Midweek Music Extravaganza

 

Feautring: Kinfolk, Jamie Smith’s MABON, McAuley/Horan/O’Caoimh, John McSherry, Michael Shimmin, Joe Dart, Wilber Calver with Moya (Maire) Brennan & Shane McGowan

Featured Single: The Lady of the Woods

I mentioned the new single from Jamie Smith’s MABON in my last edition (with the amazing Corrina Hewat as featured artist). A few months ago, drummer Iolo Whelan announced that they are in the process of recording the new JSM album. It was later revealed that the title of the said album is “Windblown”. Anyone who followed their career in the old line up will know that they have always played lively instrumental tunes. You have to understand my surprise when I discovered that the carrier single Lady of the Woods features male vocals including top  notch harmonization. The song uses influences from pop/rock and traditional music. The song is radio friendly enough that I am sure with the right timing and promotion will be one of those top 40 UK singles like what fellow Celtic bands  Capercaillie did with Coisich, a Ruin and Manran with Latha Math.

Download the single that is given by the band for free here: http://www.jamiesmithsmabon.com/windblown/

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Introducing: McAuley/Horan/O’Caoimh

Artwork by The Celtic Music Fan

More from this link: http://www.mcauleyhoranocaoimh.com/

And check out their facebook page: https://www.facebook.com/Mcauleyhoranocaoimh

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Album Review: Kinfolk- This Land

A track by track review of the amazing CD.

Principal musicians: Brian McDaid & Gerry Power

Other players: Johnny Cameron,David Mclean, Damien Mullany, Alan Burton, San Proctor, Dorothy Swift and Paul Fox.

From the first few notes emanating from the acoustic guitar of the intro to This Land, one is given a tip that this album is composed of songs that you can sing along. Coupled with great accompanist from the trad scene , Kinfolk has an album that makes you feel like you are watching a family album. I call this a grand offering due to the number of guest players ranging from bouzouki, mandolin, keyboard, banjo, accordion, fiddle, uillean pipes, and other vocals and instruments. The harmonies are solid and breezy. When you are driving long distance, this is one of those albums that you’d like to listen to on your way home from a long day’s work.

Tracks:

There are 13 tracks. There are ballads , instrumentals and upbeat songs. They are arranged in a way that reminds of of a plot in a novel. Each song tells a different story but still related to the bigger picture that makes this album solid.

This Land: A tribute to Ireland and anyone who has an immigrant soul will relate to this:

” Well I hope and pray her smile will be there to greet me

Though my home’s far away I can still hear her sing so sweetly”.

Donegal: The upbeat tempo of this track makes one wonder. If this album has enough airplay and this track has enough promotion, this could be one of those top 40 folk tunes. The fiddling and singing reminds me of Scottish pop rock band Simple Minds. It is irresistibly catchy and poppy.

Stac Pollaigh: Acoustic guitar, whistle, keyboards make this instrumental track have that New Age crossover appeal. Something spiritual, relaxing but still very traditional sounding.

The Hunger Roars: Hunger Roars recall the term ‘starving artist”. I personally think it is about one goes through in life mourning over relationship we can’t salvage from the ruins. A kind of existential anguish permeates the track. It is a song that you can interpret based on your own personal feelings. It has that kind of hoe down tempo. In spite of its lively tempo, the melody is steeped in melancholy atmosphere. Something luminous but somber at the same time.

Wonderful Day: Another finger snapping and toe tapping track. An uplifting and positive track which is a tribute to a beautiful landscape. Embellished by the nice sound of the banjo and the other instruments, this song is one of those undiscovered gems in the folk music scene.

Campsie Glen:

“ Will you come with me this summer,

To the fells in Camsie Glen..

This idyllic track takes me back in those years when everything seems like a scene through a rose colored bowl. Thoughts of childhood are precious and this is something that will save us from the twist and turns of adult uncertainty. The fiddle is bright and the vocal harmonies are rich. The simplicity of this med tempo track is what makes it such a pleasure to listen to. There are ven sounds of birds at the end of this.

Bound for New York: No need to expound on the thoughts of this one because I am sure you know what t is about. And I agree! Once again, the vocal harmonies and the chorus that goes:

“So I’ll have to go,

I’ve got to let you know,

My ship will leave the harbor in the morning

Cross to the sea so blue,

But my heart will stay with you,

I’m bound for New York City in the morning..

If this song doesn’t make you misty-eyed then you are either made of steel or a frickin’ robot. I just lost it!

Lady of the Isle: The drone of the keyboards coupled with the tin whistle makes the intro to this song very ‘soundtracky’. The vocal follows with the beat of the percussion. It has the characteristic of a slow marching song. The spacey arrangement creates a haunting atmosphere which has that lament sound.

