Debut Album by Flutatious Has the Bounce!

/ mrbaxteria2008 / 2 Comments

 

This slideshow requires JavaScript.

 

http://www.flutatious.co.uk/

http://www.myspace.com/flutatiousUK

 

I have my different Celtic “soundtracks” of the day. I listen to New Agey stuff after waking up , usually when the sun hasn’t risen yet. In the middle of the day, there’s the Celtic Rock and other ‘lively’ albums. In the afternoon it is usually traditional stuff. In the evening that’s when the urban chill out albums come. At this time, I give way to the dancy electronic types of Celtic music. One included in my regular playlist is from the UK based group Flutatious which I wrote about before.

 

Their self-titled debut album is a joy to listen to. I like dancing and this is the type of music that has that bounce. This is best played with big speakers emanating deep bass and lush midrange. What I like about the production is the emphasis on balance between the midrange sounds and the bouncy, floor shaking lows. The wispy highs are also crisp.

 

Things that I noticed about this album are:

  1. Chanty choruses injected in some tracks are fabulous. But the emphasis is not so much given to them as in the case of bands like  Ceredwen or Clannad. Often times these effects are done when the track really needs it.
  2. The traditional aspect of the album is geared towards the Welsh and Cornish type of flavour. There are Scottish and Irish jig styles that you can hear once in a while.
  3. The jazzy keyboards make this album appealing both to lovers and non lovers of Celtic music. I bet this will also sell well in the London club scene as in the case of loops and electronic effects that are hip.
  4. The band doesn’t repeat their styles in every track. It can be a good or sad thing depending on your point of view. Tracks like Spacechick, Venus, Morag’s Dance and Road to Skye are so addictive you want another version of the same sound.  

With all these in mind, I think the debut album by Flutatious deserve more spin in your player.

Thanks to Bill Forwell for the taste of this great sonic juice!

Samples:

From Russia with Ethereal Love: 208 Talks Of Angels

/ mrbaxteria2008 / Leave a comment

This Dracula Video has creepy effect. But I am a Bela Lugosi fan so this is heaven!

208 Talks of Angels are consist of Russian members who are influenced by different styles of music. You can hear Classical, Ethnic as well as Ambient influences in their music. They are still in the in the process of recording demos and getting the music all over the internet. Here is an interesting info from their website to quote: Musicians themselves define their music as III – independent individual intellectual. For other people it may sound like the symbiosis of Classics, Industrial, Ballad, Ethnic, Progressive, Electronic, Break Beat, Ambient and many others.

Band members:

1.Anthony Fadeyev – guitar, vocals, effects, composition, programming, sampling;

2.Vilena Karklinya – vocals, manager.

3.Vladimir Romanchenko – bass, sampling, effects.

http://www.208talksofangels.com/
http://www.myspace.com/208talksofangels

Here is one song with great vocals and bagpipes.

Lincoln Center Lights Up This 2012!

/ mrbaxteria2008 / Leave a comment

 

Wow check this out. Got this from a press release by my friend Anita Daly.

 

Sunday July 29, Lincoln Center Out of Doors presents

OurLand: Celebrating Irish Culture in America!
The Music, The Bards, The Magic!

Artistic Director Joe Hurley

Presented in Association with The Consulate General of Ireland

 

A day of Irish Music, Poetry, Literature, Theatre, Dance and more!

 

**Notice! JUST ADDED! Performance from the cast of ONCE, winner of 8 2012 Tony Awards including BEST MUSICAL!***

On Sunday July 29th, for the first time in NYC, Lincoln Center Out of Doors will present a day long, multifaceted festival of Irish culture. “Our Land” will celebrate the artistic, literary and musical heritage of Ireland, the mark it made on America and the continuing cross-cultural ties that bind the two countries.

An all-day (2 pm–10 pm) extravaganza of music, spoken word,  and traditional arts, OurLand  will  explore how  the Irish helped to build NYC, with ‘Nothing But Their Genius’, while  shining a light on Irish and Irish-Americans continuing contribution to the American Songbook and  culture.  Featuring stars of pop, rock, punk, folk,  theater , film,  literature, and more, ‘OurLand’ takes place at multiple spaces on the Lincoln Center campus, culminating in   Damrosch Park   with the All Star Irish Rock Revue!

