Dylan Cleghorn :”We’ve labeled ourselves as TEXAS CELTIC ROCK”(Interview)

Working with my dad is a great experience. I learn something from him every day. He is an amazing songwriter and an incredible guitar player. And we really have an uncanny ability to sit down together and make music! -Dylan Cleghorn

CLEGHORN are a Texas-based Celtic Rock duo. They combine stadium rock with blues and folk influences laced with a strong Celtic brew. 23-year-old violinist Dylan Cleghorn explains the music, life on the road with dad and the state of Celtic music in the United States.

Listening to CLEGHORN is like experiencing the power of  storm dust rising with hundreds of horses racing above it. It’s an immense sonic invasion-the pulsing sound of rock driven Celtic music. The robust and pristine sound of Dylan Cleghorn’s violin is wrapped up by pop rock’s heavy sound that approaches anthemic intensity. John Cleghorn on the other hand adds his own guitar rifts, and golden melodies- a man who knows what Texas rock is.

It should be noted that both of them have come  long way since the days they spent being part of the band Needfire. It was those days when they stirred up festivals with their own brand of Celtic rock. Dylan has been noted as a Charismatic performer who even went as far as going down the stage to play with the crowd during concerts. He is a natural crowd pleaser.

Now they are back with CLEGHORN sounding better and know what they want and how they want the musical direction to be. This is a new frontier and Dylan gets to talk to us to tell us more of what’s in store .

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We have a sneak preview that is available for download .These songs are part of your upcoming CD. Tell us about the changes that happened musically for both you after Needfire.

The Needfire project was a great experiment that helped us grow in many ways – Both as songwriters and performers. And we haven’t abandoned those songs – we still include them in our current shows. But with this growth, CLEGHORN has a more refined sound. We are able to work harder and faster as a result of all we learned and we are having even more fun in the process. And personally, I think we are having more creativity now than we’ve ever had!

You and your dad are good in creating catchy Celtic influenced rock songs. How is the song writing process?

What a difficult question! We each write songs on our own, however the majority of the songs we are including with CLEGHORN have parts written from both of us. The songwriting process generally starts with my dad bringing words and a melody to me and asking me, “What kind of fiddle part would you play with this?” However, many times I also bring a fiddle riff or a song to him and say, “Dad, listen to this! What can you add to this?” There is no single process, but we certainly work as a team!

9 minutes of Woo, the first track is actually 9 minutes of bliss! What made you decide to creat this 9-minute symphonic instrumental?

Almost immediately after my dad and I arranged this piece we knew it was special. 9 Minutes of Woo had its origins in late 2005 and 2006. It’s a great story. The two of us were sitting on the couch watching Monday Night Football. My dad picked up a guitar and was fooling around with a few chords when he asked me to grab my fiddle. We soon muted the TV as magic was in the room. All of the ideas we had been working suddenly seemed to flow together perfectly! The CLEGHORN recording is the same arrangement and music/chord structure from that night. 9 Minutes of Woo is about 50/50 traditional Celtic melodies and original melodies written by myself. The guitar music and chord structure is 100% original by my dad.

Tell me about your instrumental influences. Your playing is like no other. It is rich, pristine and soaring. Tell us about the secret of your style..

I can credit my violin influences to two people.

The first is Joshua Bell. He is a modern classical violinist. Before I played violin, I played viola in the High School Orchestra. Around this time I stumbled upon Joshua Bell’s PBS special “Live from Lincoln Center..” This was my first vision of how the violin (or perhaps, the violinist) can demand attention though his performance.

In the first few months that I started playing fiddle and Celtic music, I was given Ashley MacIsaac’s CD “Hi How are You Today?” This CD changed me completely. It opened my eyes as to how the fiddle (or perhaps, the fiddler) can rock while still maintaining it’s great tone and orchestral qualities. My fiddle style and recording process is greatly influenced by Ashley. I’ve actually had the pleasure of meeting him since, and we exchanged emails from time to time – which is a great honor for me!

I wouldn’t know how to describe it, but I feel that I’ve been able to mold my own distinct style and sound. And my original tunes seem to naturally create a unique sound by themselves. But I would not be where I am today without these two influences.

How is it like working with your father who is also your band mate?

Working with my dad is a great experience. I learn something from him every day. He is an amazing songwriter and an incredible guitar player. And we really have an uncanny ability to sit down together and make music! We played a show today and I thought to myself, “What a great blessing it is to share the stage with my dad.” When we’re on stage together everything ‘clicks’ and we both are able to let loose and have fun. Our fans respond to that and let loose with us! It’s a blast, and I think this is one of the hallmarks of CLEGHORN.