“ But we cannot be together, So I’ll love her from afar,

For she is to wed another, and that day will break my heart”.

Thingamajig: Is a jig…but has a pop rock flavor. A great fusion of styles. The percussion and fiddling makes me want to go out and dance in the rain!

Working for the Company: Voice and acoustic guitar feels like a break from the grand instrumentation of previous tracks. A tin whistle and scattering of ‘ohhhs and ahhhs’ in between the chorus and verse plus other spare vocal ‘cloak’ makes this one a must for listeners of chill music.

Home to Ireland: The use of Major 7th chords gives this track a pastoral flavor. Major 7 reminds me of golden wine and gentle rays of the sun. “ Why don’t you come home to Ireland, All the way back to this green green land. This actually expresses my sentiments why I consider Ireland as my spiritual home.

Paddy’s Shout: Another instrumental track that showcases the mature and excellent musicianship of Gerry Power and Brian McDaid. I find my self rocking my head to this gentle uplifting track.

I Blame the Whiskey: The closing track. A tongue in cheek song about…well, you with your Celtic blood would understand and relate to. But this is also a song about trying to cope with a bad experience in life. We all have that. Yes we blame the whiskey, cigarettes or anything we can get out hands on to quell that ache..anything to keep us alive. A beautiful track that I can relate to.

My verdict is: Buy this album. It has a general appeal even to those who aren’t into Celtic music. The tracks are easy to the ears and all of them are worth your listen.Maybe music can’t really heal our pain or existential anguish but it is such a fine company when we feel lost and lonely. I love this album! Buy this album here: http://www.cdbaby.com/cd/kinfolksongs

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Featured mp3: Bridge of glllass

Here’s the pre-release track from  the olllam album (with John McSherryMichael Shimmin, and Joe Dart) Ah something refreshing from the trad scene. This music grows on you!

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Featured Artist: Wilber Calver (AfroCubanCelticMusic)

Gran concierto en Einsiedeln, Switzerland !

I want to introduce you to this exciting artist and whose album Diaspora is making waves! Jazz musician Courtney Pine (the first Jazz musician in my cassette collection as a kid) praises Wilber Calver’s album saying: “Wilber Calver is a unique new artist who has created a brilliant original sounding album that is steeped in the traditions of his Cuban culture and the Celtic folklore of his chosen instrument the bagpipes. I can’t stop playing it.” http://www.wilbercalver.com/

We have another legendary artist in the making!

From the official website:

About Wilber Calver

Wilber Calver Rodríguez “The Ebony Piper” was born in Holguín (Cuba).  In 1997 he enlisted as a percussionist in the traditional music group of the Centro Gallego de la Habana, with whom he performed in many festivals.  In 1998 he took his first bagpipe lessons with Professor Eduardo Lorenzo and it was from this moment that he fell in love with the pipes and took the decision to dedicate himself to the instrument.

During the following years he built up his performance experience and was included in the EU documentary “The latest Bagpipers of Havana”, won the “Premio iberoamericano ” Rey de España” ( 2004 ), appeared on the feature film “Havana Blues” (2005) directed by Benito Zambrano.

His TV appearances include : Musical ” Cuerda viva ” Cuba ( 2004 ), ” De la gran escena ” Cuba ( 2004 ) -Progra ESPECIAL ” Día da Patria gallega ” TVG España (2007) – ” A compañenos ” TVG ESPAÑA( 2008) – Serie “Padre Casares ” TVG España ( 2009 ).

He has been reviewed in the following publications : Revista Bohemia ” Con la gaita a cuesta ” Cuba ( 2004 ) -Revista ” O anuario da gaita ” Epaña ( 2000 ) – ” Gaitas con tumba..o ” Diario La voz de galicia

Wilber now lives in the Swiss Alps – Einsiedeln – and is in the process of recording his first album which will be an exciting fusion of celtic melodies with Afro-Cuban roots, arranged and produced by Alex Wilson.

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Flashback: MOYA (MAIRE) BRENNAN & SHANE McGOWAN – You’re the One

As my personal tribute to the amazing late Irish novelist Maeve Binchy, I am posting this beautiful video by two equally mesmerizing artists, Moya Brennan and Shane McGowan. The song is written by Michael Kamen. It’s the ending track for movie Circle of Friends.

 

Corrina Hewat: Between Life and Music (Interview)

Plus: Nova Scotia singer/songwriter Layne Greene for our EP review, Lady of the Woods: New Single from Jamie Smith’s Mabon album Windblown and Cormac O Caoimh

https://www.facebook.com/corrinahewat

http://www.corrinahewat.com/

http://www.unusualsuspects.uk.com/

http://www.myspace.com/unusualsuspectsscotland

Corrina Hewat is our featured artist this week. She is a mom, a harp teacher, and a good friend to the harp community. She is promoting her project the Harp Village . “We have The Duplets, Maire Ni Chathasaigh and me and David the whole weekend, so it is a lovely mix of music and company!! The more people who come along, the better, so all publicity is great.”

