Music

Contemporary Celtic Rock, Jazz, and Instrumental Music

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In this edition: Sahara, Declan Sinnott and Dave Hum

A great weekend to all you readers of this page. We have great albums worth listening and I will tell you what I like about them. Enjoy and listen to the music samples.

Sahara: A New Beginning

Genre: Original Contemporary Celtic Rock Jazz Eclectic

Members: Dave Long vocals, guitar keyboards & sequencing

Trish Long vocals, sax, flute, flageolet, recorder keyboards & sequencing

Release date: October 2012

Sample track:

Fans of Bruce Hornsby, Van Morrison and Marc Cohn will certainly welcome Sahara’s A New Beginning with open arms. The duo of Trish and Dave long incorporate a broader spectrum of musical styles. There are hints of smooth jazz, pop rock and Celtic. In terms of instrumental delivery, I’d say hands down to both of them. Their years performing on stage and recording  the way they want their albums to sound, ripened and made their music intoxicating like fine wine. It is the confidence brought about by the test of time, elements and LIFE that we all go through. There are certainly events that shake us rendering us incapable of moving. But it is the call of artistic desire that always brings us into a sense of purpose. This optimistic thought is present all over the album’s 10 tracks.

Sweetness, pain, laughter: these are emotions that surround A New Beginning. There are other atmospheric surprises like The Promise which possesses a definitive Celtic sound. The vocal layering and melody lean into Clannad and Loreena McKennitt. Other titles like Right the Wrongs and A New Beginning are songs that anyone who has gone through tough times can relate to.

The Sweetest Thing, track four, delivers the “get into the Irish pub” kind of sentiment. It has that relaxed atmosphere of being with someone you loved through the years. It says that you don’t have to hide anything because you can be who you are with the right person.

Let’s Unite affirms the belief that we can all get through our differences if we  realize our similarities. I reflected on this and also remember all the natural disasters like earthquakes, famine, disease and poverty. We aren’t invincible. So why should we fight each other when nature is already fighting us and diminishing our numbers? Must we also contribute to the pain? The song has that Irish marching beat.

It Could be True is an example of someone continuing to “court”  a beloved through the years in the relationship. I think it is telling us that winning someone’s heart doesn’t stop after marriage. It continues and there is never a morning when you wake up with a sense of wonderment and challenge to continue loving against all odds. The nice sound of the recorder glides throughout like a nightingale.

Renovating my Igloo is groovy. Fans of Talking Heads can relate to the 80’s New Wave style. Another tribute to being with someone through thick and thin and also the idea that nothing is constant but change. But love the a unifying and constant force.

Is it only Me has a rocking feel. Both vocal and instrumental arrangement set the example of musical excellence. Rainy Day At Shady Creek explores the world of Jazz and Bluegrass. It sounds like traditional Irish music gone crazy. I love it though. Such a nice ending for this album that needs repeated listens.

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Declan Sinnott: I love the noise it makes

Genre: Folk Rock

Players:

Declan Sinnott: Lead vocals, guitars and various instruments

Owen O’Brien: Keyboards, piano.

Release date: September 2012

Sun Shine In is the carrier single off this new album by former member of Horslips (before they became official) and Moving Hearts. He is associated with both sisters Mary and Frances Black. He currently plays and tours with Christy Moore. “ I love the noise it makes “( a quote he loved from John Lennon when asked whether in music it is the lyrics or the melody he prefers ) was released on 7 September 2012 in Ireland and on 10 and 11 September in the UK and USA respectively.

There are twelve tracks. They are on the easy folk rock style that’s catchy and groovy. Everything in this album sticks together. The sonic quality is amazing, partly through the efforts of Tim Martin and Ian Cooper courtesy of Metropolis Studios. The album has a nice packaging imitating the cardboard style CD. The liner notes are informative and excellent especially in terms of visuals. There are photos of Declan with co-songwriter Owen O’Brien in the studio. The consoles he uses for recording will make a record junkie drool. In one photo, there is a room filled with ethnic instruments (African), synthesizers, assorted guitars and drums.

This album feels like a bunch of hay stacked and tightened in great detail. Craftsmanship and art are combine creating a collection of songs that is timeless and also at home with today’s folk rock top 40. His voice is just the right combination of time tested roughness and whiskey smoothness that goes down easily. Sun Shine is bound to stay in your head for  along time with its melody and easy breezy delivery.

