Featuring: Emma Kate Tobia, Sue Aston, Noel Duggan, Karnataka, Denez Prigent(with Lisa Gerrard) and Celtic Tenors.
My dearest subscribers, welcome. It is raining while I am writing this and the weather can really change the mood. So we are going to go on a ‘softer route’ with classically sounding Celtic tunes-well, mostly- some old songs and and interviews I picked up off youtube. Weekend is here and August is almost over. It is amazing to see how the musical career of friends are starting to take off. This is probably the only site where you can find really eclectic stuff. I mean think about it: punk, traditional and new age all in one edition plus other interesting trivia along the way. But like I said, today we are going to go a little bit soft. I warn you though he next edition is going to be ear pounding.
The Cornish diva of the bow is celebrating her birthday today. It was perhaps about two years ago when I invited her for an interview article. This woman is really down to Earth, intelligent and passionate about her culture. What are better tunes to celebrate her birthday than this beautiful Cornish dance tune which she performed and also one of her tracks from Between Worlds. Check them out!
Cornish Dance “Mazey Dazey” Sue Aston/Tros An Treys
Taken from the album ‘Between Worlds’ by Sue Aston Filmed in Cornwall UK
One of the songs by Emma Kate Tobia that you don’t get to hear in youtube so I took time to upload it for your listening pleasure. Have you observed that there are songs in any album by any artist that don’t usually get to be a single yet that song sounds really good? Next time I will have to find someone who works in the record industry and ask how they get together to decide which songs in the album become singles. This is the 11th track off her album Aisling na nGael. I recommend it if you are into classical type of singing and lush orchestration. I was raised in Classical music so I really dig tunes such as this one. And yes, the Irish part came a bit later. When you merge the two influences , the result is always amazing.
***
Noel Duggan of Clannad Speaks About the reason why they got together again.
Now going back to the video, Noel Duggan says here that they never really disbanded but concentrated in their individual projects. I think taking the time off from your band to hone your own musical styles can be a refreshing and creative thing would you agree? I am just so glad one of the best Celtic bands in the world is back!
That is a link to the track samples off the Celtic group Karnataka. Think of them as Riverdance, meets Gaelic Storm. They make big sounds and their live shows are always grand. Check them out if you like your Celtic music grand, big and theatrical.
Denez Prigent is one of the artists who introduced me to the music of Brittany. His voice has that haunting quality of a pinched pipe and the moving power of Gregorian singing. The subtle orchestration really highlights the beautiful singing between him and Lisa Gerrard. This language is Breton. What is more compelling is the translation I found in this channel:
In English: An hini a garan (‘The One I love’) The one I love, before, when we were little at home when we were so near to each other My heart was loving only one When I was little at home, the one I love. The one I love, I lost forever Gone far away and will never come back And this is what I sing for the one I love. The one I love one day left me For a far away land A land that I don’t know Lost, lost one day, the one love
Wow I think this is one of the songs you would like to listen to in your room after a break up with someone.
Plus today in pictures: Cheers+Greenland Whalefishers and The Electric Light Programme.
With readership and endorsements growing, it is easy for me to have CONTINUITY. It is great to mix and match music. And you know what’s fun?Having to write sooo little yet expose so MUCH music. What are we having for weeks to come? We will have Corrina Hewat, novelist Karen Victoria Smith, Calum Stewart and Will Tun and the Wasters. That’s just the tip of the iceberg. We will have MORE!
Corrina Hewat is promoting Harp Village. The last event happened in 2010. September is going to be exciting!
The harp village 2012
Friday September 28th – Sunday September 30th
in venues all round Cromarty
I went and checked Cromarty Arts Trust and it is really an amazing venue:
It says Cromarty Arts Trust was established in 1987
Aims and objectives
To support the conservation of buildings of historical or architectural importance
To promote the advancement of education
To encourage the conservation of natural features, landscape, ecology and character of the area
To stimulate public interest in the history, character, beauty and wildlife of the area
To nurture artistic activity, locally nationally and internationally.
