Debut Album of CrossHarbour Coming Soon!

 

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CrossHarbour takes the vibrant spirit of Traditional Irish music to new listeners.

CrossHarbour, is the name of the band after a London tube station. But it could also imply “crossing into another country’ through the sea. I love the idea that traditional Irish music blends well with any genre. It is so pure it sounds good with Jazz, Rock, Folk and even Classical music. Rosie Hodgson completes the circle, although she is not present in this video. They recorded their soon-to-be-released debut album at Livingstone Studios, London.

CrossHarbour are: Orlaith McAuliffe (flute), Sam Proctor (fiddle), Philippe Barnes (guitar), Tad Sargent (bodhran) and Rosie Hodgson on vocals. Hodgson has perfect folk vocals that sound warm and smooth. I am sure it’s going to be a fantastic debut album. To quote from Tradconnect: “I saw the future of trad music and its name is CrossHarbour.”

I keep on watching the bodhran technique of Tad Sargent as I am a bodhran student myself. His thundering chops are showcased in these live videos. You can tell they love being onstage. The listeners love them too.

Preorder the album here: http://crossharbourmusic.com/?album=crossharbour-2

 

visited us At Livingston Studios during the recording of their debut album (photos by George Staines)

 

 

Saoirse’s Heart by Celtic Cross.

The sounds of urban New York and the lush rural landscapes of Ireland are the main ingredients of Saoirse’s Heart by Celtic Cross.

It is an energizing experience to listen to the new album of Celtic Cross called Saoirse’s Heart. It seems that the Irish 1939701_10202492302182764_790937896_nspirit has jumped out of my speakers into my living room. It’s been ages since I heard a Celtic inspired pop rock band that can go out into the open with such confidence and maturity. Celtic Cross have all the elements found in groups like The Corrs and Bellefire. But these bands are more pop than Celtic, though there are traditional elements in the former. Celtic Cross made an easy transition between two worlds in Saoirse’s Heart. The interplay of rock and ballads are seamless.

I have many favorites and among them is Jameson Johnny in which lead vocalist Kathleen Fee pinned in what I can describe as a soaring hills-to-heaven singing. She is joined by band mates band mates Kenny and John who are her brothers and co-founders of the group. There also other members who showcased their beautiful playing. Saoirse’s Heart combines New York urban energy and the lush atmospherics of rural Ireland. When you fuse the two, you get something that works for everyone.

After hearing all the fourteen tracks, I don’t remember anything I am not enthusiastic about. Every track sounds different. But the unifying factor is the radio-friendly melodies and catchy hooks that are present in every song. The vocals are not too pop and not too folk/traditional to be too exclusive. Rather, they(the style of singing and instrumental arrangements) set a balance between modern and traditional styles. There are bluesy elements like in Best of Days. I listen to this in the morning when I exercise or water the plants. It is an energetic album that has a smooth appeal. I’d say Saoirse’s Heart is a great album and has a potential to sell like hotcakes!

Sample their tracks here:

http://www.celticcross.com/tunz1979541_10202613832540947_824479361_n

You can contact the band through:

email mail@celticcross.com

Email The Band….

Kathleen Fee – Lead Vocal
kathleen@celticcross.com

Kenny Vesey – Fiddle
ken@celticcross.com

John Vesey – Accordion
john@celticcross.com

Walter Ensor – Guitar & Vocals
walter@celticcross.com

Patrick Dineen – Bass, Keys & Vocals
patrick@celticcross.com

 

St Patrick’s Day Essay and Podcast#28

There comes a time when existential blues happen to any blog. I think it is the discontented feeling of doing the same thing again and again that gives rise to this feeling. And it is good to be someone who gives you the latest in our music community. But I found out that this blog has grown into  a more structure routine-without my overt opinions. And I feel that like any relationship, things have to change. Perhaps stir on a different direction. Maybe spice things up a bit. I also realized that my mind has become cluttered as I am thinking of so many things these days. Perhaps it’s the new work that I found. It’s blowing me into a different direction. So yes things have become less personal and more sterile. It is time to shake the apple tree until the fruits fall.

We all grow. Perhaps we grow together or apart. It’s the same with friends. There are those we meet for the first who give their best foot forward. Always smiling and friendly. Then one day things become confusing. Unlike friendship, music gives us a choice. Either we listen to the same artist or probably explore other styles. But life is always like that. It is full of uncertainty. We offend someone though we don’t mean to. Or it could be all in our heads. Who knows? Sometimes we do embarrassing things and we make a fool of ourselves. In the end our greatest adversary is our own minds. I know it is hard to let go of someone’s approval; especially if that person means a lot to you. But like anything else in this world, nothing stays forever. Whether we like it or not. So things have to change.