Other tracks like Blood Rushing Through These Veins, I See the World From Here, Corrina, Corrina, Broken Glass and Circle Round the Sun beg for covers due to their amazing sentiments, and heartfelt lyrics. Other tracks like Me and My Dark Companion and Ocean are bluesy and finely executed that they will spawn more covers and jams in years to come. One sweet surprise is the ambient track called Orbit found at the end of the album. It is actually a remake of a traditional tune. I think it is an awesome way to close such excellent album. I like the fact that I won I love the noise it makes and yeah I love it…I love the music it makes!

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Celtic and Bluegrass 5 String banjo Album 2

Genre   Instrumental – Celtic – Bluegrass – Old Time – Traditional – Original – Banjo Music

Banjo – Guitar – Mandolin – Bass – Harmonica – Keyboards – Percussion – Programming-All by Dave Hum.

Released Date: August 2011

Sample track:

Album two is a progress to album one of Dave Hum’s top notch banjo playing. I haven’t met anyone who plays like a deity. Expect tracks combining Irish, Bluegrass and Celtic music. Album 2 is composed of 21 tracks. Other artists would have released this as a double album. But you see folks, Dave Hum doesn’t boast his talents through promotion. He relies so much on the word of the mouth and social networking to showcase his craft.

He does everything here. But the star instrument is the banjo. It would be unfair not to mention his expertise in the guitar, bass, mandolin, keyboards, harmonica and percussion. Cluck the Old Hen is a track that has been around in youtube and never gets old. Check out his wild harmonica intro in this track. This is good bluegrass music. Other tracks really hardcore trad music because these are titles that are not familiar to me. He plays them all like he has known them all his life. One fine example is Nashville Blues which is track 15 in this album.

Everything in this collection has the polished sheen of expensive and worn pair of shoes. You could never go wrong picking up this album. I think it is the best banjo album I have heard in years.  His artwork has also flourished. It shows bolder and deeper colors. The Irish Traveller has come  a long way and is trying to explore new territories. Dave Hum has a wizard’s fingers and a chemist’s intelligence in merging and breaking apart the mystery of tunes. His playing is innovative yet rooted deeply in the past. Album 2 of Celtic and Bluegrass 5 String Banjo is a must have and it plays well in any season.

Traditional Irish, Bluegrass and Americana

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 Featuring:Patrick D’Arcy, Neansaí Ní Choisdealbha, Kyle Carey and Noriana Kennedy

Introducing Piper Patrick D’Arcy

For some musicians and listeners, simplicity is everything. Patrick D’Arcy sets an example of how one instrument can give out so many layers to observe, savor and glorify. His simplistic use of the uilleann pipes, unadorned by other instruments sort of magnifies that soul of the instrument making its core radiate.

Most of us usually take the drones for granted as our attention is focused on the play of notes and also interplay of other instruments. Patrick makes every angle of sound posses that bulk and electricity. I am amazed how beautiful the drones can be when your ears don’t process too much information.

Patrick D’Arcy is now based in Woodland Hills California after leaving his hometown of Dublin several years ago. He manages five websites. http://www.patdarcy.com/ is a directory of all his other sites.  One of them is web and print design called www.darcycreative.com while www.patrickdarcymusic.com is about his music. http://www.uilleannobsession.com/ focuses more on the instrument and also learning it.  http://www.socalpipers.com/ is a place where all pipers meet around  Southern California.

It might surprise you to know that this passionate piper studied classical guitar at the Royal Irish Academy of Music. Why did he give up guitar and chose the uilleann pipes? That is what I will find out one day! He just released a traditional album called Wallop The Spot composed of 13 tracks. You can buy the album here: http://patrickdarcy.bandcamp.com/

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The breezy music of Kyle Carey

Real life is HARD. But Kyle Carey does a good job of transporting us into lazy afternoons, visions of orange blossoms and fireflies at dusk. Her various styles(Bluegrass, Irish and New Age) create a satisfying experience that leave you with a feeling you get after a good nap-fresh and clear headed. There are gentle guitars and lurking banjos in the sea of fiddles and vocal harmonies. Her voice has this silky feel reminiscent of Alison Krauss and Grada. To be able to escape for a moment into the music that channels the power of kindness and childhood innocence is really worth your time…maybe an hour a day would be good for you.

