“It was recorded in real time with minimal overdubs” Caitriona O’ Leary Talks about The Wexford Carols

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Happy Holidays! I wrote an entry about The Wexford Carols by Caitriona O’Leary a few days ago. And it is a delight to receive a response from the interview questions I sent her with the help of my friend Anita Daly. So here they are and I was not really surprised that she mentioned Bjork as one of her influences. These two have amazing voices.I am sure Bjork would love O’Leary’s rendering of the traditional carols. The album’s production is superb, the artwork is exceptional-plus you gotta get your hands on the liner notes as a lot of inspiration was poured in making this project. Read further and more surprises await you!

  1. The Wexford Carols was released very early of this year. What’s the story behind the re-release?

Actually the album was released for Christmas last year! But I feel that The Wexford Carols has the potential to be a long-lived perennial offering and that we hadn’t reached every music lover just yet!

  1. You are backed by fantastic studio musicians, singers and sound  tech people. It must be an exciting recording session.
 

It was indeed a very exciting session. It was recorded in real time with minimal overdubs. Basically, we were all in the room (a beautiful, converted 17th-century stable house with huge windows overlooking woodland), making the music at the same time – watching each other, responding to each other’s musical impulses.

  1. How extensive was the background research for this album?
 

I spent many years researching the carols. I started dabbling about 20 years ago, but it has really been the past couple of years that I completely submersed myself in the material. I have visited the church in Kilmore (where the carols are still sung), spoken with local Wexford historians, and spent many happy hours in Dublin libraries and music archives unearthing clues to the melodies that had been lost.

  1. Are you working on a new album and if you are what can we expect?
  1. What’s the inspiration behind this album, and the musical direction you took in recording this(see answers to question 6).
 

I am indeed working on a new album – The Wexford Carols, volume 2! There are still a dozen carols hiding in Wexford history and we want to bring them into the light too. We will be recording in the spring with the renowned producer Ethan Johns and taking a different musical approach to the first volume. It’s a very exciting prospect!

  1. Who are your major musical influences?
 

I have many, many musical influences! Nina Simone, Skip James, Sara Ghriallais, Chabuca Granda, Jordi Savall, Björk…you can probably hear bits of all of them in my work (Björk not so obviously…yet…)

  1. what your biggest Christmas wish?
 

Peace on Earth and goodwill towards all creatures and the planet.

Enjoy your copy of The Wexford Carols. It is an album that’s meant to enchant you not just this holiday season but for all seasons!

How about an afternoon of Buille by Buille Beo?

Niall Vallely – concertina

Caoimhin Vallely -piano

Ed Boyd – guitar

Brian Morrissey – bodhrán/percussion

Kenneth Edge – soprano saxophone

Recorded live at Ionad Cultúrtha an Dochtúir Ó Loingsigh, Baile Mhúirne,

Co. Chorcaí – Eanáir 2015

Engineered by Dan Fitzgerald

Assisted by Chris Moore

Mixed and Mastered by Dan Fitzgerald @ SoundSound Studios, Cork

Design by Brian Hanlon @ Og Media Group

Photography by Eddie Hennessy

Buille:A beautiful musical treat for a lazy afternoon by robust Irish musical group.

Live recordings are challenging. Unlike studio sessions where you can just edit things you want to change, playing like is one directional. The ambience also adds to the ‘flavour’ of the sound as you hear clapping from the audience, perhaps the sound of birds, the breeze and the little noise that make the recording ‘human.’

Buille Beo presents a robust body of different sounds recorded live-which I learned- in the beautiful surroundings of the Ionad Cultúrtha in Baile Bhúirne, West Cork. There are twelve beautiful tracks. I love classical and jazz music and Buille Beo covers those territories, though it is primarily a traditional album.

It’s a lazy afternoon today so I explored their latest release which is already reviewed by TradConnect. So how does a casual listener respond to their music if I cite myself as an example? It is an album for those who like chilled but mainly acoustic music. I found myself staring at the ceiling and savouring the piano melodies that fall like gentle rain. I feel this in Belharbour. It is true that if you love classical music, jazz and blues then you will easily appreciate traditional Irish music.

I also love In A Silent Way because of its intimate nature. It is a slow tune that is good for meditation and staring out the window-especially if the scenery is the magnificent West Cork! Whatso grabs me because of the chords and the feeling of suspense associated with jazz music. It starts slow then builds up into a frenzy release of sounds  like fireworks.albumcover

Buille Beo is a beautiful and strangely delicate album that has a universal appeal. Its beauty lies in the arrangements and the technique of these wonderful musicians. As you listen repeatedly, the album creates that mesmerizing hypnotic feeling. It transports you into an urban countryside as the album evokes the feeling of both places.

Purchase the album via iTunes and visit their official website: www.buille.com

New Music from Fraser Fifield:Snowblind

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Snowblind:Get ready for winter

I love the music of effect pedals coupled with traditional Celtic music instruments. Fraser Fifield has created another tune that you can listen to in bed, while staring at the ceiling. I have not much to say except the word “amazing” or “awesome.” But he has a lot to say. So I am doing a copy and paste of his recent facebook statement that accompany this track:

some new music I made earlier in the week, now for sale, yours for $1.00 if you like it, if you don’t, it’s still only $1. I know people don’t buy music anymore, that’s so last century….but perhaps think of it this way – you are directly supporting an artist who, in his own little way, is helping prevent your society from freefalling into a soulless, corporate abyss, or think of it however you like…fact is, for about 70p you can own, a piece of music which even 10 years ago wasn’t possible to make, that’s right, the world is changing that fast, don’t be left behind – own this music today, an infinite amount of copies to be downloaded…
I recorded this on Mon/Tues and uploaded to the various doodahs on Wednesday, now it’s on sale on Friday. A more artistically pleasing process perhaps than the typical month of recording then 6 months of pr and advertising …. this is my musing behind this outburst of activity, there may be more of this type of thing.
The title is born out of the fact that a white jpg with some writing on it was easiest option given my graphic designing, low cost, sister is in Palestine. Instrumental music is subjective however, so it works fine.
http://www.cdbaby.com/cd/fraserfifield5  ‪#‎newmusic‬

Hmmm I don’t know how to respond to that. Do you?