Corrina Hewat has an eclectic sound. She walks between the world of traditional and avant-garde music. Listening to her album My Favorite Place  her project bands including  BACHUÉ give me a glimpse to her wide influences. Her music captures the Celtic sense of atmosphere and space while her refined style made her recordings at home with the urban world.

You have a huge catalog or recordings now. Do you have recordings you wish you could have improved? I am not saying they need improvement because your recordings sound polished but personally what do you think ?

All my recordings are purely ‘snapshots’ of where I was then. All the recordings are affected by where they were recorded, who was playing, how I was/we were at the time. I only ever set out to capture moments of time, and I believe that is what they all are. Every single one of them I would change and every single one of them I would keep the same as well. I don’t tend to listen to myself too much, and it only ever comes up on shuffle in the car mostly, so I can press ‘skip’ and move on. Or sometimes I listen and say ‘woah, what the heck was I thinking?!!’. Or ‘ooh that is a surprising bit’ or ‘wish I had done that instead’ or all sorts. Anyway, it’s all past stuff, so I don’t really have time to think about what I would have done better. I could have done it all better. And I will always think that.

So far, how is the experience working with BACHUÉ. Is there another BACHUÉ project in the making ?

I loved Bachue very much. It was a good fun thing and a happy thing. But it got swamped with all the other stuff that was going on, so it took a back seat for a while. I am going to do a duo gig with David Milligan in September at the Harp Village (28th – 30th September in Cromarty, The Black Isle in the Highlands of Scotland http://www.cromartyartstrust.org.uk/the-harp-village-2010.asp) and that will be the first time in ages we actually have done a gig together in such an intimate format. I’m looking forward to it. We play well together!!

You also teach harp. Does teaching come first and being an artist second?

 Being an artist/musician comes first. Not that teaching comes second, but at the moment for me, I still want to write music, play and perform music, and if I can fit in teaching as well, then I do. I took on the Royal Conservatoire of Scotland’s Principal Scottish Harp Tutor job last year, and I have the help and support of Heather Downie. If I didn’t have that secondary support, then I couldn’t have said yes to it. I believe I need to continue to work towards being an inspired, creative musician and writer and strive to better myself and my work. My students will then have a happy, sharing, generous, inspired teacher. I have very few private pupils, due to my time constraints and time away touring or teaching workshops/week-long schools.

How has motherhood shaped your music and what is different now compared to when you were starting being a recording artist?

Motherhood changed me completely. Life is a joy, not a struggle now. (I used to think it was all so hard. And had a heap of crap I was carrying on my shoulders which I needed to unburden myself of, to move on.) And I lived a very ‘messy’ lifestyle but now there is no need for all that. The joy is in me and around me. Music is a joy – although finding time for it is slightly complicated sometimes. But I love being a mother so much. It ‘completed’ things for me which I didn’t realise needed completing! And I still believe my life, the traveling, the ‘being all consumed by music when in the middle of writing it’, and all that goes with being a musician, is still worth it, as I am a more fulfilled person. And if I am happy then I am a better mum.

What are the things you want to introduce to the harp scene? What is your grand vision?

I wanted to introduce a more relaxed approach to harp, and a more relaxed and creative approach to arranging. I found when I started playing that there were very few arrangements out there I even liked! Boring chordal movements, same patterns over and over again, as if that was all the harp could do! So pretty much as soon as I started learning the harp, (around the age of 12 or 13) I started writing music on the harp, arranging traditional tunes, putting mad sets together, learning music off tapes (remember them??!). I had a great teacher to start me off – Christine Martin (who is the book publisher Taigh Na Teud) – she gave me the basics, introduced me to the Clarsach Society (who I eventually hired a harp from for many years), and introduced me to the work of Savourna Stevenson. That gave me the impetus to keep writing and playing and trying to make more of the instrument. I have had amazing teachers, although sporadic. Christine for a year, then yearly weekend courses until I went to the RSAMD (now called the RCS) where i had Sanchia Pielou for a year. Then Maire Ni Chathasaigh when I was doing the jazz degree course. These three teachers gave me so much input and I thank them for it. I was a ‘wayward’ child, and they steered me well. Sileas also gave me inspiration as they were doing fun things with the harp in trad music.

My grand vision?? I want to inspire folk with my music. Inspire them emotionally, move them. Write music which people can live with and enjoy. Move them like I have been moved by others music.