If you love original music that will stand the test of time then Kyle Carey’s Monongah is for you. Buy her albums here: http://www.kyleannecarey.com/

Visit: http://soundcloud.com/kyle-carey to sample her music

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Neansaí Ní Choisdealbha

Presenter and producer: Neansaí Ní Choisdealbha

Neansaí Ní Choisdealbha is a head radio presenter at RTÉ Raidió na Gaeltachta.  If you want to know the phonetic way to say her name it’s “Nancy”. I listened to her recorded shows and they are truly informative and exciting. They are geared towards the traditional music audience. Her approach to hosting is relaxed and once in a while she inserts anecdotes. There’s never a dull moment. Throughout her career, she moved between Galway which is her hometown and the United States, back and forth. Her favorite quote is: I can resist everything but temptation! Don’t we all? Especially if the temptation are those beautiful Irish tunes!

Visit: http://soundcloud.com/neansa-n-choisdealbha To hear her recorded shows.

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Noriana Kennedy

The Bluesy Noriana Kennedy

A few months ago, I feature a video by Galway based singer who is working on her album with her band Wildflowers. According to her recent post to her website:

We made a merry start to recording the new Wildflowers CD last weekend. Myself, Nicola Joyce, Noelie McDonnell and Gerry Paul spent the weekend at Larry Kelly’s beautiful Finnish log-cabin home in Tuam, Co. Galway.  We put down new versions of  ‘Dear My Maker’ and ‘Poor Ellen Smith’ along with three other brand new tracks.  We’ll give it another blast next month to finish it off…all going well the CD will be fit for filling stockings in December!  Big thanks to Liam Caffrey, our patient and gifted engineer and of course Larry and Olivia for the generous loan of their fabulous home, the gourmet menu and constant feed of happy vibes.

I know there are friends who are excited to hear something by this amazing singer/songwriter with a unique voice that can deliver a full range of emotions.

Visit:http://www.norianakennedy.com

and also : http://soundcloud.com/noriana-kennedy to sample her music.

Wood Soul: Interview with Scottish Wooden Flutist Calum Stewart

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Also in this edition: Lori Watson and Rule Of Three and Kernowpods

Calum Stewart and the cover art of the new album.

Between working with the London Philharmonic orchestra, recording for the next “Lord of the Rings” film, “Hobbit Movie” and completing being part of Jamie Smith’s Mabon’s Windblown, Calum Stewart took the time to talk to us about his career and how it all started.

Greetings! It is a lovely the month of October Celtic music followers. Our guest for this week is flutist Calum Stewart. He made a lot of collaboration with other bands. The new album Wooden Flute and Fiddle is out in the market! It is a collaboration with fiddler Lauren McColl and other musicians. If you don’t have a copy of the album yet, I want to tell you it is an amazing thing to have as part of your traditional music collection. Like what I mentioned in my last article about the album: This is an album that every traditional music listeners will want in his or her collection. This is due to the huge effort that the two and the rest of the session musicians placed on this album. There are slow and fast tunes. Expect variety in instruments and grand artistry that only musicians of their caliber can provide. And even if you are not really into Scottish or Irish trad music, you will still warm up to this one for its melodic and relaxing merit. Love it love it!

This interview was done in a relaxed manner. He has a tour this autumn and  you can nominate Calum as traditional Scottish instrumentalist of the year here http://www.scottishcultureonline.com/blogs/nominate-your-favourite-act-for-mg-alba-scots-trad-music-awards-2012/

All musicians started with something that they consider memorable. I helped him trace back on how it all started-with the release of his debut album Earlywood.

Can you tell us a little background as to why is  the debut album Early Wood?

“Earlywood” is my first solo album, and reflects my home tradition of the north of Scotland, with many tunes from Morayshire. There are also several compositions, which sit side by side the older repertoire, all arranged for Wooden Flute, Fiddle and Piano: my main interest has always been finding strong repertoire, interesting arrangements and powerful sounds, in acoustic settings. The title “Earlywood” refers to the inner growth circles inside trees. The “Earlywood” stage is the time when the tree grows the most… “Latewood” is the other time, and perhaps when the tree takes stock, during winter. Earlywood seemed a good title, because it was my first solo recording.