In pursuance of these aims we have raised over £1 million for the following purposes:
Restoration and conversion of three architecturally important buildings in Cromarty
The Brewery, restored in 1989 and now operated as the Cromarty Training Centre; The Stables, a Listed Grade A building restored in 1995; and Ardyne, a fine example of a merchant’s house restored in 1994.
You will see more of this delicate playing when you go watch the performance.
***
Music from Brittany: Bagad Kemper
Guéna Lamour: Road-trip West Coast /Australia
Guéna Lamour was part of the Celtic/pop group Meliouank playing the keyboards though his main instrument is the bombarde. Right now he is devoting his energy to a group called Bagad Kemper and at the same time practicing for the duet competition of traditional music with a singer. Every year there is a big competition the first week of September, of the best duets of traditional music in Brittany. Bagad Kemper does something really exciting to Breton music and I am sure after seeing these videos you’d agree.
This is more like a rehearsal.
You can see his performance focused around 5:13 of this video
***
Today in Pictures: Cheers+Greenland Whalefishers 24.08.2012
This is the aftermath of the most anticipated event in Celtic punk history within the Czech Republic. Greenland Whalefishers from Norway shared the stage with Cheers, both bands playing highly charged melodic punk tunes forged through the spirit of Paddy Rock. Check out this link and also add the band to your favorites to get the latest gig updates.
KCLR 96 FM is a radio station in Carlow Kilkenny Ireland. This station covers new and old music. This link below is a recorded show from Martin Bridgeman. He has a guest in the studio Michael Brunnock and you would hear music and conversation. Martin does interesting things in his show. Have a listen.
From Martin Bridgeman:
“We’re all good. Some good news on the show front. I’ll have an interview and tunes from on Sunday from Mick McAuley and Winnie Horan from Solas and another Kilkenny Musician Colm O’Caoimh. And if all goes well, I’ll have an interview with Jacqui McShee from Pentangle shortly”…
Plus our picture of the day featuring Maura O’Connell and Flashback video from Equation!
Clanú: Dee McIlroy, Niall McIlroy, Damian McIlroy and Barry Skeffington.
Great Irish music comes pouring in with Clanú.
I have no doubt that this band is going to create more great albums in years to come. I think they are in the right track with their music. It is always inspiring to have a kind of music that not only lets you look back at traditions but also makes you FEEL inside. Clanu is one of the finest examples how Irish music is flowering, taking other influences and spreading awareness to both national and international listeners. Thanks to cyberspace one can keep track of these things which would be impossible offline. The little article I did became an agreement with Dee McIlroy (singer / guitarist/ producer) for an online interview which took sometime due to the band’s rigorous touring schedule. If you are not aware yet, Dee(Dermot) runs a great company called McIlroy Guitars http://www.mcilroyguitars.co.uk It was worth the wait because they are the featured band for this week.
How do you describe your band and what’s in store for your listener this summer?
Dee McIlroy talks to CMF about Clanú
Clanú is a combination of several members of two very different Irish bands, Outta Folkus who are the Folk / Bluegrass combo (usually a 3 piece) and Torann who are a young 5 piece playing Irish Trad. Both Outta Folkus and Torann are very busy playing in venues and festivals around the country. Outta Folkus average two or three gigs a week, while Torann can fit just as many into one weekend.
Torann have just finished a stint as the “3rd class passenger folk group” in the stage musical version of The Titanic.
They will be supporting bands such as Lunasa throughout the summer months.
Outta Folkus just returned from Switzerland after a series of gigs there and have already secured gigs there for 2013.
Because two members of Torann and one member of Outta Folkus are part of the same family (father and sons), the project to create something blending the two was something that we talked about many times. Hence Clanú was formed in 2010 and we set about writing the music for the album Ancient Walls which was completed in 2011.
What’s the recording process for Ancient Walls?
Many of the tracks on the Ancient Walls album are original, either written specially for the album or selected from a back catalogue of unrecorded material. Most tracks had been chosen before we started but there were one or two which just seemed to need to be part of the project, “Slow Whiskey” is one example.
The core of the recordings were recorded over the course of a few sessions. We have recording studio at home, so that allowed us the freedom to experiment.