Commencing with introductions by Irish Consul General Noel Kilkenny, and Artistic Director Joe Hurley, OurLand will move through the fair and into the night with song, dance, poets, authors, artists, street performers, exhibits, book and CD signings.

Day – starting at 2 pm – on the Plazas of Lincoln Center

 

Gathering The Bards: From Galway to Rockaway – 2pm, Hearst Plaza aka “The Bards Stage”

Weaving the art of storytelling with original works and classics, Irish-American culture in verse and song.

The performers include Oscar winning Director Terry George (Hotel Rwanda), Actors Cara Seymour (Gangs of New York), Angelica Page (Sixth Sense), Geraldine Hughes (‘Belfast Blues’), Barbara Feldon and Aedin Moloney, Malachy McCourt, Alfie McCourt, Best-Selling Novelists Peter Quinn, Tom Kelly, John Swenson, Thomas Bahler, and Mike Farragher, Musicians Cherish the Ladies, Kirk Kelly, Niamh Hyland, New Orleans Fiddler Gina Forsyth, Celtic Tenor David O’Leary; Poetry and A cappella singing from the WB Yeats Society of NY, Gerard McNamee, The NY Rose Of Tralee Anne Marie Lynch, Salina Mailer, Faith Hahn,  and more in a wildly eclectic and interactive parade of The Jewels of Ireland’s Bards.

Irish Consul General Noel Kilkenny and Artistic Director Joe Hurley

Irish Consul General Noel Kilkenny (left) with

Artistic Director Joe Hurley (right)

The Auld Triangle – “Nothing but my Genius” – at 5pm, Josie Robertson Plaza

Josie Robertson Plaza is re-christened “The Auld Triangle” for the audience to take a wild, magical stroll on Raglan Road with buskers, poets, painters, and dancers that will stir your soul. Behan to Beckett, Christy Moore to James Joyce – Bring your voice– for sing-alongs….Alive-Alive Oh!

 

Evening – Damrosch Park – from 6 pm to 10 pm “The Sailing Stage”

Thousands Are Sailing – But we dance to the music…And we dance…

We begin with A Parting Glass: Celebrating the legendary ALAN LOMAX’s work preserving Ireland’s Musical Heritage. Alan Lomax’s extensive recordings in Ireland are a shared musical treasure. They will be honored with Round Robin-style Irish-Americana performances led by Lomax archive director Don Fleming, Cherish the Ladies, Lianne Smith, Marni Rice, and very special friends. Complete with the original two-track recorder onstage that Lomax used to capture these historical Irish recordings!.

At 7:00pm we roll on as Joe Hurley and The Gents take the stage!

The New Yorker called Hurley “One of the city’s deepest pop singers, both in his vocal range and the level of his soulfulness… mesmerizing.” Their set will include a performance of Hurley’s CD Let the Great World Spin, created with and inspired by Colum McCann’s National Book Award Winning novel. The Gents feature Tony Garnier (Bob Dylan Bandleader) Ken Margolis, Megan Gould, James Mastro, & special guest Flogging Molly’s Matt Hensley.

The grand finale at 8pm will rock with a performance by Joe Hurley’s All-Star Irish Rock Revue!

A Beloved NYC institution, “that receives rave reviews every year” NEW YORK MAGAZINE The All Star Irish Rock Revue celebrates Ireland’s musical gifts to the world as guests dive into “The Great Irish Songbook,” performing the timeless classics of Thin Lizzy, U2, Van Morrison, The Undertones, Pogues, Elvis Costello, Stiff Little Fingers, John Lydon and more.

Co-hosted by critically lauded performer Edward Rogers, early confirmations include fiery rocker Willie Nile, Tony Winner Michael Cerveris (Evita), Ellen Foley, soul-legend Tami Lynn (Dr. John, The Rolling Stones) Rock & Roll Hall of Famer Dennis Dunaway (Alice Cooper Band), Film Star Antonique Smith (‘Notorious’), The New York Dolls’ Sylvain Sylvain, Uk’s Stephen Frost, Tish & Snooky, Mary Lee Kortes, Sam Bisbee and members of Flogging Molly, Rogue’s March, Lez Zeppelin, The Mekons, Cracker, The Ian Hunter Band and Blue Oyster Cult. Musical Director is Chris Flynn.