Please visit the Harp Village project here: http://www.cromartyartstrust.org.uk/the-harp-village-2010.asp

Sample recordings:

A live clip of the Unusual Suspects at The Old Fruitmarket, Glasgow, 29 January 2011 as part of the Celtic Connections Festival. Featuring the tunes “Sandy Broon’s” & “Bogle’s Majority”.
Line-up:
Corrina Hewat (harp/vocal)
Ewan Robertson (guitar/vocal)
Eilidh Shaw (fiddle)
Anna Massie (fiddle)
Catriona Macdonald (fiddle)
Patsy Reid (fiddle)
Mairearad Green (accordion/ pipes)
Calum MacCrimmon (pipes/ whistle)
Donal Brown (pipes/flute)
Rick Taylor (trombone)
Nigel Hitchcock (saxophone)
Ryan Quigley (trumpet)
Colin Steele (trumpet)
Dave Milligan (piano)
Tom Lyne (bass)
Alyn Cosker (drums)
Donald Hay (percussion)

Here’s a clip of Scottish harp player Corrina Hewat playing a jig she wrote for Martyn Bennett. This is from Corrina’s online Scottish harp (clarsach) course at ayepod.net. Check it out at http://www.ayepod.net/webcasts/teaching/teaching.htm

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Lady of the Woods: New Single from Jamie Smith’s Mabon.

Album art for 'Windblown"

Ok I have heard the entire song and I like it! It is catchy, well crafted and the vocal harmonies are amazing. First time I heard a vocal track from the band that is known to perform great instrumental tunes. If you haven’t yet have  a listen here and also download the track for FREE: http://www.jamiesmithsmabon.com/windblown/ 

If you are a band I’d suggest you get a photographer this band has. The pictures do an amazing way to promote the music!

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Nova Scotia singer/songwriter Layne Greene with Live!EP

Tea buddies: Layne Greene-Vocals/Guitar
Alexander MacNeil-Guitar
Artwork by The Celtic Music Fan.

Carving the modern Nova Scotia with the stories of people and places.

Genre: Folk

Released  August 30, 2012

Personnel:
Layne Greene-Vocals/Guitar
Alex MacNeil-Guitar
Shawn Bisson-Mixing/Engineer
Andy Cunningham- Photography/crew

http://laynegreene.bandcamp.com

https://www.facebook.com/LayneGreeneFolk

Knox Presbyterian Church located in Blue Mountain, Nova Scotia

Recording a crisp clear album impromptu takes a lot of skill to achieve. But singer/songwriter Layne Greene has been mixing and arranging music for years. So the live EP was conceived out of the desire to come up with songs that he recorded and arranged in the past but wanted a different take on them. This  Business Administration major from St. Francis Xavier University(now in his sophomore year) juggles between making music and seeing himself producing them in the future. He even jokes that :” If worse comes to worse, I can work a crappy, well

paying, desk job”. Well I am sure it won’t come to that because he makes excellent songs that are well crafted.

One of the songs here called Working Man is dedicated to his grandfather who is a carpenter and builder of musical instruments. There are other songs that are biographical in nature. His lyrics show an introspective and philosophical nature. Although he admits that he isn’t much of a lyrics guy. He is more prone to think of songs like cathedrals with their intricate structures and designs.

Alexander MacNeil is a jazz musician who is also working with Layne on another recording. He adds his distinctive guitar style to this project. He  also did the backing vocals in Iron Town. He has his own jazz Trio and Quartet. You can tell that these two made a great tandem in this EP.

One of the things that I really appreciate about this EP is the atmospheric beauty of all the tracks.  I asked Layne if they used studio reverb and he said no. Everything in this project- especially the acoustic density -is through the interior of the  Knox Presbyterian Church located in Blue Mountain, Nova Scotia, Canada. Engineering/mixing credit goes to  Shawn Bisson who flawlessly captured the soul of the venue with such exquisite attention to detail.

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Music VLOG: Cormac O Caoimh – Just Love here

http://www.thecitadels.net/

http://itunes.apple.com/ie/artist/cormac-o-caoimh/id467679675

http://www.cdbaby.com/Artist/CormacOCaoimh

I recent;y got acquainted with this wonderful artist who just released his album A New Season for Love. I am impressed with his vocal quality. I love it and his music is really worth your ears after  a long day’s work.

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More album reviews coming up in a few days!

Tuned Up, Cobblestone Sam, DÁN,Brenda Wootton and Dom Duff

Album review:Brendan Mulholland/ Brendan Hendry/Paul McSherry with Tuned Up!

Tuned Up is a project which lovers of traditional Irish music will love to collect. Energy, solid harmonies and top notch players in the trad scene are things that you will find here. From the start of track 1 (Reels: Fox in the town/In the tap room/The Belfast traveler) one can already say ‘ ah this is a trad album I have been looking for’. Big nod to Paul McSherry for kicking the tunes with his punchy guitar strumming that paves the way for all the wonderful tunes to come.