Tell us what to expect on the new CD you are both working on

We’ve labeled ourselves as TEXAS CELTIC ROCK. We have an undeniable Celtic influence. But we are also a Texas band, and with that comes an unavoidable blues and Texas country rock feel. From traditional to original, acoustic to rock, we do it all. The new CLEGHORN CD will highlight all of these influences.

What is the state of Celtic music in the United States?

The Celtic music scene is still somewhat ‘underground’ in the United States. But its presence is growing! Hopefully CLEGHORN will be a catalyst in its growth and success.

What’s the best thing about performing live/recording an album.

The two are very different. Performing live is all about having fun. We are fortunate to have a great band that supports our live shows. We rehearse to be prepared for each show. Music is our passion and when we are on stage, performing our arrangements and original songs, there is perhaps no greater feeling. Of course, without an audience there is little purpose to play live. We seek to create an intimate feel with the audience regardless of the venue. This creates an emotion that is enjoyed by all.

The studio is where we really open ourselves to creativity. Many times we will have a song all worked up before going into the studio. But sometimes we walk into the studio and let inspiration lead us. We have our instruments in our hands and we never know what product we will have at the end of the day. We’ve surprised ourselves many times with the results of our studio sessions! Recording the new CLEGHORN CD has been especially rewarding because my dad and I are the only two musicians on the recordings (the two of us performed every instrument). It has been a great opportunity to grow as multi-instrumentalists.

A friend who lives in Lyon France introduced me to your band’s link! Your fan base is growing really fast. Do you plan touring outside the United States?

CLEGHORN is a new project. We have been amazed at the quick success that we are having. We are hopeful to have many U.S. tour dates on the calendar soon. We are certainly open to perform international tours as we establish ourselves and continue to grow. We urge everyone who is a CLEGHORN fan to spread the word to friends and family. If you would like CLEGHORN to perform at a festival or event near where you live, please be vocal and contact that event’s staff! You may also send the event website and details to our booking team (booking@cleghornmusic.com) and they will look into negotiating the event!

More Celtic Music Updates!

I have always loved Scottish music – all sorts of Celtic, Gaelic music.

Carter Burwell( American composer of film scores)

Clockwise: Colin Grant, Fribbo, Ryan McGiver's Troubled in Mind, Fonn Aniar / Tune from the West

Clockwise: Colin Grant, Fribbo, Ryan McGiver's Troubled in Mind, Fonn Aniar / Tune from the West

Laoise Kelly is  in my previous article regarding her captivating harp playing. Now fans will be googly -eyed to know that our energetic harp player is back on stage with Breanndán Ó Beaghlaoich, vocals, button accordion and Tommy Peoples on  fiddle. Fonn Aniar / Tune from the West is going to captivate lovers of Celtic music as the trio of trad music are going to put a spin on traditional tunes with their grace and style . Tour dates here:

http://www.musicnetwork.ie/events/details/fonn_aniar_tune_from_the_west/

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Fribo is that point between Scandinavian and Celtic music. Fribo (Open House) is a unique collaboration between Norwegian singer Anne Sofie Linge Valdal, Scottish fiddler Hannah Read, Liverpool born Ewan MacPherson on guitar and tall Swedish percussionist Magnus Lundmark. I have heard the preview of the album and I can say it’s a very interesting work. You should check it out and decide for yourself.

Visit the official site:http://www.fribo.co.uk

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Get connected in Canada!

http://www.irishmusicottawa.ca/  aims to connect musicians and audience within the Ottawa region.  It is mainly focused on traditional Irish music. Fans and musicians can now share their opinions about CDs , DVDs and MP3 downloads by getting connected to this site. The main highlight of this site is the calendar which features current players and the venues of these sessions. There are also postings of concerts and workshops that will point you tot he right direction. I think you need to check this site out and be part of your musical community.

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Beoga in New Zealand

I love this band! I covered them before and I think they deserve more with their brand of music. New Zealand welcomes them in this wonderful video.

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Fiddle Workshop with Colin Grant:

Fiddle Workshop
Thursday August 25, 2011
1:30 PM – 3:30 PM
Instructor: Colin Grant
Price: $30.00 + HST

Who wants to go? Please raise your hands! I am sure you all do. Colin has been a shining star recently as he captivates the audience world-wide with his fiddle playing. He has this style which can only be described as pristine and lively.  He is the pride of Cape Breton and I am sure it would be a pleasure having him as an instructor.