Artistic Director for the ‘OurLand’ celebration, Joe Hurley has sung and recorded with artists ranging from The Chieftains to Judy Collins and Shane Macgowan, Sam Shepard to Flogging Molly, Jimmy Webb to Maude Maggart. His collaboration with Irish Novelist Colum McCann, on The CD ‘Let The Great World Spin’, led to sold-out tours of Europe together.
In 2011 Hurley, Johnny Depp and Keith Richards won two Audie Awards for their narration of Richards’ international Best-Seller LIFE, including the prestigious ‘AudioBook of the Year’ Award.

He  leads the NYC groups Rogue’s March and Joe Hurley & The Gents and has released many critically-acclaimed CDs. Hurley’s  ‘Amsterdam Mistress’ is featured on SONY MUSIC’s ‘Whiskey In The Jar-Essential Irish Songs’ alongside classics from The Pogues, Dubliners, and Clancy Brothers.

Hurley and 75 authors entered the 2012 Guinness Book of World Records for their 24 hour live-broadcast global readings on peace, with www.AuthorsForPeace.org

‘OurLand’ is an outgrowth of the annual All-Star Irish Rock Revue Charity Concerts that Hurley has held at sold-out venues around New York, since 1999.
http://www.facebook.com/JoeHurleysAllStarIrishRockRevue

www.roguesmarch.com/press

Lincoln Center Out of Doors is one of the largest free performance festivals in the U.S.  Over its 41-year history, Out of Doors has commissioned some 95 works from composers and choreographers and presented hundreds of major dance companies, renowned world-music artists, and legendary jazz, folk, gospel, blues and rock musicians. It has highlighted the rich cultural diversity of New York City and partnered with dozens of community and cultural organizations. Since 2008 the festival has been produced by Lincoln Center’s director of public programming, Bill Bragin, with associate producer Jill Sternheimer.

ALL EVENTS ARE FREE and take place on the Lincoln Center campus. Visit LCOutofDoors.org for a complete schedule of events or call 212-875-5766 to request a brochure.

Lincoln Center Out of Doors 2012 is sponsored by Bloomberg and Pepsico Foundation and SofTrek Corporation.

Media Sponsors The Irish Echo, The Irish Examiner USA, Murphguide.com

More Press Releases to come with updates of artists, performances and events, so stay tuned!

Like our Facebook page: www.facebook.com/JoeHurleysOurLandFest
Follow us on Twitter: @OurLandFest
https://twitter.com/OurLandFest

https://Facebook.com/JoeHurleymusic

Follow Joe on Twitter @JoeHurleyMusic

https://twitter.com/joehurleymusic

Web: http://www.roguesmarch.com/

MEDIA:  Anitadaly@yahoo.com  //   ourlandfest@gmail.com

Web:  http://www.roguesmarch.com/irishrevue/

CD’s at http://JoeHurley.bandcamp.com

Wikipedia: en.wikipedia.org/wiki/Joe_Hurley

Photo ids: Irish Consul General Noel Kilkenny (left) with

Artistic Director Joe Hurley (right) -photo by James Higgins

Beannacht and the Sound of Summer

/ mrbaxteria2008 / Leave a comment

Their debut CD, “Gra na Firinne” was released in November 2011.

As summer approaches, more and more Celtic bands are putting out albums that have that feel of white sandy beaches and bonfires. I can cite Beannacht as an example. The duo of Tom Johnston and Dierdre Forrest show that carefree simplicity. The tracks in the album are arranged in a way suited for few instruments. There are other instruments that embellish this silky project but mostly, the focus of Gran a Firinne is to project that languid poetic style reminiscent of Christy Moore and Luka Bloom.  Margarita, sunset and the music of Beannacht. Sounds like a perfect combination. Aloha! Summer is here.

