An exciting band featuring fresh and melodic tunes, notable musicians and yes they are on tour!Skinny Lister continue to charm listener with their brand of English folk that incorporates influences from the surrounding nations. music that’s melodic, sweet but at the same time bursting with electricity. They can transform a simple sea shanty or a capella track into a memorable experience. If you haven’t heard of Forty Pound Wedding (Original George Thomas Version) then you miss a good part of the experience. Skinny Lister is fronted by Dan Heptinstall and Lorna Thomas; a vocalist known for her voice and band presence, with Max Thomas on accordion / mandolin, Slim on electric guitar / mandolin and Michael Camino on upright bass. The unison singing that all five members bring to the table is a big part of the Skinny experience.
Founded in 2009, the group has already reaped positive reactions from listeners all over the globe. I think this is brought about by their style that goes down smoothly. It is the kind that breaks down reservations because it is simply hard to detect any flaws in terms of their music, production and live performance. Skinny Lister has it figured out. The music is universal and it is embraced by a wide spectrum of listeners, from Folk, Celtic and Americana.
The group’s mastery of rhythm is further reinforced by the track Rollin’ Over that sends a smile wherever or whenever you hear it played. Colours emphasizes the love for delicate tunes and fine instrumental playing. Right now they are busy with touring European summer festivals, and a week’s tour in Japan for Fujirock later in the summer and they performed successful tour across the United States recently, including Coachella Festival. They have a huge following and I am not surprised. Music like this is meant for the world to hear.
Engineer David Wrench, the same guy who worked with Bat for Lashes and James Yorkston captured the energy of their music on debut album Forge & Flagon.
DEBUT ALBUM ‘FORGE & FLAGON’ OUT NOW IN UK, EUROPE AND USA! | iTUNES / AMAZON – visit – www.skinnylister.com to buy and find out more.
Conor Lamb took the time to talk about the music of the trio Réalta between touring.
I can close my eyes and get lost in the music of Réalta. There is something sublime about it. A quality that revive the spirit and soothes the mind. Open The Door For Three is what I would call as an auspicious album.The maturity and confidence of the trio are showcased in every track. I am glad to discover that Conor Lamb took the time to answer questions. It is also an honor to have him as our featured artist of the week representing Réalta.
Open The Door For Three is one of the amazing releases this year. How did you three decide to create this album?
Ha, deciding to create the album is the easy part… actually doing it is the difficult bit! We had been playing together for a few years and we had some nice sets worked out so it just made sense to try and capture that moment in time and get it recorded. We put a lot of work into the album so it means a lot to us when people enjoy it, so thanks very much, glad you like it.
Realta toured with Altan. Mairead Ni Mhaonaigh made an amazing recommendation of the band. How was the experience touring with Mairead and the rest of Altan?
Simply fantastic. Of course for all of us Altan have been a big influence on our music and their albums have always held a prominent place on our CD collection, so to tour with the band was a great experience. They really are a brilliant bunch of people… and you REALLY get to know people when you are on the road for a month! We had many a long chat about music and a few singing sessions into the early hours so an all round great experience. Mairead told us how Altan have always made a point of promoting Donegal songs and tunes and that we should try and do the same for our part of the world. I think this is a great point and one that we have taken on board. On that tour we were also away the excellent band The Outside Track and a singer/storyteller/matchmaker Willie Daly and again these were all a great bunch so we couldn’t have asked for better.
Picking up a favorite is hard because everything in this album is beautiful. But during a blind choice my finger landed on the beautiful air called Sliabh Geal gCua. Please tell me more about this track.
Glad you like it. Like many Irish airs, Sliabh Geal gCua originates as a song. This piece was written by Pádraig Ó Míléadha, who was born in Waterford and emigrated to Wales. The song describes Pádraig’s longing for the mountain close to the homeland where he spent his childhood. It is a tune we always enjoying performing. Do you think The 2010 William Kennedy Piping Festival opened doors for the trio?
Conor, Deirdre and Aaron
Me and Aaron have been going to the festival since we first started playing the pipes. So I think by attending the classes and concerts the festival helped open doors for us long before we could even scrape together the Kesh jig. This is why it was such a big deal for us when we were invited to play there as a band. A thoroughly nerve wreaking experience but also a very enjoyable one. Two uilleann pipers and a female vocalist playing guitar and bouzouki. This is rare in traditional groups. How did you manage to make it work?