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Check out Ryan McGiver’s Troubled in Mind. It is a great album with beautiful tracks which are “imaginative musical interpretations of old Appalachian ballads”.

 The album includes guest appearances by an all-star cast of musicians including Jolie Holland, Doug Wieselman (Martha Wainwright, Antony and the Johnsons), Susan McKeown, Cillian Vallely (Lunasa), Stephanie Coleman (Uncle Earl), Jason Sypher, Cleek Schrey, Eamon O’ Leary, Cassandra Jenkins, Nick Reeb (King Wilkie), Jefferson Hamer, Pádraig Rynne, Patrick Mangan, Clara Kennedy, Matty Mancuso, Will Orzo and Howard Arn. Two beautiful horn and string arrangements were composed by Dana Lyn as well.

More info here: http://ryanmcgiver.com/

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The first time I saw their interesting video, I was like ; oh no! Full Monty does trad? But they were just joking around promoting their album Wrapped Up. These are serious musicians playing great tunes. Yes they look like wrapped gifts for Christmas. Only you’d get a lot of traditional music along with that.  Check out their website for more updates on tours and latest news. http://www.therapparees.com/

Trevor John Howlett:Journeys and Lyrics( Interview)

Trevor Howlett is a Canadian singer/songwriter and also a folk musician from cape Breton island Nova Scotia. He has the gift of gab as shown in his lyrical power . His eloquence is not only evident through his songwriting but also through his job as a news reporter. From Cape Breton to Ireland. This is the story of a journey of  thousands of miles and ended up into songs. To quote:”A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness”.-Robert Frost

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What made you decide to record  Lost Cause? 

I decided to record a full length CD the previous year, having lots of material that remained unreleased. I applied for some money from the government my application was rejected, so I lowered the budget and made a self-released, self-recorded EP. I just needed to finally release a CD, whether it be EP or LP, to tell me get gigs and help new bandmates in transition. Plus I wanted to have an official snapshot of my life, which is shown through the songs.I designed Lost Causes EP to have a narrative from when I first decided to go to Ireland, to me going there, falling in love, and coming back, somewhat heartbroken.

 This trip to Ireland  created a spark which inspired your songs. Tell us more about this.

I traveled to Ireland in 2009 to work for the summer, although I didn’t find a job, I did find a girlfriend though. When I moved to Ireland it was my first time living anywhere outside of Nova Scotia, my home province (I now live in Alberta). I only left Canada about two times to visit the US, so it was a bit crazy to just pick up and move somewhere not knowing anyone, and having to find a place to live, work etc. In Cape Breton, where I am from, we have a lot of Celtic music but it’s mostly instrumental stuff, where I wanted to learn some ballads. Which are far more popular in Ireland. Plus a few of my ancestors are from the Emerald Isle, so it seemed like a good fit. I stayed in Dublin for two weeks and moved to Galway where I fell in love with a girl from County Meath who was also unemployed. We lived together and had a blast before I had to move back to Canada to finish my journalism degree, and since she was unwilling to come over, it caused us to break up. I was heartbroken at the time like never before, and it led to a period of depression in my life. In the end I realized that life doesn’t always happen the way you expect it to, and that’s fine. A big theme in the CD is the feeling of having no place to call home, which was the result of the trip. When I first left Cape Breton, it didn’t seem like the place for me to live anymore. In Ireland, although I loved the people and music etc, I couldn’t see myself living there forever, especially with the economic situation (and I was mistaken for an American, which was disheartening). When I came back to Halifax, NS for school it also didn’t seem like home to me. My story is probably similar to thousands from years ago who left their families and loved ones behind, So I tried to draw a connection between them and my own experience.

Who are your musical heroes?

I have a vast amount of musical heroes, really. I started playing guitar because I loved Nirvana, and I started on electric guitar in high school. I never wanted to be a songwriter, it just sort of happened naturally. I then gained a fascination for The Beatles. In high school I gained an appreciation for fellow Nova Scotian musician Joel Plaskett, and at a solo gig he perfomed in Port Hawkesbury in 2005, my life was changed forever. I slowly changed into a folk musician, because I realized how captivating acoustic music can be, and how it’s a great form to tell a story. Joel incorporates a little bit of Celtic into his music at times, and I wanted to do something similar. Stan Rogers has become an increasing presence in my influences and is probably my strongest at the moment. He took the traditional ballad to new heights in Canada and his style can never been replicated. If I consider myself traditional at all, it’s in the tradition of Stan Rogers. I listen to an eclectic mix of music at home, some rock stuff like the White Stripes, lots of Irish stuff like Luke Kelly and I especially love Paul Brady. I really like fiddler Ashley MacIsaac who is from my neck of the woods. He did some modern celtic stuff that is really breakthrough in my opinion and I’d be lucky to accomplish anything close to him in the genre. His mother actually heard my CD and informed my mother that she liked it so that’s the highlight of my career so far! As far as songwriting goes, my all time favorite is Neil Young and that will never change.