Notable tracks: Upon Your Ocean, Why’d You Go, And I Love and many more.

Brian  Ostering captures the silky sound which borders on the wispy yet making sure to add that warm touch especially on middle frequencies. Great mastering by George Wirth. Sounds like this album is great both in artistic and technical aspect.

Thanks to Anita Daly for the taste of the music 🙂

https://www.facebook.com/BeannachtMusic

About

Writing great songs, playing great shows, supporting venues and fellow musicians.

Biography

Beannacht was named one of the Top Irish Music Makers of 2011 and Rookie of the Year by Mike Farragher and the Irish Voice!

Beannacht was named Best New Act at the 2011 Jersey Acoustic Music Awards in Asbury Park, NJ!

Beannacht is the musical duo of guitarist/singer/songwriter Thomas Johnston and his niece, lead vocalist and lyricist Deirdre Forrest. Both musicians are heavily influenced by nearly all genres of music and especially enjoy being able to share their Irish culture through their music. Beannacht is a famous poem by Celtic writer and spiritualist John O’Donohughe and the word beannacht translates to “blessing” in the Irish form of the Gaelic language.

Description

An acoustic duo creating original songs that are a blend of contemporary Irish, classic rock, folk, and blues. Their debut CD, “Gra na Firinne” was released in November 2011.

Reaction to Conversations: Musicians need to be paid too

/ mrbaxteria2008 / Leave a comment

Hi readers of the page. I am still warming up after a week’s sabbatical. My friend Scott Hoye filled me in today with his reaction to my previous post. If you are not aware yet, Scott is  a musician who recently released the harp/vocal album Black Rose. You can listen to samples and buy the album here: http://www.amazon.com/dp/B008B55XSK/ref=cm_sw_r_tw_dp_v7-2pb1GVNZVC

To those who just tuned in, please see my previous post in which Connie and I discussed what’s going on with the 2012 Olympics.

Scott Hoye:

The Olympic Corporation sucks. That needs no debate. They strong arm any one who uses the word Olympic in their business. Case in point: my local butcher in Chicago, Greek immigrants in business since the 1960s, were forced to change their name from Olympic Market to Olympia Market, when the Olympic (TM) Corporation showed up to check out the City for 2016. Ridiculous! Greeks can’t use the word? It falls in the realm of commons.

As far as the world of internet commerce and music, two things have happened: the internet has and MP3s have made everything more available, and services like D Baby make it affordable for EVERYONE to share sell their music on I-tunes and other sources. Pirating still takes place, and the price of a single is now well below what inflation should account for a fair price. But the gate keepers of the record industry are all gone, now replaced by the cheap skates of e-commerce, CD Baby, I-tunes, etc. Studios are no longer necessary to work with, and mastering can be done for a fraction of the cost as well, ether with studios or at home.

My experience as a musician working under the old guard of gatekeepers, in the 1990s, and the recording studio system informs what my experience is today. I used to have to create cassettes to send to A&R people at studios, and to send hard copies of the same to radio stations for airplay. Now, for small fees, digital press kits can be obtained, and distribution for the same, at the click of a mouse. So from this perspective, it is a brave new world for many people, and though most musicians are not household names, the possibility of publicity, earning a living and doing it with ease has become easily accessible.

On the other hand, artists are generally not respected in the common culture. America was described by Henry Miller long ago as a country  where everyone wants to be a banker. Europe and other cultures still lend more credence to artists as opposed to the US. This is not to say that arts cannot survive in a market driven world, but Oscar Wilde was right in stating that the cynic is he who knows the price of everything and the value of nothing. This is the shadow side of market driven art, and perhaps the land of the free, home of the free market best illustrates this.

People generally don’t consider not paying tens of thousands of dollars for an auto. Art, they would rather pilfer it. The gatekeepers screwed the artists via distribution control, and scarcity for years. The new gatekeepers have cheapened the price of much in the realm of music; mp3s are ubiquitous, as is the ability to create the product. Perhaps ultimately it is the journey of the artist to navigate the new world of commerce. I hope that it is a bit fairer than the world of the old guard, where one waited to be picked, and the odds were terribly stacked against them.