Plus points:

Liner notes. There is a comprehensive written by Kevin Crawford to introduce the trio. Kevin is known as the flute player and chatty man with Lúnasa. It is great to have his presence in this wonderful CD.

Tracks:

There are traditional and traditional sounding original compositions. There are ten tracks but there are divided into the following: reels, jigs, slow reels, air/hornpipe, waltz and polka. This is a great introduction to people who are trying to study traditional Irish music because of the description of the musical style in each track. Brendan’s flute playing really shines in track 7 with Air/hornpipe. Here you will really appreciate the round tunes produced by this wind instrument.

Sound quality:

I like spaces in between songs. They make the tracks breath and give you the time to get acquainted with the soul of the music. The sonic production is excellent. There is a balance of a really clean recording that reaches to the surface of the sound in each instrument. To cite an example, the warm fiddle sound of Brendan Hendry is captured really well in track 4(Slow reels/reels). There is that brightness in the instrument that calls to mind wood sprites dancing. There is also a good use of reverb in the midrange and it gives all tracks their natural warm sound.

Verdict:

They need to come up with another project like this one. There’s the undeniable chemistry between these three musicians and personally it was one of those satisfying and educational listening experience for me. Tune Up is the life of a party. Just crank it up and listeners will clap their hands and tap their feet.

Sound samples:

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Debut: Cobblestone Sam the musical

Cobblestone Sam the musical promotional poster

http://www.cobblestonesam.com/

https://www.facebook.com/pages/Cobblestone-sam-the-musical/128719787272930

New musical written by award winning singer/songwriter Dave Rooney and writer actor bill monks.
based on the life of a homeless temple bar character

Here is one musical even about an Irish unsung hero. This is a must see both for the music and for the story. I got to ask Dave about his involvement in the project and other important info:

“This musical started when I used to meet a homeless guy on the

street during my breaks on gigs in Temple Bar. He was homeless and we

got chatting. I only met him 4 or 5 times and we chat for about 15

minutes. He was in his eighties and he liked to reminisce. He told me

little bits about his life and and I listened with intrigue.

 

I didn’t see him for a few months and I asked some of the

homeless people where he was, and they said he passed away.

I was saddened by this and I decided to write a song about him.

and so was the birth of millionaire. This was to be the catalyst

for the whole project.”

About the production:  

“I hooked up with Bill Monks who is a writer/actor and we set

about putting his life in a story, an adaptation, based on limited

info about him, and how his life unfurled from our perspective.

I’d like to tour this musical in the states because it has an

Immigrant side to it. I feel it would be a draw for any of the diaspora.

I’ve written all the songs for the play. I did some re-recording and a bunch

of new songs all woven into the story line.

 

It’ll be held at the merchants arch in Temple Bar starting next

Monday September 10th,  and hopefully will be ongoing.

People are always asking (tourists) where they can meet real

Irish people and learn about real Irish life. I think this will

bring something real. It’s refreshing to be involved in something

new. I’ll be reaching a new audience and I think it’s a really good

angle to have the music exposed”.

Promotional videos:

Featured band: DÁN – making fine Irish music

I got a beautiful treat when I stumbled upon the tunes these musicians make. They are a trio called DÁN. The spare piano lines amidst the

DÁN – fine Irish music

traditional fiddling make them sound like no other. Groovy bass lines make that driving motion in the overall tranquility. I think I listened to them again and again because one time isn’t enough. And oh, they are from Germany. This isn’t the first time I featured German bands that make amazing Irish music. Check them out: http://www.myspace.com/fineirishmusic

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Flashback: Crowdy Crawn (Brenda Wootton) – No Song To Sing(1974)

http://www.cornwalls.co.uk/history/people/brenda_wooton.htm
http://www.brendawootton.com/

Here is one relaxing track uploaded via a vinyl recording(You can hear the nostalgic scratches) by the late Cornish folk singer Brenda Wooten. This is a duet performance with Rob Bartlett.

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Dom Duff: From Brittany to Manchester

Singer/songwriter Dom Duff has traveled a lot lately. There is a warm reception towards Breton music these days and It is because of musicians like him who continue to inspire the awareness of Breton music and culture.

Dave Hum,Les Ramoneurs de menhirs,Velha Gaiteira, Connie Dover and Celtic Cross Stitch

Featured Video: Les Ramoneurs de menhirs – Bella Ciao

Ah Celtic punk from Brittany. Forget the fact they don’t sing in English..well actually that makes it very ‘rebellious’! Hey the bombarde overpowers even the electric guitar.