You think it works!? Hmm, that’s good to hear. It wasn’t a specific instrumentation line up we had in mind or had a reason for, we just got together to play tunes because we like it. And I think that is a good basis to start upon. To be honest, when you have two pipers in the band it also forces you to be creative with regards to arrangements and this can bring about some very interesting results. Also, I think people generally like the fact that it isn’t very common.
What’s the story behind Deirdre’s unique voice?
Hmm, don’t quite know how to answer that. That is just what she sound like, and we like it.
Tell me more about Aaron O’Hagan who also plays the bodhrán.
I have been friends with Aaron since we first started learning the pipes so we go back a long way. He is a great all round musician and also a brilliant pipe maker and reed maker. He studied at an instrument making course over in England and has been producing some great sets since. When you have two sets of pipes in the band it is great to have someone with his skills help keep the things working and in tune together.
You can also get the album from CDBaby.com and Amazon, but it is best to go direct to our own website. Also, if you like the tunes, please say hello on our facebook page www.facebook.com/realtamusic Conor, you manage to be an amazing band spokesperson. How do you keep it together?
With great difficulty. Haha, only joking everyone plays their part in the band.
What are you and the rest of the band expect this year musically?
We have a few nice things coming up. We are just back from a two-week tour in Denmark, and over the summer we have festival gigs planned in Greece, Belgium, Netherlands and Brittany. Check out our website for the details.
The world is getting a taste of the wonderful artists coming form Northern Ireland. This is an exciting year for Northern Irish artists. What’s your shout out to your fellow Northern Irish and also the rest of the listening crowd?
The amount of musical talent coming out of North and Ireland in general is superb. There are so many great new CDs coming out I simply can’t keep up. Certainly from the Belfast / Antrim direction a few names to keep an eye out for are At First Light, Craobh Rua, Brendan Mulholland, Grainne Holland, Ioscaid… the list goes on. The music is in safe hands.
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Huzzah!
Have a listen to this track written by Brendan Phelan and Performed by John Breen with Steven Collins on Mandolin. Such a soothing song with a beautiful message.
No More Woman You’ll Kill
21 Black Jack
Rather Die than Forget
Next Sunday We’ll Be Back Again
The Way Back Home
With Head Held High
The American Dream
Hate Cannot Be Forever
At The Counter Bar
My Childhood Dreams
Fancy Prankster
Johnny Techno Ska
“Refarmatory” is am album by Spanish band The Fatty Farmers. This is straight ahead Celtic rock with nods to the musical styles of The Levellers and The Pogues. I love it when bands tell about the music through the album artwork. And yes I love what I hear. In fact, The Fatty Farmers left a sonic impact that distinguishes them from the current outcropping of bands of the same musical bent. There’s never a dull moment. Every track packs a wallop.
Listen to 21 Blackjack and Sraka Dupa and you will know what I mean about sonic impact. So yeah this is an album for the depressed. Listeners who are in search of something energetic and cheerful. The band gave a bit of tribute to their Spanish roots via Sraka Dupa and other tracks but the vocals are unmistakably Irish sounding. The Head Held High showcases the bands mastery of groove. Out of this 14 tracks, I can’t find any song that’s weak or bad. You can tell the choice of materials have undergone careful analysis prior to its studio release.
I enjoy funny album artwork . The lyrics are also interesting. The instruments are superb. Talking about lyrics there is one song that really caught my attention. It is called At the Counter Bar which pays tribute to The Mermaid and the Drunks by Pablo Neruda but with a twist. Like the music, the songs have explicit lyrics and I read a lot of F bombs there but it is ok. Music is supposed to express what you feel inside and what you meant to say in colors. I love what The Fatty Farmers did for Refarmatory and I hope this record gets heard by the majority of Celtic rockers.
You may get their humor or not. But they can surely draw reaction. And like what I told one of my friends. When people don’t react to you, then it means you are boring. Refarmatory is definitely far from boring.
Bio:
At the start of 2009 a Group of farmers from different stables appear in the music scene in Toledo to bring us a music style never heard around here.
This group brings rhythm and fun with there different costumes and there hardly seen instruments.
From the banjo to the electric mandolin played by the wild Rodrigo Farmer, to the bagpipes and irish whistles by the sweet Javato, passing by “The little boy” Javito Farmers violin.
The group is completed with Lamber on the bass, Lalo playing the acoustic guitar, Fignani the electric guitar and Juankar on the drums. The last one to join the group has been Goyo, a crack of the accordion and another big push to the group.