“Once I had the foundation of the recording, i.e. the main tune and instrumentation which was recorded live so to speak (all major parts playing together), I would then add the orchestral pieces, bass, pads etc at a later date. Some I would do myself and other pieces would be done by the other band members where necessary and then layered into the sound. So the rest of the production and mastering took six months to complete. With that in mind, I was conscious that we must be able to recreate the sound as much as possible when playing live. Because we are all multi-instrumentalists we can swap instruments to suit the individual track and we can indeed produce the album tracks exceptionally well.
Dee, What is it about Clanu that is unique from the rest of the bands cropping up these days within the musical culture?
Irish music: It’s a family thing.
There are few, if any, bands who manage to create a mix of old and new folk songs with the fast paced modern Trad that you see in the likes of Grada and Beoga. It’s like The Dubliners meet Lunasa with a bit of Planxty thrown in for good measure. The beauty of this is that we tend to please both camps. There are many people who think an evening of pure Irish Trad would be made even better with a spattering of songs, some new and some old favourites. That’s what we do.
Torann and Outta Folkus came head to head with an event last 11th of Aug, not as Clanú but individually, with all members, when they will appear at the 3rd International McIlroy Guitar gathering in Ballycastle, Co Antrim, N. Ireland.
Do you think there is a fierce competition within the Trad scene these days?
There is little or no competition within the Trad scene other than when it’s an actual competition like the All Ireland Fleadh http://www.fleadhcheoil.ie/ .
There is a tradition within Irish music that you teach the music to the next generation and this keeps the culture alive. So it’s not a case of keeping your music to yourself but spreading it as far and wide as possible, even if that means that there is less work for musicians. But we don’t look at it that way, we simply try to be the best we can and maybe offer something a little different or special.
What are the bands that were supportive of your works(recording and getting the word out there) and what are the bands that have influenced you musically?
There are certainly many bands and musicians who have influenced us over the years, such as Planxty, The Bothy Band, Boys of the Lough and more recently Gráda, Sharon Shannon, Beoga, the list goes on.
When it comes to support for getting albums recorded and distributed, while there may be a little arts funding for the few, the vast majority of musicians dig deep into their own pockets to produce their albums. I started my own label called Stubborn Ass Music. The idea was to make studio, production and mastering time available ourselves and friends (or friends of friends) who would not in any normal circumstances be able to afford to get an album to market. So far I have produced 5 albums (not all folk / trad), the latest was An Turas by the Glengormley school of traditional music, of which all the members of Clanú have taught at.
There was an incredible amount of work put into all these albums and all in our spare time as we’re not professional musicians. But hopefully the work put in is reflected in the quality of the Ancient Walls album as well as the others.
On performing live, what are the things artists should consider especially when it is a big crowd as opposed to intimate gatherings?
Clanú are a four piece band spanning two generations and the influences of each generation comes through in their music. From the fast paced modern Trad of Damian and Niall to the even faster contemporary folk and bluegrass sound (or greengrass as we call it) of Dee and Barry. With the wide range of instruments they play, they manage to produce a sound which enthrals crowds around the country and beyond. Add to this the song-writing and tune-writing capabilities that all the members possess and you have a unique yet familiar trad / folk sound that will have you dancing, singing or crying and sometimes all at the same time.
When performing in front of large crowds it’s more than likely that all the sound, lighting, running times, etc have all been arranged, so it’s best to just relax and enjoy. The main thing to remember is “Never turn up late”. You won’t make any friends with the organizers, crew or other musicians on the bill.
What’s your message to people who have just stumbled upon Clanu?
I would say to all those who hear our music, I hope you enjoy it as mush as we did making it. Support live music by buying the CD, downloading it or streaming it on Spotify or similar. And please spread the word. We hope we can come play in your town sometime, wherever in the world you are.
And thank you Baxter for inviting us to take part in this questionnaire.
Dee, thank you so much for talking the time to talk to CMF and also for sharing your ideas that will benefit musicians of all genres. Friends, don’t forget to check out the music of Clanu and also get yourself a copy of their new album Ancient Walls.