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Album Review: Traveling Light by Dave Hum

Dave Hum

I have other Dave Hum albums so I say Traveling Light sounds different from his other creations. I will bring each one of them to your attention in days to come. For now we are going to take Traveling Light apart and discover its artistic merits. There’s a lot actually.

Groove: Most of Dave Hum’s albums are about instrumental prowess and great atmosphere. This one is an example of music  that crosses genres. You hear African, Reggae, modern rock and classical influences thrown in for the good measure.

Great Melodies: Every track in this album are very satisfying. Dave Hum has a thing for melody which is always close to Celtic music. Whither he is trying to make something new out of something old, his music has that ’ring’ to it. If you are a fan of certain artists, it’s that quality that makes their music recognizable as theirs. It’s like DNA embedded inside the workings of rhythm, melody, arrangement and song structure.

No loose ends from beginning to end: The opening track Chesters Tune is ear-grabbing. From that track up to the end track which is Grandad in the Lift, Traveling Light  will put you up your toes.

The Future of Banjo Music: Dave Hum has made banjo music in this album  accessible to a lot of listeners.There are great tunes with great beats and variety. Tunes like Lulworth Mermaid with its New Agey female layered voices and the uplifting Riders are testaments of his amazing artistry. This is an album for all!

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Submitted: Velha Gaiteira – “Bate lavadeira e Helena” (tradicional do Paul/Beira-Baixa)

A friend of CMF Pedro Fulano Lourenço submitted this video. I am pleased that friends are very passionate about Celtic influenced music.The voice reminds me of Hungarian folk singer Márta Sebestyén. Very lovely!

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Flashback:Connie Dover – Somebody

I first read about her in CD review magazine. That was around 1991. This album was creating a stir in the Celtic music scene. Back then, the scene was different. No mp3s and very few people have access to ‘elite’ music like this one. She is one of the great artists who paved the way for Celtic music to have a broader acceptance.

My heart is sore, I dare not tell, my heart is sore for Somebody
I would walk a winter’s night all for a sight of Somebody

If Somebody were come again then one day he must cross the main
And everyone will get his own and I will see my Somebody

Chorus
Ochon, for Somebody, Och hey, for Somebody,
I would do, would I do not, All for the sake of Somebody

Why need I comb my tresses bright, oh, why should coal or candlelight
Shine in my bower day or night since gone is my dear Somebody

Oh, I have wept many a day for one that’s banished far away
I cannot sing and must not say how sore I grieve for Somebody

Music: traditional Irish; lyrics: traditional Scottish
Adapted by Connie Dover
From the CD, Somebody (Songs of Scotland, Ireland and Early America) by Connie Dover

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Today in Pictures: Celtic Birds Cross Stitch by Paula.

I could not let this article pass without introducing this wonderful musician who explored the world of Celtic designs.

Celtic glasses case sewn for my mother —Paula
From the real of electronic music, Paula moved to cross stitch. She made amazing images with her Celtic designs and CMF is a proud owner of a lot of her works!

Dark Dealings: The Dark Interview with Novelist Karen Victoria Smith

Plus: Riders by Dave Hum, Brendan Hendry, Brendan Mulholland and Paul McSherry, Kinfolk and Will Tun and the Wasters

Blog:  Storyteller’s Grove   http://kvictoriasmith.blogspot.com/

Goodreads:  http://www.goodreads.com/author/show/5830445.Karen_Victoria_Smith

Twitter: https://twitter.com/#!/KVictoriaSmith

Google+: https://plus.google.com/u/0/116156670429771791626/posts

Facebook:  http://www.facebook.com/karen.k.smith.37

Pinterest:  http://pinterest.com/kvictoriasmith/

Wall Street has fangs. In a 24-hour world, does anyone notice the unusual behaviors of many, including the reclusive rich. When international power brokers, vampires and shape shifters hiding in plain sight, threaten  Micaela and those she loves, will this heiress to a Druid legacy deny her power again and let others die? Can she accept the friendship and love of others with strange and frightening powers? A thrill ride of money, magic and murder across the globe.

Do you sleep better at night believing that vampires are things of fiction?

It is the first time that CMF features a novelist. I think that those who read Dark Dealings will really know why she is making a stir in the literary world. Through the twists and turns of this story, Karen Victoria Smith incorporates traditional Irish music either as a way to describe a feeling of the moment, an incident music or the tunes around characters when they go to a ceilidh. This is after all a story that merges Celtic myths and vampire horror. For those who haven’t picked their copy of Dark Dealings, I recommend you do it now. It is a great read.Very satisfying and full of suspense and action. You won’t be disappointed. In fact you will keep coming back for more and wish for a continuation story of the characters. It is a book with a lot of HEART, WIT and LAUGHTER. You will know more through this interview:

CMF You created an interesting character in Micaela. How many percentage is she you?

