Tarbolten: Q&A with Darren Lynch of The Feekers

Album launch, great instruments and feeking around: The Feekers!

Album launchings online and offline are interesting. You always get to pick the unexpected. Such as the luck I found with Tarbolten. It’s the debut album from Dublin based duo The Feekers. Aside from the interesting album title and of course what their band name means, we find some interesting bits about these two musicians. They have such passion for traditional Irish music. And well, because it is the thing that they do best.

Traditional music has really achieved such soaring popularity lately. I think with the gap between the ‘insiders’ and ‘outsiders’ in the music scene has been narrowed down. It is only a matter of time when the world finally redefines what is considered as hip and what isn’t. Radio is no longer as influential as it used to be and more and more people catch what’s being streamed online or what they come across on blogs and websites. This where , social butterflies(those with over 2000 friends) and megaphones(those who love posting links to videos and music) in facebook come in.

So please have the pleasure of reading my Q&A with Darren Lynch. And I hope you get to spread this to your friends. Let’s put the spotlight to The Feekers.

Sample mp3s

What has happened to the trad scene for the past 10 years in your opinion?

Trad music has remained strong here in Ireland and continues to grow. Unfortunately, I don’t think there has been any recent bands that have broken the mould like the way some of the greats have done in the 60’s and 70’s folk revival. The final members of the legendry Dubliners and Clancy Brothers have unfortunately passed away in the last 10 years. I hope the passing of these legends will bring about a calling for more trad and folk music and maybe even another folk revival as people seek other bands to replace these.

 

What were the memorable things that happened during the recording of Tarbolten?

Recording sessions were very relaxed, with John and myself having very little planned beforehand. We didn’t record in layers or double track, so what you hear on the album is a direct recording of what and how we play. We think this gives the music more energy and a closer realism that represents how we sound at live gigs and performances. It was also less time consuming and allowed us to get more tracks recorded in a short time. Chris Marshall was our recording engineer in the Elektra studios in Temple Bar, Dublin. Chris has a very laid back attitude and left us to do things in whatever manner that made us comfortable while offering us his expert advice and guidance.

   John plays the banjo and whistles while you play the octave mandolin and also do vocals. What are the things about playing the octave mandolin (or the instrument in general) that we listeners don’t know of ?

I play the octave mandolin, which some people call the Irish bouzouki. I play in a similar tuning to the mandolin and Irish tenor banjo so I think octave mandolin is more accurate name for my instrument. I find it to be an all round instrument, in that it can play both melody and a rhythm equally well.

Why did you choose the title Tarbolten for your debut album? And also why the band name The Feekers?

Tarbolten is the name of one of the tunes played on the banjo on the first track of the cd. It was recorded in one straight take and we thought it captured the energy and character of The Feekers.

We called ourselves The Feekers after a couple of years of going nameless. John suggested the name as a joke originally, and it grew and stuck over time. Feekers isn’t really a word, but the verb ‘to feek’ is a slang name Irish travelers sometimes use which means… I’ll leave it to your imaginations!

Please tell us more about the album and also the tracks in term of styles.

As a duo, The Feekers basically consists of John looking after the playing of tunes and melody while I look after vocals and rhythm. We wanted an album that had a good mix of both tunes and songs that represented us both as a band, so that’s why we put a 50/50 mix on it. The 10 tracks on the album consist of 5 songs, along with 4 banjo tracks, and we couldn’t resist slipping a slow air on the whistle in!

  What can we expect from you guys in years to come in terms of your music. What is the next level for The Feekers?

This year is just really about getting our name out there. We have a few Irish festivals to play in 2012, which include the Ballinamore Festival in Leitrim, The Prosperous Festival in Kildare, and The Banjo Festival in Tullamore. Next year we plan to start recording our second album and spread our wings further afield and play a few festivals around Europe. Playing some Celtic and folk festivals around Europe is something we’d be really looking forward to.

You can buy or sample the music from Claddagh Records

Or their music page: http://thefeekers.weebly.com/audio-samples.html

Please add and say hi t them in facebook: https://www.facebook.com/thefeekers

Short band bio:

The Feekers are a traditional and folk music duo from Ballyfermot, Dublin.
Darren and John have known each other as teenagers when they hung around as friends in nearby Bluebell, but only met up again about 5 years ago to form a band after realising each other’s interest in folk and trad music.
Darren Lynch (Vocals/Octave Mandolin) and John Keenan (Banjo/Whistles) have played together for a number of years around numerous pub sessions, gigs and festivals, and plan to release an album in the near future.
Darren started off playing music after finishing a successful amateur boxing career with Crumlin Boxing Club. It was then in his late teens that he picked up the banjo and then later the octave mandolin and mandola. He
learned from some of the great folk and trad musicians in the area: that included Tom Moran, Liam O’Neill, Darach de Brun and John Lane. He then went on to play and record with the bands The Broadside Merchants, So-Ranna and Tam-Lin before forming Feekers with John in 2007.
Darren plays a mixture of folk songs from Ireland, Scotland, England and America, and is influenced by The Dubliners, Planxty, The Fureys and Sweeney’s Men.
John plays Irish tunes on the tenor banjo that he learned from his grandfather John Keenan Snr. John has been
playing banjo since the age of 10 and has also learned from his uncles who he has also played with over the years. John’s uncle Paddy Keenan plays the uileann pipes and played with the Bothy Band, and John’s other uncle Johnny is known today for his banjo playing and for the festival set up in his honor ‘The Johnny Keenan Banjo Festival’.
This year, The Feekers are due to perform at the Ballinamore Festival in Leitrim, The Prosperous Festival in Kildare and The Banjo Festival in Tullamore.The Feekers form a unique and fresh folk sound that is rooted in tradition and this sound gets across in their first album ‘Tarbolten’ which was released on 1st May 2012. The album is available from Claddagh Records – www.claddaghrecords.com