Here are links to their videos:
***
Our picture of the day: Maura O’Connell
Maura O’Connell
She has a big Celtic voice that resonates through your soul. This picture tells us how this this Irish artist sees life and uses that inspiration to heal our hearts.
Yes this is Cara Dillon and gang in the age of grunge music and fashion. Who would have thought that years later individual members wouldlead successful solo careers…and continue to inspire us with their great music. It is great to look back and marvel at how Irish music has evolved and influenced the younger generation.
Cara Dillon and Seth Lakeman, two of the leading acts in the UK and Irish folk scene, were both formerly members of Equation, a folk supergroup signed to Warner label Blanco y Negro in 1995 by Geoff Travis. They recorded one album, Return To Me, which was shelved by the record company just before its release (but was released by Rough Trade Records after Travis bought the masters), but the lead single, He Loves Me, got a release in 1996 with a full promotional video. The video became available on Ebay recently and with a stroke of luck I had the winning bid. Here it is in all its glory. Seth appears to be a bit of a spare part, but Cara is glowing in all her youth and mid nineties fashion! Enjoy…
I featured an e book about learning how to play the tin whistle by Stephen Ducke. I told you how amazing that book is. It has 430 MB of files containing music, texts and illustrations will be enough to give you all that you need to get you started. Well, this guy doesn’t just teach one instrument. He teaches a LOT of instruments including the wooden flute. He makes amazing music too. Just take a listen to his myspace page and it will give you a good impression if not tell you EVERYTHING you need to know about Irish maestro Stephen Ducke. He now lives in France. He also runs www.tradschool.com which I posted here from my previous article but didn’t realize who the man behind the site is.
If you think Norway is just about melancholic Scandinavian music then you are wrong. The Greenland Whalefishers not just ruins the stereotypes, they also bring a kick…yeah more like a kick in the eye with their brand of Irish music or Paddy
Greenland Whalefishers
rock. Whoa! And check this out, this guys have been on the road for 16 years! They love what they do, they don’t apologize for the awesome music and they are performing live in the Czech Republic this week. Yes get your socks rocked with the Greenland Whalefishers!
Don’t let their wacky pictures and band bio fool you. These guys are SERIOUS about their music. I was impressed by the amount of craft they put on every recordings. They are Will Tun and the Wasters, a young, fiery and energetic 7 piece folk punk-ska band from Reading, England. They occasionally add in a bit of gypsy to their song repertoire as well as collaborating with a French Rapper called MC Amalgam! These 3 tracks are from our latest release “Time is a Bastard”.
Deep in the winter of ’09 a lonely group of introspective alcoholics (AKA The Wasters) who were sick of having nothing to show for their drinking, decided to legitimise their actions by forming a band. Naturally this was to be a folk-punk band. One fateful night at a party after a few, the ebbullient Burmese violin/guitar maestro Will Tun steps on to the scene and a union is formed. The only trouble is he doesn’t know how to drink and he likes coldplay. Thus begins the fusion of two opposing worlds into the weird, smorgas board band dynamic of Will Tun and the Wasters. The Wasters learn to play music properly (kind of), Will Tun learns about punk rock and cider and somewhere in that process some songs got written.
***
Featured Video:Kathryn Tickell – ‘Lads of Alnwick’
Kathryn Tickell and band (Peter Tickell – fiddles, Joss Clapp – guitars, Julian Sutton – melodeon). Song taken from a live set recorded at The Zodiac, Oxford. 8th September 2004
Prior to hearing her through The Sky Didn’t Fall with Corrina Hewat, I already posted a video about her. But you don’t really get to know an artist’s music unless you listen to an entire album. The northumbrian smallpipes are really great to hear and no one plays it like the way she does.
***
Today in pictures: Eva McCauley
Have you seen the works of Eva McCauley before? If you haven’t check them out. Intense stuff. She is a painter and print artist. Well, it was a surprise to know that he is also the mother of famous bodhran player Jacob McCauley. I never realized Jacob has an awesome mom! Eva is the Founder & Director of Riverside Celtic College, in Guelph, Ontario. These images are about her latest exhibit.