 

KVS: It is an interesting process. I did not set out to create a character that was me. But writers write what they know. And by that I don’t mean just that because I worked on Wall Street that is what I write about. We, as writers of novels or music,  know emotions and experiences; we know our life and the lives of those near and dear. I was recently talking to a friend about a difficult decision I had to make but wasn’t ready to make. I said I was just going to put it up on the shelf and deal with it later. I suddenly heard Micaela’s voice coming from my lips. She is in some ways a lot like me.  But good characters always get to do the things we wish we could do and say the things we wish we could say. Micaela is perhaps my alter ego in that way.

You told me that Dark Dealings is “It has been a labor of love. A tribute to all I know and have learned”. How strong is the knowledge of Celtic mythology in your family?

The knowledge was stronger in my grandmother’s generation. She is my Una (Micaela’s grandmother), but not so much in my parents’ generation. My grandmother instilled in me not only basic knowledge as a small child but a love and curiosity for my Celtic/Druid heritage. I began to seriously reconnect with that heritage in college and have pursued it since.  My dream would be to live in a traditional cottage in a  small Irish village where I could write and smell the earth and feel the energy from the land.

Your characters unfold gradually as opposed to in your face kind of vampire treatment. Do you have a liking for things that are implied in writing?

I have always like novels of discovery.  I want my readers to see my characters change and grow and, in the process, become dear friends and family, even the vampires.  I am a throwback to in my approach to writers like Bram Stoker, Anne Rice, even Stephan King.  I can only wish to approach their caliber of writing, but I like the tension, the relationships to evolve. It is so important that reader feel like a novel is an experience in which they are a participant and not an observer.  When I read as a child, I always imagined myself to be a character in the story. That extended to my favorite television shows and movies.  I wrote some of it down but never kept it.  Guess today you would have called it FanFic.

Dark Dealings is certainly not your typical vampire novel. We are dealing with a career woman dealing with powerful people and war of wits. Is this going to be a chronicle?

It will be a chronicle of both Micaela and a number of the characters in Dark Dealings. I am currently working on edits for Ogham Court, which is based on Devlin, Nora, Aine and set primarily on the street where the Salmon Run Inn and the Singing Stone is located.  Relatively minor characters in Dark Dealings but who have developed lives of their own that I suspect one day will come full circle back into Micaela’s life.  Micaela as a strong career woman is again a reflection of my personal career path before a became obsessed with writing.  She is also a product of my taste in female characters. I could never stand helpless females waiting always to be rescued.  Even when I read Louisa May Alcott’s Little Women (hardly paranormal horror LOL) I identified with Jo. She was smart, strong-willed with a hidden vulnerability, with a sharp tongue that was sometimes her undoing.

I think one of the things that are worth noting is how the relationship between the characters unfold. When we think of Nikki, her tale is kind of ‘sneaky’ because who would have thought there is more to her than just working as a law enforcer. Are you more into the characters or the plot?

I think both are important. But I consider myself character-driven.  I start with a rough sketch of a plot and the theme. I spend a lot of time in the beginning developing my characters and they continue to reveal themselves in each round of edits.  For me, it is taking well formed characters and sticking them in tough situations and watching how they respond and are changed as a result.

 Where did you get your inspiration for the Baron?

Beyond my central interest in my Celtic heritage, I have been fascinated by old European royalty before the late 19th century. Two of my favorites are the English , particularly the Tudors and the early Russian dynasties. Both are so deliciously dysfunctional full of treachery, murder and political intrigues.  I actually debated the end scene for the Baron (trying to avoid spoilers here). Could have gone either way for him.

If ever this becomes a movie, who do you see playing the role of Liam?

I have some thoughts on this but I would really love to have readers chime in on my Facebook page with their suggestions or to  my Pinterest board for Dark Dealings.  I love seeing for my work and the works of others how each reader brings their own interpretation to the character. It is a shame we lost Heath Ledger, though 

The book is like a sly predator. It starts gradually and the last parts become really explosive and action packed. This isn’t one of those sentimental romance novels masked as vampire fiction. was deviating from the typical vampire franchise your intention?