Celtic Punk Rock Folk music that isn’t to be heard at home but to be seen in this groups great live show that will make you want to sing, dance, jump, party hard and forget about everything for a little bit.
If you haven’t yet, please check out the other version of my interview of Kevin O’Donnell that appeared in this month’s edition of Irish American News. That’s page 12 of the digital copy. Thanks to Noah Smulkis of Ceolwind Productions for mailing me the physical copy of the magazine!
Tracks: 1. Gone Are the Days 2. The Loving Time 3. Glen of Aherlow 4. Longing for Home 5. The Pride of Ireland 6. Oh Rowan Tree 7. Rocky Road to Dublin 8. The Fisherman’s Wife 9. Red Haired Boy 10. Down By the Salley Garden 11. To the Weaver’s We Will Go 12. Wild Mountain Thyme 13. Distant Shores 14. Back Home in Derry 15. Ag Croist an Siol
With the rarity of ballads in Celtic music these days, Sue Borowski finds a refreshing venue to showcase her multi instrumental capabilities. Even though she has no formal training in recording engineering, she arranged, recorded and mixed all the tracks in her basement. In the Celtic Spirit has a unique and inspiring history. Diagnosed with breast cancer, Sue channeled all her creativity into this collection of songs inspired by Ireland and the British Isles. The result is a collection of healing music that became a success story.
You will hear songs that you have missed all these years. Songs like Rocky Road to Dublin, Down by the Sally Garden and Wild Mountain Thyme. This is an album for those who are into vocal music with an easy listening style. Her expressive vibrato makes the fifteen tracks sound human and intimate. No sonic gimmicky kind of approach here. Just down to earth arrangements celebrating love and courtship, family memoires, and love for home and country. My personal favorite is the instrumental track Ag Croist an Siol. It is one of the most moving spiritual pieces in this album.
For fans of Loreena McKennitt, Connie Dover and Karen Matheson, this is a welcomed release. Celtic songs are beautiful, evocative and heart-hurting. It is always important that they are given the proper revival they need. So start listening to this album and sing along. Sing your heart’s content. Sing your pain, joy and love with the brevity of spirit through the celebration of the human voice: the greatest musical instrument!
Sue plays many instruments including guitar, fiddle, mandolin, bouzouki, Irish whistle, bodhran and accordion.
Sue’s love for performing music began at age ten in a Carpatho-Rusyn dance group, a sub-group of the Junior Duquesne University Tamburitzans. For three years she studied the music and traditions of her Slovak/Ukrainian heritage and performed her first solo on-stage at age eleven. In December of 2006 Sue gave her debut performance on the mandolin at the Melody Music Shop’s Holiday Showcase show at Carnegie Music Hall in Homestead, PA. In 2007 she met and auditioned with singer/solo artist, Matt Hughes of “Ar Eigean Gael”. Thus began her journey in the Celtic genre. After two years with Ar Eigean Gael, Sue joined the RichPatrick Celtic Music group as their fiddle and mandolin player, vocalist and guitarist. Sue enjoys playing in acoustic settings with friends around the City of Pittsburgh and most recently has ventured into a solo project under the name of “Steel Clover”.
1. Spootiskerry/High Road to Linton/Big John McNeil
2. Extra Bar in Paddyland / The Smirnoff Gigolo
3. Jigs in A (Rosewood Jig/Teviot Bridge/Who’ll be King but Charlie/The Canadian Club)
4. The Frenchies (Fil et Bobine / Les Poules Huppes)
5. Mabou Harbour Set (Flowers of Edinburgh / Miss McLeod’s / The Beached Whale)
6. Kathryn’s Castle / Lost in the Loop
7. Jigs in G (Old Favourite / The Roaring Barmaid / Out on the Ocean)
8. La Bastringue / St. Anne’s Reel
9. Kid on the Mountain / The Butterfly / An Dro
10. Gaelic College Medley (Memories of You / Please Scrape Your Dishes)
11. The Barn Set (Colin Rankin’s Strathspey / Kelsae Brig / The Holland Wedding/Predator Reel)
12. Jigs’n’Reel (Morrison’sJig / Swallowtail Jig / Lilting Banshee /Hobbart’s Transformation)
13. Wistful Daydreamer
14. Relative Minors (Fifteen Children / Snail Fever)
15. D Set (Haste to the Wedding / Banish Misfortune / Miss Susan Cooper/Virginia Reel/Silver Spear/MacLeod’s Farewall)
16. Polka Medley (Kenmare / Britches Full of Stitches / Bill Sullivan’s)
Total time: 59:07
With the instantaneous success of Family, Relative Minors seems to have been overlooked by the music crowd. But yes Relative Minors is the album that started it all. Siblings Qristina and Quinn Bachand (Q & Q)have created a collection of tunes woven tightly to create an exquisite listening experience. Although this primarily a traditional album , the two added their own styles.
