Matt Molloy is not Mortal!

I was chatting with a friend about triplets in traditional tunes and then he sent me a link to this Chieftains video featuring Matt Molloy. It was beautiful but things started picking up around 1:10. This man is no mortal!

How can you play two sounds with one instrument? Listening closely will tell you at not only he is playing in a breakneck speed, he is also able to make the flute sound as if there is a fiddle there.

Triplets add bounce to the sound. And if it is played skilfully the way Matt does, oh boy it really sounds amazing.

TradConnect:Connecting Traditional Irish Musicians Across The World

TradConnect was launched in April 2011 and is a new social network for people that play, listen to and enjoy traditional Irish music. The aim of the site is to connect people that are learning and playing traditional Irish music with other players in their area.

There is a kind of glow that happens when you meet a new friend. There is a sense of anticipation and wonder. We always start somewhere the way we end. TradConnect is like that. It is a community of musicians and music lover promoting traditional Irish music.

It came as a surprise when Tony posted a link on my blog. I always try to click on the profile of whoever has contributed their thoughts. Then I saw this site. Nanvigating is easy, and links are all placed just under the header. Not too much eye candy here as it prevents distraction.

Other than the videos of members playing music, one of the  interesting attraction is the chat room. There you will be able to share musical ideas with fellow musicians from all over the world. Tony, the site administrator also pops in and out once in a while and everyone is having a great time sharing a craic.

I am from the Philippines writing about Celtic music, and I am welcomed to the group with open arms. I am looking forward to share musical ideas with the members and write stories about them so that this great circle of musical tradition will be enjoyed by many.

http://tradconnect.com/

Celtic Music on the Run

 

Tremolo Band: Bringing their music both on the road and the Web

Tremolo Band: Bringing their music both on the road and the Web

This piece is a tribute to music going mobile. I know of someone (you know who you are) who doesn’t like the idea of having an iPod-or in general making music mobile, believing that it is a private experience.

The good and the bad:

I read about  the time when music was an indoor experience. It was a family affair with people gathering  in front of their Victor turntable and listening to collections upon collections of music recorded on vinyl. I am talking about the 70s when bands used to have their songs on 45s and LPs.

Now music became a solitary experience. People listen alone. And sometimes people listen to the hum and not really to the music. They just splice the tracks as background music while most of their attentions are focused on the task. No wonder the recording industry is cashing out on young artists who can sing lines like ” baby, baby oh or I want your love oh yea” again and again with decent beats and pass it off for music. I can’t blame them. This generation has low attention span. And music like that caters to people with no special leaning to the arts.

But if you are an artist you know what you want and you care for what you want. More and more Celtic musicians are advertising and selling their music in different formats. You have iTunes, bandcamp and even rhapsody.

The web generation has taught artists to be resourceful . They no longer wait for execs to find their craft and sell it. They do the advertising and some even go as far as doing the album art. I know a few who do these things without sacrificing the beauty of their music.

back to my idea of the good and the bad:

The good:MP3 downloads are practical and also a fast way of getting the music our there with the click of the thumb.

The bad: Too many choices too many things to consider.

I love the way how the music industry is evolving and empowering those without access to major labels. Most of my discovery came from youtube. And I see myself posting more and more youtube videos in the future. And I also look forward to post from friends. let us all spread the beauty of Celtic music.

 

Welcome to the Musical Dublin

True Grit

True Grit

Essay of life as a Dublin musician in her own words 

by Rachael McCormack

I met Rachael through Fiach Moriarty whom she calls as Dublin’s local music hero. You always start from somewhere and that’s when you meet other people in the business. It is a thriving community of interesting people from all walks of life. Some of them even came from other parts of the globe but got marooned here and well, the rest is history.

She is from north of Dublin and got exposed to music at such an early age. Here are her thoughts about her city and why people never want to leave when they get there:

Well what can I say,100 words wouldn’t be enough about how much I love my hometown of Dublin, it’s one of the only cities that caters for unsigned musicians.
Down every street, every side alley your bound to bump into a musician playing guitar to violin to drums to even the odd thin whistle, especially around Temple Bar the carnival atmosphere in the square is pretty special, I myself would be seen walking the streets with the guitar on my back going to a gig.
As a very young child I’ve always wanted to play music.

courtesy of the Temple Bar website

courtesy of the Temple Bar website

I can think as far back as 6yrs of age when I’d be tugging at my mams jumper saying I want a guitar, or I’d make one out of a shoe box and shoe laces hahahaha. So Dublin to me is one big song with many choruses. Let’s face it, us Irish know how to party, so adding the music element is like water from a tap: It comes naturally I guess,we’re a nation of storytellers and the songs are there to guide us along the way.

With our famous exports as The Frames to The Script (and lets not forget U2),there’s something special about singing in front of a packed live audience. I recently visited the Glor Sessions which is a poetry/singer/songwriter night, where there is no mikes, no amps, just you and your voice and guitar.It’s really intimate and you feel that when you finished each song. I myself have always just wanted to play for people, at so many of my gigs I get at least one person coming up to me saying, I really loved your set, and that one person makes the whole night worth it, and that’s what music should be about, not will I ever be discovered?Or will I ever make it?

To me, I’ve already made it. I’m a musician and that to me is an achievement, from supporting Slumberjet, a Dublin based rock band in the renowned Sugar Club venue,to upstairs in Whelans for the battle of the bands Dublin final, it’s a fantastic city of acceptance, musically speaking, Irish audiences love you for who you are on stage and how unique you are. Us Dubliners are known for being a noisy bunch at gigs. But are always remembered for and are welcomed, and that’s what music is about: a celebration of local talent.

Hopefully in the coming years will just grow and grow in this fastly cosmopolitan city, but the thing is, I’m lucky I’m right in the heart of it, and that’s the best gift of all; the charm of the city will always make me want to play. I once played for 3 people and a dog. Now I’m playing for 300 people in the middle of Marrion square park for the rising stars of 2011. Things can only get better for the Irish music scene.

Dublin, River Liffey at night

Dublin, River Liffey at night

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