Yours songs are rich in story-telling and the human condition. They are also personal. Do you wish to connect to people through your songs or is it the other way around?

I don’t necessarily look to connect with people through my songs,it’s probably simply a by-product of the human condition.We all have similar experiences of love, hate, heartbreak etc through our lives, and our feelings bring us together.

 How many songs have you written so far? 

I like CD’s to be a bigger work, not just a collection of songs. Anyway, in total between several short lived bands and my own career, I’ve written about 50 songs. Probably more but I wouldn’t perform all of them. I would say only half of them – for various reasons – will ever even be considered for an album or release, but you never know. I’m just thinking back now, and I’d say I wrote my first song in 2004, so I suppose that’s not a particularly high output, but I’ve written most of the songs in the past few years. I’m more productive when I have a goal in mind or when I’m playing with an eager backing band.

Apart from being a musician, you are also a news reported. How do you juggle between the two? 

So far, I haven’t been great at juggling between being a reporter and a musician. I did it well as a journalism student and a musician, but since it’s been my career it’s been a bit tougher. I got a job in April at a weekly newspaper in Nova Scotia and that was a lot easier to manage, gig-wise. I haven’t played any shows since I’ve moved to Alberta, which is for a number of reasons. Just getting settled in to a new lifestyle takes some time, and I felt I deserved a bit of a break after devoting a lot of time to music since the release in November. At the moment I’m doing mostly behind the scenes stuff: looking for new musicians to play with, trying out a few things in new songs, planning my next record etc. I hope to start playing in Alberta, intermittently in late September or early October. I hope i’ll have some time off for Christmas to play in Nova Scotia again with my old lads, and then I’ll be ready to conquer all in the new year.

Your story is very interesting. My next question might be off the wall but it’s worth trying. How does one achieve inner peace?

Inner Peace is all about knowing oneself. But it’s more than just knowing, it’s also following the information. Obtain a job that you’ve always wanted to do. Treat other people how you would like to be treated. Inner Peace is about removing stress as well, so keeping a balanced lifestyle is key.

More info and listen to the tracks  here:http://www.trevorjohnhowlett.com/

What Happened In Lorient, Tremolo Band and More..

Breton traditional music band “Bagad de Lann Bihoue” performs a traditional Breton dance on August 7, 2011 in Lorient, in Brittany in northwestern France, during the celtic nations Great Parade of the “Festival Interceltique de Lorient” (Interceltic Festival of Lorient). It is the 41st edition of the event, the world largest gathering of Celtic cultures which aims at promoting the interceltism.(Fred Tanneau/AFP/Getty Images)
 
 

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The “One Voice” project that I am launching it is still in the works. I am still waiting for contributions from other musicians. It is hard  now especially that most of them are on tour. I have to wait and waiting in not my strong point. I feel like I just feel like jumping  because I am so excited about this and it is taking too long to happen.

“One Voice” is a collective effort of Celtic musicians and their views about Peace. It’s nice to read the quotes I got.  Everyone has something  to say.  I like this happening because I know musicians are also curious about what their fellow artists are going to say. So it should be great. So many troubling things happened recently both personal and global in scale. Reading something positive for a change is what we must do.

Now let’s get the ball rolling. Here is an amazing video I got from youtube about the Interceltique Festival in Lorient France. This is Breton festival at its finest. I have been following this for years and I am hoping one day, I’ll get to go and feel totally immersed in music and  sweat. It’s like Woodstock-without the drugged hippies. LOL! I like the old guys near the end of the video(around 12:21 and how they’re rockin’ it! That’s the spirit papa bears! I am really howling here!

The Lorient celtic festival is one of Brittany’s biggest events in the year, held over 10 days from 5th -14th August 2011, it made for a great day out. This Video was taken on the afternoon and evening of Wednesday 10th August, some of the bands that were playing that day were ‘Mask ha Boutik’ who were a joy to watch and open this video and ‘Doolin’ are also featured. Over the 10 day event over 2000 bands play, its a case of just walking around the town centre and a new band starts playing. The event starts early in the day and runs into the early hours each morning, friends said they were there until 4am last Saturday and had a fantastic night.