Since recording “Earlywood” and touring with my trio, I’ve had the opportunity to continue work with Lauren MacColl (Fiddle), with whom I’m releasing a new album with now (featuring Eamon Doorley of Danu, and Andy May). ( Go to www.laurenmaccoll.co.uk/shop )

I’ve also been working closely and touring with Breton guitarist Heikki Bourgault; we released our first duo album last year, with plans for a second one in 2013 (visit www.calumheikki.com for details).

Jamie Smith’s MABON has released Windblown. What can we expect from your musical contribution in this album?

I am featured as a guest on several of the tracks of their new album “Windblown”. Although I can’t play as a core member of JSM and Mánran now, because of my own project commitments, I really enjoy working with them when the occasion arises, guesting on recordings or sometimes at concerts / festivals. We are all very good friends and keep in touch about our own separate projects, and enjoy meeting when our projects cross paths, playing at the same festival!

Early promo pic of Jamie Smith’s Mabon

You are known to play hide and seek between time zones with multiple natures: you are in demand as a musician! How’s the experience of working with different artists and how this shaped your artistry?

Working and collaborating with different artists from different genres is really important, enabling one to have a more open perspective. I’ve had the opportunity to work with some really inspiring people and they’ve really shaped my approach. However I also think it’s good to concentrate and develop one’s own musicality, ones own musical journey. Whilst you may encounter many influences along the way, fundamentally you must find your own voice.

Your musical development was traditional since you are originally from the North of Scotland and brought up with the traditional music of your native Morayshire. How do people in your hometown respond to your international success?

I always really look forward to playing on home turf, and it’s great to catch up with those musicians whom I played with when I was growing up. I try and “re-charge my batteries” when I’m back in Moray, usually remembering old tunes, learning some new ones or writing some, and most importantly remembering why I enjoy playing music in the first place! I still have family in my home village, although I don’t live there anymore – so I really enjoy going back there.

I realized that although your name is synonymous with the wooden flute, you are also and expert in playing the uilleann pipes and whistle. What are the other instruments that you play?

I concentrate on the Wooden Flute although I do play Uilleann pipes too, and really enjoy the different voice this instrument has. However the Wooden Flute takes up almost all of my concentration. Although there are different qualities in the pipes and the whistle, and sometimes they are useful – the Wooden Flute is really my musical voice, so I prefer to concentrate on this. I have a very special old flute, which I use for all my musical projects – its a Rudall Carte & co, made in the 1930’s. Its made from cocus wood, and has been with me in every musical situation since I found her! I use wooden headjoints by Tobias Mancke with her. In addition I own a brilliant Wooden Flute by Peter Worrell which is based closely on my original. As I don’t like owning many flutes and changing flutes, I take my Rudall Carte & co. with me, wherever I go!

Ewen Henderson at Clickimin Centre.

What is the recording process in making an album?

Every recording I’ve been involved with has been different. Although usually after the initial concept or inspiration, there follows a period of collecting / writing / arranging, before either rehearsals or concerts and then recording. Sometimes it’s possible to play music for a long time in concerts, developing ideas before the studio, but sometimes the music takes shape in the studio – there are no rules!

 

   After a big performance, how do you chill?

Usually, there is a lot of work to be done after a performance. I always try and meet the audience personally, making contact after the concert. Often there are interviews to do, CD signings and meetings – so it can be quite busy! After all this is over, and my flute is put away… I usually hang out with my band and quench my thirst.

What are other projects that you are working on?

This summer I’ve been working with the London Philharmonic orchestra, recording for the next “Lord of the Rings” film, “Hobbit Movie”. As well as that, I’ve recorded with fiddler Lauren MacColl, joined by Eamon Doorley (Danu / Julie Fowlis), and Andy May – this is available via: http://www.laurenmaccoll.co.uk/shop .

Otherwise, I’ve been guesting on recordings such as the new JSM album, and preparing new repertoire for a 2013 release with my duo.

What can fans expect to hear from the new album now that it is out?