I’ve finished uploading the radio show from last Saturday. I am happy being an online DJ. It’s something different from the usual blogging that I do. And I don’t want to impose myself on anyone. That is why I am doing less promotion on my personal page because if people really like what you do, there is no need to tell them ‘hey listen to me, what I do is cool.” And it should not be an obligatory thing because friendship should be about freedom. I’ve learned that the more we force or expect people for their time, attention and effort, the more we are imposing ourselves to them and friendship becomes strain. And the other party will start feeling trapped.

So I think whatever it is you are doing, whatever it is you are passionate about; just do it. And people will just come along. I have more than seven hundred friends in my facebook personal page. I only correspond to around five percent. But I can’t delete those who added me from my previous job. I can’t delete those who added me for the sake of Celtic music. I don’t think it is necessary. But sometimes the feeds can be too much.

I think when you are an artist, the greatest asset that you have is not really your style or talent. Everyone has style and talent. It is either you are very good or good enough. It is what you say or the ‘unique’ things you bring to the table that makes you remarkable. I am just a blogger. I am not a ‘writer.’ But I think I have something to say(like all the bloggers out there). I have opinions. I have visions and things that not everyone thinks about. And this side doesn’t really get itself known because I have followed a strict rule of doing ‘just that.’ But this is not work. This is not something I owe anyone. This is my house. And I think it is time to say whatever I want to say. And even though we can’t please everyone, as long as we are happy with what we do then we are alright.

Oh and happy St. Patrick’s celebration to all of you.

***

Sounds you should hear.

It’s been ages since I visited my soundcloud stream page. I found several artists you will enjoy. One is Scottish singer/harpist AnnaMcLuckie. Her vocal style is contemporary. She puts a cool spin to pop tunes.

I like demo tunes from established musicians. We all know that these demos or ‘live’ recordings will find their way into an album but it is always good to see the progress of the music. This time it’s Sir Phillip McHugh (slip jig) performed by Enda Seery: Vincenzo Di Mauro C Flute and James Hughes: Fiddle tuned to C.

And the last but not the least is something from Scottish piper/flutist Fraser Fifield.

Larry Kirwan talks about Last Call by Black 47.

Black 47

Larry Kirwan (lead vocals, guitar)
Geoffrey Blythe (saxophones)
Fred Parcells (trombone, pennywhistle)
Thomas Hamlin (drums, percussion)
Joseph Mulvanerty (uilleann pipes, flute, bodhrán)
Joseph Burcaw (bass)

9 questions for Larry Kirwan of Black 47.
I finally got the replies from Larry Kirwan for the interview through Anita Daly.  Just heads up,they will be on The Tonight Show with Jimmy Fallon on St Patrick’s Day night on NBC TV 11:30 p.m. Eastern Time. Between gigs and going around, he finally got the time to answer these question. Check out what he says about the new album and also the future of everyone’s artistic career.
1. You explored many musical styles in the recording  of new album Last Call. Why did you choose the title Last Call?
 

Well, we’re disbanding on Nov. 15th after 25 years.  It seemed appropriate, as did the cover – a view of dawn breaking over Brooklyn – something we’ve seen many times.  Also, life goes on…

2. There are many socially conscious themes in your songs. One of them is Let the People In which is clearly about immigration. What inspired you to pin that track down?  

Because the foundation stone of this country is immigration.  Having a liberal immigration policy is so right for the country on so many levels.  It seemed like there should be a song that reflected this sentiment – seemed like a job for Black 47.
3. I know that you put your heart to every song you recorded for this album. Can you name your favorites and why?
 
I like every song that Black 47 has ever recorded – there’s never been filler.  Some I could have nailed a bit better but I care for them all.  I like Salsa O’Keefe because I’ve always wanted to do a Latin flavored song.  Night The Showbands Died is a favorite although it hurts in a way to hear it and perform it – I was a fan of Fran O’Toole’s who got killed in the massacre, he was always kind to me, so it brings back a particular place and time.  I like the funky groove of Let The People In…. I’ve always been fascinated by Brendan Behan.  I’m surprised that Shane didn’t get to it first but such are the breaks.

4. This is the last album of huge band together. Was this a very emotional experience for you and everyone involved in the recording process?
 
