like CD’s to be a bigger work, not just a collection of songs. Anyway, in total between several short lived bands and my own career, I’ve written about 50 songs. Probably more but I wouldn’t perform all of them. I would say only half of them – for various reasons – will ever even be considered for an album or release, but you never know. I’m just thinking back now, and I’d say I wrote my first song in 2004, so I suppose that’s not a particularly high output, but I’ve written most of the songs in the past few years. I’m more productive when I have a goal in mind or when I’m playing with an eager backing band.

Apart from being a musician, you are also a news reported. How do you juggle between the two? 

So far, I haven’t been great at juggling between being a reporter and a musician. I did it well as a journalism student and a musician, but since it’s been my career it’s been a bit tougher. I got a job in April at a weekly newspaper in Nova Scotia and that was a lot easier to manage, gig-wise. I haven’t played any shows since I’ve moved to Alberta, which is for a number of reasons. Just getting settled in to a new lifestyle takes some time, and I felt I deserved a bit of a break after devoting a lot of time to music since the release in November. At the moment I’m doing mostly behind the scenes stuff: looking for new musicians to play with, trying out a few things in new songs, planning my next record etc. I hope to start playing in Alberta, intermittently in late September or early October. I hope i’ll have some time off for Christmas to play in Nova Scotia again with my old lads, and then I’ll be ready to conquer all in the new year.

Your story is very interesting. My next question might be off the wall but it’s worth trying. How does one achieve inner peace?

Inner Peace is all about knowing oneself. But it’s more than just knowing, it’s also following the information. Obtain a job that you’ve always wanted to do. Treat other people how you would like to be treated. Inner Peace is about removing stress as well, so keeping a balanced lifestyle is key.

More info and listen to the tracks  here:http://www.trevorjohnhowlett.com/