Noah Smulkis and I have been in contact through the years because we’re both fans of Celtic music and we both like Clannad. He is a musician based in Chicago IL and plays the bodhran. His passion however is directed towards promoting Celtic music to a wider audience and that is how Ceolwind Productions was founded. The company overview says:
Ceolwind Productions is a booking and promotions company based out of Chicago, IL and was created to help promote Celtic, Folk, and Roots music and bring you the finest quality of concerts and musicians from around the globe.
Here’s the company outline and also the artists it represents right now:
Booking, Promoting, Social Media, Online Music Distribution, and Webdesign for innovative and ground breaking traditional Celtic/Folk/Roots music.
Here is what Ceolwind is bringing you:
Friday, September 7th:
Olov Johansson and Catriona McKay
Kicking off their US tour together here in Chicago at:
Ceolwind Productions welcomes the traditional music of Scotland and Sweden, woven together by these two highly acclaimed and talented musicians: Olov Johansson and Catriona McKay – Swedish Nyckelharpa & Scottish Harp
Both traditional as well as newly composed music from Scotland and Sweden,
Olov Johansson & Catriona McKay at Chief O’Neill’s Public event · By Ceolwind Productions
performed beautifully in this new unique harp-duo by these awarded harpers. Catriona was appointed “Instrumentalist of the year” at “Scots Trad Music Awards 2007” Olov became “World champion in Nyckelharpa” in Österbybruk 1990. Olov is also a founding member in the Swedish folk band “Väsen”. The duo met in Stockholm at a concert they shared with their bands, Väsen from Sweden and the Shetland-based Fiddlers Bid.
Come catch this one-of-a-kind performance: the very first stop on their tour of the states together!
They are touring in support of their first album collaboration: Foogy
Darhaou is a band very well-known in the fez-noz festivals. Their music celebrates Breton dancing and these guys not only rock onstage, they also put out quality music as you can hear in their myspace page. I want to mention my appreciation to Eliaz P for introducing me to this wonderful band from Brittany and the rest of the artists from that region. There’s a huge wealth of music over there and this site will showcase them here one by one. More about Darhaou’s music here: http://www.myspace.com/darhaou
Members: Ronan Bléjean, Christophe Le Menn, Ronan Le Dissez, Erwan Volant, Pierrick Tardivel, Olivier Urvoy
Bio:
Founded in 1998, the group Darhaou fest-noz animates and manages the challenge of satisfying both music lovers the best dancers. Olivier Urvoy and Ronan Le Dissez made a collaboration forging a sound both wild and precise. The ensemble isn’t complete without the participation of other musicians including soloists and dancers. There are two members from Jazz background that provide the rhythm section, Pierrick Tardivel Steering and Erwan. They are soloists known for their energy and sobriety, providing the groove yet with nuance. Ronan Bléjean the bi-chromatic accordion provides the “Irish” feel. His instinctive playing combined with his technique and sensitivity provide a distinct style in Breton music. Both the melody to the accompaniment, make the link between the rhythm section and soloists. After two albums and 10 years of instrumental music, Darhaou includes the young and talented singer kan ha diskan Christophe Le Menn. His presence leads to other tones, another total energy and thus requiring the orchestration. After two years of planning and work, the conclusion is unanimous: Darhaou acquired a new maturity and freshness that justify the need and desire to share their music to more listeners. A new album is being prepared in the excitement of novelty and looks in the minds of its creators, as a major event in the history of Darhaou.
Darhaou Photo: Sylvain Rocaboy
***
Featured Trad: The Jig Set – Winnie Haye’s/Pat Walsh’s – The Fuchsia Band
Mick Heffernan – Whistle Brian McGillicuddy – Whistle Karl Nesbitt – Bodhran, Bouzoukis
Recorded and mixed by Donncha Moynihan Produced by Karl Nesbitt
***
Picture of the day: The Lyre Dragon with 15 stings
Lyre Dragon 15 cordes , petit DeLyre elctro-acoustique
Celtic Music Fan 