Quite a traditional repertoire, coupled with some new offerings: based strongly on the interplay between the wooden flute and the fiddle

You are a huge influence to young people who are trying to learn traditional instruments. What can you advice them in how to make it like you

Play music that you believe in and always be yourself.

There you have it readers. Another exciting moment with Scottish musician Calum Stewart. I am looking forward to the “ Hobbits” soundtrack knowing he is part of the music. Also get your copies of the new album and drop by his website to say Hi. He is really down to earth and has an amazing sense of humor. I enjoyed this interview with Calum and it is really fun talking to artists and getting to know how they create their music. Have a great week ahead!

Check out his website:

http://www.calum-stewart.com

Video samples:

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Featured band:Lori Watson and Rule Of Three

Genre: Acoustic / Folk

Location Scotland, UK

http://www.myspace.com/loriwatsonandruleofthree

Sweetness! Lori Watson has a voice than can melt your heart like butter. But don’t let this sweetness fool you. This amazing musician plays music with such intensity and break neck speed. Her band is gaining a wide following all over with their fusion of traditional and contemporary style.

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Kernowpods: War an gwyns – remix

Cornwall has her own thriving community of painters, photographers, musicians and people doing their own art. One of those who help define the Cornish cultural identity is Matthew(Matthi) Clarke. He is part of Sue and Phil Aston’s circle and they are doing a LOT of diverse things with music and visuals. This is one of the songs Matt uploaded in his podcast.

Phil Aston,Dan Aston, Sue Aston, Matthi Clarke and James Perkins-An Derow.

Thanks for reading folks. More album reviews coming up very soon.

Weekend Edition with Music and Album Release!

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In this edition: Fraser Fifield, Carmel Gunning and Calum Stewart

Fraser Fifield, EDINBURGH, Britain (UK)

The Music of Fraser Fifield

My last edition covered music from Ireland, Wales and Brittany. Our new edition unleashes another talent from Scotland by the name of Fraser Fifield. I became familiar with his work after seeing videos of Salsa Celtica. This is the same band where Kenny Fraser of Music Scotland(who was our featured artist/interview) plays the fiddle in.

The fascinating thing about his work is his love for improvisation and fusion. His bio states this interesting info: “A Piper and Low Whistle player who improvises like a jazz musician. A Soprano Sax player playing the traditional music of his native Scotland like it had always been played on that instrument.” I think one of the most haunting track in his compositions is Softly Spoken, with its hypnotic arrangements and syncopated beats. He has other gems in his soundcloud page and I am sure you will definitely buy his albums when you hear his tracks. He has other equally wonderful tracks and your way of relating or liking them will depend on how you respond to the music upon hearing each track.

I am doing a correspondence with him which will be a structure for an upcoming featured artist/interview. I embedded few tracks of my choice but I recommend for you to click Fraser Fifield’s soundcloud channel http://soundcloud.com/fraserfifield to listen to the music continuously.

For more of his music, visit the following links:

http://www.youtube.com/user/tanarrecords

http://www.fraserfifield.com/

https://twitter.com/fraserfifield

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Carmel Gunning

She moves between two worlds. The fast paced playing and the delicate execution of some tracks. A native of Sligo, she came from a musical family. I think she is one of those amazing artists who contribute their efforts in making sure Irish music gets national and international

Carmel Gunning

recognition. I wonderful info I uncovered about her:  She runs The Carmel Gunning School of Music all year round in Sligo town and runs a festival annually in August. She has written 2 books on music and song and currently working on another. She has produced 5 CDs to date and is working on a singing album currently. Many of her past pupils, Liam Kelly of Dervish being the most well known, are top class in their field today.

With this kind of music and also a unique way of playing the whistle, I am sure she will conquer more ears. Let there be more albums from her then!

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Calum Stewart has a new album out!

Wooden Flute & Fiddle

Calum Stewart & Lauren MacColl
with Éamon Doorley and Andy May

  1. Eoghainn Iain Alasdair
  2. The Gordons
  3. Alzen
  4. Rise Ye Lazy Fellow
  5. Stoidhle Nèill Ghobha
  6. Crow Road Croft
  7. Aileen’s
  8. Tomnahurich
  9. Boys of the ‘25
  10. A Highland Lamentation

Now available for Pre-Order worldwide. (Please be careful to select worldwide delivery if you live outside the UK) All orders will be dispatched on 15th October, one week ahead of the official release date of 22nd October.

