Cornish artist Dick Twinney is giving love back to nature with his wonderful wildlife artworks. You see his works in this video, featuring ‘The Home Coming’ by Cornish violinist Sue Aston. Enjoy the healing qualities of the music and enrich your soul with the colors of nature through the eyes and hand of Dick Twinney.
Damasqhs –
Vocals, Djembe, Djuns, Bongos, Guitar, etc.
Rebecca Holman –
Vocals, Bougaraboo etc.
Tesea Dawson –
Vocals, Flute, bass, keyboard Djembe, etc.
Brandon Mullikin –
Bass, Guitar, Djembe
Tyler Neitz –
Gutair, bass, keyboard, various percussion, etc.
Chris Bush –
Native American flute, penny whistle, bass, djembe, djuns, et
Stirring both the heart and soul: Tuatha Dea satisfies one’s musical cravings.
Bagabi inspires what is beautiful and primal. It is like being transported into a world during the time of dinosaurs. The use of didgeridoo further enhances this experience and I feel my imagination open up. It gives you that weird sensation especially when you listen to this track with the lights out. I like it when a song gives me goose bumps. It means it has achieved something greater. Music is supposed to be like this-something that touches the soul. The African inspired chanting and the eerie deep male vocals (think Brendan Perry) further enhances the effect.
This kind of style is also dominant in other tracks like the poly-rhythmic induced The Hunt(corners). The track starts with percussion then escalates into a melodic devotional chant piece. There is also the traditional inspired Mulligan Stew that should have been used in TV series like Merlin. The remaining tracks bend on the folk/rock side. The female vocals are strong reminiscent of Stevie Nicks and Annie Lennox. I think this is great because I really like singers who sound like women and not like little girls. Songs like Falling Down, Celtic Woman (Mavis McGee), Tonight and the heart hurting Skye Boat Blues will leave you contemplating lost loves and missed soul mates in fishnet stockings and thick black mascara.
Call this an aside but I really love everyone’s fashion style here. Tuatha Dea is a band that is both beautiful to the eyes and ears. A perfect companion for a long rainy night with a single candle.
Formed in 2009 by Lead Vocalist Damasqhs, Tuatha Dea has an eclectic sound incorporating tribal drumming into the Celtic music genre.
Biography
Tuatha Dea first began with a group of close friends gathering together once a week to drum for kicks in 2009. Soon after the band began to write original music and playing at local social gatherings. As they began to build a small local fan base it was decided to try their hands at taking the show out into the public eye. They eclectically mix Scotts Irish, new age, traditional and modern day music to produce a unique variety and blend of rhythm and melody. As the fan base grows, the group continues it’s evolution and is constantly re-defining it’s perimeters. More info on Tuatha Dea will be coming soon and keep your eye on our website www.tuathadea.com!
It is a great Sunday morning to start the weekend with Australia’s own Trouble in the Kitchen. Their recordings simply bring the beauty of the Emerald Isle right to the Down Under. Fast or slow, the band exudes great atmosphere and beauty. There is this warmth vibe within each track, as exemplified by The Pleasure Palace and Road to Port Fairy. There are good vocals in songs like Four Pence a Day and Mill Towns. Great sound engineering washed all tracks. Gossamer sheen and lush production technique predominate the amazing mastering. These are sound characteristic of bands like Grada and Cara.
If you are a fan of Nicklecreek, The Punch Brothers and Liadan then you will definitely warm up to Trouble in the Kitchen.
Fiddle – Adrian (Ado) Barker
Flute – Ben Stephenson
Guitar – Kate Burke
Bouzouki – Joe Ferguson
Ray Pool is a world renowned harpist from Tulsa Oklahoma. He has interesting tips in how to deal with harp blisters. Click the thumbnails to enlarge.
Here I am with an imitation blister on the tip of the fourth finger of my left hand. This is a very upsetting situation to a harpist. This is a method for fashioning an adhesive tape bandage that will (1) cover the blister for protection and (2) bend while playing. I learned this from Lucile Lawrence who learned it from Carlos Salzedo. Best wishes for a speedy recovery to all who have to resort to this measure.
You need 1/2″ adhesive tape and a small pair of scissors. This tape happens to be waterproof. That is not necessary. It was what I found at the drug store today.
Cut off a piece of tape about six inches long.
Split the tape in half about four inches up the length.
Place the two-inch piece (which is full width) over the pad of the finger with the split in the tape positioned to meet the beginning of the finger nail once it is wrapped
Pull the left half of the tape diagonally up and over the finger nail, heading for the opposite side of the finger.
Secure that diagonal piece of tape over the base of the wider, solid piece of tape to anchor it.
Perform a similar up and over diagonal positioning of the second half of the tape.
You now have a secure piece of adhesive tape that covers the blistered area and is held down by its two “tails” as they cross over the top of the fingernail, across the finger and back around to the under side.
You may have to adjust the length of the original piece and the lengths of the two strips to fit the proportion of your hand. (I’ve got a pretty big mit!)
My new friend and poet, American Irishman Joe Devoy, owner of Tellus 360, Lancaster- a fantastic store featuring recycled and repurposed furniture and items made from wood, as well as many other handmade gifts- check it out- esp the gorgeous GUITARS made from recycled wood that Irish musicians are loving-Cindy Ross( Owner of the picture above..Writer/Photographer, New Ringwold)
Tellus360: Manufacture reclaimed wood furniture, sell Irish antiques and eco friendly gifts. I’d say that guitar is really great to have. Has anyone purchased this?