The streets are packed with people enjoying the event and everyone is just there to enjoy themselfs.

http://www.brittanyholidaycottagetorent.com

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Tremolo and Elva MacGowan perform in the Cobblestone Dublin 29/07/11. Tremolo – Donall Donnelly (fiddle), Karl Nesbitt (flute/bouzouki), Donncha Moynihan (guitar), Stijn VanBeek (uilleann pipes).

Tremolo band pack the heat for the following reasons. All the members  are accomplished musicians. Each has his own successful solo project. The music is innovative and melodic. They are very active in the national music scene. Karl Nesbitt whom I had the honor to interview is a member and he updates me once in a while. You should check their live shows and also get to hear their wonderful tunes.

http://tremoloband.com

http://www.karlnesbitt.com/

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Ronan Browne – one of those pipers who show an amazing sense of humor while playing one of those temperamental instruments. I love the flourishes he makes here.

More info from youtube:

This is the beautiful air Port na bPúcaí (The Music of the Fairies) from the Blasket Islands. It was said that islanders heard a mystical music and, thinking it was disquieted spirits, they made this air using the notes they heard in an attempt to placate the unhappy ghosts.

Recent thinking suggests that they were, in fact, listening to whale-song reverberating through the canvas hulls of their boats. In the mid 1990s I went rooting through some cassettes of whale song and there in the middle of the Orca (Killer Whale) section I heard the opening notes of Port na bPúcaí!

This air has been a favourite of mine since I first heard it played by Seán Potts and Paddy Moloney on their 1974 Claddagh LP. It sounds gorgeous on my old 1840/50s Harrington union pipes; the regulators, unable to provide “safe” accompaniment and resorting to discord, paint a fitting seascape for our king Dolphin!

This video was filmed by Fionnula Flanagan during a concert of Róisín Elsafty, Siobhán Armstrong and myself at St. Nicholas’ medieval church, Galway in May, 2011. The concert was staged by the Galway Early Music Festival.

Donie’s Message of Peace

A guilty conscience needs to confess. A work of art is a confession.
Albert Camus

An artist is always alone – if he is an artist. No, what the artist needs is loneliness.
Henry Miller

Art is the desire of a man to express himself, to record the reactions of his personality to the world he lives in.
Amy Lowell

Photo Courtesy: Mary Ryan

Great weekend to you folks! Today I am showcasing the works of my friend Donie Ryan who is from Dublin. We have been friends for years. Every now and then he updates me with what he’s doing. It is really great to be able to talk to someone who is passionate with what he does and also like music!

Donie and I have been discussing about what’s happening around. In this vein I recall when a dear friend told me about the bombing in Norway. “It’s in the news!” I was so perturbed realizing how detached my life has been , avoiding the evening news. Things like this make people want to do something. Donie did and he is sharing his thoughts with us today here at CMF.

Photo courtesy of Mary Ryan

Photo courtesy of Mary Ryan

So can you tell us more about the story behind the painting?

As most people are horrified by war, I’m trying to make a statement about it.
It’s a new theme I and will be doing more of this series , silhouettes of war, the horror of it and what it does to people.
Art reflects the state of mind of the society. Do you think art can be healing too?
Yes in a way, comforting, if the viewer understands the painting I hope it gives them solace that other people are trying to make a difference.
The more people who see the work, the more it might enter their thoughts about war.
I started this theme because of the horrors in the middle east,  Syria and so on, things on the news that make you sick.
How long did you work in this painting? And what’s the approximated dimension?
about 10 to 12 hours
and the size?
38 x 22
Donie sent me this video by Phil Lynott and from then on I became a fan of this man’s music!
I believe that painters, like musicians, need clusters of like-minded people for support and inspiration. Do you hang out with other artists,running around with you in Dublin? And what are they like?
I have more musician friends than artists. Well I only have two artist friends
and their styles are quite different and also better as they went to art school. But it’s always good to get their constructive criticism, even though I generally don’t listen to them.
Hahahahaha I like that!
People always say ” you should of done this or not done that”, but these people are not artists, and every stroke is there for a reason.
So a series devoted to this idea is on the works. How long is it going to be?
im not sure but I’d like to do six anyway. But as I’ve told you,  I am going to Canada for a year, and I’m sure I’ll be painting over there too.
Will there be plans for an show of all the paintings you’ve done through the years?
I’d love to but they are all over the place due to a  lot of borrowing and transporting.Someday… hopefully not  after my funeral hahaha .
Picture courtesy of Dav Nagle