Talk of the Town: The Bonny Men

Word gets around  fast for these guys..The Bonny Men!

For those who love music in the tradition of The Bothy band will love the sound this traditional group from Dublin . Bring together the knack for exuberant playing, charming vocals and great choice of arrangements then you get a good album like their self-titled debut. They are only a year old but they have accomplished so much. Read what Tradconnect has to say about the album.

They bring something to the Trad scene…that kind of feeling you get when the streets are wet after the rain. A sort of freshness and magic..something nostalgic but undeniably fresh. The album was recorded in Windmill Lane Studios Dublin..which I recall as the same place where Clannad recorded their Banba album in 1992.

Turlough Chambers – Fiddle
Conor Lyons – Bodhrán
Natalie Ní Chasaide – Piano
Maitiú Ó Casaide – Uileann Pipes
Íde Nic Mhathúna – Vocals
Adam Whelan – Bouzouki
Moss Landman – Flute
Barry Lyons – Guitar

You can listen and buy the album here: http://www.thebonnymen.ie/

Monster Ceilidh Band: A Foray Into Electronic Folk

There is no monstrosity here. Just interesting lively music from UK based Celtic electronica band  the Monster Ceilidh Band. The website design is really cute. But wait until you listen to one of the tracks. You will be overwhelmed by how much artistry and innovation this band have placed in their compositions. Part Japanese anime music, part traditional Scottish.

They have made quite a stir in the UK being electronic and folk crossover band.  They are on tour this month and with the kind of style they have, they will draw a lot of cult following from those who are into the hip and the novel. Just take a look at that video below. I love what I am seeing and hearing!

The band are:
• Amy Thatcher – Accordion.
• Carly Blain – Fiddle.
• Kieran Szifris – Mandocello
• David de la Haye – Electric Bass
• Joe Truswell – Drums

Have a listen to the tracks here http://monsterceilidhband.co.uk/listen-3/

or go to the website : http://monsterceilidhband.co.uk

Cecile Corbel – Sweet Amaryllis

Cécile Corbel
“Sweet Amaryllis” (John Wilbye/Corbel)
Original music video (c) Bran Music 2012
from the album “SongBook vol.3”

Cecile Corbel on tour!

Do you ever get this impulse of being stuck in one song and finding your self playing it again and again? I know it isn’t what normal people do because what happens is when a song ends you move to the next track. Today, I found myself getting stuck in this one song by Breton musician Cecile Corbel. The song is called Mary and there is this stanza that goes:

Mary was a sailor
But she is drowned to die
She sleeps under the sea
Mary ever on her way

Kind of morbid don’t you think? But the music of Brittany has always been steeped in stories of seafarers. This song made me go to her website and I saw her new video called Sweet Amaryllis taken from the new album Songbook 3. I am impressed by her knack for powerful melodies and tight vocal harmonies. This is a kind of music that artists like Moya Brennan and  fellow Breton Nolwenn Leroy make. Very catchy and haunting at the same time. Need I say that her videos are always appealing ? She is on tour right now and more can be found in http://www.cecile-corbel.com

Mademoiselle Nolwenn Leroy: Seriously Breton

From reality show to being an ambassador of Breton music to the world.

Being typecast is every artist’s worst fear.  This must have been a struggle for French singer songwriter Nolwenn Leroy after bagging the first place in the French reality show Star Academy. I think that show holds the same prestige as Big Brother and American Idol. I don’t know about other shows in the UK because I am not a fan of these shows. But then again there is this polarity that is common between serious  music lovers and the pop audience who go for Hollywood glamour. I think Nolwenn got all the flack for appearing in that show where contestants are said to stay inside a castle.

Picture courtesy of: mademoiselle-nolwenn.fr

In 2010 Nolwenn traced her Breton roots. She was born in Saint-Renan, FinistèreBrittany . Her parents left the place when she was only four. But every one with a Celtic blood will eventually gravitate to music. When Leroy was eleven, her music teacher noticed her musical talents and encouraged her to learn the violin. This lead to he winning musical contests and finally albums.

Right now she is an ambassador of Breton music to the rest of France and to the world. Stretching out of  pop music which she started and creating a timeless Celtic recording Bretonne in 2010, she broke boundaries and gained huge following both from mainstream listeners and  hardcore Celtic music lovers .

My special thanks to Tim for making me curious about the picture of Nolwenn with a violin..that curiosity eventually lead to this article. Visit her official website : http://www.nolwenn.org/

Papillons de Nuit! Photo ©@papillonsdenuit