LOL, I most definitely do not write romances.  The recent trend in vampire and shapeshifter fiction has been very light, right up to vampires that walk around in the daylight.  It was not always like that. Vampires and other preternaturals  can be multi-dimensional characters yet they are capable of great violence.  I am actually a huge fan of Laurell K Hamilton and her Anita Blake, Vampire Hunter series.  Ms. Hamilton builds intricate worlds of preternatural creatures in an alternates and very edgy universe.  Her plots and subplots are not everyone’s taste as she pushes the envelope on sexuality and violence.  But at the same time she explores questions of power and what it means to be human or a monster.  The Trueblood television  series is similar in that it does not sugar coat the needs and desires of the humans or preternaturals.  Lestat in Anne Rice’s chronicles is also from that same genre.  Ms Rice’s beautiful writing is I think pivotal to the resurrection of the paranormal genre beginning in the 1970’s and 1980”s

I think there can be romance but that it must be the light part of a very dark world.   It is part of the exploration of the character whether they are a normal or a preternatural.  In Celtic tradition there is the balance between the male and the female, the light and the darkness. Balance does not always mean 50-50. AS the light and dark half of the day the balance changes throughout the year and is part of the cycle.

Dark Dealings is an LGBT friendly fiction where characters like Connie really shines. Has the current political climate gay rights also influenced your writing?

 

Frankly no.  The current political climate is wonderful but a step in the evolution of society that began decades ago.  When I first imagined Dark Dealings, it came from the recognition that most non-Judeo-Christian cultures have some form of the vampire and shapeshifter. I wanted to develop an international multicultural world for Micaela to move in. It seems a natural extension that a diverse world be just that …diverse.

Somewhere in my upbringing, twelve years of Catholic School notwithstanding, I developed a more pagan philosophy regarding all living things. It perhaps comes from the Celtic acceptance of all the possibly creatures that populate the Otherworld and this world. Or maybe growing up in the post-Woodstock generation.   In my world, as in my life,  people do not come from cookie cutters or in one flavor. It is the variety that makes life an exciting ride.   In the middle of Dark Dealings, Micaela goes to her grandmother Una to talk about creatures and thing which are not supposed to be.  Una’s response is that “we who have touched the Otherworld know differently.”  I wanted to create a world in my book and the books that follow that accept that all things are possible and valid. It sounds trite but if we can accept the premise of vampires and werewolves who seem just like us than why not LGBT characters who are three-dimensional and powerful characters in their own right.  I love the character of Connie; she is smart, quick with a weapon when needed, a powerful shapeshifter and a loving and loved partner who happens to be another woman.  Regardless of sexual preference I want all my characters to be multi-layered and complex. I did not set out to make her lesbian but as she evolved she spoke to me and told who she was.  She is in some ways the perfect foil for Ethan or perhaps a hint at a less stuffy side of him.  I suspect we will see more of her.

Amazon page:  http://www.amazon.com/Dark-Dealings-ebook/dp/B007Z9DEEI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1339463063&sr=1-1

Barnes and Noble page:   http://www.barnesandnoble.com/w/dark-dealings-karen-victoria-smith/1110689732?ean=2940014403795

Kobo: http://www.kobobooks.com/ebook/Dark-Dealings/book-CsfyASlwhkGw-LavyIuQHA/page1.html

Smashwords (for other formats) http://www.smashwords.com/books/view/157380

Available in print through Amazon.

Also in print at CreateSpace eStore: https://www.createspace.com/3868445

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Featured MP3: Riders by Dave Hum

http://www.davehum.com/

One of the tracks taken from the album Travelling Light. I will have a full album review soon.

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Featured video: Brendan Hendry, Brendan Mulholland and Paul McSherry

They have a CD Tuned Up. Review also coming up soon.

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Featured Band: Kinfolk

http://www.myspace.com/kinfolksongs

http://www.cdbaby.com/cd/kinfolksongs

Bio:

Kinfolk are Brian Mcdaid and Gerry Power. Brian and Gerry met in south of England in 2000. Both were working in different bands, and involved in different musical collaborations. Gerry was busy on the London singer songwriter circuit playing suppot spots to established artistes such as Nils Lofgren, Colin Blunstone, Geno Washington, Bert Jansch. Brian was poised to go to America having just been offered a deal. Since that meeting they have worked together with a number of other musicians, mainly playing live venues throughout the UK. Since late 2004 they have been drawing on their shared musical heritage to create KINFOLK and their debut album: THIS LAND.

Brian was born in Glasgow, Scotland. His parents are from Donegal and Fermanagh in Ireland. Gerry was born in London of Irish descent, his parents coming from Cork. Both share a similar musical heritage being influenced by traditional and contemporary folk music from Ireland, Scotland and England. For Brian this influence was inevitable – his uncle was the lat Irish folk legend Corny Mcdaid.

Typical of many young people, their musical experience and experimentation developed over the years. These included rock, pop, jazz, funk and country. However throughout their musical careers they have always maintained a strong acoustic and folk link.

This meeting of musical experience has produced a song writing duo that has flourished and developed together. They have produced songs of quality diversity, appealing accross a wide range of folk music tastes.

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Up and coming: Will Tun and the Wasters – Star of the County Down- Acoustic Cabin Sessions

They will be my featured band around mid-October so watch out for an interview with someone in the band .