Scottish wooden flutist Calum Stewart just released an album with Lauren McColl. It is called Wooden Flute and Fiddle. This is an album that every traditional music listeners will want in his or her collection. This is due to the huge effort that the two and the rest of the session musicians placed on this album. There are slow and fast tunes. Expect variety in instruments and grand artistry that only musicians of their caliber can provide. And even if you are not really into Scottish or Irish trad music, you will still warm up to this one for its melodic and relaxing merit. Love it love it! A track from this album was featured here: http://www.bbc.co.uk/programmes/b01mwz99

Buy Wooden Flute and Fiddle here: http://www.laurenmaccoll.co.uk/shop/

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Wild and Sensual

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A new promo posted about The Pogues

In this edition: The Pogues, Jamie Smith’s MABON, Atlantean and  Gwenael Kerleo

I am sure you have notice the energy I placed on editing the pictures of the artists I posted here. It was a great practice of visual creativity on my part. At this point in time I am confident to say anything I can and post anything I want. It is fun discovering new acts and re discovering legends. Last time, I released an interview about Scottish percussionist/producer Dave Martin. It was an eye opener for me. It is inspiring to know that Scotland is a country of thriving Celtic fusion music. Music embraces all aspects. I think it is sad if we all think that Celtic music should only be about acoustic instruments and traditional songs. It is an expanding genre while it is also keeping in touch with its past. It is like an interesting person you met on a date. Someone who possesses a keen sense of culture but is also attuned to the current times. I think I’d date that person anytime.

 It’s The Pogues and I am Doing Pogo Dance!

It’s been a while since I last visited the wonderful, explosive and punk inspired music of The Pogues. As always when you think of the Pogues always expect something unconventional both in the musical and also how they project their image to the world. You know, when I get depressed the Pogues are always reliable in cheering my mood up. This song is called Fiesta. My big thanks to Irish Music Forever for posting this video.

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Autumn Tour for Jamie Smith’s MABON

Their official facebook page has confirmed this news: “The first batch of Windblown pre-orders are on their way! Huzzah! UK orders should arrive tomorrow and internationals early next week. Any future orders we receive will be dispatched within 48 hrs. Get your copy now at www.jamiesmithsmabon.com/windblown

Cheers folks :)”

Check out this new single from this amazing band based in Wales!

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Atlantean: A Unique Documentary

Take a look at this folks. Other segments of the story can be found in youtube. It is amazing how much wealth of information is stored out there waiting to be discovered.

A segment from Irish filmmaker Bob Quinn’s four-part documentary on the maritime heritage of Western Ireland and it’s links to North Africa. This scene includes examples of Conamara dancing, called “Battering”, and it’s relation to Flamenco.

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Gwenael Kerleo – Brand new skies 

The sound of the electro harp is always invigorating. A few days ago, Layne and I were discussing about cool harp designs and he said that the one on top of his list is the electro harp. It was right after I showed him the link to the Corrina Hewat interview I did. In this video we hear another addition to our growing collection of Breton artists. Gwenael Kerleo makes music that has that maritime appeal wrapped in haunting melodies. What I like about her voice is its tender quality that has an almost child like innocence and urban sensuality.

Une chanson extraite de l’album “QUAI N°7” de Gwenael Kerleo (distribution Coop Breizh). Musique : Gwenael Kerleo – Paroles : Louis-Jacques Suignard. Avec Kevin Camus à l’irish tin whistle et au uilleann pipe et Yvon Molard aux tablas.

Les photos ont été prises sur la plage de l’Aber à Crozon (pointe de la Bretagne) en mars 2012.

Brand new skies

When your love burns so deep

Everything melts inside

When you’ve gone past the need

To sort out wrong and right

When your words take the hues of brand new skies

May your will and your way walk side by side

When your love burns so high

Setting your skies on fire

Looking down on your pride

And yielding to desire

Then it turns into gold all rocks and stones

And that sand once so cold a new bed of strokes

It blows on and whispers and sings

Never waits for any man

It knows about everything

And laughs in waving hands

When it takes you away

To the thrones of High Kings

It is then you start to pray it never ends