Their bombastic exploration into the Celtic instrumentals is exemplified by the first track Spootiskerry/High Road to Linton/Big John McNeil. It’s a tune that makes you want to dance around the living room. A very happy tune. This is followed by the Extra Bar in Paddyland / The Smirnoff Gigolo in which Qristina’s fiddling shines through. In Jigs in A (Rosewood Jig/Teviot Bridge/Who’ll be King but Charlie, Quinn has mastered the art of light guitar strumming.
The amazing thing about Celtic music is that you don’t have to know what it is to appreciate it. This is in the case of tunes like The Frenchies (Fil et Bobine / Les Poules Huppes) where the melody takes a joyful turn amidst the interesting time signature. The music talks to you and this is what makes the Bachands amazing!
Everyone in the house knows how this CD has been played repeatedly. It’s that fresh quality that continues and doesn’t eat you just because the album has been listened to for a hundredth times already! Yes it doesn’t get old. Which is a feat considering that these two were literally very young when this one was released way back 2008. Big nod to the musicians who joined the project like Dave Klassen, Eric Reiswig, Russ Godfrey and Adrian Doland. These artists are huge in the Canadian Celtic music scene. The sound Engineering of Aaron Scoones maintained a raw but crystalline approach to the sound. It’s like witnessing a sunrise after a long rainy week. Design, layout and photos also gave justice t the music of this album.
I love the gentleness of Kathryn’s Castle / Lost in the Loop and its change of rhythm from slow to fast. But take note of the title track Relative Minors (Fifteen Children / Snail Fever) where they played at a breakneck speed while displaying the delicate style they are known for. Relative Minors is a flawless album and really deserves the best place in your music shelf.
“Qristina is a gutsy, fiery fiddle player – Quinn is nothing short of amazing!” – Fiona Heywood, The Living Tradition Magazine (Scotland)
“Qristina and Quinn Bachand are best act to come along in the world of Celtic music since…. anyone you care to mention.” – Tim Readman, Penguin Eggs (Canada)
“The Bachands have the Celtic fever in spades and play it superbly.” – Eric Thom, Roots Music Canada
Qristina and Quinn Bachand are creating quite a stir in the Celtic and Folk music world. In 2009 they were nominated for a Canadian Folk Music Award in the Young Performer of the Year category. In 2010 they won the Irish Music Association’s award for Top Traditional Group and in 2011 they earned another two Canadian Folk Music Award Nominations, Instrumental Group of the Year and Young Performer of the Year, as well as an Irish Music Award win as “Top Duo”. Qristina and Quinn have released two independent studio albums, “Relative Minors” (2008) and “Family” (2011), co-produced by Juno nominee Adrian Dolan (The Bills).
Twenty-one year old Qristina Bachand is an expressive fiddler, with a unique personal style that is bold and edgy. Clearly at ease on stage, Qristina is a natural performer, consistently delivering a spirited performance that features her energy, enthusiasm and love of Celtic music. Qristina recently added traditional and original songs to the duo’s repertoire, and is already receiving rave reviews as a vocalist. Her singing has been described as “lovely and delicate, with a laidback sweetness.” (Roots Music Canada)
At just sixteen years of age, Quinn Bachand is a gifted multi-instrumentalist who already has a reputation as “one of the best Celtic guitar accompanists in the world” (Ashley MacIsaac). Although Quinn plays a range of guitar styles including jazz, it is his talents in the world of Celtic music that are drawing the most attention. Quinn adds a contemporary edge to traditional Celtic music. In particular, his creative harmonies, hard-driving strumming, inventive chord voicing and powerful rhythmic effects make even the most well-worn tunes seem new and exciting.
Qristina and Quinn have performed across Canada, the US and Europe, including European tours in 2008, 2009 and 2012, and North American tours in 2010 and 2011.
Celtic Music Fan 