I don’t really think so, although I can only speak for myself.  When you’re recording or performing you’re putting everything into it, no matter if it’s your first or fifteenth.  But I do think there was a desire from the band to do a great final album and to have Black 47 be at its very best.  That seems to be the case – but time will tell.

5. Why did you finally plan to disband after many years being together?
 
I didn’t want an endless end.  Black 47 means a lot to a lot of people – it was very important that we finish up in a suitable manner – not to have it just drag on.  The band was sounding at its best when we made the decision six months ago and last night’s show at the Stone Pony in Asbury Park was one of the best I remember – so I think we’re doing the right thing – go out at your best and doing new material that matches up to your crowd favorites.

6. What’s the plan for the album(in terms of promoting) this year?
 
I don’t know.  We just play as many gigs to as many people as we can.  That’s always the B47 way of doing things.  Everything else tends to take care of itself if you do it that way.

7. Will fans get to see you or any of the band in various incarnations?
 
Everyone will continue playing.  We’re working musicians.  We have to make a living!  I’m not sure what the other guys will do, but I’ll continue doing Rock & Read solo shows.  This is about finishing Black 47 on a high.  What happens later will happen…
8. Where can fans get The Last Call album?
 
The best place is to buy it from the Black 47 site www.black47.com  It will also be available on iTunes, Amazon, and the 
various other platforms.  But best to buy a CD at a gig – that way you’re supporting live music – do that to all your favorite bands.

9. Your message to old and new fans?
 
We did it our way, said the things we felt should be said, and always with inventive and original music.  Thanks for all the love and support down the years.  It’s been one hell of a ride!
Sources:

” Esyllt ” by Children in Paradise

Band members:

" Esyllt " CD Record 10 songs

” Esyllt ” CD Record 10 songs

Gwalchmei, Guitare

Dam kat, Vocals

Patrick Boileau, Drums

Stéphane Rama, Bass

Loic Blejean, Uilleann Pipes & Low Whistles

Jean Marc Illien, Piano & Keyboards

Now for something so totally different is an atmospheric band from Brittany called Children in Paradise. Singer Dam Kat already drew me into their musical style after hearing the first track Little Butterfly. The new album is called “Esyllt.” How do I describe their sound? I will quote their bio which, I think, really sums up what the band is all about and the influences behind the music:

Children in Paradise invites you to travel to the Sidh, the other celtic world, somewhere beyond the horizon of the sea, in these beautiful islands, deep of peace, harmony and purity. The music of Children in Paradise is a mix of many influences, sounds inspirated by Pink Floyd or Anathema, a research of ” atmospheric environments ” and ” power ” of the sacred music, like Dead Can Dance… sometimes between darkness and melancholy … the band’s musical originality is also the inspiration : the Celtic Legends (Irish and Welsh Legends). With a rare finesse in the arrangements, the voice of Dam Kat, so fresh and full of emotions occasionally remind Kate Bush or Tori Amos …

Birds, waterfall and other natural sounds are seamlessly woven into this beautiful album. Hearing all the tracks  is a transporting experience. I noticed the diverse artistic influences. I love the album cover which features a Celtic warrior looking at a ship. A Viking ship perhaps? Or maybe loved ones sent away to escape the ravages of the Viking invasion.

I’d suggest you listen to this when you are taking a break from work. The album relaxes the mind.It also posses a distinct musical energy that gives you vitality. Gwalchme keeps the tracks interesting with his own style of guitar playing.

My Son turns my attention to the instruments that embellish this track. Low whistle and uilleann pipes take the stage along with the lush vocals. Everything works together, from the drums, bass and keyboards.

I think the apt comparison to Kate Bush is derived from the eclectic arrangements, the use of World influences and also the vocal style. But I have to note that Children of Paradise has an original sound. It is a confident Breton sound. I also think that this  album’s efforts are close those  made by Nolwenn Leroy, in a sense that in the midst of its eclecticism, the musical vision is there. Ysyllt is not really an album made for dancing. It is more of a chill out experience. Except for The Battle where the song builds into a heavy metal frenzy . Its use of heavy atmosphere makes it accessible even to fans of Gothic rock.

In Silent Agony, Dam Kat explores the vocal style which is close to Tori Amos. Plus, the harp is amazing to hear in this track. So far, everything in Ysyllt sounds good. And the pure bonus is that they are streaming the album via soundcloud for free! However, if you believe in the mission and vision of Children in Paradise then you better visit their shop and buy merchandise there : http://www.childreninparadise.com/#/shop-of-children-in-paradise/4418856

Help independent artists and help maintain our musical culture.